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12 Crass Songs by Jeffrey Lewis
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One of the premier exponents of 'antifolk' an urban folk subgenre popular in the cafes, clubs and...
Multi-Task by Omni
Album Watch
RIYL: Preoccupations, Orange Juice, Josef K, Fire Engines, Franz Ferdinand, Parquet Courts, Spoon,...
alternative rock
Awix (3310 KP) rated The Rocky Horror Picture Show (1975) in Movies
Mar 18, 2019
Much-mythologised musical spoof of 50s American pop-culture probably isn't quite as transgressive or shocking as everyone thinks it is, or it would really like to be. Newly-engaged couple Brad and Janet end up at the mansion of the peculiar Dr Frank N. Furter where equally strange experiments are in progress, not to mention dance routines.
Very distinctive if nothing else, even if Richard O'Brien's claims that it's a mash-up of Hammer horror and the Carry On films seems a bit spurious on reflection. The plot is, frankly, incoherent, and becomes increasingly peripheral as the film continues - this is basically just a collection of pastiche rock 'n' roll songs belted out with great gusto by a cast who are really going for it. Luckily, most of the songs are really good. I'm not entirely sure why this has become the type specimen of the modern cult movie, but it's entertaining enough to watch.
Very distinctive if nothing else, even if Richard O'Brien's claims that it's a mash-up of Hammer horror and the Carry On films seems a bit spurious on reflection. The plot is, frankly, incoherent, and becomes increasingly peripheral as the film continues - this is basically just a collection of pastiche rock 'n' roll songs belted out with great gusto by a cast who are really going for it. Luckily, most of the songs are really good. I'm not entirely sure why this has become the type specimen of the modern cult movie, but it's entertaining enough to watch.
CHILLFILTR (46 KP) rated Bottle It In by Kurt Vile in Music
Jun 5, 2019 (Updated Jun 5, 2019)
https://chillfiltr.com/blog/2018/9/3/kurt-vile-loading-zones
If you haven't heard of Kurt Vile yet, you are missing out. His sound more or less defines modern lo-fi folk rock, and his live shows are a staple of music festivals around the world: you might hear him (with support from The Violators) at the Take Root Festival this October in Groningen, Netherlands, or Dublin, or Brooklyn, this November. It's a roots band backing this bardic guru of young seekers everywhere.
Some interesting guitar lines through a vocoder, lyrics which feel half sung and half spoken, and a sense that this is the sound of something different, something creative; it's water in this desert of sameness that our pop landscape has become. And there is this feeling that the music here is just a bit raw, very human, and unadorned; it's not exactly alt-folk, it's not exactly anything, it's Kurt Vile.
If you haven't heard of Kurt Vile yet, you are missing out. His sound more or less defines modern lo-fi folk rock, and his live shows are a staple of music festivals around the world: you might hear him (with support from The Violators) at the Take Root Festival this October in Groningen, Netherlands, or Dublin, or Brooklyn, this November. It's a roots band backing this bardic guru of young seekers everywhere.
Some interesting guitar lines through a vocoder, lyrics which feel half sung and half spoken, and a sense that this is the sound of something different, something creative; it's water in this desert of sameness that our pop landscape has become. And there is this feeling that the music here is just a bit raw, very human, and unadorned; it's not exactly alt-folk, it's not exactly anything, it's Kurt Vile.
CHILLFILTR (46 KP) rated PHASES by Chase Atlantic in Music
Jun 5, 2019
In a triumphant return with sophomore full-length record Phases, Chase Atlantic drops HER, the first single, and visits with a waking dream that joins passion with opulence and the innocence of youth. In a stunning video directed by Erik Rojas and Clinton Cave, we run with the young, beautiful, and financially untouchable: through the posh shops, the cobblestone walkways, and deep pockets of Beverly Hills.
We explore the fantasies of attraction and infinite power, in the effortless fusion of genre and aesthetic between the alt-pop and hip-hop of Post Malone and the rock flavor of YUNGBLUD. HER, the latest from Australia’s Chase Atlantic, closes the circle between bad parenting, the corrosive influence of money, and the opportunity for a young man to have the night of his life, while showcasing the rare beauty of talented newcomer Raelynn Harper.
Oh, think her boyfriend might be Christian Dior
I’m getting feelings that I didn’t before
We explore the fantasies of attraction and infinite power, in the effortless fusion of genre and aesthetic between the alt-pop and hip-hop of Post Malone and the rock flavor of YUNGBLUD. HER, the latest from Australia’s Chase Atlantic, closes the circle between bad parenting, the corrosive influence of money, and the opportunity for a young man to have the night of his life, while showcasing the rare beauty of talented newcomer Raelynn Harper.
Oh, think her boyfriend might be Christian Dior
I’m getting feelings that I didn’t before
Awix (3310 KP) rated Mamma Mia: Here We Go Again! (2018) in Movies
Oct 10, 2018
More semi-demented glam-rock-inflected goings-on amongst the Greek islands, distinguished this time by an actual sense of self-awareness of how absurd the whole thing is, an increased focus on younger and more attractive versions of the main characters, and an advertising campaign built around a massive piece of deception (Meryl Streep is only in the film for about two minutes).
I don't know, it's jolly enough I suppose, but one of the things that made the first one so distinctive was the fact it was about randy middle-aged people murdering classic pop songs, which you don't see much of in the cinema. This one is more about randy young people, which is much more commonplace and rather less fun. Also, when I watch a Mamma Mia film I want to see Pierce Brosnan murdering a song, not just being reduced to contributing the odd chorus and standing around in the background. Fairly inoffensive all in all, and quite entertaining.
I don't know, it's jolly enough I suppose, but one of the things that made the first one so distinctive was the fact it was about randy middle-aged people murdering classic pop songs, which you don't see much of in the cinema. This one is more about randy young people, which is much more commonplace and rather less fun. Also, when I watch a Mamma Mia film I want to see Pierce Brosnan murdering a song, not just being reduced to contributing the odd chorus and standing around in the background. Fairly inoffensive all in all, and quite entertaining.
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