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Merissa (11779 KP) rated Masters' Mistress (The Angel Eyes #1) in Books
May 6, 2020
Masters' Mistress is the first book in The Angel Eyes series and it tells the story of a post-apocalyptic world where women have taken over and men are kept as slaves. We start off in the past and then skip to the present where most of the story takes place.
A lot of thought has been given to the structure of this world, and like any, there are good and bad characters in it. Angel is one of the good ones (obviously) and is trying to get her world on a more even-footing. Darla and her cronies disagree and want things to remain as they are. There is some reference to how the two sides are 'at war' but nothing really happens in the book to emphasise that apart from Angel outbidding Darla for Bret.
Bret is the main male character with a huge chip on his shoulder. He has baggage in his past but instead of trying to work through it and let it go, holds it to him like a hot water bottle on a cold night. He wants Angel but doesn't like or trust her. Angel wants him but denies her feelings. This leads to a LOT of back and forth - the majority of the book. I'm all for overwhelming feelings of attraction but not when you do something you really don't want to do. I got a bit annoyed with Angel whenever she would "fall apart when he touched her."
This is a long book with plenty of descriptions in some areas and then not in others. I would have liked a bit more of a view of the world outside their ranch but maybe that is coming in the future books. On the whole, this was an enjoyable read that has a sort of HFN ending that leads you onto the next book.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
A lot of thought has been given to the structure of this world, and like any, there are good and bad characters in it. Angel is one of the good ones (obviously) and is trying to get her world on a more even-footing. Darla and her cronies disagree and want things to remain as they are. There is some reference to how the two sides are 'at war' but nothing really happens in the book to emphasise that apart from Angel outbidding Darla for Bret.
Bret is the main male character with a huge chip on his shoulder. He has baggage in his past but instead of trying to work through it and let it go, holds it to him like a hot water bottle on a cold night. He wants Angel but doesn't like or trust her. Angel wants him but denies her feelings. This leads to a LOT of back and forth - the majority of the book. I'm all for overwhelming feelings of attraction but not when you do something you really don't want to do. I got a bit annoyed with Angel whenever she would "fall apart when he touched her."
This is a long book with plenty of descriptions in some areas and then not in others. I would have liked a bit more of a view of the world outside their ranch but maybe that is coming in the future books. On the whole, this was an enjoyable read that has a sort of HFN ending that leads you onto the next book.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
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Twenty years ago a deadly virus swept the globe, ravaging the population. People died and came back...
Post Apocalyptic Apocalypse Dystopia Dystopian Zombies
ClareR (5589 KP) rated The Wolves of Winter in Books
Mar 11, 2022
I keep doing this. Reading books about pandemics during a pandemic, and then scaring the living daylights out of myself. Thank goodness I’d read Justin Cronin’s The Passage trilogy pre-Covid, because that would really have had me battening down the hatches!
This is about a different flu-like virus, but the mortality rate is far higher than Covid. And then nuclear bombs are also involved, so it’s a pretty full-on start to this remarkable book.
The sensible people move north. In this case, they move to the Yukon, where the virus is less virulent and people can hunt and trap their food. Lynn McBride lives here with what’s left of her family. They’ve carved out a life for themselves and live in relative safety in the barren, white landscape. But they can’t keep everyone away, and soothe outside world starts to encroach in the form of a loner called Jax, and a frankly scary group of people who are intent on seeing the end of the virus, no matter the human cost.
I loved the descriptions of the landscape - I do tend to love a book set in frozen landscapes (Arctic, Antarctic, just somewhere plain cold!), which is odd really, because I can’t think of a worse place to live. It’s a morbid fascination, I suppose. And the descriptions in this book of the cold, the landscape and the difficulties of living there are so evocative. People surviving against the odds always a winning theme.
It wasn’t until I sat down to write this, that I found out that the book was YA. Honestly, it hadn’t even crossed my mind. Ok, there’s no sex, but in my opinion it just seemed too cold anyway 🤷🏼♀️. The main protagonist is in her late teens, and there is a sexual assault and some shooting/ bloodshed. There’s a very cute dog though (also a winning formula for me).
So if you’re feeling brave and like a post-apocalyptic story, you may well fancy reading this. I do wonder if there will be a follow up, because I’d love to know what happens after the final page (it does seem open to that). I’d definitely read it!
This is about a different flu-like virus, but the mortality rate is far higher than Covid. And then nuclear bombs are also involved, so it’s a pretty full-on start to this remarkable book.
The sensible people move north. In this case, they move to the Yukon, where the virus is less virulent and people can hunt and trap their food. Lynn McBride lives here with what’s left of her family. They’ve carved out a life for themselves and live in relative safety in the barren, white landscape. But they can’t keep everyone away, and soothe outside world starts to encroach in the form of a loner called Jax, and a frankly scary group of people who are intent on seeing the end of the virus, no matter the human cost.
I loved the descriptions of the landscape - I do tend to love a book set in frozen landscapes (Arctic, Antarctic, just somewhere plain cold!), which is odd really, because I can’t think of a worse place to live. It’s a morbid fascination, I suppose. And the descriptions in this book of the cold, the landscape and the difficulties of living there are so evocative. People surviving against the odds always a winning theme.
It wasn’t until I sat down to write this, that I found out that the book was YA. Honestly, it hadn’t even crossed my mind. Ok, there’s no sex, but in my opinion it just seemed too cold anyway 🤷🏼♀️. The main protagonist is in her late teens, and there is a sexual assault and some shooting/ bloodshed. There’s a very cute dog though (also a winning formula for me).
So if you’re feeling brave and like a post-apocalyptic story, you may well fancy reading this. I do wonder if there will be a follow up, because I’d love to know what happens after the final page (it does seem open to that). I’d definitely read it!
Eilidh G Clark (177 KP) rated The Sunlight Pilgrims in Books
May 13, 2017
Smashing novel
‘What are you meant to do when a humongous cloud is coming toward you on a sheer mountain drop? He lifts his phone and there are no bars, he can’t even google it. Two eagles spiral out of the cloud, calling to each other, and one has something small gripped in it’s claws. They coast on the wind – each wingspan must be about three feet – and they appear almost still.’
Jenni Fagan’s The Sunlight Pilgrims was published by Windmill Books in 2015 and for me, was a much-anticipated novel. After reading her debut novel, The Panopticon, my expectations were high and I was not disappointed. This is a pre-apocalyptic novel set in a fictional Scottish town of Clachan Fells in the not too distant future of 2020. The novel explores the lives of a community of eccentric individuals living in close the proximity of a caravan park. As the temperatures plunge into extreme minuses, the residents are faced with a bleak and uncertain future, not only of their own survival, but also the survival of the human race.
The most interesting thing about this novel is that on the surface, nothing really happens, yet it would be wise to look deeper. Amongst the daily challenges of individual lives, there lurks a thought provoking tale of identity, community, and environment.
The novel is written from the perspective of two of its main characters Stella – a transgender teenager and Dylan a Londoner who recently moves to Clachan Fells. The most interesting thing about these two characters is the perspectives that each individual has about place. For Stella, her world is a difficult place full of prejudice and rejection, even from her own father. Whilst her own personal identity is unquestionable, the community rejects her choices. This point of view provokes the reader to question the nature of identity, a topic often argued when discussing Scotland. From Stella’s point of view, her own identity is progressive, changing, developing while the society around her static. Alistair’s point of view however, allows the reader a modern and open approach. Described in the prologue as the Incomer (notice the capitalization) directs the reader towards Margaret Elphinstone’s novel The Incomer published in 1987. Elphinstone’s novel is a post-apocalyptic tale and, like Fagan’s, novel examines the question of identity. Thomas Christie suggests in Notional Identities, that Elphinstone is ‘depicting the country’s ability to adapt to extreme change¬ ̶ carving a form of localism from the bones of globalisation ̶ she recognises its progressive aptitude to embrace forces of social transformation while retaining recognisable core cultural imperatives.’ It is no coincidence that Fagan has subtly steered the reader to this novel; identity is clearly a topic that the author is keen to explore. Dylan is a progressive character in Fagan’s novel. Discovering Stella identity very early in the novel, the character never questions her choices or that of Mother who has two partners. Likewise, this progressive thinking expands to the other residents of the caravan park, which houses a prostitute, an alien worshipper, and a disabled man with a crooked back who worships the sky. Not only does Dylan accept people for who they are; his deep connection to the environment makes him instinctive as opposed to the more rational thinkers of the world.
Unlike many modern writers, Fagan raises more questions about society and identity than she answers. This is an interesting technique as it leaves the reader to question the novel as opposed to question to authors own political and societal views. That said there is no doubt that this is a Scottish novel. The story is steeped in Scottish mythical symbolism such as the blackbird that lands on a fence post with his eyes reflecting a vast mountain range, to the eagles and stag’s on the mountains. In addition, the characters take on mythical persona’s including a giant, a girl with second sight, and a moon polisher. With oral tales of Sunlight Pilgrims highlighting the Scottish oral storytelling tradition, and a poetic sentence structure done in true Fagan style this novel feels truly Scottish.
I would highly recommend this postmodern novel, which urges the reader to look beyond society and address the problems of ego and the rational mind in order to create a progressive unified world where outsiders are welcomed as incomers – a prevalent issue in today’s society.
Jenni Fagan’s The Sunlight Pilgrims was published by Windmill Books in 2015 and for me, was a much-anticipated novel. After reading her debut novel, The Panopticon, my expectations were high and I was not disappointed. This is a pre-apocalyptic novel set in a fictional Scottish town of Clachan Fells in the not too distant future of 2020. The novel explores the lives of a community of eccentric individuals living in close the proximity of a caravan park. As the temperatures plunge into extreme minuses, the residents are faced with a bleak and uncertain future, not only of their own survival, but also the survival of the human race.
The most interesting thing about this novel is that on the surface, nothing really happens, yet it would be wise to look deeper. Amongst the daily challenges of individual lives, there lurks a thought provoking tale of identity, community, and environment.
The novel is written from the perspective of two of its main characters Stella – a transgender teenager and Dylan a Londoner who recently moves to Clachan Fells. The most interesting thing about these two characters is the perspectives that each individual has about place. For Stella, her world is a difficult place full of prejudice and rejection, even from her own father. Whilst her own personal identity is unquestionable, the community rejects her choices. This point of view provokes the reader to question the nature of identity, a topic often argued when discussing Scotland. From Stella’s point of view, her own identity is progressive, changing, developing while the society around her static. Alistair’s point of view however, allows the reader a modern and open approach. Described in the prologue as the Incomer (notice the capitalization) directs the reader towards Margaret Elphinstone’s novel The Incomer published in 1987. Elphinstone’s novel is a post-apocalyptic tale and, like Fagan’s, novel examines the question of identity. Thomas Christie suggests in Notional Identities, that Elphinstone is ‘depicting the country’s ability to adapt to extreme change¬ ̶ carving a form of localism from the bones of globalisation ̶ she recognises its progressive aptitude to embrace forces of social transformation while retaining recognisable core cultural imperatives.’ It is no coincidence that Fagan has subtly steered the reader to this novel; identity is clearly a topic that the author is keen to explore. Dylan is a progressive character in Fagan’s novel. Discovering Stella identity very early in the novel, the character never questions her choices or that of Mother who has two partners. Likewise, this progressive thinking expands to the other residents of the caravan park, which houses a prostitute, an alien worshipper, and a disabled man with a crooked back who worships the sky. Not only does Dylan accept people for who they are; his deep connection to the environment makes him instinctive as opposed to the more rational thinkers of the world.
Unlike many modern writers, Fagan raises more questions about society and identity than she answers. This is an interesting technique as it leaves the reader to question the novel as opposed to question to authors own political and societal views. That said there is no doubt that this is a Scottish novel. The story is steeped in Scottish mythical symbolism such as the blackbird that lands on a fence post with his eyes reflecting a vast mountain range, to the eagles and stag’s on the mountains. In addition, the characters take on mythical persona’s including a giant, a girl with second sight, and a moon polisher. With oral tales of Sunlight Pilgrims highlighting the Scottish oral storytelling tradition, and a poetic sentence structure done in true Fagan style this novel feels truly Scottish.
I would highly recommend this postmodern novel, which urges the reader to look beyond society and address the problems of ego and the rational mind in order to create a progressive unified world where outsiders are welcomed as incomers – a prevalent issue in today’s society.
Ross (3282 KP) rated Black Mirror - Season 2 in TV
Jan 15, 2018
Series 2 includes 4 more episodes (three plus a Christmas special) of the cult Charlie Brooker series exploring the use of technology and extrapolating it to show where society could be headed.
We explore the use of our online personalities to recreate ourselves after we die (though this quickly became more about robots than the differences in our personalities between online and the real world so for me a trick missed to an extent).
We see a post-apocalyptic world where one woman wakes up to be haunted by people filming her on mobile phones while she runs from psychopaths trying to kill her. This is a look at how obsessed the world is with filming and documenting everything, even unpleasant events happening to other people, and voyeurism as a whole. There is a massive twist at the end which makes what was a jarring, inconsistent episode (as in doesn't fit in with the rest of the series) into an exceptional look at an aspect of the world (spoiler avoided).
I found the Waldo episode to be incredibly irritating. As if a rude, cartoonish character with tiny hands could ever really be taken seriously in the world of politics?! Waldo shows an echo of Ali G's rise to fame but takes it to the next level. While I don't think we are meant to actually find Waldo funny, I found him very annoying and a step too far. Weirdly he reminded me of the banter comedy in Nathan Barley (it turns out this story was originally written for Nathan Barley).
The Christmas special was possibly my favourite of the episodes, Rafe Spall and Jon Hamm (Don Draper) living in awkward circumstances in a cabin. We are led to believe they are working at a remote mining operation or some such and finally start to bond over Christmas dinner and open up. They share stories about their lives before they moved, all three showing the benefits and perils of the technology whereby people can stream their lives to others (and get real-time dating advice) but can also block others from their lives (whereby they are pixelated to you and vice versa). Parts of this story were truly harrowing, how a happy relationship could quickly turn sour and the technology mean years of upset that could be avoided.
We explore the use of our online personalities to recreate ourselves after we die (though this quickly became more about robots than the differences in our personalities between online and the real world so for me a trick missed to an extent).
We see a post-apocalyptic world where one woman wakes up to be haunted by people filming her on mobile phones while she runs from psychopaths trying to kill her. This is a look at how obsessed the world is with filming and documenting everything, even unpleasant events happening to other people, and voyeurism as a whole. There is a massive twist at the end which makes what was a jarring, inconsistent episode (as in doesn't fit in with the rest of the series) into an exceptional look at an aspect of the world (spoiler avoided).
I found the Waldo episode to be incredibly irritating. As if a rude, cartoonish character with tiny hands could ever really be taken seriously in the world of politics?! Waldo shows an echo of Ali G's rise to fame but takes it to the next level. While I don't think we are meant to actually find Waldo funny, I found him very annoying and a step too far. Weirdly he reminded me of the banter comedy in Nathan Barley (it turns out this story was originally written for Nathan Barley).
The Christmas special was possibly my favourite of the episodes, Rafe Spall and Jon Hamm (Don Draper) living in awkward circumstances in a cabin. We are led to believe they are working at a remote mining operation or some such and finally start to bond over Christmas dinner and open up. They share stories about their lives before they moved, all three showing the benefits and perils of the technology whereby people can stream their lives to others (and get real-time dating advice) but can also block others from their lives (whereby they are pixelated to you and vice versa). Parts of this story were truly harrowing, how a happy relationship could quickly turn sour and the technology mean years of upset that could be avoided.
Hazel (1853 KP) rated Rotham Race in Books
Jul 4, 2018
This ARC was provided by the author in exchange for an honest review
Jordan Elizabeth has aced the dystopia genre in her first attempt at a post-apocalyptic story. Set in what remains of the United States in 2057, thirty-seven years after “The Happening”, the country is a broken place. Some states no longer exist and the ones that do are barely inhabitable. Civilian lives have been reduced to mere survival rather than living, however, there is one small hope. The US lost a microchip in the desert containing data that would help them restore the country to its better days. The only problem is finding it.
Orphan Troy, aged seventeen, is determined to be the one to locate the precious microchip. For ten years, bike riders have joined the “Rotham Race” into the desert in hopes of being the one to bring it back and return the US back to its former glory, however, within that decade, only one rider has ever returned. Undeterred, Troy sets off from Maryland to New York to sign up for the biggest race in history.
Along the way, Troy meets Barbie, a seventeen-year-old mechanic who helps him fix up his bike. Whilst staying with her, awaiting new cycle parts, the teenage pair falls in love, giving Troy a strong reason to make sure he wins and returns from the race.
Unbeknownst to the racers, the government has secrets that render the race a futile endeavour. Whilst hundreds hope for a victory, there is almost no chance of anyone returning.
Rotham Race is an exciting page-turner and original concept. Dystopian stories have been recycled again and again but Jordan Elizabeth brings something new to the table. The characters are likeable and strong, and the storyline is carefully thought out and gripping.
As a novella, Rotham Race is not very long and can be read in a matter of hours. Whilst some people prefer short stories, Jordan Elizabeth has the potential of turning it into a full-length novel or series. Since the story’s conclusion leaves matters unfinished, perhaps there will be a follow-up novella.
Previously, Jordan Elizabeth has concentrated on short fantasy stories but, as Rotham Race proves, her strengths lie in science fiction and dystopia. Rotham Race would not look out of place amongst popular novels such as Divergent and The Hunger Games.
Jordan Elizabeth has aced the dystopia genre in her first attempt at a post-apocalyptic story. Set in what remains of the United States in 2057, thirty-seven years after “The Happening”, the country is a broken place. Some states no longer exist and the ones that do are barely inhabitable. Civilian lives have been reduced to mere survival rather than living, however, there is one small hope. The US lost a microchip in the desert containing data that would help them restore the country to its better days. The only problem is finding it.
Orphan Troy, aged seventeen, is determined to be the one to locate the precious microchip. For ten years, bike riders have joined the “Rotham Race” into the desert in hopes of being the one to bring it back and return the US back to its former glory, however, within that decade, only one rider has ever returned. Undeterred, Troy sets off from Maryland to New York to sign up for the biggest race in history.
Along the way, Troy meets Barbie, a seventeen-year-old mechanic who helps him fix up his bike. Whilst staying with her, awaiting new cycle parts, the teenage pair falls in love, giving Troy a strong reason to make sure he wins and returns from the race.
Unbeknownst to the racers, the government has secrets that render the race a futile endeavour. Whilst hundreds hope for a victory, there is almost no chance of anyone returning.
Rotham Race is an exciting page-turner and original concept. Dystopian stories have been recycled again and again but Jordan Elizabeth brings something new to the table. The characters are likeable and strong, and the storyline is carefully thought out and gripping.
As a novella, Rotham Race is not very long and can be read in a matter of hours. Whilst some people prefer short stories, Jordan Elizabeth has the potential of turning it into a full-length novel or series. Since the story’s conclusion leaves matters unfinished, perhaps there will be a follow-up novella.
Previously, Jordan Elizabeth has concentrated on short fantasy stories but, as Rotham Race proves, her strengths lie in science fiction and dystopia. Rotham Race would not look out of place amongst popular novels such as Divergent and The Hunger Games.