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Carmen Dupre (14 KP) rated The Last of Us in Video Games
Feb 2, 2020
A game set 20 years into the zombie apocalypse. You play as Joel, an old time survivor who is given the task of taking Ellie, a seemingly normal teenage girl, across the US. With a great script, some beautiful animation and scenery and a journey showcasing many different sides of a post-apocalyptic world, you get to decide yourself whether zombies or humans make up the real threat.
Goddess in the Stacks (553 KP) rated Station Eleven in Books
Sep 6, 2017
Okay?
This was marketed as a dystopia, but it’s really more post-Apocalypse fiction. There’s a fine line between the two – and sometimes things can straddle it – but I wouldn’t call this a dystopia. So I’m a little disappointed there. Otherwise, it was good. I’m left not really sure how I should feel about it, though. I prefer books that make me feel a certain way – romances make me happy, non-fiction usually makes me feel smarter, like I’ve learned something, graphic novels make me nostalgic. I’m even okay with books like The Fault in Our Stars, or The Crown’s Game, that left me a weeping mess. Station Eleven just left me with an “…o-kay?” Like, what am I supposed to do with this? Unlike most dystopias, I don’t feel like it was a social commentary because it’s post-apocalyptic. (In this case, a virus swept through and killed about 99% of Earth’s population.) But at the same time, because it details events both before and after the apocalypse, I feel like it was trying to be?
See my full review at https://goddessinthestacks.wordpress.com/2017/09/02/book-review-station-eleven/
See my full review at https://goddessinthestacks.wordpress.com/2017/09/02/book-review-station-eleven/
Johnny-Mac Willcox-Beney (10 KP) rated The Quiet Year in Tabletop Games
Jul 20, 2019
Gorgeous illustrations (5 more)
No prep needed
Good inspiration for post apocalyptic settings
Great first TTRPG
Cheap! ($6)
Replayable for different communities
Fantastic Post-Apocalyptic Story Gaming
Absolutely gorgeous single-session GMless story centered game. Players must navigate a year in a community after an apocalypse. Each week is represented by a card from a standard 52 card deck, each suit a season.
When a card is drawn it introduces a new choice to be made by a player about your community, with limited organised discussions about these choices replicating failures in communications in real communities. This choice is then represented on a map of your community that you build as you play.
This game is absolutely brilliant as a first TTRPG, a first session to build the setting for a post apocalyptic game in another system or just as a standalone one shot. It only takes one 2-3 hour session, some paper, pens, 6 sided dice, a standard deck of playing cards and the PDF. The questions it asks prompt very interesting ideas about your community to build somewhere that feels alive and fully fleshed out. A great buy!
When a card is drawn it introduces a new choice to be made by a player about your community, with limited organised discussions about these choices replicating failures in communications in real communities. This choice is then represented on a map of your community that you build as you play.
This game is absolutely brilliant as a first TTRPG, a first session to build the setting for a post apocalyptic game in another system or just as a standalone one shot. It only takes one 2-3 hour session, some paper, pens, 6 sided dice, a standard deck of playing cards and the PDF. The questions it asks prompt very interesting ideas about your community to build somewhere that feels alive and fully fleshed out. A great buy!
_RainAllTheTime (17 KP) rated A Quiet Place (2018) in Movies
Jan 9, 2020
So I am very late into the game of watching this film and honestly, I'm so glad I did!
This film was not at all what I expecting.
Firstly, the whole film has only two short scenes of actual dialogue.
The film centres around a couple and their kids trying to survive in a post apocalyptic world with creatures that will eat you if you make a sound.
The creatures are blind but have supersonic hearing so will hear the littlest of sounds, even from very far away, and will devour anything in their path.
Even with the lack of dialogue, the film hits a very emotional punch, but honestly, the film doesn't need any dialogue as it already portrays the perfect atmosphere without them.
The family communicate through sign language, something I assume they knew post apocalypse, as their daughter is deaf.
Everyone in the film plays such great parts and conveys such raw emotions.
If you are a horror or even a thriller fan, I HIGHLY recommend this film.
This film was not at all what I expecting.
Firstly, the whole film has only two short scenes of actual dialogue.
The film centres around a couple and their kids trying to survive in a post apocalyptic world with creatures that will eat you if you make a sound.
The creatures are blind but have supersonic hearing so will hear the littlest of sounds, even from very far away, and will devour anything in their path.
Even with the lack of dialogue, the film hits a very emotional punch, but honestly, the film doesn't need any dialogue as it already portrays the perfect atmosphere without them.
The family communicate through sign language, something I assume they knew post apocalypse, as their daughter is deaf.
Everyone in the film plays such great parts and conveys such raw emotions.
If you are a horror or even a thriller fan, I HIGHLY recommend this film.
Gruff Rhys recommended California 99 by Jimmie Haskell in Music (curated)
Micky Barnard (542 KP) rated Station Eleven in Books
Oct 15, 2018
Unique post - apocalyptic story
This book is clever both conceptually but also in how it is written. It's been ages since a book has been so thought provoking and made me reflect. I found it to be deep in terms of those previously mentioned aspects but also in terms of character development.
STATION ELEVEN is set around a pandemic that wipes out 99% of the population a day after getting the virus. The story arcs out from the build up to that day and to 20-30 years post-pandemic. I'm not always a fan of long and shifting timelines but I now realise I can be a fan of that if they're as well written as this one. The story jumps back and forth both past and present without losing any flow in the story.
The are multiple characters and povs that are so cleverly interwoven and when a thread was tied up, I went "ahhhh". Most of the story was unpredictable but I admit to guessing the prophet element.
I found this story of potential apocalypse so very realistic that I often reflected on my own mortality in this scenario (day one - I have asthma). I really enjoyed seeing a deconstructed civilisation and what that might look like. The promise of the future was also interesting.
I think Emily St John Mandel is an incredibly talented writer and I would recommend this book to many.
STATION ELEVEN is set around a pandemic that wipes out 99% of the population a day after getting the virus. The story arcs out from the build up to that day and to 20-30 years post-pandemic. I'm not always a fan of long and shifting timelines but I now realise I can be a fan of that if they're as well written as this one. The story jumps back and forth both past and present without losing any flow in the story.
The are multiple characters and povs that are so cleverly interwoven and when a thread was tied up, I went "ahhhh". Most of the story was unpredictable but I admit to guessing the prophet element.
I found this story of potential apocalypse so very realistic that I often reflected on my own mortality in this scenario (day one - I have asthma). I really enjoyed seeing a deconstructed civilisation and what that might look like. The promise of the future was also interesting.
I think Emily St John Mandel is an incredibly talented writer and I would recommend this book to many.
Mariafrancesca (30 KP) rated Skyward in Books
Mar 30, 2019
Funny (2 more)
Character development
Unpredictable twists
It has been a long time since I was captivated by a book so badly I didn’t realised is was 3 am on a week night and I was still reading it. Brandon Sanderson is an amazing writer with a style the flows smoothly. However what I love about this writer is the way he depicts his characters. In a world where bravery is valued over everything (to the point that kids are thaught to blindly sacrifice themselves rather than be marked as a coward), Spensa grew up with the stigma of a coward father. But she is a fighter and she navigates life with the confidence of a hero from the past, only to find out - when faced with reality - that being an hero is not that easy. Skyward is a book about many things: spaceships, alien war, AI and human relations with them, post apocalypse society, and search for the truth. But mostly is the journey of a teenager who though she had everything figured it out only to discover that between black and white there are all the shades of colour and that everything in life comes at a price.
Kelly (279 KP) rated The Passage in Books
Dec 4, 2018
In depth, well thought out characters (2 more)
Intelligent plot
A nobody is safe story line!
A ‘could not put it down’ read.
The passage is the first of three books which span centuries, covering before, during and after a vampire apocalypse.
I have to say, I was hooked on this novel from the start. Originally picking it up, without even reading the synopsis or reviews, I was surprised to find out that this is actually a novel about vampires (which I did not expect from the title). The build up to the vampire apocalypse is well thought out, flawless planned and written, demonstrating expert skill by Justin Cronin.
The characters are complex, and demonstrate both strengths and flaws, nobody is perfect in this novel not even Amy or Peter, who are the main characters the story centres around. We grow to love these characters, just as much as we grow to strongly dislike characters such as Babcock and Grey. I believe that the emotional connection that I was able to apply to these characters, is what drew me further into the novel. Equally all characters face hardships during the novel, some worse than others, but I found myself wishing that those characters I deemed to be good, would face better times, and those who I felt were bad individuals would soon face their comeuppance. Good or bad however, Cronins’ concentration on the back grounds of the characters does allow us to emphasise and understand why the primary characters within the novel act the way they did, even if this was in conflict with our own values and morals.
As the story unravels, Cronin does jump between different time periods (pre, during and post apocalypse). Although Cronin does give each period a fair amount of time within the book, I did find it difficult to leave the characters from one period behind, in order to move onto another, partially due to the attachment that I had created with the characters. Although the time jumps were carried out at deliberate timings and are not too frequent, I did find them a little distracting.
The story itself makes sense as a stand alone novel, but makes even more sense when read with the rest of the series. When read with the other two novels, The Passage is merely a scene setting novel, for the books that are to come, and as such, has a lot less of a biblical undertone than the series as an entirety (there are a lot of references to the Old Testament in the books that follow). Despite this, the book is a highly enjoyable read, and is not your usual vampire/ apocalyptic novel.
I have to say, I was hooked on this novel from the start. Originally picking it up, without even reading the synopsis or reviews, I was surprised to find out that this is actually a novel about vampires (which I did not expect from the title). The build up to the vampire apocalypse is well thought out, flawless planned and written, demonstrating expert skill by Justin Cronin.
The characters are complex, and demonstrate both strengths and flaws, nobody is perfect in this novel not even Amy or Peter, who are the main characters the story centres around. We grow to love these characters, just as much as we grow to strongly dislike characters such as Babcock and Grey. I believe that the emotional connection that I was able to apply to these characters, is what drew me further into the novel. Equally all characters face hardships during the novel, some worse than others, but I found myself wishing that those characters I deemed to be good, would face better times, and those who I felt were bad individuals would soon face their comeuppance. Good or bad however, Cronins’ concentration on the back grounds of the characters does allow us to emphasise and understand why the primary characters within the novel act the way they did, even if this was in conflict with our own values and morals.
As the story unravels, Cronin does jump between different time periods (pre, during and post apocalypse). Although Cronin does give each period a fair amount of time within the book, I did find it difficult to leave the characters from one period behind, in order to move onto another, partially due to the attachment that I had created with the characters. Although the time jumps were carried out at deliberate timings and are not too frequent, I did find them a little distracting.
The story itself makes sense as a stand alone novel, but makes even more sense when read with the rest of the series. When read with the other two novels, The Passage is merely a scene setting novel, for the books that are to come, and as such, has a lot less of a biblical undertone than the series as an entirety (there are a lot of references to the Old Testament in the books that follow). Despite this, the book is a highly enjoyable read, and is not your usual vampire/ apocalyptic novel.
Kelly (279 KP) rated Year One: Chronicles of The One in Books
Jan 8, 2019
Interesting characters (1 more)
Use of fantasy mixed into the apocalypse
Post apocalyptic with a sprinkle of fairy dust!
Originally purchasing this based on my previous purchases, I have to honestly confess that I had never heard of Nora Roberts! How I have missed this author, I do not know. I have thoroughly enjoyed this book, and will definitely be reading the remainder of the series.
Year One is the first in the three novel series - The Chronicles of The One. The novel itself definitely has undertones of Stephen Kings ‘The Stand’, and follows a similar format with the bulk of the worlds population being wiped out by a mysterious infection, leaving behind the survivors, who quickly divide into a good/ light side or bad/dark side. Unlike The Stand, which to me had slight biblical undertones, the unique selling point of Year One, is the addition of the uncanny’s, magical beings who have been living amongst us, some knowingly different, others benign until the doom releases their powers. I felt this added a new twist to the common post apocalyptic format.
I felt that the characters were varied and relatable within the story. Nora Toberts clearly spent a lot of time creating a varied population for cast, which helped their reactions within the story become more believable.
There is a lot going on within the story,which jumps between places and people as well as over the course of months, but as a reader I found this was necessary for the plot to develop. Surprisingly, despite all of the jumps, the story is still a relatively easy read. Throughout the narrative, I also find that Roberts gives very clear clues as to the direction that the next books will take, through the dreams/ visions of the characters.
The weakest part of the novel for me was the start, which is why I have only scored this a 9, rather than 10. It is probably me being picky, but I would have preferred another 50-100 pages giving me a little bit more background to some of the characters prior to the doom. I felt the background for some of the characters was there, but for others was a little sketchy, although ultimately this did not stop me engaging with them in the long term.
Overall, I highly recommend this book for anyone who enjoys fantasy and, or post apocalyptic novels. It is an interesting, enjoyable and easy read.
Year One is the first in the three novel series - The Chronicles of The One. The novel itself definitely has undertones of Stephen Kings ‘The Stand’, and follows a similar format with the bulk of the worlds population being wiped out by a mysterious infection, leaving behind the survivors, who quickly divide into a good/ light side or bad/dark side. Unlike The Stand, which to me had slight biblical undertones, the unique selling point of Year One, is the addition of the uncanny’s, magical beings who have been living amongst us, some knowingly different, others benign until the doom releases their powers. I felt this added a new twist to the common post apocalyptic format.
I felt that the characters were varied and relatable within the story. Nora Toberts clearly spent a lot of time creating a varied population for cast, which helped their reactions within the story become more believable.
There is a lot going on within the story,which jumps between places and people as well as over the course of months, but as a reader I found this was necessary for the plot to develop. Surprisingly, despite all of the jumps, the story is still a relatively easy read. Throughout the narrative, I also find that Roberts gives very clear clues as to the direction that the next books will take, through the dreams/ visions of the characters.
The weakest part of the novel for me was the start, which is why I have only scored this a 9, rather than 10. It is probably me being picky, but I would have preferred another 50-100 pages giving me a little bit more background to some of the characters prior to the doom. I felt the background for some of the characters was there, but for others was a little sketchy, although ultimately this did not stop me engaging with them in the long term.
Overall, I highly recommend this book for anyone who enjoys fantasy and, or post apocalyptic novels. It is an interesting, enjoyable and easy read.
Phil Leader (619 KP) rated Heart of Darkness in Books
Nov 14, 2019
This book is undoubtedly most famous today for being the story behind the film Apocalypse Now and really comparisons between the two are inevitable.
The story itself is a story within a story, being related by a sailor on a ship while it is waiting at anchor in the Thames estuary. To pass the time he tells his crewmates of the time he spent several years previously working for a trading consortium in Africa, piloting a boat to the trading station up river to pick up ivory.
His manager is wary of the man who runs the trading station - Mr Kurtz. He believes he is ultimately after his job. It is clear that Kurtz is a very talismanic and polarising figure, some hating him and others talking about him as if he is some sort of deity. The narrator cannot wait to meet him but suffers many delays (including having to repair his boat) before he can set off up river. By the time he does the weight of expectation and anticipation has created his own expectations of what he will find. But what will the reality be?
This is s slim volume, and to be honest a slim plot. But the brilliance is in the telling of the story. Conrad carefully evokes the feeling of the oppressive heat and frustration of not being able to head up the river. But once underway the jungle closes in and is claustrophobic and full of mystery and hidden dangers. The attraction is not in the tale itself but in the way it is told.
By the time the trading post is reached the expectations of Kurtz have been raised in the reader as much as in the narrator and events unfold in an unexpected direction.
As with Apocalypse Now the journey up the river is everything and the eventual destination looms until it consumes the characters and dictates their actions.
A word of caution about the language used. The 'N' word is frequently used and sometimes in a derogatory manner so if this offends it is best to avoid.
Overall, a diverting read and a masterclass in using descriptions to set the tone for the reader. But probably not essential.
The story itself is a story within a story, being related by a sailor on a ship while it is waiting at anchor in the Thames estuary. To pass the time he tells his crewmates of the time he spent several years previously working for a trading consortium in Africa, piloting a boat to the trading station up river to pick up ivory.
His manager is wary of the man who runs the trading station - Mr Kurtz. He believes he is ultimately after his job. It is clear that Kurtz is a very talismanic and polarising figure, some hating him and others talking about him as if he is some sort of deity. The narrator cannot wait to meet him but suffers many delays (including having to repair his boat) before he can set off up river. By the time he does the weight of expectation and anticipation has created his own expectations of what he will find. But what will the reality be?
This is s slim volume, and to be honest a slim plot. But the brilliance is in the telling of the story. Conrad carefully evokes the feeling of the oppressive heat and frustration of not being able to head up the river. But once underway the jungle closes in and is claustrophobic and full of mystery and hidden dangers. The attraction is not in the tale itself but in the way it is told.
By the time the trading post is reached the expectations of Kurtz have been raised in the reader as much as in the narrator and events unfold in an unexpected direction.
As with Apocalypse Now the journey up the river is everything and the eventual destination looms until it consumes the characters and dictates their actions.
A word of caution about the language used. The 'N' word is frequently used and sometimes in a derogatory manner so if this offends it is best to avoid.
Overall, a diverting read and a masterclass in using descriptions to set the tone for the reader. But probably not essential.