
Homosexuality and Italian Cinema: From the Fall of Fascism to the Years of Lead
Book
This book is the first to establish the relevance of same-sex desires, pleasures and anxieties in...

England and the 1966 World Cup: A Cultural History
Book
England and the 1966 World Cup presents a cultural analysis of what is considered a key 'moment of...

Awix (3310 KP) rated On the Town (1949) in Movies
Nov 15, 2020
Made in 1949, and you can almost taste the buoyancy and optimism of post-war America: there are no social issues to be explored in this film, which is all about being young and carefree and enjoying yourself. Subverts expectations by having some of the girls be much more romantically pro-active than the boys they encounter; this is rather charming and funny. Still, one of those musicals where a lot of the songs are slightly forgettable, but Gene Kelly and Ann Miller dance up a storm every time they get the chance. It's almost pure froth, but rather touching and enormously likeable.

In Dreams Begin Responsibilities and Other Stories
Book
Delmore Schwartz became the voice of a new generation, when 'In Dreams Begin Responsibilities' was...

Experimental Music: Cage and Beyond
Book
Michael Nyman's book is a first-hand account of experimental music from 1950 to 1970. First...

Survival Instincts
Book
Civilization ended long before Lynn Tanner was born. Wild animals roam the streets, but mankind is...
Lesbian Survival

The Birthday of Eternity (Comfort & Company, #2)
Book
L.A. private investigators Kit and Henry become entangled in the city's robust post-WWII occult...
Historical Mystery Private Dectectve Series

Sarah (7799 KP) rated Ghosts of War (2020) in Movies
Nov 9, 2020
Right from the start, this opens with your usual cliched group of soldiers that you’d find in any war film. Brenton Thwaites is Chris, the boss and leader, you have Skylar Astin as Eugene, the brains/intellectual, Kyle Gallner as the odd and trouble sniper Tappert, Alan Ritchson as a typical macho man and finally Theo Rossi as the filler. So far, so generic, and other than Tappert who gets a decent bit of creepy character development later on, the rest of the main group are virtually one dimensional. Which is a shame as the cast are a decent group of actors that have been let down by the poor writing. Although I did enjoy Billy Zane popping up with a intentionally cheesy blink and you’ll miss it cameo as a Nazi with horrific German accent.
The film begins like your typical war movie; a group of soldiers working their way across country to reach their destination. It’s nothing we haven’t seen before. However what helps lift this is a rather moving and poignant opening quote, and a score that accompanies this very well. The score in this would be at home on any dramatic war film, and almost seems out of place in a horror film. It gives this a feeling that it’s a lot more epic and grand than it actually turns out to be.
What really drags this film down is when the group arrive at the aforementioned chateau and begin to experience all of the supernatural going’s on. Aside from a a couple of potentially creepy scenes, the jump scares are tired and predictable and the ghosts look like every other spook that’s been in a modern day horror film recently. It reeks of a below average, typical ghost film with some hit and miss special effects (albeit with an respectable amount of blood and gore) and had it continued on like this, it would’ve been completely forgettable. However throughout the scenes in the chateau there are hints that there is something deeper and more sinister going on, and it starts to pick up again when the group encounter a party of Nazi soldiers trying to enter the building. Things start to get a little weird and confusing and then a big reveal in the last 20 minutes completely shifts this film into something you never expected. I didn’t see this particular twist coming and for me, this made this movie more than just a sub par horror film. The reveal has been met with mixed reviews from critics and reviews alike, but I think it injects some much needed enjoyment and intrigue – it’s just a shame we have to wait over an hour to get there. The entire twist and ending is rather disturbing and also quite moving and emotional, and the final scene, whilst one we’ve seen done many times before, did make this a satisfying and darkly entertaining end.
Ghosts of War starts off as a below average clichéd war horror film, however it you can get through the first hour, the ending packs a decent, enjoyable and rather surprising punch. It’s just a shame the first two acts don’t match up to the ending.

Trauma: From Lockerbie to 7/7: How Trauma Affects Our Minds and How We Fight Back
Book
The Ancient Greeks called it 'trauma'. During the First World War it was known as 'shellshock'. Only...