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What feels like a gimmick or stunt casting (what if the Kelvin timeline encountered Q far earlier than they should) becomes a well put together adventure, anchored by the start in the Prime Universe. Q initially approaches Captain Picard, (now Ambassador) to console him over the death of Spock. He drops the bombshell that Spock didn't die, but set the alternate time line events in motion. Q of course, can't help but meddle, and challenges Kevlin Kirk to solve a true no win scenario by flinging the Enterprise and crew far into the future, where the events of the Dominion War ended far differently (and catastrophically) for the Federation.

This "post-apocalyptic" style story works incredibly well, and the cameos by established characters from down the line are met with great amounts of fun and just the right bit of timing. My one complaint is Kirk, who seems reactionary throughout the tale, and never manages to proactively become the hero (in fact, it is Spock and Q who solve the problem). But small potatoes, as they say. This was actually the first arc that convinced me to give IDWs Trek comics a chance, and while I disagree with their story telling choices on most of the run, the stories themselves are still entertainingly told. This one is no exception.
  
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Awix (3310 KP) rated Kong: Skull Island (2017) in Movies

Feb 9, 2018 (Updated Feb 9, 2018)  
Kong: Skull Island (2017)
Kong: Skull Island (2017)
2017 | Action, Sci-Fi
The Vietnam Movie That Time Forgot
Surprisingly effective and entertaining attempt to combine classic monster movie structure with a Vietnam War movie vibe. The secret monster-hunting agency of the US government organises an expedition to the mysterious Skull Island; everyone gets more than they bargained for. Is it a spoiler to reveal there's quite a big gorilla called Kong in residence?

Leading players Tom Hiddleston and Brie Larson seem a bit all at sea but there is some good work from the supporting cast, who know just how much of the scenery to chew - Samuel L Jackson, John Goodman, and John C Reilly all raise a smile. The monster mashes are good fun, too. You could probably argue that doing a King Kong movie where Kong never gets off the island kind of misses the point entirely, but this is still arguably the most faithful take on the general tone of the original movie since the 1930s.

Altogether much lighter on its feet and less portentous than the most recent American Godzilla, with which it is in continuity - they don't make a big deal out of this, thankfully, but all-in-all you do rather hope the forthcoming Godzilla: King of the Monsters and Godzilla Vs Kong are closer in style to this than the 2014 movie. Toho fans should stick around for the post-credits bit.