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L.A. Noire
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Amid the post-war boom of Hollywood's Golden Age, Cole Phelps, an LAPD detective is thrown headfirst...
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Murder at an English Séance
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n post–World War I England, foul play at a suspicious séance provokes the delightfully mismatched...
Story: 71 starts as we see Gary Hook (O’Connell) going through his training with his regiment before they get deployed to Belfast to deal with the riot situation. In Ireland the regiment receive their instructions and onto the Catholic side of the war. When the riots get out of hand Gary finds himself on the wrong side of the barrier alone and unarmed in the Irish territory.
With tensions rising Gary finds himself in the middle of the battle not knowing which side to trust as both side are preparing to attack each other as Gary learns the harsh reality of what these riots are causing.
71 puts us into the middle of the Irish riots showing just one soldier’s experience behind enemy lines, this works well. My issue with the story is unless you know the history which I only know the basics you are left kind of wondering why the riots are happening in the first place. Another problem I found was telling what was going on with the supporting characters like who was on whose side which I do understand adds to the mystery but in this situation we should be able to identify them easily. As a film about survival in an urban setting this is great though.
Actor Review
Jack O’Connell: Gary Hook is the young soldier who is on his first mission on the streets on Belfast during the riots of 71, trying to receive a lost weapon he gets separated by his unit and stranded alone behind enemy lines never sure who to trust. Jack is great in this leading role in what was an outstanding year for the young actor.gary
Sam Reid: Lt. Armitage is one of the men that wants to start searching for Gary but constantly gets put down Captain Browning. Sam is solid in this role but doesn’t get enough screen time.
Sean Harris: Captain Sandy Browning is the man running the situation he knows that Gary is alive but really is playing both sides of the battle. Sean is also solid but only in a supporting role.
Killian Scott: Quinn is one of the leaders out trying to kill Gary, he takes his men and boys out on the streets on the hunt for him and will hurt anyone who gets in his way. Killian is good in what seems like one of the primary villains.
Support Cast: 71 has a large supporting cast but working out which side they are on gets confusing at times.
Director Review: Yann Demange – Yann gives us wonderfully shot sequences throughout but not enough back story to the events on the film.
Action: 71 has intensely shot action sequences involved.
Thriller: 71 keeps us on edge as we watch Gary trying to survive the warzone.
War: 71 puts us into a warzone as we see Gary trying to avoid conflict seemingly around every single corner.
Settings: 71 puts us in the warzone of the Belfast streets which really works to pull us into the story.
Special Effects: 71 has great effects when needed without having to just go overboard with them.
Suggestion: 71 is one for fans of the genre but otherwise people might find it slightly hard to keep up with. (War Film Fans Watch)
Best Part: Bomb shock.
Worst Part: Not enough history of the events.
Believability: The riots were real but story is fictional.
Chances of Tears: No
Chances of Sequel: No
Post Credits Scene: No
Similar Too: Behind Enemy Lines
Awards: Nominated for One BAFTA.
Oscar Chances: No
Runtime: 1 Hour 39 Minutes
Trivia: Most scenes within the film were shot in Northern England, not in the film’s setting of Belfast.
Overall: Good history war thriller that is intense but never fully drags you into believing everything.
https://moviesreview101.com/2016/11/08/71-2014/
With tensions rising Gary finds himself in the middle of the battle not knowing which side to trust as both side are preparing to attack each other as Gary learns the harsh reality of what these riots are causing.
71 puts us into the middle of the Irish riots showing just one soldier’s experience behind enemy lines, this works well. My issue with the story is unless you know the history which I only know the basics you are left kind of wondering why the riots are happening in the first place. Another problem I found was telling what was going on with the supporting characters like who was on whose side which I do understand adds to the mystery but in this situation we should be able to identify them easily. As a film about survival in an urban setting this is great though.
Actor Review
Jack O’Connell: Gary Hook is the young soldier who is on his first mission on the streets on Belfast during the riots of 71, trying to receive a lost weapon he gets separated by his unit and stranded alone behind enemy lines never sure who to trust. Jack is great in this leading role in what was an outstanding year for the young actor.gary
Sam Reid: Lt. Armitage is one of the men that wants to start searching for Gary but constantly gets put down Captain Browning. Sam is solid in this role but doesn’t get enough screen time.
Sean Harris: Captain Sandy Browning is the man running the situation he knows that Gary is alive but really is playing both sides of the battle. Sean is also solid but only in a supporting role.
Killian Scott: Quinn is one of the leaders out trying to kill Gary, he takes his men and boys out on the streets on the hunt for him and will hurt anyone who gets in his way. Killian is good in what seems like one of the primary villains.
Support Cast: 71 has a large supporting cast but working out which side they are on gets confusing at times.
Director Review: Yann Demange – Yann gives us wonderfully shot sequences throughout but not enough back story to the events on the film.
Action: 71 has intensely shot action sequences involved.
Thriller: 71 keeps us on edge as we watch Gary trying to survive the warzone.
War: 71 puts us into a warzone as we see Gary trying to avoid conflict seemingly around every single corner.
Settings: 71 puts us in the warzone of the Belfast streets which really works to pull us into the story.
Special Effects: 71 has great effects when needed without having to just go overboard with them.
Suggestion: 71 is one for fans of the genre but otherwise people might find it slightly hard to keep up with. (War Film Fans Watch)
Best Part: Bomb shock.
Worst Part: Not enough history of the events.
Believability: The riots were real but story is fictional.
Chances of Tears: No
Chances of Sequel: No
Post Credits Scene: No
Similar Too: Behind Enemy Lines
Awards: Nominated for One BAFTA.
Oscar Chances: No
Runtime: 1 Hour 39 Minutes
Trivia: Most scenes within the film were shot in Northern England, not in the film’s setting of Belfast.
Overall: Good history war thriller that is intense but never fully drags you into believing everything.
https://moviesreview101.com/2016/11/08/71-2014/
LeftSideCut (3778 KP) rated The Falcon and the Winter Soldier in TV
Apr 24, 2021 (Updated Jul 16, 2021)
Contains spoilers, click to show
On the surface, The Falcon and the Winter Soldier starts off in a familiar fashion. The first couple of episodes feel like a (welcome) return to the earlier days of the MCU, but as the story develops, it just blossoms into so much more.
The narrative mainly focuses on the two titular Avengers taking on a revolutionary group, hell bent on returning to a post snap world. It deals head first with the fallout of Thanos' devastating blow in Infinity War, and the subsequent return of the 3.5 billion people who re-materialised after Endgame, and the issues that came with them. It's good to see that Marvel Studios aren't avoiding these complicated plot points that could have potentially just been swept under the rug.
The series also develops the John Walker/U.S. Agent comic story. Its well realised and Wyatt Russell is fantastic in the role. Daniel Brühl returns as Baron Zemo after an underwhelming narrative in Civil War, and unexpectedly is plain hilarious (and finally in full costume, even if it is for one scene).
As well as all this, fans of the comics are treated to a plethora of potential future stories - The introduction of Madripoor marks the first proper acknowledgement of X-Men material. Lesser known comic characters such as Isiah Bradley, Madame Hydra, Battlestar, Batroc, and Ayo are given screentime. There's even some carrots dangled for a potential Young Avengers adaption with the appearance of Eli Bradley/Patriot (and with Kate Bishop incoming, surely this is a thing)
Perhaps most importantly, TFATWS doesn't shy away from tackling race issues, touching upon real world events, and developing them into the plot. This spills over into the future of Captain America, and what the shield represents to the black community. There are some truly powerful moments of dialogue, especially between Isiah and Sam. It's all handled respectfully, and brings new depth the MCU, as they stride into a more diverse future.
With this series, and the preceding WandaVision, this new phase for the MCU is off to an incredibly strong start, and I'm so excited to see where they take it. Between Falcon rightfully taking the reigns as Captain America, the upcoming Shang Chi movie finally adapting the martial arts corner of Marvel for the MCU, and the tantalising promise of the multiverse, it's a good time to be a Marvel fan.
The narrative mainly focuses on the two titular Avengers taking on a revolutionary group, hell bent on returning to a post snap world. It deals head first with the fallout of Thanos' devastating blow in Infinity War, and the subsequent return of the 3.5 billion people who re-materialised after Endgame, and the issues that came with them. It's good to see that Marvel Studios aren't avoiding these complicated plot points that could have potentially just been swept under the rug.
The series also develops the John Walker/U.S. Agent comic story. Its well realised and Wyatt Russell is fantastic in the role. Daniel Brühl returns as Baron Zemo after an underwhelming narrative in Civil War, and unexpectedly is plain hilarious (and finally in full costume, even if it is for one scene).
As well as all this, fans of the comics are treated to a plethora of potential future stories - The introduction of Madripoor marks the first proper acknowledgement of X-Men material. Lesser known comic characters such as Isiah Bradley, Madame Hydra, Battlestar, Batroc, and Ayo are given screentime. There's even some carrots dangled for a potential Young Avengers adaption with the appearance of Eli Bradley/Patriot (and with Kate Bishop incoming, surely this is a thing)
Perhaps most importantly, TFATWS doesn't shy away from tackling race issues, touching upon real world events, and developing them into the plot. This spills over into the future of Captain America, and what the shield represents to the black community. There are some truly powerful moments of dialogue, especially between Isiah and Sam. It's all handled respectfully, and brings new depth the MCU, as they stride into a more diverse future.
With this series, and the preceding WandaVision, this new phase for the MCU is off to an incredibly strong start, and I'm so excited to see where they take it. Between Falcon rightfully taking the reigns as Captain America, the upcoming Shang Chi movie finally adapting the martial arts corner of Marvel for the MCU, and the tantalising promise of the multiverse, it's a good time to be a Marvel fan.
Day R Survival
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Can you survive in the world destroyed after a nuclear war? With radiation, hunger and diseases...
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Can you survive in the world destroyed after a nuclear war? With radiation, hunger and diseases...
The Man Who Walked Through Walls
Marcel Ayme, Sophie Lewis and Yann Kebbi
Book
A collection of funny and fantastical short stories, Marcel Ayme's The Man Who Walked through Walls...
Sarah (7798 KP) rated Ant-Man and the Wasp (2018) in Movies
Apr 20, 2019
Not bad, but nothing special
The first Ant-Man film was a pleasant surprise and much better than expected, but it was still lacking in some of the magic of the other Marvel films. Sadly Ant-Man and The Wasp suffers even more than the first.
I love Paul Rudd and I think he's the best thing about this film by far, his Scott Lang is nothing other than lovable. The second best things about this film are Michael Douglas who is surprisingly funny and of course Michael Pena, but sadly the rest of the cast fall flat. The bad guys aren't particularly threatening and the whole film lacks any real threat, tension or suspense. I'm also not a big fan of Hope. I have nothing against Evangeline Lilly but I find Hope a little dull and irritating and not endearing in the slightest.
The effects in this are good but after the first film there's nothing particularly remarkable. The plot just seems a bit generic and boring, and the film drags and it isn't even on for 2 hours. I just found the whole thing a bit meh, it's entertaining enough with just enough humour and nods to the other Marvel characters but it's nothing special. What I liked the most was the toy-like end credits sequence. Oh and the post credits scene is totally not worth it. This isn't a bad Marvel film, and certainly isn't anywhere near the likes of Iron Man 3, but it's just a good/average film lacking anything memorable. And that's not good enough when it has to follow something like Infinity War.
I love Paul Rudd and I think he's the best thing about this film by far, his Scott Lang is nothing other than lovable. The second best things about this film are Michael Douglas who is surprisingly funny and of course Michael Pena, but sadly the rest of the cast fall flat. The bad guys aren't particularly threatening and the whole film lacks any real threat, tension or suspense. I'm also not a big fan of Hope. I have nothing against Evangeline Lilly but I find Hope a little dull and irritating and not endearing in the slightest.
The effects in this are good but after the first film there's nothing particularly remarkable. The plot just seems a bit generic and boring, and the film drags and it isn't even on for 2 hours. I just found the whole thing a bit meh, it's entertaining enough with just enough humour and nods to the other Marvel characters but it's nothing special. What I liked the most was the toy-like end credits sequence. Oh and the post credits scene is totally not worth it. This isn't a bad Marvel film, and certainly isn't anywhere near the likes of Iron Man 3, but it's just a good/average film lacking anything memorable. And that's not good enough when it has to follow something like Infinity War.
The Woman with Nine Lives
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