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ClareR (5589 KP) rated Mother May I in Books
Aug 2, 2021
Mother May I was an unputdownable book for me - a high octane thriller, where a mother must follow, to the letter, the instructions of the woman who has kidnapped her infant son.
Bree Cabbat has a storybook life. She wants for nothing, has beautiful children, and a caring, handsome husband. She has come from a life of poverty, and she knows just how lucky she is. Bree doesn’t want anyone to take this life away from her.
When a witch-like character kidnaps her son and tells her that she has to do a job for her - and that she has to follow the instructions to the letter, Bree agrees. She has no other choice. The thought of a child being kidnapped, no matter their age, is horrifying.
As the story progressed, I found myself a little unnerved to find myself empathising with the baby’s kidnapper: she has a pretty compelling reason for her actions. And Bree feels the same way. She has a similar background to the woman, and knows how hard it is to claw your way out of poverty - and how easy it is to fall even lower. The fact that the kidnapper has her baby is ever present in Bree’s mind. She doesn’t forgive her because of her life experiences. Bree just wants to do what the witch has told her to do, and to get her son back.
Bree learns that her husband has kept a pretty big secret, and it has been the cause of not just their own plight. Will their marriage survive this?
To be fair, I wasn’t much concerned with the state of Bree’s marriage for much of this book. I was more interested in the relationship between Bree and her son’s kidnapper.
This book is gripping. I’m warning you now: don’t pick this book up if you know you’re going to have to put it down soon after. You won’t want to!
Another great thriller from Joshilyn Jackson - highly recommended!
Bree Cabbat has a storybook life. She wants for nothing, has beautiful children, and a caring, handsome husband. She has come from a life of poverty, and she knows just how lucky she is. Bree doesn’t want anyone to take this life away from her.
When a witch-like character kidnaps her son and tells her that she has to do a job for her - and that she has to follow the instructions to the letter, Bree agrees. She has no other choice. The thought of a child being kidnapped, no matter their age, is horrifying.
As the story progressed, I found myself a little unnerved to find myself empathising with the baby’s kidnapper: she has a pretty compelling reason for her actions. And Bree feels the same way. She has a similar background to the woman, and knows how hard it is to claw your way out of poverty - and how easy it is to fall even lower. The fact that the kidnapper has her baby is ever present in Bree’s mind. She doesn’t forgive her because of her life experiences. Bree just wants to do what the witch has told her to do, and to get her son back.
Bree learns that her husband has kept a pretty big secret, and it has been the cause of not just their own plight. Will their marriage survive this?
To be fair, I wasn’t much concerned with the state of Bree’s marriage for much of this book. I was more interested in the relationship between Bree and her son’s kidnapper.
This book is gripping. I’m warning you now: don’t pick this book up if you know you’re going to have to put it down soon after. You won’t want to!
Another great thriller from Joshilyn Jackson - highly recommended!
Suswatibasu (1701 KP) rated Born a Crime: Stories from a South African Childhood in Books
Jan 3, 2018
An insider's view of Apartheid
It seems unlikely that comedian Trevor Noah would have ever made it out of the prison of colonialism, apartheid, poverty and violence, yet now he's regarded as one of South Africa's biggest export. His memoir is brutal and harrowing, describing how because of the illegal interracial relationship between his Xhosa mother and his Swiss-German, his birth was actually a crime.
It's hard to imagine that this legal segregation only ended 26 years ago, yet Noah then faced the turbulent legacy of post-apartheid. Being mixed race posed its own problems, as Noah describes never fitting in anywhere, but being accepted to a certain degree because of his 'whiteness' and his chameleon-like ability to adapt to his surroundings.
There are moments which are truly disturbing, as Noah speaks about his violent stepfather and going hungry. In this way, his life can be seen as a story of personal survival, through intelligence and humour, which millions have come to love.
It's hard to imagine that this legal segregation only ended 26 years ago, yet Noah then faced the turbulent legacy of post-apartheid. Being mixed race posed its own problems, as Noah describes never fitting in anywhere, but being accepted to a certain degree because of his 'whiteness' and his chameleon-like ability to adapt to his surroundings.
There are moments which are truly disturbing, as Noah speaks about his violent stepfather and going hungry. In this way, his life can be seen as a story of personal survival, through intelligence and humour, which millions have come to love.
ClareR (5589 KP) rated The Woman on the Bridge in Books
May 29, 2023
This is a wonderful story based on Sheila O’Flanagans own grandmothers experiences.
It’s the 1920’s and Ireland is fighting for its independence. There’s so much going on in this story: the fight for Irelands independence; domestic violence; poverty; tuberculosis; women’s rights; emigration of the Irish to the USA and other European countries.
Winifred O’Leary is a strong woman who wants to be independent, both as a woman and as an Irish woman. The book doesn’t go too much into the ins and outs of the political situation, but I’ve certainly learnt more about what went on during this time. It was a hard time to be living in.
Winnie’s husband certainly experiences a lot of this hardship. He’s imprisoned for his actions with his fellow freedom fighters.
This is a love story as well as a story about the politics at the time. I really enjoyed it and I realise that it was first and foremost a love story - and an enjoyable one at that!
It’s the 1920’s and Ireland is fighting for its independence. There’s so much going on in this story: the fight for Irelands independence; domestic violence; poverty; tuberculosis; women’s rights; emigration of the Irish to the USA and other European countries.
Winifred O’Leary is a strong woman who wants to be independent, both as a woman and as an Irish woman. The book doesn’t go too much into the ins and outs of the political situation, but I’ve certainly learnt more about what went on during this time. It was a hard time to be living in.
Winnie’s husband certainly experiences a lot of this hardship. He’s imprisoned for his actions with his fellow freedom fighters.
This is a love story as well as a story about the politics at the time. I really enjoyed it and I realise that it was first and foremost a love story - and an enjoyable one at that!
Goddess in the Stacks (553 KP) rated Sing, Unburied, Sing in Books
May 14, 2018
I know, I'm late to the party. This book made a big splash back in September - everyone was talking about it, and it won the National Book Award. My library, however, did not have enough copies to go around, and I was late putting a hold on it, so the hold I put on it in January finally came around to my turn!
In Sing, Unburied, Sing, Jesmyn Ward returns to the same neighborhood in Mississippi that Salvage the Bones was written about. (Two of the siblings from Salvage the Bones show up in a scene in Sing.) The story is told from three different viewpoints: Jojo, a thirteen-year-old boy and the main character of the novel, Leonie, his drug-addicted mother, and Richie, the ghost of a boy Jojo's grandfather met in prison.
This book covers so much that it's difficult to categorize - between discrimination and outright bigotry, bi-racial romance and children, drug addiction, poverty, prison life - deep south gothic, I suppose, would be the best description. Sing really only takes place over a couple of days, but it feels much longer, because Jojo's grandfather tells stories of his time in prison decades prior, Leonie reminisces about high school, and there's just this sense of timelessness over the entire novel.
It's not an easy book. These are hard issues to grapple with, and too many people have to live with these issues. Poverty, bigotry, addiction - these things disproportionately affect the black community, and white people are to blame for the imbalance.
I'm not sure how I feel about the ghost aspect of the book; on one hand I feel like people will see the ghost and decide the book is fantasy - that they don't really need to care about the problems the family faces. On the other hand, the ghost allows us to see even more bigotry and inhumanity targeted at black people. So it serves a purpose.
I'm not sure I like this book. But I'm glad I read it. And that's pretty much going to be my recommendation; it's not a fun read, but it's an important one.
You can find all my reviews at http://goddessinthestacks.wordpress.com
In Sing, Unburied, Sing, Jesmyn Ward returns to the same neighborhood in Mississippi that Salvage the Bones was written about. (Two of the siblings from Salvage the Bones show up in a scene in Sing.) The story is told from three different viewpoints: Jojo, a thirteen-year-old boy and the main character of the novel, Leonie, his drug-addicted mother, and Richie, the ghost of a boy Jojo's grandfather met in prison.
This book covers so much that it's difficult to categorize - between discrimination and outright bigotry, bi-racial romance and children, drug addiction, poverty, prison life - deep south gothic, I suppose, would be the best description. Sing really only takes place over a couple of days, but it feels much longer, because Jojo's grandfather tells stories of his time in prison decades prior, Leonie reminisces about high school, and there's just this sense of timelessness over the entire novel.
It's not an easy book. These are hard issues to grapple with, and too many people have to live with these issues. Poverty, bigotry, addiction - these things disproportionately affect the black community, and white people are to blame for the imbalance.
I'm not sure how I feel about the ghost aspect of the book; on one hand I feel like people will see the ghost and decide the book is fantasy - that they don't really need to care about the problems the family faces. On the other hand, the ghost allows us to see even more bigotry and inhumanity targeted at black people. So it serves a purpose.
I'm not sure I like this book. But I'm glad I read it. And that's pretty much going to be my recommendation; it's not a fun read, but it's an important one.
You can find all my reviews at http://goddessinthestacks.wordpress.com
Beckie Shelton (40 KP) rated Saving Grace (Hearthfire Romance, #1) in Books
Feb 8, 2018
Grace Thatcher is the granddaughter of the duke of Salisbury and due to his death and an issue with her and her siblings inheritance is strong armed by her waste of space gambler father, into acquiring, or at least pretending to a husband.Grace feels better her than her younger shy timid sister. What follows is series of events that puts the three main characters of the story in the spotlight. We have Grace, sweet caring and totally unspoiled by her unfortunate upbringing which was untill later life a background of poverty. mr Samuel Preston a kind charming gentleman still grieving for his dead wife Elizabeth but determined to live his life as she would have wanted and lastly Nicholas Sutherland Elizabeth brother a dark bitter gruff man who blames Samuel for the death of his sister and his bent on revenge. Saving Grace is a clean sweet romance which shows the characters evolving through their interaction, i breezed through very quickly and loved seeing the way everyone changed for the better a must read for all historical romance fans..
Eilidh G Clark (177 KP) rated Tony Hogan Bought Me an Ice Cream Float Before He Stole My Ma in Books
May 14, 2017
This is not only a well-written novel but also a powerful commentary on life within the poverty trap.
‘Graffiti and scorch marks, echoes of small fires, decorated doorsteps. Golden Special Brew cans and crushed vodka bottles, bright as diamonds, collected in gutters. Front gardens were filled with mouldy paddling pools and, occasionally, a rust burnished shell of a car. I had never seen anything so beautiful, so many colours, before in grey Aberdeen.’
This is a novel with nothing held back. While the title is light hearted and the cover art bright and cheerful, both are deceiving. The cover shows a silhouette of a young girl holding a giant red balloon against the backdrop of a Scottish suburban town. It is important to address the significance of this image. Readers may recall a similar painting by Banksy, named Girl With Balloon which was originally painted on a wall in London. Beside the painting was engraved “There Is Always Hope”. While Banksy’s painting shows the girl releasing the balloon, possibly representing lost hope or lost innocence, Hudson’s cover shows the girl being lifted by the balloon. Considering this when addressing the text, it is clear that Hudson wished to demonstrate that one can only hold on to hope by not letting go. Critics have described this book as containing bittersweet humour and Hudson cleverly intrudes in the second chapter by saying that this is in fact a ‘humorous cautionary tale’. As soon as you begin reading, expect to get dirt under your nails. The author launches right into the location of the novel using regional Scottish dialect and local Aberdonian vernacular. The story begins with the birth of out protagonist, Janie Ryan. Born to Iris (formally Irene), a single, homeless mother who comes from a line of women described as ‘fishwives to the marrow’, Iris has recently returned from London after trying to change her destiny (not wanting to become her mother). After falling pregnant to a rich and married American man, the relationship breaks down. Iris is forced to return to poverty in the back streets of Aberdeen but is keen to ensure that things have changed,’ I didnae go all the way to fuckin’ London to come back an’ be the same old Irene!’ Unfortunately, Iris falls back into her old ways and for Janie; this has a direct effect on her life. The reader follows the protagonist from her first home to temporary care and then to a string of homes over the UK in some of its poorest areas. Janie watches, as her mother gets involved in some abusive relationships, including one with alcohol, and watches helplessly as her mother loses hope. Towards the latter end of the novel, it is clear that Janie is falling into the same habits as her mother, however, a string of unfortunate event forces her to reassess her life. The end of the novel, like the cover art, is left to the reader’s interpretation. Can Janie break the cycle and make changes to her life, or is she destined to become her mother? This is not only a well-written novel but also a powerful commentary on life within the poverty trap.
Kerry Hudson, Tony Hogan Bought me an Ice Cream Float Before He Stole My Ma, 2012 published by Vintage Books
This is a novel with nothing held back. While the title is light hearted and the cover art bright and cheerful, both are deceiving. The cover shows a silhouette of a young girl holding a giant red balloon against the backdrop of a Scottish suburban town. It is important to address the significance of this image. Readers may recall a similar painting by Banksy, named Girl With Balloon which was originally painted on a wall in London. Beside the painting was engraved “There Is Always Hope”. While Banksy’s painting shows the girl releasing the balloon, possibly representing lost hope or lost innocence, Hudson’s cover shows the girl being lifted by the balloon. Considering this when addressing the text, it is clear that Hudson wished to demonstrate that one can only hold on to hope by not letting go. Critics have described this book as containing bittersweet humour and Hudson cleverly intrudes in the second chapter by saying that this is in fact a ‘humorous cautionary tale’. As soon as you begin reading, expect to get dirt under your nails. The author launches right into the location of the novel using regional Scottish dialect and local Aberdonian vernacular. The story begins with the birth of out protagonist, Janie Ryan. Born to Iris (formally Irene), a single, homeless mother who comes from a line of women described as ‘fishwives to the marrow’, Iris has recently returned from London after trying to change her destiny (not wanting to become her mother). After falling pregnant to a rich and married American man, the relationship breaks down. Iris is forced to return to poverty in the back streets of Aberdeen but is keen to ensure that things have changed,’ I didnae go all the way to fuckin’ London to come back an’ be the same old Irene!’ Unfortunately, Iris falls back into her old ways and for Janie; this has a direct effect on her life. The reader follows the protagonist from her first home to temporary care and then to a string of homes over the UK in some of its poorest areas. Janie watches, as her mother gets involved in some abusive relationships, including one with alcohol, and watches helplessly as her mother loses hope. Towards the latter end of the novel, it is clear that Janie is falling into the same habits as her mother, however, a string of unfortunate event forces her to reassess her life. The end of the novel, like the cover art, is left to the reader’s interpretation. Can Janie break the cycle and make changes to her life, or is she destined to become her mother? This is not only a well-written novel but also a powerful commentary on life within the poverty trap.
Kerry Hudson, Tony Hogan Bought me an Ice Cream Float Before He Stole My Ma, 2012 published by Vintage Books
Hazel (1853 KP) rated Saint Death in Books
Dec 17, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review </i>
What must life be like living in a poor neighbourhood? Every night your sleep is disturbed by gunshots, the people you know slowly disappear each time a gang raids the town, you live in fear for your own life. This is the concept international award-winning author Marcus Sedgwick explores in his latest Young Adult novel. Set in Anapra, one of the poorest communities in Mexico, Sedgwick delivers a story of poverty, gang crime and greed.
A young man – presumably still in his teens – named Arturo is living in a falling down shack, surviving on the small amount he earns at the local garage. Having kept to himself for the past year in order to remain safe, he experiences mixed emotions when his long lost friend turns up on his door stop – if you can call it that – and asks him to win $1000 by gambling at cards to appease a brutal gang leader.
What follows is an intense game against dangerous criminals with only prayers to Santa Muerte – Saint Death – to help Arturo get by. However, in the same way that the gang leaders are obsessed with wealth, Arturo begins to be overcome with greed, putting both himself and his friend in mortal danger.
<i>Saint Death</i> is not a book to be <i>liked</i>, after all, who would be fond of death, pain and violence? Instead it is a story that introduces an alternative culture to the readers – presuming that most will be from the more typical western world. Sedgwick throws us right into the slums of Mexico where religion, superstition, law and safety have an entirely different meaning. We learn that life in these areas is mostly a war between power and poverty, with the wealthy naturally championing over the rest.
Unfortunately <i>Saint Death</i> is a difficult book to read. For a start, it is a little bit boring. Whilst the events may be realistic there is no thrill or enjoyment garnered from reading about them. Understandably, Sedgwick is trying to bring a sense of culture into his work, however there is barely anything that a Young Adult reader can relate to. We are never told Arturo’s age and only assume he his in his teens, however he acts like a much older adult. It is difficult to imagine and comprehend the poverty, gangs and violence when we have not been witness to it ourselves. Whilst attempting to shock, Sedgwick lacks on description making it a challenge to picture the scene in our heads.
Prior to this book, I had only read Sedgwick’s <i>My Sword Hand is Singing</i> (2006), therefore I was unsure what to expect with his latest novel. It was my understanding that he tends to write horror or paranormal novels, whereas <i>Saint Death</i> was a complete change of genre. Of course authors experiment with their writing style all the time; some are successful, others less so. In this instance I personally think Sedgwick fell short of his goal, trying too hard to copy other writers that had influenced him to make this conversion. Whether Sedgwick decides to continue along this theme or revert back to what he has already been successful with remains to be seen, but I am hoping for the latter.
What must life be like living in a poor neighbourhood? Every night your sleep is disturbed by gunshots, the people you know slowly disappear each time a gang raids the town, you live in fear for your own life. This is the concept international award-winning author Marcus Sedgwick explores in his latest Young Adult novel. Set in Anapra, one of the poorest communities in Mexico, Sedgwick delivers a story of poverty, gang crime and greed.
A young man – presumably still in his teens – named Arturo is living in a falling down shack, surviving on the small amount he earns at the local garage. Having kept to himself for the past year in order to remain safe, he experiences mixed emotions when his long lost friend turns up on his door stop – if you can call it that – and asks him to win $1000 by gambling at cards to appease a brutal gang leader.
What follows is an intense game against dangerous criminals with only prayers to Santa Muerte – Saint Death – to help Arturo get by. However, in the same way that the gang leaders are obsessed with wealth, Arturo begins to be overcome with greed, putting both himself and his friend in mortal danger.
<i>Saint Death</i> is not a book to be <i>liked</i>, after all, who would be fond of death, pain and violence? Instead it is a story that introduces an alternative culture to the readers – presuming that most will be from the more typical western world. Sedgwick throws us right into the slums of Mexico where religion, superstition, law and safety have an entirely different meaning. We learn that life in these areas is mostly a war between power and poverty, with the wealthy naturally championing over the rest.
Unfortunately <i>Saint Death</i> is a difficult book to read. For a start, it is a little bit boring. Whilst the events may be realistic there is no thrill or enjoyment garnered from reading about them. Understandably, Sedgwick is trying to bring a sense of culture into his work, however there is barely anything that a Young Adult reader can relate to. We are never told Arturo’s age and only assume he his in his teens, however he acts like a much older adult. It is difficult to imagine and comprehend the poverty, gangs and violence when we have not been witness to it ourselves. Whilst attempting to shock, Sedgwick lacks on description making it a challenge to picture the scene in our heads.
Prior to this book, I had only read Sedgwick’s <i>My Sword Hand is Singing</i> (2006), therefore I was unsure what to expect with his latest novel. It was my understanding that he tends to write horror or paranormal novels, whereas <i>Saint Death</i> was a complete change of genre. Of course authors experiment with their writing style all the time; some are successful, others less so. In this instance I personally think Sedgwick fell short of his goal, trying too hard to copy other writers that had influenced him to make this conversion. Whether Sedgwick decides to continue along this theme or revert back to what he has already been successful with remains to be seen, but I am hoping for the latter.
JT (287 KP) rated Elysium (2013) in Movies
Mar 10, 2020
Neill Blomkamp came pretty much out of nowhere. Having only directed a handful of shorts he was handed $30m by Peter Jackson and told to make any film he wanted. That offer for any up and coming director would be as good as winning the lottery and he didn’t disappoint, making the dystopian District 9 which went on to become a smash hit.
So when it was announced that his next project would be called Elysium there was much talk, excitement and anticipation about what it would entail. Blomkamp again focuses on a dystopian society, L.A. to be exact (but not an Alien in sight). With Earth quite literally turned into a shit hole it’s ravaged by crime, poverty and disease along with an ever growing population just looking to survive.
The rich and wealthy made their escape from the planet and reside on a beautiful man made space station called Elysium. Here there is no poverty or sickness and one can be cured instantly by stepping into a medical pod. Dropped into all of this is Max (Matt Damon), a former convict who is trying to get by in life but who still holds a fascination that one day he too will get to live on Elysium as we find out through an early back story.
Elysium is an enjoyable ride of thrills and spills and as a sci-fi actioner it ticks all the relevant boxes.
When an accident at work leaves him with only a few days to live he steps back into the criminal underworld in order to get himself a one way ticket onto Elysium and cure himself and in the process become a saviour for the suffering hordes on Earth. Blomkamp sticks with District 9′s Sharlto Copley an actor plucked from obscurity and who has gone on to make a real name for himself. Here he plays sleeper agent Kruger complete with distinguished South African accent and beard.
Pairing up with him from the safe confines of Elysium is Jodie Foster’s Delacourt, the Secretary of Homeland Security whose cool and unassuming personality gives her licence to literally blast people from outer space while drinking tea. She wants her place as the next Elysium president and so enlists the help of the slimy John Carlyle (William Fichtner) who helps to organise a reboot program for the station which falls into the wrong hands.
Blomkamp keeps the story very much as close to reality as possible without overstepping the mark. A world of poverty and hardship with the rich living the high life, sound familiar?
Filmed on location in the slums of Mexico as opposed to South Africa it lends itself to real life and the harsh reality that this isn’t a film set built with a large overblown budget but a place where everyday folk have to live. The action is captivating both on Earth and in space. A car chase and data heist that encounters a flying Bugatti Veyron. While in space, ships explode and crash into the tranquil surroundings of normality (well as normal as you can get in 2154).
The shaven headed Damon gives a good account of himself whether it’s delivering the dramatic line or battling through the action – complete with exoskeleton he is always reliable.
So when it was announced that his next project would be called Elysium there was much talk, excitement and anticipation about what it would entail. Blomkamp again focuses on a dystopian society, L.A. to be exact (but not an Alien in sight). With Earth quite literally turned into a shit hole it’s ravaged by crime, poverty and disease along with an ever growing population just looking to survive.
The rich and wealthy made their escape from the planet and reside on a beautiful man made space station called Elysium. Here there is no poverty or sickness and one can be cured instantly by stepping into a medical pod. Dropped into all of this is Max (Matt Damon), a former convict who is trying to get by in life but who still holds a fascination that one day he too will get to live on Elysium as we find out through an early back story.
Elysium is an enjoyable ride of thrills and spills and as a sci-fi actioner it ticks all the relevant boxes.
When an accident at work leaves him with only a few days to live he steps back into the criminal underworld in order to get himself a one way ticket onto Elysium and cure himself and in the process become a saviour for the suffering hordes on Earth. Blomkamp sticks with District 9′s Sharlto Copley an actor plucked from obscurity and who has gone on to make a real name for himself. Here he plays sleeper agent Kruger complete with distinguished South African accent and beard.
Pairing up with him from the safe confines of Elysium is Jodie Foster’s Delacourt, the Secretary of Homeland Security whose cool and unassuming personality gives her licence to literally blast people from outer space while drinking tea. She wants her place as the next Elysium president and so enlists the help of the slimy John Carlyle (William Fichtner) who helps to organise a reboot program for the station which falls into the wrong hands.
Blomkamp keeps the story very much as close to reality as possible without overstepping the mark. A world of poverty and hardship with the rich living the high life, sound familiar?
Filmed on location in the slums of Mexico as opposed to South Africa it lends itself to real life and the harsh reality that this isn’t a film set built with a large overblown budget but a place where everyday folk have to live. The action is captivating both on Earth and in space. A car chase and data heist that encounters a flying Bugatti Veyron. While in space, ships explode and crash into the tranquil surroundings of normality (well as normal as you can get in 2154).
The shaven headed Damon gives a good account of himself whether it’s delivering the dramatic line or battling through the action – complete with exoskeleton he is always reliable.
Suswatibasu (1701 KP) rated Burial Rites in Books
Nov 5, 2017
Remarkable re-telling of an Icelandic murder case
Hannah Kent's detailed historical true crime story is fascinating, as she fills in the gaps about Iceland's last known case to end with the death penalty of a woman.
It isn't a murder mystery, more a fictional portrayal of Agnes Magnusdottir, who was condemned to death after the murder of two men, one of whom was her employer. It surrounds her last months kept in the home of a lawman and his family, as they grew closer to her and as she revealed more about the case to them. She confides in a young assistant priest, Toti, appointed as her spiritual guardian.
Here we find a rather ambiguous story about her so-called heroic employer, who seems to be more callous than what most thought about him. It is moving to read about the intense poverty she faced, and the loveless life she led, forcing people to behave in many different ways. There is a recurrent theme of jealousy throughout the book which shows what people are truly capable of. It is a battle for survival in a harsh, wintry landscape.
It isn't a murder mystery, more a fictional portrayal of Agnes Magnusdottir, who was condemned to death after the murder of two men, one of whom was her employer. It surrounds her last months kept in the home of a lawman and his family, as they grew closer to her and as she revealed more about the case to them. She confides in a young assistant priest, Toti, appointed as her spiritual guardian.
Here we find a rather ambiguous story about her so-called heroic employer, who seems to be more callous than what most thought about him. It is moving to read about the intense poverty she faced, and the loveless life she led, forcing people to behave in many different ways. There is a recurrent theme of jealousy throughout the book which shows what people are truly capable of. It is a battle for survival in a harsh, wintry landscape.
ClareR (5589 KP) rated The Mars Room: A Novel in Books
Jul 30, 2018
A stunning debut.
Romy Hall has been given 2 consecutive life sentences for the murder of her stalker. This novel follows her arrival at prison, and reveals the story of her life in the lead up and at the start of her incarceration. We also meet some of the women who she lives with during this time.
I can see why this book has been nominated for The Man Booker Prize 2018 - it clearly shows how a childhood of poverty and benign neglect can lead to drug addiction and crime. It also shows the awful conditions of the prison that Romy is kept in and the hatred of the guards towards their charges. This isn't an environment of rehabilitation, it's an environment of harsh punishment. Which probably explains the high rates of reoffending.
It's a frustrating book to read, because I think the reader really does start to care about the people that they read about (at least I did), even though the writing doesn't actually invite us to feel for the characters. In fact it's all written in quite a detached way. They are more than just the crime they committed, and this book shows that.
I can see why this book has been nominated for The Man Booker Prize 2018 - it clearly shows how a childhood of poverty and benign neglect can lead to drug addiction and crime. It also shows the awful conditions of the prison that Romy is kept in and the hatred of the guards towards their charges. This isn't an environment of rehabilitation, it's an environment of harsh punishment. Which probably explains the high rates of reoffending.
It's a frustrating book to read, because I think the reader really does start to care about the people that they read about (at least I did), even though the writing doesn't actually invite us to feel for the characters. In fact it's all written in quite a detached way. They are more than just the crime they committed, and this book shows that.