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Lee (2222 KP) rated Parasite (2019) in Movies
Jan 27, 2020 (Updated Jan 27, 2020)
About twenty or so years ago, before the age of social media and all the FOMO and spoilers that comes from having such easy access to the entire movie loving world, a delayed UK release for a movie that had already been out in the US for some months wasn't such a big deal. I can remember buying an imported region 1 DVD of The Blair Witch Project and watching it on Halloween night in the UK, in the comfort of my living room and on the day it was released in the cinema. I was pretty disappointed with what I saw, but that's not my point here. Recently, we seem to be regressing to that period in time once more - not with big releases such as Marvel movies, which we are usually lucky enough to sometimes get a day or so before the US, but with films that could be described as being a little less mainstream. The Lighthouse, Jojo Rabbit, A Beautiful Day in the Neighborhood and the subject of this review, Parasite, have all been subject to such treatment and, along with the delayed release of Disney+, the UK currently seems to be getting a serious shafting. Parasite though is a movie for which I've heard nothing but praise for what seems like forever now. It has received six Oscar nominations and is now receiving a US disc release before it's even released in UK cinemas! Anyway, ranting aside, I did manage to avoid any spoilers for Parasite and was able to go in fairly unclear as to what to expect, and I would urge everyone else to do the same. Consequently, I will try to review it by giving away as little as possible.
Parasite tells the story of the Kim family, living in poverty in a cluttered South Korean basement. When we join them they are all desperately trying to find a spot in their home where they can pick up on a nearby public WiFi hot spot in order to connect their phones to Whatsapp (turns out, it's in the corner of the toilet!). Times are clearly tough and when the mother manages to get a small job putting together pizza boxes at home, the whole family chips in to help. They even have the pleasure of being able to view drunk men staggering down their street and urinating right outside the basement window while they try to eat at their dining room table.
A friend of the son comes to visit him one evening and tells him that he has to go away for a while. He currently has a job teaching English to the daughter of the wealthy Park family and wonders if Ki-woo would like to temporarily take over for him. Despite Ki-woo having no experience in tutoring, Ki-woo is assured by his friend that it will be easy money and, providing he can win over the confidence of the "simple" mother of the house, he'll have no problem. Sure enough, the confident Ki-woo, backed up by a certificate created for him in Photoshop by his sister, manages to land himself a regular tutoring job. Then, with the use of charm, lies and deception, Ki-woo soon manages to secure cushy jobs within the Park household for the rest of his family - art tutor, housekeeper and chauffeur - all being introduced as either old acquaintances or referrals from colleagues rather than family members. And so, the family find themselves having to lead double lives, juggling their own poverty stricken home-life together, along with the separate lives they lead while working for the Park family as work colleagues.
And that is really the basis of the movie. It's an elaborate scheme which, despite being deceptive and dishonest, is a lot of fun to see play out, and at times you really can get behind the Kim family and root for them. Things go comically wrong, in the kind of way that reminded me of a sitcom where a situation involves our stars getting themselves deeper and deeper into something, no matter how hard they try to go along with it and come up with a solution. And then things start to go horribly, even horrifically wrong, courtesy of a number of little twists and shocks.
Don't let the fact that Parasite is a subtitled movie put you off and believe all the hype you come across, as this is a must see movie and I was gripped, on the edge of my seat and thoroughly entertained for the most part. There is a very clear message played out concerning the rich/poor divide - obvious at times, when you see the contrasting effect that a serious storm has on each family - and much subtler at other times. There are some elements though, surrounding the ending of the movie, which I didn't quite buy into and that stopped this from being a full 10 out of 10 from me. I felt there was a clear point where this could and should have ended earlier, but still an incredible movie all the same.
Parasite tells the story of the Kim family, living in poverty in a cluttered South Korean basement. When we join them they are all desperately trying to find a spot in their home where they can pick up on a nearby public WiFi hot spot in order to connect their phones to Whatsapp (turns out, it's in the corner of the toilet!). Times are clearly tough and when the mother manages to get a small job putting together pizza boxes at home, the whole family chips in to help. They even have the pleasure of being able to view drunk men staggering down their street and urinating right outside the basement window while they try to eat at their dining room table.
A friend of the son comes to visit him one evening and tells him that he has to go away for a while. He currently has a job teaching English to the daughter of the wealthy Park family and wonders if Ki-woo would like to temporarily take over for him. Despite Ki-woo having no experience in tutoring, Ki-woo is assured by his friend that it will be easy money and, providing he can win over the confidence of the "simple" mother of the house, he'll have no problem. Sure enough, the confident Ki-woo, backed up by a certificate created for him in Photoshop by his sister, manages to land himself a regular tutoring job. Then, with the use of charm, lies and deception, Ki-woo soon manages to secure cushy jobs within the Park household for the rest of his family - art tutor, housekeeper and chauffeur - all being introduced as either old acquaintances or referrals from colleagues rather than family members. And so, the family find themselves having to lead double lives, juggling their own poverty stricken home-life together, along with the separate lives they lead while working for the Park family as work colleagues.
And that is really the basis of the movie. It's an elaborate scheme which, despite being deceptive and dishonest, is a lot of fun to see play out, and at times you really can get behind the Kim family and root for them. Things go comically wrong, in the kind of way that reminded me of a sitcom where a situation involves our stars getting themselves deeper and deeper into something, no matter how hard they try to go along with it and come up with a solution. And then things start to go horribly, even horrifically wrong, courtesy of a number of little twists and shocks.
Don't let the fact that Parasite is a subtitled movie put you off and believe all the hype you come across, as this is a must see movie and I was gripped, on the edge of my seat and thoroughly entertained for the most part. There is a very clear message played out concerning the rich/poor divide - obvious at times, when you see the contrasting effect that a serious storm has on each family - and much subtler at other times. There are some elements though, surrounding the ending of the movie, which I didn't quite buy into and that stopped this from being a full 10 out of 10 from me. I felt there was a clear point where this could and should have ended earlier, but still an incredible movie all the same.
JT (287 KP) rated Metro Manila (2013) in Movies
Mar 10, 2020
British directors getting behind the camera and undertaking foreign film seems to be paying off in multitude. Just take a look at what Gareth Evans did with The Raid and its sequel. He took his central character and put him through hell while at the same time painting a graphic picture of the film’s surroundings.
Sean Ellis does very similar with Oscar Ramirez (Jake Macapagal), a farmer looking for a better way of life for himself and his family. Their journey takes them from the quiet and panoramic rice fields of northern Philippines, where Oscar struggles to make ends meet, and moves them to the impoverished surroundings of Manila.
Entering the slums and criminal back streets Oscar learns the hard way that his friendly personality will be taken advantage of. With everyone desperate to survive he has to stand on his own two feet for the sake of himself and his family.
The film paints a desperate picture of a big city bathed in crime and poverty and desperate people will do desperate things, especially when they are pushed into a corner as Oscar explains to his friend Ong after taking a job as a security guard driving an armoured truck.
As Ong and Oscar become close Ong explains the job and then his ulterior motives. With the second half of the film playing out as a tense well organised heist, encompassing a twist that is shocking yet wholly satisfying. It can be hard to watch at times and it is emotionally sapping, particularly when Oscar’s wife Mai has to take matters into her own hands by getting a job working in a hostess bar in order to earn enough to feed her children.
The film screams out that having faith is a clear necessity when you’re down. All around them there are signs that God is with them willing them to succeed. Oscar’s story about how he lost his job in the silk mill is a running subplot that connects with the story on almost every level.
The scenes are well shot and Ellis captures the trauma and euphoria that the family experience at different times. One cross over scene sees Mai being degraded while at the same time Oscar drinks with his new buddies, only to break down in the toilet in tears.
It’s a slow churning thriller that is expertly pieced together, building strong characters and story all the way through to the pulsating climax.
Sean Ellis does very similar with Oscar Ramirez (Jake Macapagal), a farmer looking for a better way of life for himself and his family. Their journey takes them from the quiet and panoramic rice fields of northern Philippines, where Oscar struggles to make ends meet, and moves them to the impoverished surroundings of Manila.
Entering the slums and criminal back streets Oscar learns the hard way that his friendly personality will be taken advantage of. With everyone desperate to survive he has to stand on his own two feet for the sake of himself and his family.
The film paints a desperate picture of a big city bathed in crime and poverty and desperate people will do desperate things, especially when they are pushed into a corner as Oscar explains to his friend Ong after taking a job as a security guard driving an armoured truck.
As Ong and Oscar become close Ong explains the job and then his ulterior motives. With the second half of the film playing out as a tense well organised heist, encompassing a twist that is shocking yet wholly satisfying. It can be hard to watch at times and it is emotionally sapping, particularly when Oscar’s wife Mai has to take matters into her own hands by getting a job working in a hostess bar in order to earn enough to feed her children.
The film screams out that having faith is a clear necessity when you’re down. All around them there are signs that God is with them willing them to succeed. Oscar’s story about how he lost his job in the silk mill is a running subplot that connects with the story on almost every level.
The scenes are well shot and Ellis captures the trauma and euphoria that the family experience at different times. One cross over scene sees Mai being degraded while at the same time Oscar drinks with his new buddies, only to break down in the toilet in tears.
It’s a slow churning thriller that is expertly pieced together, building strong characters and story all the way through to the pulsating climax.
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Widowland is a really atmospheric thriller, set in an alternate timeline - one where the German National Socialists and the British reach a compromise in 1940 and become the Grand Alliance. This alliance reads more like occupation though. Britain doesn’t have it’s own government, all laws come from Germany, and Britain is ruled by a German, the Protector, Alfred Rosenberg.
Even though there’s a huge shortage of young men (they’ve been ‘shipped off’ to the rest of occupied Europe to ‘work’) and women greatly outnumber men, women are divided into categories, or castes. These depend on their age, heritage, reproductive status and physical characteristics, and each category is named after a significant woman in Hitlers life. Rose is a Geli, one of the elite. Young, beautiful, and most importantly, fertile.
I thoroughly enjoyed this and read it far too quickly. It had a black and white, 1950’s movie atmosphere about it, and I could easily picture the people and scenes in my head. It brought to mind The Man in the High Castle with regards to Occupation, and 1984 with regards to feeling as though you’re constantly watched - as well as the people being told how to react, think and live. This was especially evident in Rose’s job: she rewrites classics so that they’re in line with the regimes ideals: so no independent, strong females, and all the male leads are changed to Sturmbannführer (at least!).
The drudgery of everyday life made me think of how I envisaged life in the GDR - as well as only allowing state sanctioned literature, there was only one radio channel in Grand Alliance Britain, with some brave people listening to illegal foreign radio stations, knowing that this could result in extreme punishment.
When Rose goes to Widowland near Oxford (there are a few throughout the country) to find the source of a potential rebellion, she’s shocked to see older women living in abject poverty, only permitted to eat a subsistence diet and work menial jobs. But these women are intelligent, and they’re not happy in their state regulated lives. Between her reading of classic books and meeting these women, Rose begins to see what’s wrong with the world she has been living in, and this dawning realisation is so well described. We see how reading ‘subversive’ classics seems to get under her skin, and how she realises that the treatment of women is wrong in this Grand Alliance.
I could go on and on. I raced through this book, and I loved the ending, which came far too quickly!
Many thanks to Quercus for my copy of this book through NetGalley.
Even though there’s a huge shortage of young men (they’ve been ‘shipped off’ to the rest of occupied Europe to ‘work’) and women greatly outnumber men, women are divided into categories, or castes. These depend on their age, heritage, reproductive status and physical characteristics, and each category is named after a significant woman in Hitlers life. Rose is a Geli, one of the elite. Young, beautiful, and most importantly, fertile.
I thoroughly enjoyed this and read it far too quickly. It had a black and white, 1950’s movie atmosphere about it, and I could easily picture the people and scenes in my head. It brought to mind The Man in the High Castle with regards to Occupation, and 1984 with regards to feeling as though you’re constantly watched - as well as the people being told how to react, think and live. This was especially evident in Rose’s job: she rewrites classics so that they’re in line with the regimes ideals: so no independent, strong females, and all the male leads are changed to Sturmbannführer (at least!).
The drudgery of everyday life made me think of how I envisaged life in the GDR - as well as only allowing state sanctioned literature, there was only one radio channel in Grand Alliance Britain, with some brave people listening to illegal foreign radio stations, knowing that this could result in extreme punishment.
When Rose goes to Widowland near Oxford (there are a few throughout the country) to find the source of a potential rebellion, she’s shocked to see older women living in abject poverty, only permitted to eat a subsistence diet and work menial jobs. But these women are intelligent, and they’re not happy in their state regulated lives. Between her reading of classic books and meeting these women, Rose begins to see what’s wrong with the world she has been living in, and this dawning realisation is so well described. We see how reading ‘subversive’ classics seems to get under her skin, and how she realises that the treatment of women is wrong in this Grand Alliance.
I could go on and on. I raced through this book, and I loved the ending, which came far too quickly!
Many thanks to Quercus for my copy of this book through NetGalley.
BookInspector (124 KP) rated The Snow Angel in Books
Sep 24, 2020
It tells a story of 11-year-old girl Makena, who lives in Nairobi, Kenya. Her parents died because of a cruel disease, leaving Makena an orphan. Due to some events, she ends up in the slum, where she meets her one true friend Snow.
I really enjoyed this book and its complex characters. The protagonist in this novel is Makena. She is a very smart person for an eleven-year-old. Her thoughts about life, survival and friendship were so inspiring to me, that’s why, I think, this book is superb for young readers. Makena teaches so many great values and shows great appreciation for things that matter in life. I really loved that the author chose such unique and original characters. They all had very intriguing personalities and their input in the story was irreplaceable. The story was mostly told from Makena’s perspective, and it was fully sufficient for me.
The narrative was absolutely gorgeous. It has a lot to offer to the reader, it is serious, educational but at the same time playful and magical. I think the author has done a great research for this book, and her personal experience was very well utilized in this novel. There is plenty of surprises in this story, which kept me glued to this book. I really loved the topics which the author was discussing, such as Ebola and its effects on the families they left behind, poverty and fight for survival, charity workers and their lives, and many more. The setting and atmosphere always change in this book, from Mount Kenya to slums, to the Scottish Highlands, so, your imagination will not be bored and will be taking you to various places…
I really enjoyed the writing style of this novel, I think it was very well crafted and I found it easy, and pleasant to read. The chapters are not very short, but for me, they just flew by because I was absorbed by the story itself. It has absolutely stunning illustrations by Catherine Hyde, and it makes the whole reading experience even more pleasant. I did enjoy the ending of this book, I think it rounded the story very nicely and gave the closure which left me very satisfied.
So, to conclude, this is a very beautiful story, filled with inspiring and motivating characters, who made me smile and cry on multiple occasions, and I do strongly recommend this book not only to children but to adults as well. There are plenty of things to learn from little Makena.
I really enjoyed this book and its complex characters. The protagonist in this novel is Makena. She is a very smart person for an eleven-year-old. Her thoughts about life, survival and friendship were so inspiring to me, that’s why, I think, this book is superb for young readers. Makena teaches so many great values and shows great appreciation for things that matter in life. I really loved that the author chose such unique and original characters. They all had very intriguing personalities and their input in the story was irreplaceable. The story was mostly told from Makena’s perspective, and it was fully sufficient for me.
The narrative was absolutely gorgeous. It has a lot to offer to the reader, it is serious, educational but at the same time playful and magical. I think the author has done a great research for this book, and her personal experience was very well utilized in this novel. There is plenty of surprises in this story, which kept me glued to this book. I really loved the topics which the author was discussing, such as Ebola and its effects on the families they left behind, poverty and fight for survival, charity workers and their lives, and many more. The setting and atmosphere always change in this book, from Mount Kenya to slums, to the Scottish Highlands, so, your imagination will not be bored and will be taking you to various places…
I really enjoyed the writing style of this novel, I think it was very well crafted and I found it easy, and pleasant to read. The chapters are not very short, but for me, they just flew by because I was absorbed by the story itself. It has absolutely stunning illustrations by Catherine Hyde, and it makes the whole reading experience even more pleasant. I did enjoy the ending of this book, I think it rounded the story very nicely and gave the closure which left me very satisfied.
So, to conclude, this is a very beautiful story, filled with inspiring and motivating characters, who made me smile and cry on multiple occasions, and I do strongly recommend this book not only to children but to adults as well. There are plenty of things to learn from little Makena.
BookInspector (124 KP) rated After He Died in Books
Sep 24, 2020
The main protagonist in this novel is Paula, a middle-class housewife, who just became a widow. A young woman – Cara, is trying to shine a different light on Paula’s deceased husband Thomas. This novel is told from two different perspectives – Paula’s and Cara’s. This book is soaked with grief, both of these characters lost people in their past, and they are still dealing with their grief. I really liked Paula in this book. I could feel her pain and her confusion, and to be honest, I was confused with her because all those little clues and words left me as much baffled as Paula herself. I really wanted to like Cara in this novel, but I couldn’t bond with her. I did like what she represented and I did like her attitude, but I couldn’t warm up to her.
The narrative of this novel is very masterfully delivered. It covers a really wide spectrum of events: we have a domestic noir, filled with family relationships and grief, and at the same time we have murders and mystery which are unfolding very slowly. I really liked the topics M. Malone discussed in this book, such as poverty and homelessness; how people deal with grief and what death brings to the families; drugs and how it influences people and their future, etc. I think this novel is more character driven than the investigation itself, but all these talks about feelings and sadness were too much for me at times, I wanted more pace and more unexpected findings. 🙂 Don’t get me wrong, there were plenty of surprises and twists, but I needed more. 😀
I really enjoyed M. Malone’s writing style, it is a very well crafted novel, and his way of sharing Scottish lingual nuances was absolutely adorable and I really liked them. 🙂 This book has a very strong “rich vs. poor” accent, and the setting is changing between luxury, wellness, and shady areas with homeless people, and I found it very well balanced in this book. The chapters were pretty short, and the whole novel was quick and easy to read. The ending of this book rounded this novel very well and it did leave me satisfied. So, to conclude, this is a very sensitive novel, where the pain after someone’s death is very raw and haunting, but at the same time, it is a great thriller filled with very realistic and casual characters and a very unexpected plot. I really liked this novel, and I hope you will give this book a try and enjoy as much as I did.
The narrative of this novel is very masterfully delivered. It covers a really wide spectrum of events: we have a domestic noir, filled with family relationships and grief, and at the same time we have murders and mystery which are unfolding very slowly. I really liked the topics M. Malone discussed in this book, such as poverty and homelessness; how people deal with grief and what death brings to the families; drugs and how it influences people and their future, etc. I think this novel is more character driven than the investigation itself, but all these talks about feelings and sadness were too much for me at times, I wanted more pace and more unexpected findings. 🙂 Don’t get me wrong, there were plenty of surprises and twists, but I needed more. 😀
I really enjoyed M. Malone’s writing style, it is a very well crafted novel, and his way of sharing Scottish lingual nuances was absolutely adorable and I really liked them. 🙂 This book has a very strong “rich vs. poor” accent, and the setting is changing between luxury, wellness, and shady areas with homeless people, and I found it very well balanced in this book. The chapters were pretty short, and the whole novel was quick and easy to read. The ending of this book rounded this novel very well and it did leave me satisfied. So, to conclude, this is a very sensitive novel, where the pain after someone’s death is very raw and haunting, but at the same time, it is a great thriller filled with very realistic and casual characters and a very unexpected plot. I really liked this novel, and I hope you will give this book a try and enjoy as much as I did.
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