Search
Kirk Bage (1775 KP) rated Beasts of No Nation (2015) in Movies
Mar 3, 2020 (Updated Jul 9, 2020)
As I may have mentioned, a lot of my film viewing over the last wee while has been part of a project that hopes to be called 21st Century Cinema: 200 Essential films of the new millennium – which utilises the Decinemal system you will see at the bottom of each of my reviews. It aims to judge each film objectively with a score out of 10 over 10 categories, to give an overall rating out of 100.
Cary Joyi Fukunaga’s personal opus Beasts of no Nation, made for Netflix but good enough for a cinema release, falls into the category of films that have garnered enough critical acclaim to demand consideration for the top 200. It is the kind of film that you would always recommend, but may choose to overlook in search of a more basically entertaining watch.
Fukunaga has a fine pedigree already in his career, with credits on True Detective and the under-rated Sin Nombre from 2009. He has also been tasked with directing duties on the delayed Bond No Time To Die, which we hope to see before the new year now. He is a hands on, no messing about kind of guy, seemingly, taking on writing and cinematography duties also for this sad tale of child exploitation in an unnamed African war.
At times, it borders on documentary style, with an eye for strong visual images and extended silences, favoured over extraneous exposition and needless dialogue. A technique that makes the subject matter all the more uncomfortable to watch. Idris Elba adds big name weight in a fine supporting role, but the lion’s share of acting responsibility falls to young Abraham Attah, who is nothing short of astonishing in the most harrowing moments of this stark and sincere story.
I have to confess, this was another pre-lockdown watch for me, and as much as I can recall the feel and impact of it as a whole, I would struggle to talk about it in any detail after one viewing three months ago. And that is partly the reason it won’t quite make the lower benchmark of a strong 73 Decinemal score; for all its power it just isn’t quite memorable enough on every level, in the way something like City Of God, or even Beasts of the Southern Wild most definitely are.
Perhaps those are unfair comparisons, but it strives for the impact of the former without the flair, and has an independant feel without the charm of the latter. Not that flair or charm are priorities here. It simply wants to show you an issue you may not have been overly aware of, and demands that you empathise both with the complexity of the problem and with the tragic journey of Agu – a child robbed of all innocence by a terrible world.
The photography sits with the strong performances as a notable highlight; giving contrast to the devastation, depredation and desperation under the skin, and showing an angry beauty that dances beside it, showing brief moments of hope when we need them most, and therefore avoiding the trap of being too brutal to enjoy on any level. Which is a mistake similar films can fall prey too.
Violence and war are not light subjects. When the focus is also the lost soul of a child, the tightrope of melodrama and sentimentality is very fine. All involved here walk that line expertly, never once resorting to having to buy your care with familiar Hollywood tricks. In fact it couldn’t be further from Hollywood if it tried. And the drama is all the better for that.
A solid, fine movie, that is narrowly short of being truly great. But you should most definitely see it at some point if you haven’t already.
Cary Joyi Fukunaga’s personal opus Beasts of no Nation, made for Netflix but good enough for a cinema release, falls into the category of films that have garnered enough critical acclaim to demand consideration for the top 200. It is the kind of film that you would always recommend, but may choose to overlook in search of a more basically entertaining watch.
Fukunaga has a fine pedigree already in his career, with credits on True Detective and the under-rated Sin Nombre from 2009. He has also been tasked with directing duties on the delayed Bond No Time To Die, which we hope to see before the new year now. He is a hands on, no messing about kind of guy, seemingly, taking on writing and cinematography duties also for this sad tale of child exploitation in an unnamed African war.
At times, it borders on documentary style, with an eye for strong visual images and extended silences, favoured over extraneous exposition and needless dialogue. A technique that makes the subject matter all the more uncomfortable to watch. Idris Elba adds big name weight in a fine supporting role, but the lion’s share of acting responsibility falls to young Abraham Attah, who is nothing short of astonishing in the most harrowing moments of this stark and sincere story.
I have to confess, this was another pre-lockdown watch for me, and as much as I can recall the feel and impact of it as a whole, I would struggle to talk about it in any detail after one viewing three months ago. And that is partly the reason it won’t quite make the lower benchmark of a strong 73 Decinemal score; for all its power it just isn’t quite memorable enough on every level, in the way something like City Of God, or even Beasts of the Southern Wild most definitely are.
Perhaps those are unfair comparisons, but it strives for the impact of the former without the flair, and has an independant feel without the charm of the latter. Not that flair or charm are priorities here. It simply wants to show you an issue you may not have been overly aware of, and demands that you empathise both with the complexity of the problem and with the tragic journey of Agu – a child robbed of all innocence by a terrible world.
The photography sits with the strong performances as a notable highlight; giving contrast to the devastation, depredation and desperation under the skin, and showing an angry beauty that dances beside it, showing brief moments of hope when we need them most, and therefore avoiding the trap of being too brutal to enjoy on any level. Which is a mistake similar films can fall prey too.
Violence and war are not light subjects. When the focus is also the lost soul of a child, the tightrope of melodrama and sentimentality is very fine. All involved here walk that line expertly, never once resorting to having to buy your care with familiar Hollywood tricks. In fact it couldn’t be further from Hollywood if it tried. And the drama is all the better for that.
A solid, fine movie, that is narrowly short of being truly great. But you should most definitely see it at some point if you haven’t already.
Darren (1599 KP) rated The Bromley Boys (2018) in Movies
Aug 6, 2019
Story: The Bromley Boys starts in 1969 three years after England won the World Cup, David Roberts (O’Connor) had wanted to support the popular teams of either West Ham or Tottenham, but his father Donald (Davies) has banned football in the house, leading to his mother Gertrude (McCutcheon) sneaking him a scarf of his local team Bromley.
This season is going to be David’s biggest as he learns about the corruption from the chairman Charlie McQueen (Foreman) and the potential sale of the club’s best player. David also meets Ruby (Baker) the daughter of the chairman that is the only girl that talks to him as he experiences love for the first time.
Thoughts on The Bromley Boys
Characters – David Roberts is a teenage boy that got dreams of being a footballer after seeing England win the World Cup in 1966, he is forced to support his local team, a small team with a tiny fanbase, he becomes a loyal fan and during the 1969 season he must figure out prove the chairman is out to ruin the club as they constantly struggle on the pitch. Ruby McQueen is the daughter of the chairman that starts dating David, she wants a normal relationship but often has to play second fiddle to his love of football. Charlie McQueen is the greedy chairman of Bromley, the fans and manager believe he is trying to put them out of business, which reflects on how David tries to expose his truth. Gertrude and Donald are David’s parents that are trying to give him the best future even if they don’t like him enjoy football.
Performances – Brenock O’Connor is delightful in the leading role showing us just how obsessed teenager can become when it comes to sports. Savannah Baker is great as the love interest who is looking for a future. Jamie Foreman looks all the part of a corrupt chairman through the film, with Alan Davies and Martine McCutcheon showing they have the star power from the English side.
Story – The story here follows a teenage football fan of his local team that starts to see things putting his beloved club in trouble after overhearing a conversation, he tries to fix things during the season just to make sure his team will be their next season. As a football fan this is one of the easiest films to relate to, seeing the ups, well downs more than often in this film, we can see how footballs can see their lives taken over by the season, it is even worse in modern day too, we do also have the important message about trying to support your local team instead of one of the more established teams that friends support. This is based on a trouble story which apart from the romantic angle does feel like it could have been real, but also the tales told from the tiny crowds to get buzz around their club. This is a story that is going to be one that the English market will enjoy the most.
Comedy – You will get plenty of laughs in this film, a lot comes from the love of football and seeing just how much it can change a life.
Settings – The film is set in and around the small town of Bromley, we spend plenty of time at the club, which helps us understand what this meant to David.
Scene of the Movie – The last game of the season.
That Moment That Annoyed Me – The teachers seem very harsh.
Final Thoughts – This is an enjoyable British comedy, one that the English will enjoy most and one we can understand the passion behind supporting the team.
Overall: Truly fun and feel good film.
This season is going to be David’s biggest as he learns about the corruption from the chairman Charlie McQueen (Foreman) and the potential sale of the club’s best player. David also meets Ruby (Baker) the daughter of the chairman that is the only girl that talks to him as he experiences love for the first time.
Thoughts on The Bromley Boys
Characters – David Roberts is a teenage boy that got dreams of being a footballer after seeing England win the World Cup in 1966, he is forced to support his local team, a small team with a tiny fanbase, he becomes a loyal fan and during the 1969 season he must figure out prove the chairman is out to ruin the club as they constantly struggle on the pitch. Ruby McQueen is the daughter of the chairman that starts dating David, she wants a normal relationship but often has to play second fiddle to his love of football. Charlie McQueen is the greedy chairman of Bromley, the fans and manager believe he is trying to put them out of business, which reflects on how David tries to expose his truth. Gertrude and Donald are David’s parents that are trying to give him the best future even if they don’t like him enjoy football.
Performances – Brenock O’Connor is delightful in the leading role showing us just how obsessed teenager can become when it comes to sports. Savannah Baker is great as the love interest who is looking for a future. Jamie Foreman looks all the part of a corrupt chairman through the film, with Alan Davies and Martine McCutcheon showing they have the star power from the English side.
Story – The story here follows a teenage football fan of his local team that starts to see things putting his beloved club in trouble after overhearing a conversation, he tries to fix things during the season just to make sure his team will be their next season. As a football fan this is one of the easiest films to relate to, seeing the ups, well downs more than often in this film, we can see how footballs can see their lives taken over by the season, it is even worse in modern day too, we do also have the important message about trying to support your local team instead of one of the more established teams that friends support. This is based on a trouble story which apart from the romantic angle does feel like it could have been real, but also the tales told from the tiny crowds to get buzz around their club. This is a story that is going to be one that the English market will enjoy the most.
Comedy – You will get plenty of laughs in this film, a lot comes from the love of football and seeing just how much it can change a life.
Settings – The film is set in and around the small town of Bromley, we spend plenty of time at the club, which helps us understand what this meant to David.
Scene of the Movie – The last game of the season.
That Moment That Annoyed Me – The teachers seem very harsh.
Final Thoughts – This is an enjoyable British comedy, one that the English will enjoy most and one we can understand the passion behind supporting the team.
Overall: Truly fun and feel good film.
Gareth von Kallenbach (980 KP) rated Dawn Of The Planet Of The Apes (2014) in Movies
Aug 6, 2019
Full disclosure here: I am a huge fan of the original series of Planet of the Apes movies. I have them on VHS and Laser Disc, having watched them at least a dozen times each. That being said, I didn’t really enjoy 2011’s Rise of the Planet of Apes with James Franco. Not that it was a bad movie, per say, but it didn’t really keep me captivated, so much so that I can barely remember all of the main plot points. At the time I thought that I might be jaded being such a huge fan of the originals. And then I saw Dawn of the Planet of the Apes (we’ll just refer to it as “Dawn” from here on out). I didn’t have very high expectations for Dawn.
Set 10 years after Rise, Dawn sees the world in ruins. Humans are struggling to survive after the Simian virus wreaked havoc on the planet. Living in colonies, they are unaware that there is a growing nation of genetically evolved apes led by Caesar. When the apes and the humans discover each other, they both feel threatened, but there is one man, Malcolm (Jason Clarke), who sees the compassion in Caesar and thinks that he will allow the humans to attempt work on a nearby dam to restore power to their colony. But dissent in the ranks of both sides of the banana prove to threaten this shaky alliance.
This movie blew me away. With an excellent cast to compliment the CGI apes in the movie, you quickly forget that there is any CGI involved at all. The seamless visuals make you feel like Dreyfus (Gary Oldman), Ellie (Keri Russell) and Alexander (Kodi Smit-McPhee) were actually interacting with the apes. The story was also very well done and seemed very plausible for the tattered world that comes about after the apocalyptic event brought on by the Simian virus. Top this all off with a tremendous score, and you have a great movie-going experience. One that definitely lives up to the original movies.
If I had one complaint about this movie, it was the rapid rate at which the apes seemed to evolve in the span of a few days. Although it’s been 10 years since the last movie, in which Caesar did speak, the movie does open with the apes communicating through inaudible language. My first thought was that they are hunt, so they are choosing to communicate in this fashion, but even when they return to their village, they continue with the inaudible, “sign-language” communication. Then over the course of the next three to four days, they slowly bring speech into their communication between themselves and the humans. The big thing is that they seem to struggle with the words at first (even Caesar), and then by the end of the movie, they are holding complete conversations. Just seems a bit rapid to me. But, it was impactful in the progression of the movie. So one small gripe on this is not enough to bring down my opinion of the film.
Here it is again, my friends. Will I buy Dawn when it is released for home consumption? You bet. Unfortunately, it is also going to force me to buy Rise as well. Though, this may not be a bad thing as a second viewing sometimes brings out the good in movies I didn’t like the first time through, especially as I now know what it is building towards. Go see this one in the theaters my friends. And be sure to check it out in 3D also, it was very well done and not overpowering as some movies have been in the past. Though if you have issues with 3D, I am sure it is just as visually appealing in 2D.
Set 10 years after Rise, Dawn sees the world in ruins. Humans are struggling to survive after the Simian virus wreaked havoc on the planet. Living in colonies, they are unaware that there is a growing nation of genetically evolved apes led by Caesar. When the apes and the humans discover each other, they both feel threatened, but there is one man, Malcolm (Jason Clarke), who sees the compassion in Caesar and thinks that he will allow the humans to attempt work on a nearby dam to restore power to their colony. But dissent in the ranks of both sides of the banana prove to threaten this shaky alliance.
This movie blew me away. With an excellent cast to compliment the CGI apes in the movie, you quickly forget that there is any CGI involved at all. The seamless visuals make you feel like Dreyfus (Gary Oldman), Ellie (Keri Russell) and Alexander (Kodi Smit-McPhee) were actually interacting with the apes. The story was also very well done and seemed very plausible for the tattered world that comes about after the apocalyptic event brought on by the Simian virus. Top this all off with a tremendous score, and you have a great movie-going experience. One that definitely lives up to the original movies.
If I had one complaint about this movie, it was the rapid rate at which the apes seemed to evolve in the span of a few days. Although it’s been 10 years since the last movie, in which Caesar did speak, the movie does open with the apes communicating through inaudible language. My first thought was that they are hunt, so they are choosing to communicate in this fashion, but even when they return to their village, they continue with the inaudible, “sign-language” communication. Then over the course of the next three to four days, they slowly bring speech into their communication between themselves and the humans. The big thing is that they seem to struggle with the words at first (even Caesar), and then by the end of the movie, they are holding complete conversations. Just seems a bit rapid to me. But, it was impactful in the progression of the movie. So one small gripe on this is not enough to bring down my opinion of the film.
Here it is again, my friends. Will I buy Dawn when it is released for home consumption? You bet. Unfortunately, it is also going to force me to buy Rise as well. Though, this may not be a bad thing as a second viewing sometimes brings out the good in movies I didn’t like the first time through, especially as I now know what it is building towards. Go see this one in the theaters my friends. And be sure to check it out in 3D also, it was very well done and not overpowering as some movies have been in the past. Though if you have issues with 3D, I am sure it is just as visually appealing in 2D.
OurPact – Parental Control
Lifestyle and Utilities
App
OurPact is a breakthrough parental control app and family locator that enables parents to manage...
Gareth von Kallenbach (980 KP) rated The Raid 2 (2014) in Movies
Jun 19, 2019
In 2011, and independent action film from Indonesia arrived with little to no fanfare and soon became an international sensation. From writer-director Gareth Evans, and featuring a cast of unknown performers, “The Raid” set new standards for cop dramas. From the dark and dangerous criminal underworld in which the film takes place to the brutal and jaw-dropping highly choreographed fight scenes the film was hard to ignore.
Thanks in large part to DVD, the film gained a larger audience thanks to word-of-mouth and now the second in a planned trilogy has been released which ups the action to new levels of hyper connectivity and ultraviolent action.
The Raid 2: Berendal” takes place shortly after the events the first film where officer Rama (Iko Uwais), learns that his exploits in surviving the first film have only increased the danger facing him and his family as the corruption he exposed has made him a target with much more dangerous criminals higher up the food chain. Although he barely survived the events of the first film, Rama agrees to go undercover in a brutal prison in order to keep his family safe and get close to a key individual whose father is one of the biggest crime lords in the region.
His amazing combat skills are tested early and often in prison yet Rama is able to achieve this objective and becomes trusted associate in the crime syndicate following his release thanks to the contacts he made during his incarceration.
Unfortunately for Rama a power struggle is enfolding between son and father as the ambitious son is eager to take a larger slice of his father’s empire even if it means declaring war on the rival families. The film spends a good part of its first hour introducing the characters and setting the tables for the final hour as it intersperses a few fast and brutal fight sequences between.
The final 45 min. the film are essentially one extended fight scene after another that is utterly captivating to watch and despite it’s at times graphic brutality, impossible to look away from. Like the previous film, the speed, precision, originality, and choreography of the fight sequences are truly unique and have set new standards for martial arts films to follow.
While the film is presented in the native Indonesian language with English subtitles, it is very easy to get drawn into the dark and deadly world in which the characters find themselves. Uwais proves that he’s more than just a skilled screen fighter as he infuses Rama with the complexity of the man driven by duty yet utterly devoted to keeping his wife and newborn son safe even when the cost puts him in constant danger and forces him to be away from them for long periods of time.
Evans keeps the action flowing and time and time again aside from the clever way that he introduces what would only be disposal characters by giving them unique and at times charming quirks and characteristics, produces action sequences that leave you wondering how they were able to film them and what kind of person would think up such sequences. My wife commented to me that her blood pressure my surely have been rising from the relentless pacing and nonstop action and tension of the film and the constant barrage of action scenes that while brutal never become repetitive or gratuitous.
The film will not be for everyone as the action is quite brutal and times graphic however the free-form choreography that made the original so memorable has been taken to new levels in the sequel which keeps the action fresh as much as the story and characters keep you riveted during the non-action segments of the film .
All I could say the film is not one for the masses I can easily say this is one of the more enjoyable and better films of the year to date and is one that should not be missed especially if you’re a fan of police dramas or action films.
http://sknr.net/2014/04/11/the-raid-2-berendal/
Thanks in large part to DVD, the film gained a larger audience thanks to word-of-mouth and now the second in a planned trilogy has been released which ups the action to new levels of hyper connectivity and ultraviolent action.
The Raid 2: Berendal” takes place shortly after the events the first film where officer Rama (Iko Uwais), learns that his exploits in surviving the first film have only increased the danger facing him and his family as the corruption he exposed has made him a target with much more dangerous criminals higher up the food chain. Although he barely survived the events of the first film, Rama agrees to go undercover in a brutal prison in order to keep his family safe and get close to a key individual whose father is one of the biggest crime lords in the region.
His amazing combat skills are tested early and often in prison yet Rama is able to achieve this objective and becomes trusted associate in the crime syndicate following his release thanks to the contacts he made during his incarceration.
Unfortunately for Rama a power struggle is enfolding between son and father as the ambitious son is eager to take a larger slice of his father’s empire even if it means declaring war on the rival families. The film spends a good part of its first hour introducing the characters and setting the tables for the final hour as it intersperses a few fast and brutal fight sequences between.
The final 45 min. the film are essentially one extended fight scene after another that is utterly captivating to watch and despite it’s at times graphic brutality, impossible to look away from. Like the previous film, the speed, precision, originality, and choreography of the fight sequences are truly unique and have set new standards for martial arts films to follow.
While the film is presented in the native Indonesian language with English subtitles, it is very easy to get drawn into the dark and deadly world in which the characters find themselves. Uwais proves that he’s more than just a skilled screen fighter as he infuses Rama with the complexity of the man driven by duty yet utterly devoted to keeping his wife and newborn son safe even when the cost puts him in constant danger and forces him to be away from them for long periods of time.
Evans keeps the action flowing and time and time again aside from the clever way that he introduces what would only be disposal characters by giving them unique and at times charming quirks and characteristics, produces action sequences that leave you wondering how they were able to film them and what kind of person would think up such sequences. My wife commented to me that her blood pressure my surely have been rising from the relentless pacing and nonstop action and tension of the film and the constant barrage of action scenes that while brutal never become repetitive or gratuitous.
The film will not be for everyone as the action is quite brutal and times graphic however the free-form choreography that made the original so memorable has been taken to new levels in the sequel which keeps the action fresh as much as the story and characters keep you riveted during the non-action segments of the film .
All I could say the film is not one for the masses I can easily say this is one of the more enjoyable and better films of the year to date and is one that should not be missed especially if you’re a fan of police dramas or action films.
http://sknr.net/2014/04/11/the-raid-2-berendal/
Gareth von Kallenbach (980 KP) rated The Chronicles of Narnia: Prince Caspian (2008) in Movies
Aug 14, 2019
Following the grand fable of “The Lion The Witch and The Wardrobe” is not an easy task as the cinematical version of the timeless classic by C.S. Lewis was a worldwide box office smash. Thankfully Director Andrew Adamson (Who co-wrote the script), still has plenty of magic left from helming the first film in the series.
The film opens roughly a year after the events of the first film and the children have returned to England and have returned to their studies in war torn England. The Children Peter (William Moseley), Edmund (Skandar Keynes), Susan (Anna Popplewell), and Lucy (Georgie Henley), struggle with being children again as the memories of their years ruling Narnia and their battle with the White Witch is still fresh in their memories.
Back in Narnia, several centuries have passed, and an invading army has conquered Narnia and vanquished the creatures of the land to the woods, while they reign supreme over the land. The situation takes a turn for the worse when the evil Prince Miraz (Sergio Castellitto), learns that his wife has given birth to a son.
With a future heir in place, Prince Caspian (Ben Barnes), the rightful heir to the throne, is targeted for death by his power mad uncle, and must flee into the woods for his life. In short order, he meets some of the local creatures, and with his Uncle’s troops in hot pursuit, he summons the former rulers of Narnia via a magical horn.
Delighted to be back in Narnia, Peter and his siblings soon learn things are not as they were when they last visited and take a turn towards the unexpected when they are told that the magical Lion Aslan (Liam Neeson), has long since deserted the creatures of Narnia and left them at the mercy of the invading hordes. Lucy does not believe this and insists that she has seen and heard from Aslan since her return but her claims are met with skepticism by her older siblings.
In time the children meet up with Caspian and the former rulers of the land must help the young Prince bring in a new age of peace and prosperity for all the races of the land, and in doing so, must face up to a vast army that is gathering against them as well as some old enemies long forgotten.
What follows is a grand adventure that pits good against evil in one of the more enjoyable fantasy adventure films in recent years.
The film takes a bit to get started, but thanks to the engaging cast and great visuals of the film, as well as a surprising amount of humor, viewers should find plenty to like as the film builds up to the battle sequences.
While not state of the art, the FX in the film are solid and enhances the story and characters rather than overshadow them. The film does take some liberties with the book, most notably adding more action to the story, but it is nothing that would be considered detracting to the overall product. Parents may want to note that there is a lot of violence in the film and that death and mayhem are constant throughout.
The cast is enjoyable and really do well with parts that do require alot of physicality to them. The chemistry amongst the leads is good but it is the solid supporting work of Peter Dinklage as Trumpkin that really allows the cast to shine in his scenes with them.
Much was made in the last film of the strong Christian themes that C.S. Lewis filled his Narnia books with. The theme of Christianity is still strong in the film, but it is not as pronounced as it was in the past film, save for segments near the last third of the film.
Despite the nearly 2hrs and 20 minute run time the film easily kept my attention and should delight fans who likely are already waiting for the next film in the series, “The Voyage of The Dawn Tredder” to arrive.
The film opens roughly a year after the events of the first film and the children have returned to England and have returned to their studies in war torn England. The Children Peter (William Moseley), Edmund (Skandar Keynes), Susan (Anna Popplewell), and Lucy (Georgie Henley), struggle with being children again as the memories of their years ruling Narnia and their battle with the White Witch is still fresh in their memories.
Back in Narnia, several centuries have passed, and an invading army has conquered Narnia and vanquished the creatures of the land to the woods, while they reign supreme over the land. The situation takes a turn for the worse when the evil Prince Miraz (Sergio Castellitto), learns that his wife has given birth to a son.
With a future heir in place, Prince Caspian (Ben Barnes), the rightful heir to the throne, is targeted for death by his power mad uncle, and must flee into the woods for his life. In short order, he meets some of the local creatures, and with his Uncle’s troops in hot pursuit, he summons the former rulers of Narnia via a magical horn.
Delighted to be back in Narnia, Peter and his siblings soon learn things are not as they were when they last visited and take a turn towards the unexpected when they are told that the magical Lion Aslan (Liam Neeson), has long since deserted the creatures of Narnia and left them at the mercy of the invading hordes. Lucy does not believe this and insists that she has seen and heard from Aslan since her return but her claims are met with skepticism by her older siblings.
In time the children meet up with Caspian and the former rulers of the land must help the young Prince bring in a new age of peace and prosperity for all the races of the land, and in doing so, must face up to a vast army that is gathering against them as well as some old enemies long forgotten.
What follows is a grand adventure that pits good against evil in one of the more enjoyable fantasy adventure films in recent years.
The film takes a bit to get started, but thanks to the engaging cast and great visuals of the film, as well as a surprising amount of humor, viewers should find plenty to like as the film builds up to the battle sequences.
While not state of the art, the FX in the film are solid and enhances the story and characters rather than overshadow them. The film does take some liberties with the book, most notably adding more action to the story, but it is nothing that would be considered detracting to the overall product. Parents may want to note that there is a lot of violence in the film and that death and mayhem are constant throughout.
The cast is enjoyable and really do well with parts that do require alot of physicality to them. The chemistry amongst the leads is good but it is the solid supporting work of Peter Dinklage as Trumpkin that really allows the cast to shine in his scenes with them.
Much was made in the last film of the strong Christian themes that C.S. Lewis filled his Narnia books with. The theme of Christianity is still strong in the film, but it is not as pronounced as it was in the past film, save for segments near the last third of the film.
Despite the nearly 2hrs and 20 minute run time the film easily kept my attention and should delight fans who likely are already waiting for the next film in the series, “The Voyage of The Dawn Tredder” to arrive.
The Act Of Killing (2012)
6.7
Rate It
Movie Watch
Anwar Congo and his friends have been dancing their way through musical numbers, twisting arms in...
Puke Flyswatter (7 KP) rated Star Wars: Episode V – The Empire Strikes Back (1980) in Movies
Sep 12, 2017
Incredible special effects for the time (1 more)
Story writing and characters
The Force is strong with this one
Contains spoilers, click to show
Most fans argue over which of its ongoing episodes, is the best in the Star Wars saga. The Empire Strikes Back took a darker approach than its predecessor in delivering the story of the Rebellion's fight to bring peace and freedom to the galaxy by destroying the Empire who now rule with far more than just iron fist, having snatched its power from the dead hands of the Old Republic. This in my opinion, is what made it not only the best of the saga, but the best science fiction movie of all time and more controversially- one of the best movies ever made; an accolade that has still to be taken by any other movie of the genre to date.
George Lucas, ("the daddy" and brains behind the series of stories of intergalactic war and oppression), had reportedly suffered from exhaustion to the point of near breakdown- even suffering a near heart attack and so decided for the sake of his health and mental well-being not to helm this project which led to Irvin Kershner taking the reins instead.
Kershner's change in approach is apparent throughout the movie and even from the opening scene on Hoth- the barren ice planet- there is a palpably hollow and sombre overall feel which is more than likely deliberate so as to reflect the apparent futility and hopelessness of the protagonists’ struggle. This cleverly generated more empathy toward the characters, meaning the viewer became more invested in the outcome of the story.
The scope and scale of each scene is also cleverly used to give the viewer insight into the characters' state of mind and the choice in lighting and colour (or lack thereof) to deliver more impact and focus on the subject matter in each scene.
As far as story writing and script go, this is also miles ahead of the first and brilliant instalment of the saga. This was apparently due to George Lucas not being happy with the direction of the original draft of the screenplay and being forced to write a further two drafts for the movie following the death of the original screenplay author- the renowned Leigh Brackett who sadly died losing her battle with cancer. Lucas felt it necessary to then bring in Lawrence Kasdan to complete the writing of the screenplay, Kasdan would also go on to pen the screenplays for Raiders Of The Lost Ark, Return Of The Jedi, Star Wars VII The Force Awakens (as co-writer) and is also currently penning the screenplay for the upcoming Han Solo...solo movie. His input and impact on Empire took the saga from the swashbuckling heroic scenes of A New Hope to the almost World War-esque style in which characters are somewhat downtrodden and clearly showing the negative psychological effects on their personalities that are associated with any and every war. This set it apart from A New Hope which, despite the deaths of countless poor and innocent Jawas, inhabitants of Alderaan and Obi-Wan Kenobi, still managed to keep an optimistic outlook which while being an immensely fun and thrilling watch, did not do much in the way of drawing the viewer in and having a connection with the characters. This did not in any way ruin my enjoyment of the movie, I was a kid after all, but upon watching Empire for the first time, I was introduced to a new concept in cinema for me- one where the heroes do not always win, but who still carry on the fight no matter how emotionally scarred or beaten they may be. As a kid, this was so much more of a compelling and exciting movie as it was near impossible to guess where the story would lead and what the future would hold for the then trilogy.
Another highly positive aspect, is that the viewer did not necessarily need to have watched the previous movie and could jump straight into the story, able to enjoy it as each of the characters and the movie’s histories are cleverly re-introduced and explained without the use of exhausting flashbacks or back stories, effectively allowing it to serve as a standalone movie.
For people- who for some reason unbeknownst to me- that are not fans of the genre, this remains as a compelling, well-written and visually stunning piece of movie-making that still stands the test of time and one that anyone of any age can enjoy.
George Lucas, ("the daddy" and brains behind the series of stories of intergalactic war and oppression), had reportedly suffered from exhaustion to the point of near breakdown- even suffering a near heart attack and so decided for the sake of his health and mental well-being not to helm this project which led to Irvin Kershner taking the reins instead.
Kershner's change in approach is apparent throughout the movie and even from the opening scene on Hoth- the barren ice planet- there is a palpably hollow and sombre overall feel which is more than likely deliberate so as to reflect the apparent futility and hopelessness of the protagonists’ struggle. This cleverly generated more empathy toward the characters, meaning the viewer became more invested in the outcome of the story.
The scope and scale of each scene is also cleverly used to give the viewer insight into the characters' state of mind and the choice in lighting and colour (or lack thereof) to deliver more impact and focus on the subject matter in each scene.
As far as story writing and script go, this is also miles ahead of the first and brilliant instalment of the saga. This was apparently due to George Lucas not being happy with the direction of the original draft of the screenplay and being forced to write a further two drafts for the movie following the death of the original screenplay author- the renowned Leigh Brackett who sadly died losing her battle with cancer. Lucas felt it necessary to then bring in Lawrence Kasdan to complete the writing of the screenplay, Kasdan would also go on to pen the screenplays for Raiders Of The Lost Ark, Return Of The Jedi, Star Wars VII The Force Awakens (as co-writer) and is also currently penning the screenplay for the upcoming Han Solo...solo movie. His input and impact on Empire took the saga from the swashbuckling heroic scenes of A New Hope to the almost World War-esque style in which characters are somewhat downtrodden and clearly showing the negative psychological effects on their personalities that are associated with any and every war. This set it apart from A New Hope which, despite the deaths of countless poor and innocent Jawas, inhabitants of Alderaan and Obi-Wan Kenobi, still managed to keep an optimistic outlook which while being an immensely fun and thrilling watch, did not do much in the way of drawing the viewer in and having a connection with the characters. This did not in any way ruin my enjoyment of the movie, I was a kid after all, but upon watching Empire for the first time, I was introduced to a new concept in cinema for me- one where the heroes do not always win, but who still carry on the fight no matter how emotionally scarred or beaten they may be. As a kid, this was so much more of a compelling and exciting movie as it was near impossible to guess where the story would lead and what the future would hold for the then trilogy.
Another highly positive aspect, is that the viewer did not necessarily need to have watched the previous movie and could jump straight into the story, able to enjoy it as each of the characters and the movie’s histories are cleverly re-introduced and explained without the use of exhausting flashbacks or back stories, effectively allowing it to serve as a standalone movie.
For people- who for some reason unbeknownst to me- that are not fans of the genre, this remains as a compelling, well-written and visually stunning piece of movie-making that still stands the test of time and one that anyone of any age can enjoy.
Kara Skinner (332 KP) rated Room Service in Books
Jun 11, 2019
Desperate Woman Gets Housekeeping Job at a Brothel
Genre: Erotic Romance
My Rating: 3 out of 5 stars
Word Count: 17,530 words
After getting conned and dumped by a traveling guitar player, Lucy is struggling to make ends meet and things only get worse when she’s laid off from her waitressing job. Her last customer– a sexy, mysterious man wearing clothes that cost five times her annual salary– leaves her a $1,000 tip out of sympathy, but that money will only last so long.
But when she gets offered a job as a housekeeper at a brothel, things are looking up. Cleaning up after sex isn’t her usual line of work, but at least she won’t have to struggle financially anymore. When she literally runs into her heavy tipper at the brothel, however, things might get a little more complicated, especially when just looking at him is enough to fill her fantasies.
I’m still not sure what to make of this book, but I definitely wish there was more of it. I’m fascinated by this high-class brothel where everything is safe and 100% consensual and everyone treats each other like old friends. There are panic buttons in every room and all of the “Room Service” workers carry panic buttons on them as well (where they carry them isn’t mentioned, unfortunately).
I’m a little uneasy about what happens if one of the staff wants to quit, though. That’s never really mentioned, and Mrs. Stark, the owner of the brothel and Iron Man’s mother, isn’t someone to cross. Are they allowed to leave as long or have they taken a blood oath?
” Just know that if you accept you will be all-in. The secrets you keep will need to go to your grave with you. We take this vow very seriously.” — Mrs. Stark
Sounds like a blood oath to me.
Lucy’s a pretty cool character. She took getting fired well and she’s pretty kind and relatable overall. But her emotions when it comes to her ex are really simplistic. She’s just enraged that he left her destitute. And she definitely has reason to be. But anger is all she’s feeling. She’s not sad that he didn’t love her enough to stick around. She’s not regretting her decision to squander her savings on his debt (and it really was her decision. He might have sweet-talked her into it, but he didn’t hold a gun to her head). There aren’t even any lingering feelings of love or any sign she loved him at all. When it comes to her past, her entire character falls flat.
Of course, she’s better than Adam Palmer, the heavy tipper we know next to nothing about so far. The description “billionaire alpha” basically sums up everything about him. Not that I really mind Adam. He was actually pretty nice to Lucy. Despite the circumstances, I didn’t sense a disturbing power imbalance between them and he seems to genuinely care about her. I wish we saw at least one scene from his point of view. It would have gone a long way to making him a real character instead of an alpha-billionaire-on-the-verge-of-manly-tears stock photo.
I have a theory that he’s the one who got her the job at the brothel, but this has yet to be confirmed. I’ll be sad if this isn’t the case.
The sex scene, was honestly more comical than sexy to me. Reading about them screaming out each others’ names while doin’ it made me giggle.
“OH ADAM,” I cried out at the top of my lungs.
For real, have you or anyone you know actually shouted your partner’s name during sex because you were so caught up in the moment? It doesn’t count if you’re faking it.
Honestly, they talked a lot for two people who were supposed to be lost in the magical sensations of expert boning. Adam could even get out full sentences.
“Fuck Lucy, you are going to make me explode and I am definitely not done with you yet.”
As you can probably guess, this story is in need of some editing. Not just for punctuation issues (not too distracting, but still there), but also for the dialogue which is about as good as the best-written porn out there. The first chapter is also just Lucy straight-up telling her backstory. It only lasts for about a page, but it kept me from getting pulled into the story immediately and kept me from connecting to Lucy.
But despite all its faults, I still enjoyed the story. I thought it was really cute and I want to see more of Lucy and Adam together.
My Rating: 3 out of 5 stars
Word Count: 17,530 words
After getting conned and dumped by a traveling guitar player, Lucy is struggling to make ends meet and things only get worse when she’s laid off from her waitressing job. Her last customer– a sexy, mysterious man wearing clothes that cost five times her annual salary– leaves her a $1,000 tip out of sympathy, but that money will only last so long.
But when she gets offered a job as a housekeeper at a brothel, things are looking up. Cleaning up after sex isn’t her usual line of work, but at least she won’t have to struggle financially anymore. When she literally runs into her heavy tipper at the brothel, however, things might get a little more complicated, especially when just looking at him is enough to fill her fantasies.
I’m still not sure what to make of this book, but I definitely wish there was more of it. I’m fascinated by this high-class brothel where everything is safe and 100% consensual and everyone treats each other like old friends. There are panic buttons in every room and all of the “Room Service” workers carry panic buttons on them as well (where they carry them isn’t mentioned, unfortunately).
I’m a little uneasy about what happens if one of the staff wants to quit, though. That’s never really mentioned, and Mrs. Stark, the owner of the brothel and Iron Man’s mother, isn’t someone to cross. Are they allowed to leave as long or have they taken a blood oath?
” Just know that if you accept you will be all-in. The secrets you keep will need to go to your grave with you. We take this vow very seriously.” — Mrs. Stark
Sounds like a blood oath to me.
Lucy’s a pretty cool character. She took getting fired well and she’s pretty kind and relatable overall. But her emotions when it comes to her ex are really simplistic. She’s just enraged that he left her destitute. And she definitely has reason to be. But anger is all she’s feeling. She’s not sad that he didn’t love her enough to stick around. She’s not regretting her decision to squander her savings on his debt (and it really was her decision. He might have sweet-talked her into it, but he didn’t hold a gun to her head). There aren’t even any lingering feelings of love or any sign she loved him at all. When it comes to her past, her entire character falls flat.
Of course, she’s better than Adam Palmer, the heavy tipper we know next to nothing about so far. The description “billionaire alpha” basically sums up everything about him. Not that I really mind Adam. He was actually pretty nice to Lucy. Despite the circumstances, I didn’t sense a disturbing power imbalance between them and he seems to genuinely care about her. I wish we saw at least one scene from his point of view. It would have gone a long way to making him a real character instead of an alpha-billionaire-on-the-verge-of-manly-tears stock photo.
I have a theory that he’s the one who got her the job at the brothel, but this has yet to be confirmed. I’ll be sad if this isn’t the case.
The sex scene, was honestly more comical than sexy to me. Reading about them screaming out each others’ names while doin’ it made me giggle.
“OH ADAM,” I cried out at the top of my lungs.
For real, have you or anyone you know actually shouted your partner’s name during sex because you were so caught up in the moment? It doesn’t count if you’re faking it.
Honestly, they talked a lot for two people who were supposed to be lost in the magical sensations of expert boning. Adam could even get out full sentences.
“Fuck Lucy, you are going to make me explode and I am definitely not done with you yet.”
As you can probably guess, this story is in need of some editing. Not just for punctuation issues (not too distracting, but still there), but also for the dialogue which is about as good as the best-written porn out there. The first chapter is also just Lucy straight-up telling her backstory. It only lasts for about a page, but it kept me from getting pulled into the story immediately and kept me from connecting to Lucy.
But despite all its faults, I still enjoyed the story. I thought it was really cute and I want to see more of Lucy and Adam together.
Darren (1599 KP) rated Yesterday (2019) in Movies
Dec 25, 2019
Verdict: Enjoyable Throughout
Story: Yesterday starts as we meet musician Jack Malik (Patel) who when he isn’t performing, works a dead-end job in a cash-n-carry. Jack gets his first festival in Latitude Festival thanks to his manager Ellie Appleton (James), which makes Jack realise he might walk away from music, until on his way home a shocking event around the world sees all power down for 12 seconds and Jack gets hit by a bus, waking up in a world where The Beatles never existed.
Jack uses the ideas that The Beatles never existed to start singing the songs, which sudden thrusts the spotlight onto the young singer, who sudden burst into international stardom, only can he live with the knowledge of the music he is singing is from the most famous band in the world.
Thoughts on Yesterday
Characters – Jack Malik is a small-time musician who only performs in his own free time, while trying to balance a part-time job in a warehouse. He does have talent, only he hasn’t been discovered yet, he is about to give up when he gets hit by a bus in a freak event around the world. He wakes up to discover he is the only person to have heard of The Beatles and decides to use this knowledge to give music on more crack, where his rise to super stardom is sudden and he must learn to adapt to this new career. Ellie Appleton has been the best friend, manager, rodeo and driver for his music career, secretly in love with him, unable to give up her teaching career to follow his new success. Rocky has been involved in music only he tends to let people down, he is however the only person that Jack can turn to for help for his new stardom. We get to meet Jack’s parents who have always supported him, Ed Sheeran playing himself discovering the new talent in Jack and the manager who takes Jack to the next level with his debut album.
Performances – Himesh Patel is brilliant in the leading role where he handles the singing with ease as well as the troubles that his character goes through in his sudden rise to fame. Lily James as the girl next door figure is wonderful to watch to, never looking out of place in the manager role. The rest of the cast do nothing wrong, you might see a couple of weakness in some of the performances in the film though.
Story – The story follows a musician that is involved in an accident only to discover that when he wakes up, The Beatles don’t exist, using this knowledge to make himself a mega star, while dealing with his own love problems. This is a story that does work if things are kept just around the idea of The Beatles not being around, where the story does seem to use as a little joke, other major products or bands also haven’t existed either, they are only used for jokes rather than being proper points in the story. Away from that weak point we do get to see the struggling to deal with sudden fame and the guilt for using the songs of somebody he idolises. This story is one that can be enjoyed even if you are not a Beatles fan too.
Comedy/Musical/Romance – The comedy in the film will get laughs where it needs to, we aren’t given constant jokes either, with the music side of the film playing into the strengths of all Beatles fans who will get to enjoy their favourites. The romance in the film does take centre stage, with how the two are left to wonder what if through their lives, showing how people are tempted to let people go or not for stardom.
Settings – The film uses the small town where Jack is from, which shows the struggle of a small town musician, LA where things move so fast and Liverpool where the inspiration can be found.
Scene of the Movie – Wembley.
That Moment That Annoyed Me – The other random disappearing products, just being a joke, rather than a point in the story.
Final Thoughts – This is an enjoyable comedy musical, that will show the importance of love in the world, how music can make people famous and just how far people will go for a chance of stardom.
Overall: Enjoyable
Story: Yesterday starts as we meet musician Jack Malik (Patel) who when he isn’t performing, works a dead-end job in a cash-n-carry. Jack gets his first festival in Latitude Festival thanks to his manager Ellie Appleton (James), which makes Jack realise he might walk away from music, until on his way home a shocking event around the world sees all power down for 12 seconds and Jack gets hit by a bus, waking up in a world where The Beatles never existed.
Jack uses the ideas that The Beatles never existed to start singing the songs, which sudden thrusts the spotlight onto the young singer, who sudden burst into international stardom, only can he live with the knowledge of the music he is singing is from the most famous band in the world.
Thoughts on Yesterday
Characters – Jack Malik is a small-time musician who only performs in his own free time, while trying to balance a part-time job in a warehouse. He does have talent, only he hasn’t been discovered yet, he is about to give up when he gets hit by a bus in a freak event around the world. He wakes up to discover he is the only person to have heard of The Beatles and decides to use this knowledge to give music on more crack, where his rise to super stardom is sudden and he must learn to adapt to this new career. Ellie Appleton has been the best friend, manager, rodeo and driver for his music career, secretly in love with him, unable to give up her teaching career to follow his new success. Rocky has been involved in music only he tends to let people down, he is however the only person that Jack can turn to for help for his new stardom. We get to meet Jack’s parents who have always supported him, Ed Sheeran playing himself discovering the new talent in Jack and the manager who takes Jack to the next level with his debut album.
Performances – Himesh Patel is brilliant in the leading role where he handles the singing with ease as well as the troubles that his character goes through in his sudden rise to fame. Lily James as the girl next door figure is wonderful to watch to, never looking out of place in the manager role. The rest of the cast do nothing wrong, you might see a couple of weakness in some of the performances in the film though.
Story – The story follows a musician that is involved in an accident only to discover that when he wakes up, The Beatles don’t exist, using this knowledge to make himself a mega star, while dealing with his own love problems. This is a story that does work if things are kept just around the idea of The Beatles not being around, where the story does seem to use as a little joke, other major products or bands also haven’t existed either, they are only used for jokes rather than being proper points in the story. Away from that weak point we do get to see the struggling to deal with sudden fame and the guilt for using the songs of somebody he idolises. This story is one that can be enjoyed even if you are not a Beatles fan too.
Comedy/Musical/Romance – The comedy in the film will get laughs where it needs to, we aren’t given constant jokes either, with the music side of the film playing into the strengths of all Beatles fans who will get to enjoy their favourites. The romance in the film does take centre stage, with how the two are left to wonder what if through their lives, showing how people are tempted to let people go or not for stardom.
Settings – The film uses the small town where Jack is from, which shows the struggle of a small town musician, LA where things move so fast and Liverpool where the inspiration can be found.
Scene of the Movie – Wembley.
That Moment That Annoyed Me – The other random disappearing products, just being a joke, rather than a point in the story.
Final Thoughts – This is an enjoyable comedy musical, that will show the importance of love in the world, how music can make people famous and just how far people will go for a chance of stardom.
Overall: Enjoyable