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Kaz (232 KP) rated Three Things About Elsie in Books
May 16, 2019
This book has received a lot of praise in the last couple of years. So, I was a bit dubious as to whether this novel was all hype and not actually going to be as good as people claimed it was.
The true is, this is a gem of a book.
One of the things that is special about this book, is the writing. ‘Three Things about Elsie’ had likeable, believable characters and even the secondary characters were as equally well-formed, as the main ones. I loved Handy Simon and Miss Ambrose and was pleased to find that both young and old characters, were equal in the story.
I also adored the brilliant, often profound observations of ageing, loneliness and life in general. This book pulled me into its story and even now, I still think about it.
Joanna Cannon’s turn of phrase, even when writing about the simplest of things, had me laughing out loud at times. Her descriptions of the landscape in which the story is set, were very good and I could easily imagine what the characters were seeing.
Another thing I really loved about the plot, was its success at building tension and intrigue throughout. This was a book which dealt with ageing, but it also had a gripping mystery, weaving its way throughout. At no point during this book, did I guess what was going to happen and that kept me reading.
On face value, most people would think that a novel about a octogenarian, wouldn’t appeal to a wide range of readers. However, Joanna Cannon’s story of finding your place within the world, speaks to all ages
‘Three Things About Elsie’ is a humorous, entertaining and wonderful read, which I absolutely loved. This is the best book I have read in a LONG time. It also has one of the best covers too!
The true is, this is a gem of a book.
One of the things that is special about this book, is the writing. ‘Three Things about Elsie’ had likeable, believable characters and even the secondary characters were as equally well-formed, as the main ones. I loved Handy Simon and Miss Ambrose and was pleased to find that both young and old characters, were equal in the story.
I also adored the brilliant, often profound observations of ageing, loneliness and life in general. This book pulled me into its story and even now, I still think about it.
Joanna Cannon’s turn of phrase, even when writing about the simplest of things, had me laughing out loud at times. Her descriptions of the landscape in which the story is set, were very good and I could easily imagine what the characters were seeing.
Another thing I really loved about the plot, was its success at building tension and intrigue throughout. This was a book which dealt with ageing, but it also had a gripping mystery, weaving its way throughout. At no point during this book, did I guess what was going to happen and that kept me reading.
On face value, most people would think that a novel about a octogenarian, wouldn’t appeal to a wide range of readers. However, Joanna Cannon’s story of finding your place within the world, speaks to all ages
‘Three Things About Elsie’ is a humorous, entertaining and wonderful read, which I absolutely loved. This is the best book I have read in a LONG time. It also has one of the best covers too!
Scott Tostik (389 KP) rated 31 (2016) in Movies
Feb 3, 2018 (Updated Feb 3, 2018)
Richard Brake (2 more)
Some interesting dialogue
Cliffhanger ending
Blood, guts and profanity... my 3 favorite things
I am and always will be a horror movie fan. And a Rob Zombie fan as well. While most in the horror community dispose the man, and do their best to ignore his reimagining of John Carpenter's beloved Halloween. I get his vision. I understand his process.
In 31, Zombie goes out of his way to remind us all of why he is here in this genre and why he should be here to stay.
The script penned for this flick is nothing short of dreadful, but in a good horror film That's what you want. His dialogue is full of pull no punches vulgarity that would make anyone blush. And his pattern of killing off his stars is brutal to say the least.
Capped with an amazing performance by Richard Brake, who from the beginnng of movie, let's you know that he "ain't no fucking clown!!!".
His ability to capture the true disgustingness that lives in every single one of us, that fire that burns in your body when someone cuts you off when your driving to work. Or bumps into you while walking by. That feeling that says, "Fuck, I'd love to kill that person,"... well he lets the beast out in this film.
He turns 5 mild mannered hippie carnies into vicious animalistic slashers. Killing at first out of that need for survival. Then killing because they had to do it. And finally killing because they were starting to enjoy it.
Zombie does what he does, sets them up to be knocked down as only he can. Chuck I'm some great one liners and awesome profanity filled dialogue, sprinkle it with some over the top kickass blood filled deaths and an acting performance by Richard Brake that I can't help but praise and you have a recipe for a disturbing good time. As Doomhead suggests in the opening sequence of 31. In hell everyone loves popcorn.
In 31, Zombie goes out of his way to remind us all of why he is here in this genre and why he should be here to stay.
The script penned for this flick is nothing short of dreadful, but in a good horror film That's what you want. His dialogue is full of pull no punches vulgarity that would make anyone blush. And his pattern of killing off his stars is brutal to say the least.
Capped with an amazing performance by Richard Brake, who from the beginnng of movie, let's you know that he "ain't no fucking clown!!!".
His ability to capture the true disgustingness that lives in every single one of us, that fire that burns in your body when someone cuts you off when your driving to work. Or bumps into you while walking by. That feeling that says, "Fuck, I'd love to kill that person,"... well he lets the beast out in this film.
He turns 5 mild mannered hippie carnies into vicious animalistic slashers. Killing at first out of that need for survival. Then killing because they had to do it. And finally killing because they were starting to enjoy it.
Zombie does what he does, sets them up to be knocked down as only he can. Chuck I'm some great one liners and awesome profanity filled dialogue, sprinkle it with some over the top kickass blood filled deaths and an acting performance by Richard Brake that I can't help but praise and you have a recipe for a disturbing good time. As Doomhead suggests in the opening sequence of 31. In hell everyone loves popcorn.
Zuky the BookBum (15 KP) rated The Dumb House: (Scottish Classics) in Books
Mar 15, 2018
This book was nothing like what I thought it would, and for that reason, it disappointed me.
I believed this novel was going to be a creepy, man-holds-children-captive kind of story, but unfortunately it wasn’t. This was far more intelligent, with lots of complex writing than I had expected, and due to that, I couldn’t really get into it. I’m not the sharpest tool in the shed so I feel like a lot of this book went over my head.
There’s no doubt about it, our narrator is one of the most terrifying and disturbed narrators I’ve ever come across, and thanks to my love for the macabre, this made reading his story sometimes enjoyable. When he was simply recalling his actions in the here and now, I was interested, but when he got into his ramblings about his ideas on testing the innateness of language, my mind moved onto different things. Hence it taking me almost a week and a half to read 204 pages.
Burnside is an incredibly beautiful writer, it doesn’t surprise me to see he’s a poetry writer as well as a fiction writer. I’m always one to praise an author for their poetic prose, but sometimes things get a little too complex for me and all meaning is lost on me. This happened a lot throughout reading The Dumb House.
In terms of the story, this wasn’t exactly what I had hoped it would be. It was very slow to get anywhere, and even when we did get to learning his experiment on his children, that whole section was equally slow-moving. It didn’t feel like an awful lot happened other than several uncomfortable sex scenes and some horrifying violence.
Unfortunately, this one didn’t do it for me, which is a shame, because I was so looking forward to reading it. I suppose if you love intelligent fiction that is reasonably ambiguous, this might be great for you. I personally like a book that challenges my mind, but this one went too far for me.
I believed this novel was going to be a creepy, man-holds-children-captive kind of story, but unfortunately it wasn’t. This was far more intelligent, with lots of complex writing than I had expected, and due to that, I couldn’t really get into it. I’m not the sharpest tool in the shed so I feel like a lot of this book went over my head.
There’s no doubt about it, our narrator is one of the most terrifying and disturbed narrators I’ve ever come across, and thanks to my love for the macabre, this made reading his story sometimes enjoyable. When he was simply recalling his actions in the here and now, I was interested, but when he got into his ramblings about his ideas on testing the innateness of language, my mind moved onto different things. Hence it taking me almost a week and a half to read 204 pages.
Burnside is an incredibly beautiful writer, it doesn’t surprise me to see he’s a poetry writer as well as a fiction writer. I’m always one to praise an author for their poetic prose, but sometimes things get a little too complex for me and all meaning is lost on me. This happened a lot throughout reading The Dumb House.
In terms of the story, this wasn’t exactly what I had hoped it would be. It was very slow to get anywhere, and even when we did get to learning his experiment on his children, that whole section was equally slow-moving. It didn’t feel like an awful lot happened other than several uncomfortable sex scenes and some horrifying violence.
Unfortunately, this one didn’t do it for me, which is a shame, because I was so looking forward to reading it. I suppose if you love intelligent fiction that is reasonably ambiguous, this might be great for you. I personally like a book that challenges my mind, but this one went too far for me.
Cynthia Armistead (17 KP) rated Ghost Story (The Dresden Files, #13) in Books
Mar 1, 2018
Of course I (along with all [a:Jim Butcher|10746|Jim Butcher|https://images.gr-assets.com/authors/1400640324p2/10746.jpg]'s other fans) have been absolutely dying to read this book ever since finishing [b:Changes|6585201|Changes (The Dresden Files, #12)|Jim Butcher|https://images.gr-assets.com/books/1304027244s/6585201.jpg|6778696]. [a:Sam Chupp|11847|Sam Chupp|https://images.gr-assets.com/authors/1219698183p2/11847.jpg] and I have been talking about how there could possibly be another book that occurs after Dresden's death. Of course, the novella included in [b:Side Jobs: Stories From the Dresden Files|7779059|Side Jobs Stories from the Dresden Files (The Dresden Files, #12.5)|Jim Butcher|https://images.gr-assets.com/books/1269115846s/7779059.jpg|10351697] was very good and got along quite well without Dresden, but that probably wasn't going to work for an entire novel.
Sam hasn't even started <i>Ghost Story</i> yet, so I can't gloat at home. I was actually right in some of my speculation! I'm being non-specific so as to not give too much away, even though I am hiding this review behind spoiler warnings on GoodReads in case he does read it and remember what I had said (which is highly doubtful). But I feel like bragging somewhere, so you, dear readers, have to put up with it.
Jim Butcher deserves major praise. <i>Ghost Story</i> is amazing. Dresden has become such a powerful wizard that few enemies are truly a challenge, and wiping out the entire Red Court with one spell was an amazing feat. What do you do for an encore to that? Having Dresden immaterial and operating without magic does seriously push him, and that makes for a fascinating tale. Being able to keep a series fresh in its thirteenth volume says a lot for Butcher's talent. I think <i>Ghost Story</i> is the best Dresden Files book yet, and I'm looking forward to book fourteen even more!
Sam hasn't even started <i>Ghost Story</i> yet, so I can't gloat at home. I was actually right in some of my speculation! I'm being non-specific so as to not give too much away, even though I am hiding this review behind spoiler warnings on GoodReads in case he does read it and remember what I had said (which is highly doubtful). But I feel like bragging somewhere, so you, dear readers, have to put up with it.
Jim Butcher deserves major praise. <i>Ghost Story</i> is amazing. Dresden has become such a powerful wizard that few enemies are truly a challenge, and wiping out the entire Red Court with one spell was an amazing feat. What do you do for an encore to that? Having Dresden immaterial and operating without magic does seriously push him, and that makes for a fascinating tale. Being able to keep a series fresh in its thirteenth volume says a lot for Butcher's talent. I think <i>Ghost Story</i> is the best Dresden Files book yet, and I'm looking forward to book fourteen even more!
LeftSideCut (3776 KP) rated Star Wars: Episode III – Revenge of the Sith (2005) in Movies
Nov 29, 2019 (Updated Dec 20, 2019)
The final chapter of the Star Wars prequel trilogy is definitely the high point (which isn't the highest praise...) throwing a large amount of sci-fi action at the audience, whilst bring the Star Wars narrative full circle and finally tying into the first film.
The action is over gratuitous at times, but it's still entertaining enough - the opening space battle, the climatic battle between Jedis, the harrowing Order 66 scene.
The special effects here are noticably improved from Episodes I and II, and once again, the various locations and landscapes that we're shown are stunning to look at (Kashyyyk is a good example).
The most important character arc here is of course Anakin's, as he completes his turn to the dark side and steps further towards the iconic Darth Vader. I much prefer Hayden Christensen this time around, although he's still wooden in parts - I get the feeling that he's trying his best, but George Lucas isn't giving a whole lot for him to work with.
Ewan McGregor is great once again as Obi Wan.
The biggest new character we're introduced to in ROTS is General Grievous, who's ok I guess - he's nothing more than a CGI model designed to sell merchandise, but then again, who doesn't want to see someone wield four lightsabers at once ey?
The dialogue is just about more bearable than in the other two prequel films, and the movie has a general sense of 'getting shit done' than before, and it's all the better for it and has some dark turns here and there.
There are some cringey bits of course - the unessecary Chewbacca line for one, and of course, the god awful 'NOOOOOOO' line near the end (literal sick in my mouth)
When looking back on the prequel trilogy of Star Wars, it's easy to cast them aside and say they're no good, when in reality, that's not wholly true. They have they're moments and will always be something that I'll (maybe) watch when they're on TV...
The action is over gratuitous at times, but it's still entertaining enough - the opening space battle, the climatic battle between Jedis, the harrowing Order 66 scene.
The special effects here are noticably improved from Episodes I and II, and once again, the various locations and landscapes that we're shown are stunning to look at (Kashyyyk is a good example).
The most important character arc here is of course Anakin's, as he completes his turn to the dark side and steps further towards the iconic Darth Vader. I much prefer Hayden Christensen this time around, although he's still wooden in parts - I get the feeling that he's trying his best, but George Lucas isn't giving a whole lot for him to work with.
Ewan McGregor is great once again as Obi Wan.
The biggest new character we're introduced to in ROTS is General Grievous, who's ok I guess - he's nothing more than a CGI model designed to sell merchandise, but then again, who doesn't want to see someone wield four lightsabers at once ey?
The dialogue is just about more bearable than in the other two prequel films, and the movie has a general sense of 'getting shit done' than before, and it's all the better for it and has some dark turns here and there.
There are some cringey bits of course - the unessecary Chewbacca line for one, and of course, the god awful 'NOOOOOOO' line near the end (literal sick in my mouth)
When looking back on the prequel trilogy of Star Wars, it's easy to cast them aside and say they're no good, when in reality, that's not wholly true. They have they're moments and will always be something that I'll (maybe) watch when they're on TV...
JT (287 KP) rated Dallas Buyers Club (2013) in Movies
Mar 10, 2020
All the hype surrounding Dallas Buyers Club has been focused on the individual performances of it’s leading cast, but director Jean-Marc Vallée deserves considerable recognition for so skillfully crafting this tale of exceptional warmth, humour and eternal hope.
Ron Woodroof is a hustling, homophobic, bull-riding, womanising, sometimes-electrician, whose life revolves around excess drugs, alcohol and female copulation. But after a freak accident leads to doctors discovering he’s HIV positive, Ron is forced to re-examine his priorities.
With his hillbilly friends shunning him and the back-alley supply of the drug that could prolong his life cut off, Woodroof heads across the border to Mexico in search of alternative treatments. When he realises that the medication he’s given isn’t available in the US, he seizes the opportunity to make a quick buck.
Along the way he encounters fellow AIDS sufferer and cross-dresser Rayon (Leto) with whom he strikes an unlikely partnership in forming the Dallas Buyers Club, as well as Dr. Eve Saks (Garner) who becomes increasingly sympathetic to his plight.
McConaughey’s extreme physical transformation for the lead role is in itself worthy of great praise and his Oscar-winning turn is one of outstanding range and capability, portraying all the raw emotions Woodroof is forced to conflict as the character himself is changed irrevocably throughout the film’s two hour duration.
The scenes shared by Rayon – another remarkable performance from Leto – and Woodruff are triumphant and their relationship continually brings light relief to a backdrop of struggle as The Dallas Buyers Club fights what always seems like a losing battle with the FDA.
Much like Philadelphia, this film highlights the many struggles and injustices faced by early AIDS sufferers, not just in getting the medication they needed to survive, but also the prejudices they were forced to endure. It’s an exceptional piece of cinema that everyone should take the time to see.
Ron Woodroof is a hustling, homophobic, bull-riding, womanising, sometimes-electrician, whose life revolves around excess drugs, alcohol and female copulation. But after a freak accident leads to doctors discovering he’s HIV positive, Ron is forced to re-examine his priorities.
With his hillbilly friends shunning him and the back-alley supply of the drug that could prolong his life cut off, Woodroof heads across the border to Mexico in search of alternative treatments. When he realises that the medication he’s given isn’t available in the US, he seizes the opportunity to make a quick buck.
Along the way he encounters fellow AIDS sufferer and cross-dresser Rayon (Leto) with whom he strikes an unlikely partnership in forming the Dallas Buyers Club, as well as Dr. Eve Saks (Garner) who becomes increasingly sympathetic to his plight.
McConaughey’s extreme physical transformation for the lead role is in itself worthy of great praise and his Oscar-winning turn is one of outstanding range and capability, portraying all the raw emotions Woodroof is forced to conflict as the character himself is changed irrevocably throughout the film’s two hour duration.
The scenes shared by Rayon – another remarkable performance from Leto – and Woodruff are triumphant and their relationship continually brings light relief to a backdrop of struggle as The Dallas Buyers Club fights what always seems like a losing battle with the FDA.
Much like Philadelphia, this film highlights the many struggles and injustices faced by early AIDS sufferers, not just in getting the medication they needed to survive, but also the prejudices they were forced to endure. It’s an exceptional piece of cinema that everyone should take the time to see.
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