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LeftSideCut (3776 KP) rated Jojo Rabbit (2019) in Movies
Jun 21, 2020
I was not expecting to love Jojo Rabbit as much as I did. I would argue that it's one of the best films of 2019!
The subject of Nazis and Hitler is a touchy one to say the least, but it's also a subject that is ripe for satire, and one of the many aspects that stands out here, is how Taika Waititi has managed to craft a film that is absolutely hilarious, but never undermines how horrible this part of history was.
I laughed (a lot) before being slapped with a reminder of how bleak war is.
The main plot revolves around Jojo (Roman Griffin Davis), a 10 year old boy who looks up to Hitler, and is part of the Nazi Youth. He finds out that his mother Rosie (Scarlett Johansson) is hiding a Jewish girl, Elsa (Thomasin McKenzie) in the attic of their house. Initially hostile, they begin to form a friendship as the Nazi regime begins to crumble.
Underneath all the goofiness, this main narrative is radiating in both warmth and sadness. I legit had a bit of a cry at one point.
The cast are brilliant. Roman Griffin Davis is one of the most likable protagonists in recent memory. His innocence and blind devotion to the war is humorous, and weirdly sweet. Thomasin McKenzie is great alongside him as well.
As well as directing, Taika Waititi also plays a version of Hitler, sort of like Jojo's imaginary friend, and he's honestly just the best, and provides the majority of the films comedy.
Elsewhere, Scarlett Johansson, Sam Rockwell, Alfie Allen, and Stephen Merchant all make up a pretty rock solid cast.
Screw it, I even liked Rebel Wilson (she usually makes me want to play in traffic.)
Jojo Rabbit is a truly wonderful experience. It evokes a whole range of emotions effortlessly, looks incredible throughout, and deserves all the praise thrown it's way.
The subject of Nazis and Hitler is a touchy one to say the least, but it's also a subject that is ripe for satire, and one of the many aspects that stands out here, is how Taika Waititi has managed to craft a film that is absolutely hilarious, but never undermines how horrible this part of history was.
I laughed (a lot) before being slapped with a reminder of how bleak war is.
The main plot revolves around Jojo (Roman Griffin Davis), a 10 year old boy who looks up to Hitler, and is part of the Nazi Youth. He finds out that his mother Rosie (Scarlett Johansson) is hiding a Jewish girl, Elsa (Thomasin McKenzie) in the attic of their house. Initially hostile, they begin to form a friendship as the Nazi regime begins to crumble.
Underneath all the goofiness, this main narrative is radiating in both warmth and sadness. I legit had a bit of a cry at one point.
The cast are brilliant. Roman Griffin Davis is one of the most likable protagonists in recent memory. His innocence and blind devotion to the war is humorous, and weirdly sweet. Thomasin McKenzie is great alongside him as well.
As well as directing, Taika Waititi also plays a version of Hitler, sort of like Jojo's imaginary friend, and he's honestly just the best, and provides the majority of the films comedy.
Elsewhere, Scarlett Johansson, Sam Rockwell, Alfie Allen, and Stephen Merchant all make up a pretty rock solid cast.
Screw it, I even liked Rebel Wilson (she usually makes me want to play in traffic.)
Jojo Rabbit is a truly wonderful experience. It evokes a whole range of emotions effortlessly, looks incredible throughout, and deserves all the praise thrown it's way.
Bostonian916 (449 KP) rated We've Got Balls (2013) in Movies
Jun 26, 2020
I tend to go out of my way to enjoy movies that might not have too many redeeming qualities, just because I don't want to walk away feeling like I have wasted my time or energy on something and not gotten anything in return. As a result, I've found redeeming qualities in some pretty poor films in the past.
Finding that type of quality in this movie proved to be very difficult.
The first thing that I noticed was the production quality. Now, I completely understand that everybody has to start somewhere. I can overlook poor production quality when warranted. In order to do that though, there has to be exceptional praise elsewhere. Unfortunately, that wasn't the case here.
The premise seemed alright, if not generic. A small town (population 52, which is mentioned several times) bowling alley is at risk of closing down to make room for a new casino that the land owner wants to put in that location. The city bonds together to prevent this from happening. And that's where things start to go off the rails.
I try not to include spoilers as a rule, so I will abide by that here. But I will say that the story doesn't improve from there. It's about as generic as they come with very little exception. One interesting element is the tournament that takes place in an effort to save the building. It starts as a humorous prospect but fails to launch from there.
I appreciate the film makers efforts here, which is why I have this as a four star rating. I hope that they learned from making this movie and can apply that to other projects going forward.
This film is currently available as part of Amazon Prime Video or for purchase. Clocks in around an hour and a half, but frankly, it's a VERY LONG hour and a half.
Finding that type of quality in this movie proved to be very difficult.
The first thing that I noticed was the production quality. Now, I completely understand that everybody has to start somewhere. I can overlook poor production quality when warranted. In order to do that though, there has to be exceptional praise elsewhere. Unfortunately, that wasn't the case here.
The premise seemed alright, if not generic. A small town (population 52, which is mentioned several times) bowling alley is at risk of closing down to make room for a new casino that the land owner wants to put in that location. The city bonds together to prevent this from happening. And that's where things start to go off the rails.
I try not to include spoilers as a rule, so I will abide by that here. But I will say that the story doesn't improve from there. It's about as generic as they come with very little exception. One interesting element is the tournament that takes place in an effort to save the building. It starts as a humorous prospect but fails to launch from there.
I appreciate the film makers efforts here, which is why I have this as a four star rating. I hope that they learned from making this movie and can apply that to other projects going forward.
This film is currently available as part of Amazon Prime Video or for purchase. Clocks in around an hour and a half, but frankly, it's a VERY LONG hour and a half.
LeftSideCut (3776 KP) rated The Last of Us Remastered in Video Games
Jul 22, 2020
Perseverance pays off apparently
I absolutely love the Uncharted series, so when The Last of Us launched at the end of the PS3s lifecycle, I was naturally excited to play it. I didn't get very far before I gave up on it. It just failed to grab me, and I couldn't quite figure out why.
Fast forward to the Remastered release on PS4, and I had exactly the same issue. I got a little further this time (reached the abandoned hotel) but just got distracted by another game and never bothered to go back.
About a month before TLOU2 released, I decided to give it one last try, and it finally clicked into place.
Before I knew it, I was obsessed with finding as many supplies and resources as I could, checking every dark corner and locked room, as I slowly grew to care deeply for Joel and Ellie along the way.
This bleak and unforgiving world of TLOU is possibly what put me off before, but this time around I found it easy to get lost in (definitely nothing to do with the current state of the real world...probably).
The combat is a little jumpy at times, but it has that unmistakable Naughty Dog design that has since been perfected and it's easy enough to get used to. Whilst I wound up frustrated at enemy encounters early on, by the games halfway point it all felt a lot smoother and satisfyingly brutal.
The "zombies" are straightforward enough, but the design of the Clickers is something original and particularly nasty.
The narrative is the main draw for TLOU though. The characters of Joel and Ellie are so well crafted, and the back and forth between the two is extremely well written. The sense of protection that I felt for Ellie was strong, so hats off to Naughty Dog for smashing that element.
I'm glad I finally got round to seeing the appeal of TLOU. It's a well crafted adventure that deserves the praise it gets.
Fast forward to the Remastered release on PS4, and I had exactly the same issue. I got a little further this time (reached the abandoned hotel) but just got distracted by another game and never bothered to go back.
About a month before TLOU2 released, I decided to give it one last try, and it finally clicked into place.
Before I knew it, I was obsessed with finding as many supplies and resources as I could, checking every dark corner and locked room, as I slowly grew to care deeply for Joel and Ellie along the way.
This bleak and unforgiving world of TLOU is possibly what put me off before, but this time around I found it easy to get lost in (definitely nothing to do with the current state of the real world...probably).
The combat is a little jumpy at times, but it has that unmistakable Naughty Dog design that has since been perfected and it's easy enough to get used to. Whilst I wound up frustrated at enemy encounters early on, by the games halfway point it all felt a lot smoother and satisfyingly brutal.
The "zombies" are straightforward enough, but the design of the Clickers is something original and particularly nasty.
The narrative is the main draw for TLOU though. The characters of Joel and Ellie are so well crafted, and the back and forth between the two is extremely well written. The sense of protection that I felt for Ellie was strong, so hats off to Naughty Dog for smashing that element.
I'm glad I finally got round to seeing the appeal of TLOU. It's a well crafted adventure that deserves the praise it gets.
How England Made the English: From Why We Drive on the Left to Why We Don't Talk to Our Neighbours
Book
Harry Mount's How England Made the English: From Why We Drive on the Left to Why We Don't Talk to...
Kristy H (1252 KP) rated Queens of Geek in Books
Mar 4, 2021
Simple yet sweet look into fandom and friendship
Charlie, Taylor, and Jamie are extremely close friends. They come to SupaCon as one last blast before they all head to college--and to celebrate Charlie, a famous video blogger and actress. Charlie's struggling to get over her very public breakup with her former co-star, Reese Ryan. Taylor is dealing with how the Con flames her anxiety and that she has feelings for her best friend: Jamie. Plus, she wants to enter a contest at the Con to meet her favorite actress from her favorite fandom, but knows her fears would never allow it. And Jamie just wants to make Taylor happy. Can the three survive SupaCon?
This is the seventeenth book in my #atozchallenge! I'm challenging myself to read a book from my shelves that starts with each letter of the alphabet. Let's clear those shelves and delve into that backlist!
This was a cute book--easy to read with sweet characters. It's written very simply and honestly it's often trite in its writing and plot. Expect some undeveloped characters, some insta-love, and problems that resolve themselves before they even fully develop. It's a shame, because QUEENS covers some incredibly important topics--Asperger's, autism, anxiety, bisexuality--and covers them fairly well--but often quickly, without a lot of depth.
The book is a true ode to geeks (I say this with the highest praise) and con/fandom lovers. However, not really being a fan of these fandoms, it was hard to truly get into those parts. I loved how much comfort Taylor took in her fandom, but it wasn't something I could be into, if that made sense.
Mostly, I loved the spot-on passages describing social anxiety and the diverse cast. This was an easy YA read, but one lacking true depth; still, it satisfied the "Q" requirement for my A to Z reading challenge. 3 stars, mostly for the bi rep.
This is the seventeenth book in my #atozchallenge! I'm challenging myself to read a book from my shelves that starts with each letter of the alphabet. Let's clear those shelves and delve into that backlist!
This was a cute book--easy to read with sweet characters. It's written very simply and honestly it's often trite in its writing and plot. Expect some undeveloped characters, some insta-love, and problems that resolve themselves before they even fully develop. It's a shame, because QUEENS covers some incredibly important topics--Asperger's, autism, anxiety, bisexuality--and covers them fairly well--but often quickly, without a lot of depth.
The book is a true ode to geeks (I say this with the highest praise) and con/fandom lovers. However, not really being a fan of these fandoms, it was hard to truly get into those parts. I loved how much comfort Taylor took in her fandom, but it wasn't something I could be into, if that made sense.
Mostly, I loved the spot-on passages describing social anxiety and the diverse cast. This was an easy YA read, but one lacking true depth; still, it satisfied the "Q" requirement for my A to Z reading challenge. 3 stars, mostly for the bi rep.
Gaz Coombes recommended The Trials of Van Occupanther by Midlake in Music (curated)
Joe Goodhart (27 KP) rated 11.22.63 in Books
Nov 30, 2020
When this book first came in, back in 2011, I blew it off, despite a marked interest in all things JFK/Lee Harvey Oswald conspiracy related. However, when I saw who had written it, that interest was dashed bits. Jumping ahead to yesterday, when I completed the book, I find myself having to rough myself up mentally for not reading this sooner!
The novel is unlike anything I've read by King. The prose was just right, not too much. Even the use of profanity was toned down = not sure if this was because of the era it was set (unlikely, I apt to believe, as life was not "The Donna Reed Show", contrary to what we would like to believe) or attributable to the fact that Mr. King has, in fact, grown up as a writer. In any case, I liked a whole heckuva lot!
The book had so many good plot elements: time-travel, romance, epic dilemmas, and characters that you genuinely cared about! All of the aforementioned elements added up to a novel worthy of praise and adulatation - many times over!
The story within was so engaging that I finished it within a week after starting it - something I haven't been able to do with a Stephen King novel in a loooong time! Throughout the tale, I found myself smiling, laughing, gripped with tension and suspense, and the hardest emotion to pull: tears of sadness and delight!
Look, I will not mislead or try to "lure" you into reading this. What I do is tell it like this: there more books on the NY Times bestseller list that are just filler for writers' contractual obligations, lacking the real substance or feeling needed for a proper tale.! '11/21/63' has plenty of feeling and substance, enough to offer to some of the other bestsellers on the list now, and then.
And conclusion, I will leave like this: Seriously? You do a lot worse that giving this book the shot it deserves.
The novel is unlike anything I've read by King. The prose was just right, not too much. Even the use of profanity was toned down = not sure if this was because of the era it was set (unlikely, I apt to believe, as life was not "The Donna Reed Show", contrary to what we would like to believe) or attributable to the fact that Mr. King has, in fact, grown up as a writer. In any case, I liked a whole heckuva lot!
The book had so many good plot elements: time-travel, romance, epic dilemmas, and characters that you genuinely cared about! All of the aforementioned elements added up to a novel worthy of praise and adulatation - many times over!
The story within was so engaging that I finished it within a week after starting it - something I haven't been able to do with a Stephen King novel in a loooong time! Throughout the tale, I found myself smiling, laughing, gripped with tension and suspense, and the hardest emotion to pull: tears of sadness and delight!
Look, I will not mislead or try to "lure" you into reading this. What I do is tell it like this: there more books on the NY Times bestseller list that are just filler for writers' contractual obligations, lacking the real substance or feeling needed for a proper tale.! '11/21/63' has plenty of feeling and substance, enough to offer to some of the other bestsellers on the list now, and then.
And conclusion, I will leave like this: Seriously? You do a lot worse that giving this book the shot it deserves.
Lenard (726 KP) rated Soul (2020) in Movies
Dec 26, 2020
There is a saying that even though you can't achieve greatness you can still inspire someone else to be great. Joe Gardner is a sometime jazz pianist who works as a part time middle school band teacher. On the day the principal hires him as a full-time teacher with all the benefits, Joe is invited to join a jazz quartet for their nightly club gigs. In his dazed excitement, he falls down an open manhole (the city will face a major lawsuit for that). His soul is transported onto the conveyor belt for the Great Beyond, but Joe escapes into the Great Before. There, in order to stall his forever death, he becomes a mentor to a "new" soul so that the nonbinary entity named 22 finds a spark to live. 22 has been mentored by all the greats from Archimedes to Copernicus to Mother Teresa never finding a reason to exist. That is, until a trip to the land of the lost souls ends with both Joe's soul and 22 inside corporeal beings. Joe teaches 22 that life has value whether it is a pursuit of music, a dream deferred like a raisin in the sun, or observing a leaf falling from a tree. In fact, Joe has influenced the lives of many of his students, like Curley, a jazz drummer in the Dorothea William Quartet, or current student Sonia, a master trombonist, who he privately teaches outside of school. While some people can see his dreams may not be his meal ticket, Joe will always be a mentor to other struggling musicians who may one day be successful.
On the technical aspects of the film, there is a lot to praise. While a Michael Giacchino score may have worked, the score by Trent Reznor and Atticus Ross counterposes the jazz score throughout. Music soothes all souls. The animation is masterful as usual. The "Terry" sequence and some of the character designs in the afterlife will influence future animators much like Joe's students.
On the technical aspects of the film, there is a lot to praise. While a Michael Giacchino score may have worked, the score by Trent Reznor and Atticus Ross counterposes the jazz score throughout. Music soothes all souls. The animation is masterful as usual. The "Terry" sequence and some of the character designs in the afterlife will influence future animators much like Joe's students.
LeftSideCut (3776 KP) rated 1917 (2020) in Movies
Aug 16, 2020
1917 is a remarkable film through and through, and I can't praise it enough.
The cast, the cinematography, the set pieces, the music score are all outstanding.
The plot revolves around Lance Corporals Schofield (George McKay) and Blake (Dean-Charles Chapman) embarking on a seemingly impossible mission across no man's land in Northern France, deep into enemy territory to deliver a message to a fellow regiment, with the aim of preventing them from walking into a trap and potentially losing 1600 soldiers.
The two lead actors are fantastic, portraying two soldiers leaning on each other to achieve their goal.
The journey that takes place is tough and harrowing at times. There's a point about half way through the movie where the pace just doesn't slow down once. It's extremely intense, and bolstered infinitely by the shooting style.
The film is shot in a way that gives the viewer the impression of a one take movie. It's edited together so well that it appears seamless, and allows for some truly breathtaking moments, and never lets you break away from events unfolding. It caught my attention immediately and never lost it for one second.
This method allows for a very stylish looking experience, but it's a kind of style that never detracts or takes away from the horror of war. It's a perfect combination, ensuring that scenes of action feel relentless, whilst sadder moments are suitably poignant and perfectly executed. The emotional beats in 1917 are something else and took me by surprise. I have no shame in saying that I was fighting back tears a couple of times.
By the times the credits rolled, I was just sat in stunned silence, something that has only happened to me a few times before when it comes to movies.
1917 is pretty much perfect. A great war film, a great drama, and en effective exploration of what friendship and duty really mean.
Make the time to watch it if you haven't already!
The cast, the cinematography, the set pieces, the music score are all outstanding.
The plot revolves around Lance Corporals Schofield (George McKay) and Blake (Dean-Charles Chapman) embarking on a seemingly impossible mission across no man's land in Northern France, deep into enemy territory to deliver a message to a fellow regiment, with the aim of preventing them from walking into a trap and potentially losing 1600 soldiers.
The two lead actors are fantastic, portraying two soldiers leaning on each other to achieve their goal.
The journey that takes place is tough and harrowing at times. There's a point about half way through the movie where the pace just doesn't slow down once. It's extremely intense, and bolstered infinitely by the shooting style.
The film is shot in a way that gives the viewer the impression of a one take movie. It's edited together so well that it appears seamless, and allows for some truly breathtaking moments, and never lets you break away from events unfolding. It caught my attention immediately and never lost it for one second.
This method allows for a very stylish looking experience, but it's a kind of style that never detracts or takes away from the horror of war. It's a perfect combination, ensuring that scenes of action feel relentless, whilst sadder moments are suitably poignant and perfectly executed. The emotional beats in 1917 are something else and took me by surprise. I have no shame in saying that I was fighting back tears a couple of times.
By the times the credits rolled, I was just sat in stunned silence, something that has only happened to me a few times before when it comes to movies.
1917 is pretty much perfect. A great war film, a great drama, and en effective exploration of what friendship and duty really mean.
Make the time to watch it if you haven't already!
The Guardians
7.5
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22 years ago Quincy Miller was sentenced to life without parole. He was accused of killing Keith...