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Gaz Coombes recommended The Trials of Van Occupanther by Midlake in Music (curated)
Joe Goodhart (27 KP) rated 11.22.63 in Books
Nov 30, 2020
When this book first came in, back in 2011, I blew it off, despite a marked interest in all things JFK/Lee Harvey Oswald conspiracy related. However, when I saw who had written it, that interest was dashed bits. Jumping ahead to yesterday, when I completed the book, I find myself having to rough myself up mentally for not reading this sooner!
The novel is unlike anything I've read by King. The prose was just right, not too much. Even the use of profanity was toned down = not sure if this was because of the era it was set (unlikely, I apt to believe, as life was not "The Donna Reed Show", contrary to what we would like to believe) or attributable to the fact that Mr. King has, in fact, grown up as a writer. In any case, I liked a whole heckuva lot!
The book had so many good plot elements: time-travel, romance, epic dilemmas, and characters that you genuinely cared about! All of the aforementioned elements added up to a novel worthy of praise and adulatation - many times over!
The story within was so engaging that I finished it within a week after starting it - something I haven't been able to do with a Stephen King novel in a loooong time! Throughout the tale, I found myself smiling, laughing, gripped with tension and suspense, and the hardest emotion to pull: tears of sadness and delight!
Look, I will not mislead or try to "lure" you into reading this. What I do is tell it like this: there more books on the NY Times bestseller list that are just filler for writers' contractual obligations, lacking the real substance or feeling needed for a proper tale.! '11/21/63' has plenty of feeling and substance, enough to offer to some of the other bestsellers on the list now, and then.
And conclusion, I will leave like this: Seriously? You do a lot worse that giving this book the shot it deserves.
The novel is unlike anything I've read by King. The prose was just right, not too much. Even the use of profanity was toned down = not sure if this was because of the era it was set (unlikely, I apt to believe, as life was not "The Donna Reed Show", contrary to what we would like to believe) or attributable to the fact that Mr. King has, in fact, grown up as a writer. In any case, I liked a whole heckuva lot!
The book had so many good plot elements: time-travel, romance, epic dilemmas, and characters that you genuinely cared about! All of the aforementioned elements added up to a novel worthy of praise and adulatation - many times over!
The story within was so engaging that I finished it within a week after starting it - something I haven't been able to do with a Stephen King novel in a loooong time! Throughout the tale, I found myself smiling, laughing, gripped with tension and suspense, and the hardest emotion to pull: tears of sadness and delight!
Look, I will not mislead or try to "lure" you into reading this. What I do is tell it like this: there more books on the NY Times bestseller list that are just filler for writers' contractual obligations, lacking the real substance or feeling needed for a proper tale.! '11/21/63' has plenty of feeling and substance, enough to offer to some of the other bestsellers on the list now, and then.
And conclusion, I will leave like this: Seriously? You do a lot worse that giving this book the shot it deserves.
Lenard (726 KP) rated Soul (2020) in Movies
Dec 26, 2020
There is a saying that even though you can't achieve greatness you can still inspire someone else to be great. Joe Gardner is a sometime jazz pianist who works as a part time middle school band teacher. On the day the principal hires him as a full-time teacher with all the benefits, Joe is invited to join a jazz quartet for their nightly club gigs. In his dazed excitement, he falls down an open manhole (the city will face a major lawsuit for that). His soul is transported onto the conveyor belt for the Great Beyond, but Joe escapes into the Great Before. There, in order to stall his forever death, he becomes a mentor to a "new" soul so that the nonbinary entity named 22 finds a spark to live. 22 has been mentored by all the greats from Archimedes to Copernicus to Mother Teresa never finding a reason to exist. That is, until a trip to the land of the lost souls ends with both Joe's soul and 22 inside corporeal beings. Joe teaches 22 that life has value whether it is a pursuit of music, a dream deferred like a raisin in the sun, or observing a leaf falling from a tree. In fact, Joe has influenced the lives of many of his students, like Curley, a jazz drummer in the Dorothea William Quartet, or current student Sonia, a master trombonist, who he privately teaches outside of school. While some people can see his dreams may not be his meal ticket, Joe will always be a mentor to other struggling musicians who may one day be successful.
On the technical aspects of the film, there is a lot to praise. While a Michael Giacchino score may have worked, the score by Trent Reznor and Atticus Ross counterposes the jazz score throughout. Music soothes all souls. The animation is masterful as usual. The "Terry" sequence and some of the character designs in the afterlife will influence future animators much like Joe's students.
On the technical aspects of the film, there is a lot to praise. While a Michael Giacchino score may have worked, the score by Trent Reznor and Atticus Ross counterposes the jazz score throughout. Music soothes all souls. The animation is masterful as usual. The "Terry" sequence and some of the character designs in the afterlife will influence future animators much like Joe's students.
LeftSideCut (3776 KP) rated 1917 (2020) in Movies
Aug 16, 2020
1917 is a remarkable film through and through, and I can't praise it enough.
The cast, the cinematography, the set pieces, the music score are all outstanding.
The plot revolves around Lance Corporals Schofield (George McKay) and Blake (Dean-Charles Chapman) embarking on a seemingly impossible mission across no man's land in Northern France, deep into enemy territory to deliver a message to a fellow regiment, with the aim of preventing them from walking into a trap and potentially losing 1600 soldiers.
The two lead actors are fantastic, portraying two soldiers leaning on each other to achieve their goal.
The journey that takes place is tough and harrowing at times. There's a point about half way through the movie where the pace just doesn't slow down once. It's extremely intense, and bolstered infinitely by the shooting style.
The film is shot in a way that gives the viewer the impression of a one take movie. It's edited together so well that it appears seamless, and allows for some truly breathtaking moments, and never lets you break away from events unfolding. It caught my attention immediately and never lost it for one second.
This method allows for a very stylish looking experience, but it's a kind of style that never detracts or takes away from the horror of war. It's a perfect combination, ensuring that scenes of action feel relentless, whilst sadder moments are suitably poignant and perfectly executed. The emotional beats in 1917 are something else and took me by surprise. I have no shame in saying that I was fighting back tears a couple of times.
By the times the credits rolled, I was just sat in stunned silence, something that has only happened to me a few times before when it comes to movies.
1917 is pretty much perfect. A great war film, a great drama, and en effective exploration of what friendship and duty really mean.
Make the time to watch it if you haven't already!
The cast, the cinematography, the set pieces, the music score are all outstanding.
The plot revolves around Lance Corporals Schofield (George McKay) and Blake (Dean-Charles Chapman) embarking on a seemingly impossible mission across no man's land in Northern France, deep into enemy territory to deliver a message to a fellow regiment, with the aim of preventing them from walking into a trap and potentially losing 1600 soldiers.
The two lead actors are fantastic, portraying two soldiers leaning on each other to achieve their goal.
The journey that takes place is tough and harrowing at times. There's a point about half way through the movie where the pace just doesn't slow down once. It's extremely intense, and bolstered infinitely by the shooting style.
The film is shot in a way that gives the viewer the impression of a one take movie. It's edited together so well that it appears seamless, and allows for some truly breathtaking moments, and never lets you break away from events unfolding. It caught my attention immediately and never lost it for one second.
This method allows for a very stylish looking experience, but it's a kind of style that never detracts or takes away from the horror of war. It's a perfect combination, ensuring that scenes of action feel relentless, whilst sadder moments are suitably poignant and perfectly executed. The emotional beats in 1917 are something else and took me by surprise. I have no shame in saying that I was fighting back tears a couple of times.
By the times the credits rolled, I was just sat in stunned silence, something that has only happened to me a few times before when it comes to movies.
1917 is pretty much perfect. A great war film, a great drama, and en effective exploration of what friendship and duty really mean.
Make the time to watch it if you haven't already!
The Guardians
7.5
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22 years ago Quincy Miller was sentenced to life without parole. He was accused of killing Keith...
The Vanishing Half
9.0
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'The Vanishing Half is an utterly mesmerising novel. It seduces with its literary flair, surprises...
The Dilemma
4.0
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Knowing the truth will destroy her. Keeping it secret will destroy him. It’s Livia’s 40th...
Wyrd and Other Derelictions
7.3
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Derelictions are horror stories told in ways you may not have encountered before. Something is...
The Blue Pool
9.0
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What really happened that weekend? Four friends go to a remote cabin one summer. Only three return....
LeftSideCut (3776 KP) rated Everything Everywhere All At Once (2022) in Movies
May 11, 2022
Everything Everywhere All at Once is one of those rare films where I can't think of the appropriate words to describe it. It's a thrilling and emotional spectacle brimming with unique visuals and is a true cinematic rollercoaster.
The narrative is part family drama, and part mind bending sci-fi. The family drama is well crafted and effortless to become invested in. It's gives the characters room to breathe whilst simultaneously wasting little time before shit goes off the rails. When I say mind bending, that's exactly what it sounds like. The sci-fi element is just bonkers. The alternative universes that are shown off are memorable and colourful, and the action set pieces are joyous to behold. There's some solid martial arts on display, and multiple scenarios where you can safely say "well I've never seen that in a film before".
Towering above all of the batshit insane fun however, is the very human centre that EEAAO carries with it. The last 40 minutes or so get unashamedly existential, and accurately convey the feeling of how easy it is to feel like a failure, or to feel alone and unheard in a bustling universe. It's hard hitting but is wholesome as hell (never thought a silent and subtitled conversation between two rocks would hit me in the feels but here we are)
Michelle Yeoh is wonderful and delivers a career best performance. Stephanie Hsu is also great and it's bloody lovely to see Ke Huy Quan back with a vengeance. Jamie Lee Curtis remains easy to love, even as a pain in the arse, pro wrestling tax auditer.
The Daniels have delivered and then some in their follow up effort to the equally weird Swiss Army Man and truly deserve all the praise coming their way.
Everything Everywhere All at Once is a phenomenal experience. I can't imagine anything will beat it for my personal best film of 2022. It's a bonafide, head fucking masterpiece.
The narrative is part family drama, and part mind bending sci-fi. The family drama is well crafted and effortless to become invested in. It's gives the characters room to breathe whilst simultaneously wasting little time before shit goes off the rails. When I say mind bending, that's exactly what it sounds like. The sci-fi element is just bonkers. The alternative universes that are shown off are memorable and colourful, and the action set pieces are joyous to behold. There's some solid martial arts on display, and multiple scenarios where you can safely say "well I've never seen that in a film before".
Towering above all of the batshit insane fun however, is the very human centre that EEAAO carries with it. The last 40 minutes or so get unashamedly existential, and accurately convey the feeling of how easy it is to feel like a failure, or to feel alone and unheard in a bustling universe. It's hard hitting but is wholesome as hell (never thought a silent and subtitled conversation between two rocks would hit me in the feels but here we are)
Michelle Yeoh is wonderful and delivers a career best performance. Stephanie Hsu is also great and it's bloody lovely to see Ke Huy Quan back with a vengeance. Jamie Lee Curtis remains easy to love, even as a pain in the arse, pro wrestling tax auditer.
The Daniels have delivered and then some in their follow up effort to the equally weird Swiss Army Man and truly deserve all the praise coming their way.
Everything Everywhere All at Once is a phenomenal experience. I can't imagine anything will beat it for my personal best film of 2022. It's a bonafide, head fucking masterpiece.