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    djay Pro

    djay Pro

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    djay Pro provides a complete toolkit for performing DJs. Built exclusively for iPad, djay Pro...

I was highly intrigued by this book when I first read about it as I have a minor obsession with everything and anything to do with the American Civil War. Admittedly, this is pre-war and gives an insight into the efforts of missionary do-gooders in trying to relocate the African American population back to their 'native' home.

I was expecting a more fictional style of writing, and was pleasantly surprised to see that it is written in more of a recount style of the lives of the main family, namely Leighton Wilson. The detail and attention paid to the research shone through in every page and was highly informative to read. However, at times this book did have a tendency to drag, and I suspect it is due to the overwhelming attention to small detail. Fabulous if you're using the book as a research project, not so if you're reading out of curiosity into this era of history. In addition, it also occasionally lacked the fine balance between informative on the religious aspect of the missions and preaching through the pages. As a not so religious person, this did become annoying at times, but I could understand why Clarke had this tone in the book.

Overall, an enjoyable, if not very long, book that was incredibly informative and rather enjoyable. The addition of the photographs and personal snippets from letters added a very personal and enjoyable aspect to the tale of the Wilson's.
  
Interview with the Vampire (1994)
Interview with the Vampire (1994)
1994 | Fantasy, Horror
How can a movie that does practically everything wrong still be so thoroughly enchanting? A fundamentally baffling, scalding hot trainwreck of epic proportions that hasn't held up to the passage of time really at all - a miscalculated weirdo relic of pop culture history. I think a lot of this film's appeal has to do with the fact that it's complete lightning in a bottle - for better or for worse we will never see another movie like this again: mopey, homoerotic rococo vampires stumble around through a flounderingly-paced pre-π˜›π˜Έπ˜ͺ𝘭π˜ͺ𝘨𝘩𝘡 template for lectures on moral dilemmas and a gallery of some of the most lush period visuals of the 90s (from the sweltering plantations of the 1700s south to the decadence of gothic European high-life, it's all orgasmically displayed). Also this is maybe the best use of "Sympathy For The Devil" in a film, even if it is an inferior cover. The fact that Brad Pitt wanted to die the entire time while filming for this woefully underconstructed character actually makes it the only thing that works with it, considering his only defining feature is... that he wants to die. A totally birdbrained brothel of jagged writing and wicked scenery-chewing from a glorious cast (you know you're in for a treat when Christian Slater gives the most restrained performance lol), actually pretty great even though it disembowels a lot of the original text's depth. Full-tilt camp.