Smashbomb

Search

Search results

All (2593)

Content

Lenard (726 KP) rated The Lion King (2019) in Movies

Jul 28, 2019

The Lion King (2019)

2019 | Adventure, Animation, Family

7.1

(82 Ratings)

Movie Rating Watch

The short review: This film is a crowd pleasing movie for fans of the original animated film. This hits all the highlights you love about the first version.

The longer version: It does bring up an interesting point. Mufasa teaches Simba about the Circle of Life where the death of the lions replenishes the savanna with nutrients. The movie shows a circle of life by beginning with the birth of a lion prince cub and ends with the birth of the cub prince of the original cub. In the middle of the movie, the pride of African prey, meerkat, warthog, galago (one of my favorite animals), aardvark, etc., talk about how they only see food and predator. This illustrates that the animals in the middle of a food web can only see the linear relations that affect their life. Only the apex predator have any perspective of the complete circle, the prey/secondary predators have a more limited view of life.

Secondly, the soundtrack is so iconic that when "Can You Feel The Love Tonight" started, I had completely forgotten that oh yeah this is the song that actually won the Academy Award. However, I never once believed this part of the film. It seemed that the filmmakers had to put it here, but they had not earned the major plot point. I did not believe that Simba and Nala were starting to fall into love with each other. Maybe I had started to drift off into a timeline of the songs that had won Best Original Song, but still this is a major moment in the film and it needs to cohere. Unfortunately, though the film is beautiful and has great cinematography from Caleb Deschanel, it needed a much better story to work in "live action."

Kudos

Kirk Bage (1775 KP) rated Disobedience (2018) in Movies

Mar 3, 2020

Disobedience (2018)

2018 | Drama, Romance

7.3

(3 Ratings)

Movie Rating

English language films with big name actors are not usually this European. Which is why I have chosen the beautiful French poster to highlight this unexpected gem.

I hadn’t expected to like it, but was curious to see the two lead actresses work together on something so intimate, that became in the media something controversial, regrettably, for all the wrong reasons. They chose to focus on the sexual aspect of two high profile women about to commit to film a level of titillation hitherto unseen by either… but, of course, it is so much more than that.

The world of orthodox Judaisim and commitment to a patriarchal ideal of tradition and intrinsic value is at the heart of this small, yet devastating film. At first, that world is so alien and upsetting that it seems like a fantasy. Until you allow yourself to realise that this community does exist, and thrives.

Both Rachel Weisz as a woman with a secret who managed to escape the constraints and prejudices of the male dominant world, and Rachel McAdams, as the friend left behind to swallow her pride and be the expected wife, deliver extraordinary performances. The passion, repression and guilt are apparent in every scene.

But it is Alessandro Nivola, as the key antagonist, that really wins the plaudits. Watch a character so unlikable become a hero in the most humble and unlikely sense, in a scene of such breath-taking clarity, towards the film’s climax. I can only wish all “bad guys” get this kind of human pay-off.

A film of resonance and social interest that fails as an entirely coherent piece, but works in so many good ways it is worth seeing just for the feels! There is no point where you do not believe how much these women are in love. And for that reason alone, I recommend it.