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Acanthea Grimscythe (300 KP) rated Siren of Depravity in Books
May 16, 2018
The idea of a story about a dark, tormented, and dysfunctional family with Lovecraftian undertones is definitely something I'm interested in; however, I can't help but feel a bit disappointed at the execution.
Written in first person perspective, Siren of Depravity is narrated by the main character, Harry Keyes. Harry is anything but the perfect husband: he's cheated on his wife and has a habit of lying to her. His pride and joy is his little girl, Eva. Harry also has a brother, Dexter, who just found out that he's actually adopted: they have different mothers.Coming from abusive childhoods, the two are haunted by their monster of a father. While Harry grew up, married, and found a career, Dexter bought the family house from his parents and became a bit of a recluse, burying himself in necromantic studies. The other characters, including Harry's wife and child, are largely minor characters until the end and, while most of them are fairly flat and static, Eva appears to be the only one that undergoes any sort of change.
Upon discovering the nature of his maternity, Dexter calls his brother up on the telephone for the first time in ages, divulging to Harry that he has discovered something that he absolutely must show him. Naturally, Harry casts aside all reason to travel two hours to visit his brother and learn what he has discovered, despite knowing how dark Dexter's interests are. It is at this point that Siren of Depravity starts hinting at old and terrible creatures that are inspired by Lovecraft, suggesting that they are buried deep underground. Dumbfounded by the knowledge that Dexter has a different mother, Harry takes it upon himself to solve the mystery and thus readers are led on a journey filled to the brim with horror after horror, from necromancy to human experimentation, Fry doesn't hold back on the grisly details that define the Keyes family's past.
Though the book begins a bit slowly, the action is nonstop and picks up speed further along. Fry has a knack for painting gruesome images with his words; however, I feel that his writing style would be better suited in third person, rather than first. Harry's perspective seems to be a bit heavily diluted by his own personal regrets, and the constant mention of his affair and of being swatted with a newspaper by his father throughout the book really takes away from many of the scenes. What bothered me more than how repetitive these moments were, was the constant beginning of a sentence with the word "but." "But" is a conjunction, and as such is meant to connect two thoughts. Many of the instances in which it was used, the word could have been omitted entirely, which would have helped the flow of the story. Instead, it gives the book a bit of a jerky feeling. Hopefully this will be addressed before publication.
I would like to thank NetGalley, DarkFuse, and Gary Fry for the advance review copy in exchange for an honest, unbiased review.
Written in first person perspective, Siren of Depravity is narrated by the main character, Harry Keyes. Harry is anything but the perfect husband: he's cheated on his wife and has a habit of lying to her. His pride and joy is his little girl, Eva. Harry also has a brother, Dexter, who just found out that he's actually adopted: they have different mothers.Coming from abusive childhoods, the two are haunted by their monster of a father. While Harry grew up, married, and found a career, Dexter bought the family house from his parents and became a bit of a recluse, burying himself in necromantic studies. The other characters, including Harry's wife and child, are largely minor characters until the end and, while most of them are fairly flat and static, Eva appears to be the only one that undergoes any sort of change.
Upon discovering the nature of his maternity, Dexter calls his brother up on the telephone for the first time in ages, divulging to Harry that he has discovered something that he absolutely must show him. Naturally, Harry casts aside all reason to travel two hours to visit his brother and learn what he has discovered, despite knowing how dark Dexter's interests are. It is at this point that Siren of Depravity starts hinting at old and terrible creatures that are inspired by Lovecraft, suggesting that they are buried deep underground. Dumbfounded by the knowledge that Dexter has a different mother, Harry takes it upon himself to solve the mystery and thus readers are led on a journey filled to the brim with horror after horror, from necromancy to human experimentation, Fry doesn't hold back on the grisly details that define the Keyes family's past.
Though the book begins a bit slowly, the action is nonstop and picks up speed further along. Fry has a knack for painting gruesome images with his words; however, I feel that his writing style would be better suited in third person, rather than first. Harry's perspective seems to be a bit heavily diluted by his own personal regrets, and the constant mention of his affair and of being swatted with a newspaper by his father throughout the book really takes away from many of the scenes. What bothered me more than how repetitive these moments were, was the constant beginning of a sentence with the word "but." "But" is a conjunction, and as such is meant to connect two thoughts. Many of the instances in which it was used, the word could have been omitted entirely, which would have helped the flow of the story. Instead, it gives the book a bit of a jerky feeling. Hopefully this will be addressed before publication.
I would like to thank NetGalley, DarkFuse, and Gary Fry for the advance review copy in exchange for an honest, unbiased review.
BankofMarquis (1832 KP) rated Green Book (2018) in Movies
Dec 14, 2018
One of the best of 2018
When the dust is settled on 2018, you can be rest assured that GREEN BOOK will be listed as one of my top films of the year.
Yes, it's that good.
"Based on a true story", GREEN BOOK stars Viggo Mortenson (Aragon in the LOTR films) as "Tony Lip" a bouncer at the Copacabana in the early 1960's who is tapped by African American concert pianist Dr. Don Shirley (Academy Award winner Mahershala Ali) to be his driver/escort/security on a tour of a very prejudicial Southern part of the United States in the early 1960's. Both Tony and Dr. Don look down their noses at the other one, but during the course of this film, the two develop mutual respect and a friendship that lasted until the both passed away in 2013.
That is, in essence, the entire plot of this film. But it is not the destination, but rather, the journey that is the core of this film - and what a journey it is.
We, the audience, probably spend 70% of the film in a car with the 2 stars of this film, so they better be interesting to look at and listen to (for nothing much else happens) and both characters - and both actors- are up to the task.
Ali won a Best Supporting Actor Oscar for his brief turn in Barry Jenkins MOONLIGHT - and he is even better here as Dr. Don Shirley, an elitist virtuoso piano player, with strong pride and hidden secrets of his own. Ali brings a humanity and vulnerability to this character that acts as a softening of the hard shell of this character that allows us, the audience, a glimpse into this character's heart. This person could easily have been a one-note caricature, but in Ali's hands, it is much, much more.
The biggest surprise to me is two-time Oscar Nominee Mortenson as "Tony Lip". While the character starts as a typical early 1960's Italian-mob type, Mortenson brings humor, humanity and (yes) heart to a matter-of-fact character and continues to evolve the rough edges of Tony as Tony, himself, develops throughout the course of the film. I have always "liked but not loved" Mortenson, but, I LOVE HIM in this film and will be rooting for him come Oscars time.
The other big surprise of this film is the strong, subtle and human way that Director Peter Farrelly brings events to the screen. Prior to this, Farrelly (along with his brother Bobby) Directed such over-the-top comedies as THERE'S SOMETHING ABOUT MARY and KINGPIN, so I was a bit concerned that the Direction would be over-the-top. But...it wasn't...and I wouldn't be surprised if Farelly's name is called when Oscar nominations are announced.
I was charmed and moved by these characters - and this story - and was glad to spend 2 hours with them.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank (ofMarquis)
Yes, it's that good.
"Based on a true story", GREEN BOOK stars Viggo Mortenson (Aragon in the LOTR films) as "Tony Lip" a bouncer at the Copacabana in the early 1960's who is tapped by African American concert pianist Dr. Don Shirley (Academy Award winner Mahershala Ali) to be his driver/escort/security on a tour of a very prejudicial Southern part of the United States in the early 1960's. Both Tony and Dr. Don look down their noses at the other one, but during the course of this film, the two develop mutual respect and a friendship that lasted until the both passed away in 2013.
That is, in essence, the entire plot of this film. But it is not the destination, but rather, the journey that is the core of this film - and what a journey it is.
We, the audience, probably spend 70% of the film in a car with the 2 stars of this film, so they better be interesting to look at and listen to (for nothing much else happens) and both characters - and both actors- are up to the task.
Ali won a Best Supporting Actor Oscar for his brief turn in Barry Jenkins MOONLIGHT - and he is even better here as Dr. Don Shirley, an elitist virtuoso piano player, with strong pride and hidden secrets of his own. Ali brings a humanity and vulnerability to this character that acts as a softening of the hard shell of this character that allows us, the audience, a glimpse into this character's heart. This person could easily have been a one-note caricature, but in Ali's hands, it is much, much more.
The biggest surprise to me is two-time Oscar Nominee Mortenson as "Tony Lip". While the character starts as a typical early 1960's Italian-mob type, Mortenson brings humor, humanity and (yes) heart to a matter-of-fact character and continues to evolve the rough edges of Tony as Tony, himself, develops throughout the course of the film. I have always "liked but not loved" Mortenson, but, I LOVE HIM in this film and will be rooting for him come Oscars time.
The other big surprise of this film is the strong, subtle and human way that Director Peter Farrelly brings events to the screen. Prior to this, Farrelly (along with his brother Bobby) Directed such over-the-top comedies as THERE'S SOMETHING ABOUT MARY and KINGPIN, so I was a bit concerned that the Direction would be over-the-top. But...it wasn't...and I wouldn't be surprised if Farelly's name is called when Oscar nominations are announced.
I was charmed and moved by these characters - and this story - and was glad to spend 2 hours with them.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank (ofMarquis)
Gareth von Kallenbach (971 KP) rated Miracle (2004) in Movies
Aug 14, 2019
n 1980, America was in a state of transition and turmoil as political events threatened world stability. The Reagan era was just starting but the nation was still trying to deal with economic issues as well as the Iran hostage crisis, and long gas lines.
As if those issues were not enough, the Cold War was still in full swing and tensions had mounted due to the Russian invasion of Afghanistan. Against this backdrop, coach Herb Brooks (Kurt Russell), is busy preparing a team of college Hockey players to represent the United States in the upcoming Winter Olympics.
Since the Olympics were being held in Lake Placid New York, the pressure was on for the U.S. team to make a respectable showing as the Olympic committee did not want the team to be embarrassed in front of the home crowd.
This was a task easier said than done, as the young players would be facing the best the world could throw at them, including the invincible Russian team that had not lost a game in 15 years and had recently handily defeated a team of NHL All Stars. The Russians like many of the teams that the Americans would face had played with each other for years and were like well-oiled machines in comparison to the assembled Americans who had less than a year to prepare.
The early part of the film focuses on the team selection process and Brook’s constant pushing of the team mentally and physically, even when it is to the dismay of his assistant coaches and disdain of his players. The audience is introduced to the players but they are never given much depth as the story focuses on Brooks and his desire to beat the Russians.
The later part of the film deals with the warm up games the team faced and then swings into the Olympics and the march to glory. The games are recreated mainly in highlight format as the focus of the films game recreation is saved for the dramatic and emotional game with the Russians. The action is fast and furious and is very accurate to the actual game itself.
While very emotional and entertaining, much of “Miracle” unfolds like a movie of the week. Russell does a great job as Brooks, but the supporting cast is not given any chance to shine. Patricia Clarkson is wasted in the role of Mrs. Brooks as she is not given much to do other than utter a few lines of encouragement and be the wife by the side of the coach.
All that being said, “Miracle;” is an uplifting and enjoyable look back at arguably the greatest moment in U.S. sports history. The film does stir the emotions and those of us who were old enough to remember the huge shot of patriotic pride that enveloped the land during those magical two weeks and how that team gave a nation renewed hope for the future and made us feel good just when we needed it the most.
As if those issues were not enough, the Cold War was still in full swing and tensions had mounted due to the Russian invasion of Afghanistan. Against this backdrop, coach Herb Brooks (Kurt Russell), is busy preparing a team of college Hockey players to represent the United States in the upcoming Winter Olympics.
Since the Olympics were being held in Lake Placid New York, the pressure was on for the U.S. team to make a respectable showing as the Olympic committee did not want the team to be embarrassed in front of the home crowd.
This was a task easier said than done, as the young players would be facing the best the world could throw at them, including the invincible Russian team that had not lost a game in 15 years and had recently handily defeated a team of NHL All Stars. The Russians like many of the teams that the Americans would face had played with each other for years and were like well-oiled machines in comparison to the assembled Americans who had less than a year to prepare.
The early part of the film focuses on the team selection process and Brook’s constant pushing of the team mentally and physically, even when it is to the dismay of his assistant coaches and disdain of his players. The audience is introduced to the players but they are never given much depth as the story focuses on Brooks and his desire to beat the Russians.
The later part of the film deals with the warm up games the team faced and then swings into the Olympics and the march to glory. The games are recreated mainly in highlight format as the focus of the films game recreation is saved for the dramatic and emotional game with the Russians. The action is fast and furious and is very accurate to the actual game itself.
While very emotional and entertaining, much of “Miracle” unfolds like a movie of the week. Russell does a great job as Brooks, but the supporting cast is not given any chance to shine. Patricia Clarkson is wasted in the role of Mrs. Brooks as she is not given much to do other than utter a few lines of encouragement and be the wife by the side of the coach.
All that being said, “Miracle;” is an uplifting and enjoyable look back at arguably the greatest moment in U.S. sports history. The film does stir the emotions and those of us who were old enough to remember the huge shot of patriotic pride that enveloped the land during those magical two weeks and how that team gave a nation renewed hope for the future and made us feel good just when we needed it the most.
Gareth von Kallenbach (971 KP) rated I Feel Pretty (2018) in Movies
Jul 8, 2019
Renee (Amy Schumer), a later, twenty something who lives in New York City. She works in a small division Lily LeClaire, a high end beauty product company. From a tiny ramshackle office, she dreams and one day working at the glamorous HQ in downtown Manhattan. She finds out that there is a position available, but she does not think that she is good enough to get the job.
In her quest to look better and feel better, she enrolls in Soul Cycle class at her neighborhood gym. Within minutes, she had injured herself and her pride. Smarting from the injury, we see her looking into the mirror with disdain and self loathing. Schumer conveys the discomfort, embarrassment and self-doubt that every one of us have felt at some point in our lives.
Renee does not give up, going to class the second day. In her enthusiasm, she forgets to tighten a bolt and is taken down by the bike. The event immediately changes how she looks at herself, immediately seeing her visage as everything she would want. The film highlights the all human issue of self-confidence, struggles of imperfection with our bodies and our overall self image, how our own perceptions are our own mental constructs than reality.
Schumer is able to convey the negative thoughts we all have felt about ourselves when we don’t like how we look. However, externally, the self negativity is not noticed.. We can be own worst critic and take down our own self esteem without the help of bullies. Even though Renee’s self image is altered by an accident, her humor, intelligence doesn’t change, her extraverted confidence shines the light directly on her attitude.
There were some moments where I expected a makeover montage. Cause, good 80’s alternative soundtrack and it’s a film about a woman’s lack of self esteem. Surprisingly, it was devoid of any fancy changing room quick changes. The movie addressed how we all have moments where our levels of self confidence and self esteem are reduced due to our own ideas because we all can be our own worst critic.
The story had its moments where I would have liked to see more depth and connection in Renee’s relationships with her best friends Vivian (Aidy Bryant) and Jane (Busy Phillips). These are friends that have known each other for years and I would have like to see a little of the psychic shorthand friends develop over years of knowing each other. I did like how Vivian and Jane didn’t let Renee get away with behaving as an ass. They are not mean in their rejection which is more true to honest friendships.
Amy Schumer’s humor at times can make us a bit uncomfortable because she holds the mirror up to us to teach us how to laugh at ourselves and to show that we are not alone in all these feelings. I enjoyed the movie, even though it would have been good to see more depth in the relationships. It is a perfect Girls Night Out film
In her quest to look better and feel better, she enrolls in Soul Cycle class at her neighborhood gym. Within minutes, she had injured herself and her pride. Smarting from the injury, we see her looking into the mirror with disdain and self loathing. Schumer conveys the discomfort, embarrassment and self-doubt that every one of us have felt at some point in our lives.
Renee does not give up, going to class the second day. In her enthusiasm, she forgets to tighten a bolt and is taken down by the bike. The event immediately changes how she looks at herself, immediately seeing her visage as everything she would want. The film highlights the all human issue of self-confidence, struggles of imperfection with our bodies and our overall self image, how our own perceptions are our own mental constructs than reality.
Schumer is able to convey the negative thoughts we all have felt about ourselves when we don’t like how we look. However, externally, the self negativity is not noticed.. We can be own worst critic and take down our own self esteem without the help of bullies. Even though Renee’s self image is altered by an accident, her humor, intelligence doesn’t change, her extraverted confidence shines the light directly on her attitude.
There were some moments where I expected a makeover montage. Cause, good 80’s alternative soundtrack and it’s a film about a woman’s lack of self esteem. Surprisingly, it was devoid of any fancy changing room quick changes. The movie addressed how we all have moments where our levels of self confidence and self esteem are reduced due to our own ideas because we all can be our own worst critic.
The story had its moments where I would have liked to see more depth and connection in Renee’s relationships with her best friends Vivian (Aidy Bryant) and Jane (Busy Phillips). These are friends that have known each other for years and I would have like to see a little of the psychic shorthand friends develop over years of knowing each other. I did like how Vivian and Jane didn’t let Renee get away with behaving as an ass. They are not mean in their rejection which is more true to honest friendships.
Amy Schumer’s humor at times can make us a bit uncomfortable because she holds the mirror up to us to teach us how to laugh at ourselves and to show that we are not alone in all these feelings. I enjoyed the movie, even though it would have been good to see more depth in the relationships. It is a perfect Girls Night Out film
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*** ***** ON SALE FOR A LIMITED TIME ***** *** BRAIN AND NERVOUS SYSTEM PRO III - AWARD WINNING...
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The original augmented reality coloring app “colAR Mix” is now Quiver! Coloring pages have...
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Almost as good as calling up the chef and asking them where to eat in their town. Michelin Star...
Bob Mann (459 KP) rated You Were Never Really Here (2018) in Movies
Sep 28, 2021
Joachim Phoenix delivers a standout performance in a violent tale of crusading.
Joachim Phoenix (“Her”) is a very intense actor, and fits perfectly here into the role of Joe. For he is a hired thug, available to do over anyone you think deserves dispatching or giving a good telling off. His weapon of choice for this task is a ball-point hammer, bought each time from a local hardware shop. He is a ghost, who drifts in and out of his jobs, face concealed by a hoodie and emanating an air of menace that automatically deflects enquiring eyes.
When hired by a Senator (Alex Manette) to rescue his wayward daughter Nina (Ekaterina Samsonov) from the clutches of a paedophile gang, Joe delivers on the job with gusto, and – you sense – a degree of satisfaction. But then things go from bad to violent worse and Joe is drawn into a deadly high stakes game. As things get more and more personal, Joe embarks on a personal crusade for justice and retribution.
The real joy of this film is that Joe is such a nuanced character. Yes, he’s a brutal thug, but is still living with and loving his aged and demented mother (Judith Roberts), even though she drives him to distraction. He’s also clearly damaged himself, with a high degree of OCD behavior exhibited. Via clever flashbacks, we get hints to the route that led the boy to become this damaged man. As a sociopath, when things go wrong he could just say “F*** it” and walk away. But he doesn’t. Is this altruism? A sense of professional pride? Or is it the sight of a path to redemption? Although you could strongly argue that revenge kicks in to reinforce his decision, Lynne Ramsay‘s screenplay leaves things deliciously vague. Ramsey also directs expertly: she previously did 2011’s “We Need To Talk About Kevin”.
“I don’t like gory films” you might say “so this doesn’t sound like one for me”. Me neither, but actually, the trailer makes the film seem worse than it is. The violence is more alluded to than shown. Most of the “hammer action” is done either in long shot or seen on CCTV cameras, and you don’t get to see much of the outcome. There is only one really gory bit that I remember (shut your eyes where Phoenix answers the knock at the hotel door if you are squeamish!).
This doesn’t mean that it’s a comfortable watch though. It’s an insanely tense film since you’re not sure the direction it will go in next (think “Get Out”), and it has more than its fair share of “WTF” moments, especially in a dramatic closing scene. There are some memorable cinematic moments as well: a young girl in a nightie in the paedophile den blankly observing Joe’s handiwork being one that stays with you.
It’s a standout film, winning Best Actor (for Phoenix) and best screenplay (for Ramsey) at Cannes. It will be in a strong position to make my films of the year list. Highly recommended.
When hired by a Senator (Alex Manette) to rescue his wayward daughter Nina (Ekaterina Samsonov) from the clutches of a paedophile gang, Joe delivers on the job with gusto, and – you sense – a degree of satisfaction. But then things go from bad to violent worse and Joe is drawn into a deadly high stakes game. As things get more and more personal, Joe embarks on a personal crusade for justice and retribution.
The real joy of this film is that Joe is such a nuanced character. Yes, he’s a brutal thug, but is still living with and loving his aged and demented mother (Judith Roberts), even though she drives him to distraction. He’s also clearly damaged himself, with a high degree of OCD behavior exhibited. Via clever flashbacks, we get hints to the route that led the boy to become this damaged man. As a sociopath, when things go wrong he could just say “F*** it” and walk away. But he doesn’t. Is this altruism? A sense of professional pride? Or is it the sight of a path to redemption? Although you could strongly argue that revenge kicks in to reinforce his decision, Lynne Ramsay‘s screenplay leaves things deliciously vague. Ramsey also directs expertly: she previously did 2011’s “We Need To Talk About Kevin”.
“I don’t like gory films” you might say “so this doesn’t sound like one for me”. Me neither, but actually, the trailer makes the film seem worse than it is. The violence is more alluded to than shown. Most of the “hammer action” is done either in long shot or seen on CCTV cameras, and you don’t get to see much of the outcome. There is only one really gory bit that I remember (shut your eyes where Phoenix answers the knock at the hotel door if you are squeamish!).
This doesn’t mean that it’s a comfortable watch though. It’s an insanely tense film since you’re not sure the direction it will go in next (think “Get Out”), and it has more than its fair share of “WTF” moments, especially in a dramatic closing scene. There are some memorable cinematic moments as well: a young girl in a nightie in the paedophile den blankly observing Joe’s handiwork being one that stays with you.
It’s a standout film, winning Best Actor (for Phoenix) and best screenplay (for Ramsey) at Cannes. It will be in a strong position to make my films of the year list. Highly recommended.