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*** Create fantastic nail designs with this amazing new nail art game! *** ** Are you searching for...
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a classic board game turned into an app. Tile laying game, where each turn you draw a tile and place...
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Lottie disney bookworm (1056 KP) rated A Whole New World in Books
Aug 16, 2019
Review by Disney Bookworm
“What if Aladdin had never found the lamp?”
OK so I am going to start off this review with a really pedantic comment and I know I am being petty and that this will almost definitely end in a rant but… he does find the lamp! Of course he does! Aladdin is the diamond in the rough! He is literally the only one who can find the lamp. If he didn’t find the lamp nothing would happen: Jasmine would probably grow old with her tiger; Jafar would carry on hypnotising the Sultan; Aladdin would probably wind up arrested and this would be the shortest twisted tale in history.
*Ahem*
So, Aladdin finds the lamp. Let’s move past it, because if you have read my other reviews, you will know I love Liz Braswell: her twisted tales always wind up being my favourites as she always brings something completely unexpected to the novels. In the circumstances, I can forgive the tagline.
This review of “A Whole New World” comes at a time where Aladdin is everywhere: the live action movie was released in the UK just over a month ago and, I for one, loved it! With this in mind, I just had to re-read this twisted tale and shout about the wholly different Agrabah that it presents to the reader.
Braswell’s Agrabah is a raw, dirty, troubled cousin of the Agrabah we all know and love. I struggle to comprehend exactly how the movies did it, because both showed starving children, but we found ourselves simultaneously accepting and glossing over the poverty of the street rats. We have no such option in “A Whole New World”.
From starving infants; old men shovelling camel dung for coins; to Aladdin’s own mother dying of a wasting disease: this novel takes no prisoners in the Quarter of the Street Rats. However, those in the Palace remain blind to the struggles of the poor, with the Sultan playing with his golden toys whilst some of his citizens have no food or clean water.
The plight of the Agrabah people creates an undercurrent of resentment that runs all the way through Aladdin and Jasmine’s story. It is also a clear indicator of the identity of this novel: Braswell has taken all the romanticism of the familiar story and buried it in her own cave of wonders, leaving behind a highly political but incredibly powerful story.
The twisted tale starts off on a similar vein to both movies, boy meets girl, boy rescues girl from hand severing businessman, boy winds up arrested and transported to a creepy cave where he finds an old lamp, boy’s monkey can’t keep his hands to himself and boy is left clinging on for his life at the entrance to said creepy cave. However, in this version, when Jafar steps on Aladdin’s fingers to prevent his escape, Abu doesn’t grab the lamp! How will Aladdin escape now?
As is to be expected from Braswell’s novels, the characters are phenomenal. Aladdin is the proud, eternal optimist that we recognise but with a strong ethical viewpoint that is introduced by the inclusion of his mother as a character.
Creating a new character, particularly Aladdin’s mother, could simply be a tactic to give some history to the charming thief. However, Braswell uses the matriarch to add depth to Aladdin: she tells him “don’t let how poor you are, decide who you are…you can choose to be something more”.
This is ultimately the lesson the genie would teach Aladdin if they were to meet and so I think it is very clever of Braswell to keep this element of Aladdin’s character. It allows us to witness Aladdin’s pride and strength through these instilled virtues: he has even lost friends over his views of when he considers it acceptable to be a thief.
Although I wouldn’t consider the genie a main character in this tale (he doesn’t get as much airtime as in the films): he remains a funny and flippant sidekick for the most part. However, in keeping with the tone of “A Whole New World”, he does use this humour to provoke our thoughts. The genie and Braswell divulge that there was once a whole race of djinn who have since died out. The genie has lost his home, his wife and his freedom and so, he rightly asks, who would stay sane under those conditions?
Jafar; Mr dark and twisty himself, is a whole other level of evil in this twisted tale. He does present some of the characteristics of the movie villain: power mad, desperate for everyone to love him and all that jazz; however, he also tortures the genie and plans to break the laws of magic in order to create an army of the dead. It’s all very game of thrones all of a sudden!
I know what you’re thinking: what about Jasmine? Surely, she isn’t all dark and twisty as well? The girl looks good in turquoise baggy trousers for goodness sakes!
Jasmine begins her journey as the typical naïve, sheltered princess she is always portrayed as: possessing no knowledge of the price of food or the struggles of her own people. However, Braswell manages to make even the live-action Jasmine appear over-dramatic and petty: she isn’t resisting marriage just because she doesn’t fancy random foreign prince number 3; she is resisting becoming a “baby making machine” and signing herself up to an early grave.
“A princess among men”, Jasmine and the reader soon realise that she has to step forward and become the hero of this tale. This is no small ask for someone who has never led an army or witnessed death before. Nonetheless, Jasmine is clearly up to the task: this is no weak princess trapped in an hourglass of sand, waiting to be rescued by a man. This is a Sultana!
The story of Aladdin typically conjures up images of love, magic carpets and romantic duets. Liz Braswell’s story of Agrabah does orbit around love, how could it not? However, “A Whole New World” explores the shades of grey in life: Street rats are not always bad, Princesses are not always good and magic is not always the solution. This is not a tale of love; it is a tale of finding strength in unlikely places; it is a tale that teaches us you don’t need magic to have a happy ending.
OK so I am going to start off this review with a really pedantic comment and I know I am being petty and that this will almost definitely end in a rant but… he does find the lamp! Of course he does! Aladdin is the diamond in the rough! He is literally the only one who can find the lamp. If he didn’t find the lamp nothing would happen: Jasmine would probably grow old with her tiger; Jafar would carry on hypnotising the Sultan; Aladdin would probably wind up arrested and this would be the shortest twisted tale in history.
*Ahem*
So, Aladdin finds the lamp. Let’s move past it, because if you have read my other reviews, you will know I love Liz Braswell: her twisted tales always wind up being my favourites as she always brings something completely unexpected to the novels. In the circumstances, I can forgive the tagline.
This review of “A Whole New World” comes at a time where Aladdin is everywhere: the live action movie was released in the UK just over a month ago and, I for one, loved it! With this in mind, I just had to re-read this twisted tale and shout about the wholly different Agrabah that it presents to the reader.
Braswell’s Agrabah is a raw, dirty, troubled cousin of the Agrabah we all know and love. I struggle to comprehend exactly how the movies did it, because both showed starving children, but we found ourselves simultaneously accepting and glossing over the poverty of the street rats. We have no such option in “A Whole New World”.
From starving infants; old men shovelling camel dung for coins; to Aladdin’s own mother dying of a wasting disease: this novel takes no prisoners in the Quarter of the Street Rats. However, those in the Palace remain blind to the struggles of the poor, with the Sultan playing with his golden toys whilst some of his citizens have no food or clean water.
The plight of the Agrabah people creates an undercurrent of resentment that runs all the way through Aladdin and Jasmine’s story. It is also a clear indicator of the identity of this novel: Braswell has taken all the romanticism of the familiar story and buried it in her own cave of wonders, leaving behind a highly political but incredibly powerful story.
The twisted tale starts off on a similar vein to both movies, boy meets girl, boy rescues girl from hand severing businessman, boy winds up arrested and transported to a creepy cave where he finds an old lamp, boy’s monkey can’t keep his hands to himself and boy is left clinging on for his life at the entrance to said creepy cave. However, in this version, when Jafar steps on Aladdin’s fingers to prevent his escape, Abu doesn’t grab the lamp! How will Aladdin escape now?
As is to be expected from Braswell’s novels, the characters are phenomenal. Aladdin is the proud, eternal optimist that we recognise but with a strong ethical viewpoint that is introduced by the inclusion of his mother as a character.
Creating a new character, particularly Aladdin’s mother, could simply be a tactic to give some history to the charming thief. However, Braswell uses the matriarch to add depth to Aladdin: she tells him “don’t let how poor you are, decide who you are…you can choose to be something more”.
This is ultimately the lesson the genie would teach Aladdin if they were to meet and so I think it is very clever of Braswell to keep this element of Aladdin’s character. It allows us to witness Aladdin’s pride and strength through these instilled virtues: he has even lost friends over his views of when he considers it acceptable to be a thief.
Although I wouldn’t consider the genie a main character in this tale (he doesn’t get as much airtime as in the films): he remains a funny and flippant sidekick for the most part. However, in keeping with the tone of “A Whole New World”, he does use this humour to provoke our thoughts. The genie and Braswell divulge that there was once a whole race of djinn who have since died out. The genie has lost his home, his wife and his freedom and so, he rightly asks, who would stay sane under those conditions?
Jafar; Mr dark and twisty himself, is a whole other level of evil in this twisted tale. He does present some of the characteristics of the movie villain: power mad, desperate for everyone to love him and all that jazz; however, he also tortures the genie and plans to break the laws of magic in order to create an army of the dead. It’s all very game of thrones all of a sudden!
I know what you’re thinking: what about Jasmine? Surely, she isn’t all dark and twisty as well? The girl looks good in turquoise baggy trousers for goodness sakes!
Jasmine begins her journey as the typical naïve, sheltered princess she is always portrayed as: possessing no knowledge of the price of food or the struggles of her own people. However, Braswell manages to make even the live-action Jasmine appear over-dramatic and petty: she isn’t resisting marriage just because she doesn’t fancy random foreign prince number 3; she is resisting becoming a “baby making machine” and signing herself up to an early grave.
“A princess among men”, Jasmine and the reader soon realise that she has to step forward and become the hero of this tale. This is no small ask for someone who has never led an army or witnessed death before. Nonetheless, Jasmine is clearly up to the task: this is no weak princess trapped in an hourglass of sand, waiting to be rescued by a man. This is a Sultana!
The story of Aladdin typically conjures up images of love, magic carpets and romantic duets. Liz Braswell’s story of Agrabah does orbit around love, how could it not? However, “A Whole New World” explores the shades of grey in life: Street rats are not always bad, Princesses are not always good and magic is not always the solution. This is not a tale of love; it is a tale of finding strength in unlikely places; it is a tale that teaches us you don’t need magic to have a happy ending.
tapestry100 (306 KP) rated The Princess Diarist in Books
Aug 2, 2017
This is Carrie Fisher's memoir of her time during the filming of Star Wars Episode IV, including entries from the diaries she kept during that time that she recently discovered. I think this was the first time that Fisher really talked about her relationship with Leia, and what Leia has offered to her over the years. She also talks about her fans, and how much they mean to her and everything about the ending of the book was so much more heartbreaking given the circumstances. I was genuinely surprised by how touching her closing chapters were, in regards to her relationship with Leia and the Star Wars community as a whole.
It was a little surreal reading this so soon after both her death and her mother's, as she talks frequently about her mother in the book, as well as mentioning a couple of times, in an offhand manner, how she would like to be remembered for certain events. Perhaps it was too soon for me after her death. Not that I was ever necessarily a huge Carrie Fisher fan, but I've certainly been a Star Wars fan my whole life (I saw the original Star Wars when it was released - I was 3), so while there was never necessarily a Carrie Fisher in a my life, there has always been a Princess Leia, and it seemed to hit home a little for me. It also made me unreasonably angry that Carrie Fisher died; in a year of so many celebrity deaths, it seemed like just another death to some, but it made me angry because she overcame so much, and still had so much to do and offer to the world. So, yeah - maybe I should have put a little time in between her death and reading this book, knowing it was her last, but it seemed like the thing to do at the time. It is typically funny in that Carrie Fisher way, but equally sad given the circumstances. I fairly certain, however, that again, in that typically funny Carrie Fisher way, she would have found some way to turn her death into an appropriate epilogue to this book.
It was a little surreal reading this so soon after both her death and her mother's, as she talks frequently about her mother in the book, as well as mentioning a couple of times, in an offhand manner, how she would like to be remembered for certain events. Perhaps it was too soon for me after her death. Not that I was ever necessarily a huge Carrie Fisher fan, but I've certainly been a Star Wars fan my whole life (I saw the original Star Wars when it was released - I was 3), so while there was never necessarily a Carrie Fisher in a my life, there has always been a Princess Leia, and it seemed to hit home a little for me. It also made me unreasonably angry that Carrie Fisher died; in a year of so many celebrity deaths, it seemed like just another death to some, but it made me angry because she overcame so much, and still had so much to do and offer to the world. So, yeah - maybe I should have put a little time in between her death and reading this book, knowing it was her last, but it seemed like the thing to do at the time. It is typically funny in that Carrie Fisher way, but equally sad given the circumstances. I fairly certain, however, that again, in that typically funny Carrie Fisher way, she would have found some way to turn her death into an appropriate epilogue to this book.
Mothergamer (1562 KP) rated the PC version of Fable III in Video Games
Apr 3, 2019
I finished my first play through of Fable 3. I did pick the hero role my first time through. You can choose to play an evil tyrant also. I loved hearing John Cleese as the voice of your trusty butler Jasper, along with other recognizable voices throughout the game such as Simon Pegg and Ben Kingsley. The first half of the game follows the template of exploration, quests, and combat as you recruit followers and gather an army as either a prince or princess of Albion. While some of the quests are courier (package delivery) quests, there are quests that are creative with things like donning a chicken costume, performing in a play, or wearing a disguise.
Once you have your army, the revolution can begin and Fable 3 becomes a tactician strategy game where the tough decisions you make actually have an impact in the story. Interaction with others is one on one now making it easier to recruit followers or woo a spouse. Another thing that I loved is the solution to the clunky menu system. That is gone and you now have the sanctuary where you can organize weapons, costumes, and your full magic arsenal. There is also an offline and online co-op feature that works really well so you can play with others and pool together treasure, resources, and rewards from adventuring together.
That isn't to say that there aren't any problems. There are a few. At times, there are loading time issues with the load screen as you enter a new area. There are also little graphic errors here and there where you're holding an npc's hand for a quest and as you are running, it looks like they're not holding hands with you, or they end up stopping and standing there so you have to come back to get them. Even with the world map and fast travel, there still seems to be a loading issue.
However, you forget all that as you play Fable 3 immersed in fun quests, planning a revolution, and deciding if you will be a hero or a villain. Who knew revolution could be so much fun?
Once you have your army, the revolution can begin and Fable 3 becomes a tactician strategy game where the tough decisions you make actually have an impact in the story. Interaction with others is one on one now making it easier to recruit followers or woo a spouse. Another thing that I loved is the solution to the clunky menu system. That is gone and you now have the sanctuary where you can organize weapons, costumes, and your full magic arsenal. There is also an offline and online co-op feature that works really well so you can play with others and pool together treasure, resources, and rewards from adventuring together.
That isn't to say that there aren't any problems. There are a few. At times, there are loading time issues with the load screen as you enter a new area. There are also little graphic errors here and there where you're holding an npc's hand for a quest and as you are running, it looks like they're not holding hands with you, or they end up stopping and standing there so you have to come back to get them. Even with the world map and fast travel, there still seems to be a loading issue.
However, you forget all that as you play Fable 3 immersed in fun quests, planning a revolution, and deciding if you will be a hero or a villain. Who knew revolution could be so much fun?
Saffy Alexandra (89 KP) rated Throne of Glass in Books
May 23, 2019
Characters (5 more)
Fantastical Creatures
Suspense
Sarcasm and Humor
Character Development
Female Lead
Breaking through the glass roof more like!
Contains spoilers, click to show
I went into reading this book with the expectation that it would be like any typical 'heroine' book where the man actually ends up saving the woman. HELLS was I wrong!
A book with a sarcastic, badass Heroine who doesn't need any man to help her ... Yes I am into it!
This book follows the journey of Celaena Sardothien, a teenage assassin (and when I say teenage I mean 18 Years Old) who has been imprisoned and to then becoming the tyrannical King's 'Champion'. From meeting the Crown-Prince to the Captain of the Royal Guard all the way to the horrific King we meet a variety of different characters. Each of these characters bring different traits, difficulties and challenges to Celaena who must over come them all to survive!
Watching Celaena grow from wanting to only trust herself to ending up trusting in the Princess, Prince and Captain of the Guard is heart-wrenching as you go through the motions of this. The way Sarah J. Maas puts across her character's is truly fascinating.
If you are looking for a book that has humor, sarcasm and sass and so much adventure and fighting - this is the book for you!!
Now I would have done 10 however, SPOILERS - I felt the romantic relationship (if you can call it that) between Celaena and the Prince was not needed in this book and was only placed in to appease some of the readers who wanted romance. I felt that this book honestly didn't need that detail, Celaena is baddass enough without having a man yanking on her arm all the time. Without that little detail I would have given this a ten out of ten.
But even with the romance it does not take away from the general plot of the first book and I cannot wait to start reading the rest of the series to see where Celaena's journey goes being the King's Champion and what mysteries are left to be uncovered from her past and now the future!
A book with a sarcastic, badass Heroine who doesn't need any man to help her ... Yes I am into it!
This book follows the journey of Celaena Sardothien, a teenage assassin (and when I say teenage I mean 18 Years Old) who has been imprisoned and to then becoming the tyrannical King's 'Champion'. From meeting the Crown-Prince to the Captain of the Royal Guard all the way to the horrific King we meet a variety of different characters. Each of these characters bring different traits, difficulties and challenges to Celaena who must over come them all to survive!
Watching Celaena grow from wanting to only trust herself to ending up trusting in the Princess, Prince and Captain of the Guard is heart-wrenching as you go through the motions of this. The way Sarah J. Maas puts across her character's is truly fascinating.
If you are looking for a book that has humor, sarcasm and sass and so much adventure and fighting - this is the book for you!!
Now I would have done 10 however, SPOILERS - I felt the romantic relationship (if you can call it that) between Celaena and the Prince was not needed in this book and was only placed in to appease some of the readers who wanted romance. I felt that this book honestly didn't need that detail, Celaena is baddass enough without having a man yanking on her arm all the time. Without that little detail I would have given this a ten out of ten.
But even with the romance it does not take away from the general plot of the first book and I cannot wait to start reading the rest of the series to see where Celaena's journey goes being the King's Champion and what mysteries are left to be uncovered from her past and now the future!
Neon's Nerd Nexus (360 KP) rated Aladdin (2019) in Movies
May 24, 2019
Shine bright like a diamond
#aladdin dazzles/soars putting a fresh & thrilling spin on a timeless #disney #classic. Like many I wasnt exactly excited to see one of the greatest #animated movies ever was getting the live action treatment but during the first 5 minutes when #WillSmith started to #sing chills ran up my spine, #goosebumps appeared on my arms & I sank into the #magical world in front of me immersed fully until the credits rolled. I wont be comparing this to the #original (as one is #animated i feel its unfair to compare) so judging this as a film on its own i think #Guyritchie has knocked it out of the park here. First of all i watch a fair few #bollywood movies & have to say the similar tone & vibe they went for here echoes/fits Aladdin perfectly making the film feel fresh, vibrant, #energetic & #enchanting. Just like an #indian film #musical numbers come seemingly out of nowhere extravagantly & on a grand scale, sets/clothing are all immaculate & vivid (all free from wear & tear/dirt & muck), acting is ludicrously exaggerated/over the top & theres such an air of clumsiness/awkwardness to everything that only amplifies is overall charm. Themes of temptation, corruption, weakness, greed & power all add great tension/deepen characters making them all feel more human. While the message of learning to love who you are before you can love another is as #heartwarming as ever. Everyone was likeable with Will Smith bringing something new to the #genie character as with a more mellow, humble, smooth jazz/r&b spin to the musical numbers which i felt worked a treat. However its #Naomiscott who absolutely kills it here, not only is she so #beautiful & mesmerising but her performance is filled with #passion & energy. #Menamassound is also very #charming & disney esque too. Over all i couldnt see this being done in a more fitting way its #laugh out loud #hilarious, the #music is toe tapping, theres enough changes to make things feel new/fresh & its deliciously camp, awkward, dazzling, #creative & over the top. #Aladdinmovie had me leaving the cinema with a grin from ear to ear excited to see it again it simply is phenomenal cosmic #fun for people of all ages. #robbinwilliams #princess
Becca Major (96 KP) rated Secret Healer in TV
Jan 25, 2018
Writing (2 more)
Story
Characters
Not What I Expected
I admit that I went into this drama expecting it to be a light, happy romp through Joseon-era Korea, with a nice romance and a fair bit of drama. Something to lift my spirits after watching a downer series the week before. This is not what I got.
Secret Healer is definitely more of a drama than a romance. Yes, the romance is there and it is important to the plot. Hell, it's even developed reasonably well. However, it is not the main focus of the story. Which, after a while, I appreciated because I didn't need the romance to keep me invested, the plot did that well enough.
The true focus of the plot is Yoon-hee, the princess, and the trials she has to overcome to be free of her curse. Without getting too spoiler-y, the villain, Hong-joo, does literally everything she can to make Yoon-hee fail. And Hong-joo is a legitimately engaging and terrifying villain; she has power, dozens of skilled swords-women under her command and control, and is ruthless to the point of cold-blooded murder. The dynamic between these two really carries the better part of the plot.
Yoon-hee's love interest, Jun, also has an interesting story-arc that is, thankfully, all his own. He comes into the story with his own baggage involving his relationships with his mother and half-brother that he needs to overcome. It is also really nice to see a couple that complements each other equally. They support each other and receive support in turn. In a sea of douchbags with money winning over nice, supportive guys, he is a breath of fresh air.
The other characters that pepper this drama provide just the right amount of flavor. They are, for the most part, well written and well realized by their actors. My personal favorite character was Yo-gwang, Yoon-hee's "bodyguard."
I would recommend this series to anyone desiring a well-written, well-acted story that has more going for it than a simple love story.
Secret Healer is definitely more of a drama than a romance. Yes, the romance is there and it is important to the plot. Hell, it's even developed reasonably well. However, it is not the main focus of the story. Which, after a while, I appreciated because I didn't need the romance to keep me invested, the plot did that well enough.
The true focus of the plot is Yoon-hee, the princess, and the trials she has to overcome to be free of her curse. Without getting too spoiler-y, the villain, Hong-joo, does literally everything she can to make Yoon-hee fail. And Hong-joo is a legitimately engaging and terrifying villain; she has power, dozens of skilled swords-women under her command and control, and is ruthless to the point of cold-blooded murder. The dynamic between these two really carries the better part of the plot.
Yoon-hee's love interest, Jun, also has an interesting story-arc that is, thankfully, all his own. He comes into the story with his own baggage involving his relationships with his mother and half-brother that he needs to overcome. It is also really nice to see a couple that complements each other equally. They support each other and receive support in turn. In a sea of douchbags with money winning over nice, supportive guys, he is a breath of fresh air.
The other characters that pepper this drama provide just the right amount of flavor. They are, for the most part, well written and well realized by their actors. My personal favorite character was Yo-gwang, Yoon-hee's "bodyguard."
I would recommend this series to anyone desiring a well-written, well-acted story that has more going for it than a simple love story.
Goddess in the Stacks (553 KP) rated To Kill a Kingdom in Books
Jun 8, 2018
I really enjoy books that take mermaids (or sirens, in this case, as mermaids exist but are something different in this world) and turn them back to their murderous roots. Adding in Cthulhu-esque horror made Into the Drowning Deep especially fascinating. To Kill A Kingdom didn't have much horror - it took the fantasy adventure/quest route instead.
The book alternates between the viewpoints of Princess Lira, the siren known as the Prince's Bane, and Prince Elian. Their name is at the start of each chapter that is written from their viewpoint, but it's small and easily missed. I wish it was in a larger, more obvious font, because I kept having to flip back a few pages to figure out who I was reading.
I loved seeing the character growth of Lira as she comes to know the humans, and realizes there is another possibility besides just following her mother's brutal orders. She learns, watching Elian's people follow him, that there is a way to inspire loyalty rather than compel it by magic and brutality.
Lira definitely shows more character growth than Elian does, and the book never really explains how Elian gets past the fact that she's killed so many princes.
The beginning of the book was also a little slow - I actually set it aside for a couple of weeks while reading other things and worried a little that I was never going to pick it up again. Worried because I don't usually not finish books unless they're terrible, not because I actually wanted to find out what happened. I didn't get invested in the characters until probably about halfway through the book. Books usually catch me far before that point.
So - it was okay. If you want predatory mermaids, I would recommend Into the Drowning Deep long before this one. Though if you want more fantasy with a touch of romance, and less horror, then this is probably the book you want. Just be warned it takes some time to hit its stride.
You can find all my reviews at http://goddessinthestacks.wordpress.com
The book alternates between the viewpoints of Princess Lira, the siren known as the Prince's Bane, and Prince Elian. Their name is at the start of each chapter that is written from their viewpoint, but it's small and easily missed. I wish it was in a larger, more obvious font, because I kept having to flip back a few pages to figure out who I was reading.
I loved seeing the character growth of Lira as she comes to know the humans, and realizes there is another possibility besides just following her mother's brutal orders. She learns, watching Elian's people follow him, that there is a way to inspire loyalty rather than compel it by magic and brutality.
Lira definitely shows more character growth than Elian does, and the book never really explains how Elian gets past the fact that she's killed so many princes.
The beginning of the book was also a little slow - I actually set it aside for a couple of weeks while reading other things and worried a little that I was never going to pick it up again. Worried because I don't usually not finish books unless they're terrible, not because I actually wanted to find out what happened. I didn't get invested in the characters until probably about halfway through the book. Books usually catch me far before that point.
So - it was okay. If you want predatory mermaids, I would recommend Into the Drowning Deep long before this one. Though if you want more fantasy with a touch of romance, and less horror, then this is probably the book you want. Just be warned it takes some time to hit its stride.
You can find all my reviews at http://goddessinthestacks.wordpress.com