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Phil Leader (619 KP) rated A Clockwork Orange in Books
Nov 11, 2019
Grab a moloko or hot chai and peet it with your rot while you viddy my malenky review with your glazzies, real horrorshow.
Welcome to the world of Alex, a 15 year old boy living in some unspecified country in an unspecified future time. What Alex enjoys is classical music and ultraviolence. Every night he and his gang terrorise the streets looking for any kind of criminal activity, the more violent the better. They steal, burgle, assault and rape, all for fun.
When Alex is caught he is put in prison and then rehabilitated using an experimental procedure. But what effect will this have on Alex? And will it produce the desired results of preventing the youth turning every night into a time of danger for all.
The first thing any reader notices about the book is that, told from Alex's point of view, he uses street slang throughout. This makes it clear that the young have their own culture and are quite separate from the adults in terms of outlook and thinking. It also makes the reading quite immersive, like learning a foreign language particularly as only a very few of the words are ever explained and must be learned from context. This makes for a steep learning curve at the start of the book but it is worth the effort. The use of slang terms for the violent acts also helps to soften them a little - clearly what Alex does is horrendous but as it is described using these terms it is perhaps not so graphic as it would be otherwise.
Like critics of the film, it would be unfair to focus purely on the violence. The book is divided neatly into three parts. In the first we follow Alex as he perpetrates a number of terrible crimes. The second part describes his experiences in prison and is rehabilitation. The third what happens when he returns to society.
Burgess is clearly trying to make a number of points about individuality and state control of its citizens, and a fairly heavy handed job he makes of it too. But this is a slight volume - the paperback I read ran to a mere 140 pages - so there is little time for subtlety.
I would say the first two sections of the book were the best. The third section suffers a little from being rushed - it would have been better to have more insight into the world of the 'new' Alex - and also of the story being driven by coincidence after coincidence. This really did make the book seem like a sort of dream sequence where previous characters appeared and suddenly took on new meanings. In fact what it reminded me most of was the interrogation sequence in Alfred Bester's The Demolished Man. This did detract from the story for me but not enough to do much damage to the tale. The ending is particularly strong and positive, in a book full of desperation it strikes the perfect counternote.
For anyone interested in the social side of 'science fiction' this is definitely worth reading. A morality tale for the future.
Rated: Frequent and extreme violence
Welcome to the world of Alex, a 15 year old boy living in some unspecified country in an unspecified future time. What Alex enjoys is classical music and ultraviolence. Every night he and his gang terrorise the streets looking for any kind of criminal activity, the more violent the better. They steal, burgle, assault and rape, all for fun.
When Alex is caught he is put in prison and then rehabilitated using an experimental procedure. But what effect will this have on Alex? And will it produce the desired results of preventing the youth turning every night into a time of danger for all.
The first thing any reader notices about the book is that, told from Alex's point of view, he uses street slang throughout. This makes it clear that the young have their own culture and are quite separate from the adults in terms of outlook and thinking. It also makes the reading quite immersive, like learning a foreign language particularly as only a very few of the words are ever explained and must be learned from context. This makes for a steep learning curve at the start of the book but it is worth the effort. The use of slang terms for the violent acts also helps to soften them a little - clearly what Alex does is horrendous but as it is described using these terms it is perhaps not so graphic as it would be otherwise.
Like critics of the film, it would be unfair to focus purely on the violence. The book is divided neatly into three parts. In the first we follow Alex as he perpetrates a number of terrible crimes. The second part describes his experiences in prison and is rehabilitation. The third what happens when he returns to society.
Burgess is clearly trying to make a number of points about individuality and state control of its citizens, and a fairly heavy handed job he makes of it too. But this is a slight volume - the paperback I read ran to a mere 140 pages - so there is little time for subtlety.
I would say the first two sections of the book were the best. The third section suffers a little from being rushed - it would have been better to have more insight into the world of the 'new' Alex - and also of the story being driven by coincidence after coincidence. This really did make the book seem like a sort of dream sequence where previous characters appeared and suddenly took on new meanings. In fact what it reminded me most of was the interrogation sequence in Alfred Bester's The Demolished Man. This did detract from the story for me but not enough to do much damage to the tale. The ending is particularly strong and positive, in a book full of desperation it strikes the perfect counternote.
For anyone interested in the social side of 'science fiction' this is definitely worth reading. A morality tale for the future.
Rated: Frequent and extreme violence
Gareth von Kallenbach (980 KP) rated That's My Boy (2012) in Movies
Aug 7, 2019
Adam Sandler movies have often been a mixed bag. For every “The Wedding Singer” and “50 First Dates” there are several forgettable offerings like “Little Nicky”, “I Now Prounounce You Chuck and Larry”, and “8 Crazy Nights”. To be fair there’ve also been several guilty pleasures such as “Happy Gilmore” and “The Waterboy” along the way. Sadly, his recent offerings, culminating in the disastrous “Jack and Jill”, have given me very low expectations for his new film “That’s My Boy” which pairs Sandler with former Saturday Night Live star Andy Samberg.
Sandler stars as Donny, a down-on his luck former celebrity who gained notoriety after impregnating his teacher at 13. While the teacher (Eva Amurri Martino) went on to a 30-year prison sentence, Donny used his notoriety to become a pop culture sensation. Unfortunately for Donny fame was fleeting and he wasted the money he had accumulated along the way. We soon learn Donny faces a prison sentence unless he comes up with $45,000 to pay back taxes.
Desperate, he turns to his estranged son Todd (Andy Samberg), who has pretty much disowned his father and does not even go by is given birth name. Todd is about to marry a socialite named Jamie (Leighton Meester), and since he is a numbers genius with an extremely bright future with a partnership pending, the arrival of his crude, drunken father, is a disaster in the making. Passing himself off as long-lost friend, Donny attempts to reconnect with his son and naturally this happens over some very vulgar and awkward moments, not all of which are limited to bachelor party scenes.
Of course anybody who has seen any of Sandler’s films will know the formula that follows: crude situations followed by conflict, mixed with celebrity cameos and an ’80s soundtrack tossed in with a few laughs along the way towards a tidy ending. To say that there is a definite formula to his films would be an understatement and Sandler gives the impression that he’s making up many of the scenes as he goes along, all the while sporting a hybrid Boston/Little Nicky accent.
What ultimately sells the film is the energy and effort that the cast puts into their performances. While the plot can be charitably described as disjointed, there are several scenes that are LOL-inducing, especially those with James Caan as an angry priest and with Vanilla Ice and Todd Bridges lampooning their faded glory.
While the film is a bit cruder than most of Sandler’s usual fare it is, for the most part, good-natured and lighthearted. Obviously nobody is expected to take the film seriously. Samberg does a good job playing the restrained uptight Todd, and in the scenes where he lets loose, shows solid working chemistry with Sandler.
While it is not a great cinematic comedy it certainly has more than its fair share of laughs along the way, just as long as you’re willing to overlook the lackluster plot and uneven pacing of the film.
Sandler stars as Donny, a down-on his luck former celebrity who gained notoriety after impregnating his teacher at 13. While the teacher (Eva Amurri Martino) went on to a 30-year prison sentence, Donny used his notoriety to become a pop culture sensation. Unfortunately for Donny fame was fleeting and he wasted the money he had accumulated along the way. We soon learn Donny faces a prison sentence unless he comes up with $45,000 to pay back taxes.
Desperate, he turns to his estranged son Todd (Andy Samberg), who has pretty much disowned his father and does not even go by is given birth name. Todd is about to marry a socialite named Jamie (Leighton Meester), and since he is a numbers genius with an extremely bright future with a partnership pending, the arrival of his crude, drunken father, is a disaster in the making. Passing himself off as long-lost friend, Donny attempts to reconnect with his son and naturally this happens over some very vulgar and awkward moments, not all of which are limited to bachelor party scenes.
Of course anybody who has seen any of Sandler’s films will know the formula that follows: crude situations followed by conflict, mixed with celebrity cameos and an ’80s soundtrack tossed in with a few laughs along the way towards a tidy ending. To say that there is a definite formula to his films would be an understatement and Sandler gives the impression that he’s making up many of the scenes as he goes along, all the while sporting a hybrid Boston/Little Nicky accent.
What ultimately sells the film is the energy and effort that the cast puts into their performances. While the plot can be charitably described as disjointed, there are several scenes that are LOL-inducing, especially those with James Caan as an angry priest and with Vanilla Ice and Todd Bridges lampooning their faded glory.
While the film is a bit cruder than most of Sandler’s usual fare it is, for the most part, good-natured and lighthearted. Obviously nobody is expected to take the film seriously. Samberg does a good job playing the restrained uptight Todd, and in the scenes where he lets loose, shows solid working chemistry with Sandler.
While it is not a great cinematic comedy it certainly has more than its fair share of laughs along the way, just as long as you’re willing to overlook the lackluster plot and uneven pacing of the film.
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Erika (17789 KP) rated Stillwater (2021) in Movies
Aug 3, 2021
The film Stillwater is based upon and exploits the Amanda Knox story. Swapping Italy for the town of Marseille, France, Allison (Abigail Breslin), an American university student is convicted of killing her girlfriend, Lina. Bill (Matt Damon), Allison’s estranged father, visits her regularly in prison, and is convinced of her innocence.
The majority of the film focuses on Bill’s quest to prove her innocence. Bill is a roughneck (oil driller), good ol’ boy Okie from Stillwater. After delivering a letter to Allison’s lawyer with new information, he takes it upon himself to find the main suspect, Akim, with the help of Virginie (Camille Cottin). This is completely against Allison’s wishes, because she sees him, and herself, as a ‘fuck-up’.
Bill develops a relationship with Virginie, and her daughter, Maya (Lilou Siauvaud). After Allison refuses to see him anymore, Bill stays with Virginie, as a friend, helps with Maya, and goes native. Honestly, the subplot of this relationship with Virginie that progresses to a romantic relationship, and the fatherly relationship to Maya, slow the film down to a snail’s pace. The story finally picks up again, when Bill takes Maya to a football game, and he captures Akim. Bill collects DNA from Akim, hands it to an ex-cop, then finally learns the truth of what happened with the murder of Lina. This situation ruins his relationship with his new French family, and he goes back to Stillwater, quickly followed by Allison, after she is released after the DNA matches what was left at the crime scene.
I was originally pretty excited to see the film, but then I read a Vanity Fair interview with the director, Tom McCarthy. McCarthy mentioned that he wanted to be in the shoes of Amanda Knox, or something like that. Knox, who was found not guilty for the murder of Meredith Kercher, was probably very available. Knox came out after the article was published and voiced that her story was being exploited. Reading her responses made me have really icky feelings, and I almost didn’t go see it, because they’re profiting off her story. To be fair, Knox is profiting off her own story as well, but it still isn’t right. This situation hurt the film, in my opinion, and I think the box office numbers in the US reflect that as well. I would have rated this film higher, and enjoyed it more, had I not seen the press surrounding it. I don’t know whether that’s a good or bad thing.
Damon did well in his portrayal of an Okie roughneck, and you could tell he really did study to nail the role. Breslin was neither here nor there, and I didn’t necessarily sympathize with her at all. So, I didn’t really care in the end if she got out of prison or not.
This film clocks in at 2 hours and 20 minutes, and it felt like a 2 hour and 20-minute film. I didn’t like the subplot, at all. It made the movie so bloated, and I kind of just wanted it to end. I don’t think this film is going to do well outside of the US, at all.
The majority of the film focuses on Bill’s quest to prove her innocence. Bill is a roughneck (oil driller), good ol’ boy Okie from Stillwater. After delivering a letter to Allison’s lawyer with new information, he takes it upon himself to find the main suspect, Akim, with the help of Virginie (Camille Cottin). This is completely against Allison’s wishes, because she sees him, and herself, as a ‘fuck-up’.
Bill develops a relationship with Virginie, and her daughter, Maya (Lilou Siauvaud). After Allison refuses to see him anymore, Bill stays with Virginie, as a friend, helps with Maya, and goes native. Honestly, the subplot of this relationship with Virginie that progresses to a romantic relationship, and the fatherly relationship to Maya, slow the film down to a snail’s pace. The story finally picks up again, when Bill takes Maya to a football game, and he captures Akim. Bill collects DNA from Akim, hands it to an ex-cop, then finally learns the truth of what happened with the murder of Lina. This situation ruins his relationship with his new French family, and he goes back to Stillwater, quickly followed by Allison, after she is released after the DNA matches what was left at the crime scene.
I was originally pretty excited to see the film, but then I read a Vanity Fair interview with the director, Tom McCarthy. McCarthy mentioned that he wanted to be in the shoes of Amanda Knox, or something like that. Knox, who was found not guilty for the murder of Meredith Kercher, was probably very available. Knox came out after the article was published and voiced that her story was being exploited. Reading her responses made me have really icky feelings, and I almost didn’t go see it, because they’re profiting off her story. To be fair, Knox is profiting off her own story as well, but it still isn’t right. This situation hurt the film, in my opinion, and I think the box office numbers in the US reflect that as well. I would have rated this film higher, and enjoyed it more, had I not seen the press surrounding it. I don’t know whether that’s a good or bad thing.
Damon did well in his portrayal of an Okie roughneck, and you could tell he really did study to nail the role. Breslin was neither here nor there, and I didn’t necessarily sympathize with her at all. So, I didn’t really care in the end if she got out of prison or not.
This film clocks in at 2 hours and 20 minutes, and it felt like a 2 hour and 20-minute film. I didn’t like the subplot, at all. It made the movie so bloated, and I kind of just wanted it to end. I don’t think this film is going to do well outside of the US, at all.
Darren (1599 KP) rated Buffalo '66 (1998) in Movies
Sep 26, 2019
Characters – Billy Brown has just been released from prison, he has had his own problems which led to him being in prison and it isn’t long before he goes to the extremes to impress his family. He is painted as an aggressive man that believes that woman are just objects and has built his world in lies. Layla is the tap dancer that gets kidnapped, she starts to play along with what Billy wants and even enjoy his company the more time they spend together. Jimmy and Jan are his parents that have both been either distracted or strict in raising Billy, as he wants to impress them now. The Bookie is the man that put Billy in jail as a result of the debts he owed him, he gave him a choice with jail being the only one that didn’t hurt anyone.
Performances – Vincent Gallo doesn’t bring us a very interesting character, it isn’t written well or directed to make us interested in him, he just can’t make this character work. Christina Ricci was trying to break out of the child star roles by now, this is different to what we had seen before, though she does look bored through the film. the rest of the cast struggle too, it is just poorly written to give the actors a chance.
Story – The story follows a gambler that had paid the price for his addiction and now is free, he wants revenge only he spends the time with his kidnap victim as we get to see the difficult life he has had which led him to the life of crime. Well I think that is what we are meant to be seeing, the story does drag along at an awfully slow pace with nothing much happening, trying to make us believe the two could be falling in love, though he is abusive with his actions and spends more time running around looking for a toilet than showing any sort of emotion.
Comedy/Crime/Romance – If this is meant to be a comedy, the jokes miss big time as you will struggle to get a laugh out of this film, while the crime only seems to focus on the kidnapping, which she could have escaped from with ease plenty of times, so that never feels like a threat, the romance just feels awkward for the most part of the film because there is zero chemistry between the two.
Settings – The film is set in the Buffalo area, which is meant to be about the passion of the locals, it could easily be any town with a big American football team.
Scene of the Movie – The first look at the dinner table makes it a clever shot, until it gets boring.
That Moment That Annoyed Me – We spend more time looking for a toilet.
Final Thoughts – This is just a dreadfully dull movie that has no direction in anyway, it fails to capture any attention from the audience with a truly unlikeable main character.
Overall: Dreadfully boring.
Performances – Vincent Gallo doesn’t bring us a very interesting character, it isn’t written well or directed to make us interested in him, he just can’t make this character work. Christina Ricci was trying to break out of the child star roles by now, this is different to what we had seen before, though she does look bored through the film. the rest of the cast struggle too, it is just poorly written to give the actors a chance.
Story – The story follows a gambler that had paid the price for his addiction and now is free, he wants revenge only he spends the time with his kidnap victim as we get to see the difficult life he has had which led him to the life of crime. Well I think that is what we are meant to be seeing, the story does drag along at an awfully slow pace with nothing much happening, trying to make us believe the two could be falling in love, though he is abusive with his actions and spends more time running around looking for a toilet than showing any sort of emotion.
Comedy/Crime/Romance – If this is meant to be a comedy, the jokes miss big time as you will struggle to get a laugh out of this film, while the crime only seems to focus on the kidnapping, which she could have escaped from with ease plenty of times, so that never feels like a threat, the romance just feels awkward for the most part of the film because there is zero chemistry between the two.
Settings – The film is set in the Buffalo area, which is meant to be about the passion of the locals, it could easily be any town with a big American football team.
Scene of the Movie – The first look at the dinner table makes it a clever shot, until it gets boring.
That Moment That Annoyed Me – We spend more time looking for a toilet.
Final Thoughts – This is just a dreadfully dull movie that has no direction in anyway, it fails to capture any attention from the audience with a truly unlikeable main character.
Overall: Dreadfully boring.
Suswatibasu (1703 KP) rated Time: The Kalief Browder Story in TV
Sep 19, 2017
Bawled like like baby, heartwrenching, horrific and utterly disgusted
It's been a while since any TV series or film has affected me as much as the Kalief Browder story. I think it made me feel nauseous at one point. The level of hideous injustice Browder faced, more so the fact he was just a boy, is worse than most police corruption cases covered by the media.
An innocent boy was held without trial, without conviction for three years in one of the most notorious prisons (Rikers Prison) where he was beaten senselessly by correction officers and inmates alike. He was then held in solitary confinement for 322 days (UN calls 15 days a human rights violation), tortured, starved and attempted suicide. This is New York. This is the American justice system.
When he was eventually released his mental health suffered, and it just gets worse and worse. I won't say anymore before I burst into tears again.
There are some remarkable interviews in here with Kalief's family, who were torn to shreds, top speakers such as Attorney General Eric Holder, "The New Jim Crow" author Michelle Alexander, journalist Shaun King, and even Jay-Z and Rosie O'Donnell, who were close friends. The biggest take away is how broken the system is / intended racial segregation and how important it is for the civil rights movement to join forces with the greater American populace to stop further injustices.
Seriously keep the tissues at hand. This is a hundred times more disturbing than Making A Murderer and The Keepers.
An innocent boy was held without trial, without conviction for three years in one of the most notorious prisons (Rikers Prison) where he was beaten senselessly by correction officers and inmates alike. He was then held in solitary confinement for 322 days (UN calls 15 days a human rights violation), tortured, starved and attempted suicide. This is New York. This is the American justice system.
When he was eventually released his mental health suffered, and it just gets worse and worse. I won't say anymore before I burst into tears again.
There are some remarkable interviews in here with Kalief's family, who were torn to shreds, top speakers such as Attorney General Eric Holder, "The New Jim Crow" author Michelle Alexander, journalist Shaun King, and even Jay-Z and Rosie O'Donnell, who were close friends. The biggest take away is how broken the system is / intended racial segregation and how important it is for the civil rights movement to join forces with the greater American populace to stop further injustices.
Seriously keep the tissues at hand. This is a hundred times more disturbing than Making A Murderer and The Keepers.
Whatchareadin (174 KP) rated Triptych (Will Trent, #1) in Books
May 10, 2018
It goes show, you should really read the first book in a series before heading to the next. I was trying to prepare myself for a Q&A session with the author and so I grabbed the first book that was available to me and that was her third Will Trent novel, Undone. I really enjoyed that book as well. And while I enjoyed Triptych as well, it seemed to move a bit slower for me. There was a lot of character development, which of course I expected and was looking for in the other book. Now, I've got it.
Will Trent is an orphan and a bit illiterate. He is a detective with the Georgia Bureau of Investigation and he has just been assigned a new case. When a hooker is found dead, raped, and with her tongue cut out, questions start to arise. There have been other cases like this one, but the girls were much younger, so why the change in M.O.? Will is working with Dekalp County police officer Michael Ormewood on the case. And when Ormewood's neighbor becomes one of the victims, the story takes and unusual turn.
Angie Pulaski and Will Trent go way back. Angie is also a police officer, but she is undercover as a hooker. Helping Will with this case, she meets someone who has an interesting connection. John Shelly, recently released from prison, his rap sheet looks a lot like these recent murders.
Will John Shelly be heading back to jail?
Will Trent is an orphan and a bit illiterate. He is a detective with the Georgia Bureau of Investigation and he has just been assigned a new case. When a hooker is found dead, raped, and with her tongue cut out, questions start to arise. There have been other cases like this one, but the girls were much younger, so why the change in M.O.? Will is working with Dekalp County police officer Michael Ormewood on the case. And when Ormewood's neighbor becomes one of the victims, the story takes and unusual turn.
Angie Pulaski and Will Trent go way back. Angie is also a police officer, but she is undercover as a hooker. Helping Will with this case, she meets someone who has an interesting connection. John Shelly, recently released from prison, his rap sheet looks a lot like these recent murders.
Will John Shelly be heading back to jail?
Lyndsey Gollogly (2893 KP) rated The Bone Season in Books
Apr 5, 2020
The year is 2059. Nineteen-year-old Paige Mahoney is working in the criminal underworld of Scion London, based at Seven Dials, employed by a man named Jaxon Hall. Her job: to scout for information by breaking into people’s minds. For Paige is a dreamwalker, a clairvoyant and, in the world of Scion, she commits treason simply by breathing.
It is raining the day her life changes for ever. Attacked, drugged and kidnapped, Paige is transported to Oxford – a city kept secret for two hundred years, controlled by a powerful, otherworldly race. Paige is assigned to Warden, a Rephaite with mysterious motives. He is her master. Her trainer. Her natural enemy. But if Paige wants to regain her freedom she must allow herself to be nurtured in this prison where she is meant to die.
The Bone Season introduces a compelling heroine and also introduces an extraordinary young writer, with huge ambition and a teeming imagination. Samantha Shannon has created a bold new reality in this riveting debut.
This is a reread for me and I lived it more the second time round. I admire Samantha Shannon at such a young age to develop such an intricate fascinating world. It was so good to go back to the beginning of Paige's and wardens journey. These characters are so brilliant it's good to see the little things I missed the first time round. Now to wait patiently for Bone season 4 and my hardcover copy of The Mime order.

It is raining the day her life changes for ever. Attacked, drugged and kidnapped, Paige is transported to Oxford – a city kept secret for two hundred years, controlled by a powerful, otherworldly race. Paige is assigned to Warden, a Rephaite with mysterious motives. He is her master. Her trainer. Her natural enemy. But if Paige wants to regain her freedom she must allow herself to be nurtured in this prison where she is meant to die.
The Bone Season introduces a compelling heroine and also introduces an extraordinary young writer, with huge ambition and a teeming imagination. Samantha Shannon has created a bold new reality in this riveting debut.
This is a reread for me and I lived it more the second time round. I admire Samantha Shannon at such a young age to develop such an intricate fascinating world. It was so good to go back to the beginning of Paige's and wardens journey. These characters are so brilliant it's good to see the little things I missed the first time round. Now to wait patiently for Bone season 4 and my hardcover copy of The Mime order.

Lyndsey Gollogly (2893 KP) rated Death Doesn't Bargain in Books
Aug 5, 2019
Another fab Instalment from the pirates
Contains spoilers, click to show
The Deadmen are back...
But so are the demons who have broken free of their eternal prison and are bent on mankind's destruction. The worst of the lot is Vine, determined to claim their lives for taking hers. She will see the world burn...and has the perfect lure to destroy them all. One of their own.
Kalder Dupree has never known a day of mercy. Born to the cruelest of mer-races, he sacrificed himself for his crew and is in Vine's hands. He expects no mercy or rescue.
Yet Cameron Jack is determined to set Kalder free. As a Hellchaser, it's her calling, and she cannot allow even a not-so-innocent to be tortured for an act of kindness that spared her damnation.
To defeat evil, it sometimes takes an even worse evil, and Cameron is willing to do whatever she must to make this right. If Vine thought she had her hands full before, she hasn't seen anything nearly as powerful as Cameron's resolve.
I absolutely love Sherrilyn Kenyon! I struggled with the first book and sometimes this one was a bit of a struggle too but overall another great book from a very talented writer! I got so excited to see Savitar, Archeron and Simi!! No Dark hunter novel is complete without Simi and her BBQ sauce!!
I did find it funny swapping from normal to pirate talk my husband thought I was crazy laughing to myself!
⭐⭐⭐⭐

But so are the demons who have broken free of their eternal prison and are bent on mankind's destruction. The worst of the lot is Vine, determined to claim their lives for taking hers. She will see the world burn...and has the perfect lure to destroy them all. One of their own.
Kalder Dupree has never known a day of mercy. Born to the cruelest of mer-races, he sacrificed himself for his crew and is in Vine's hands. He expects no mercy or rescue.
Yet Cameron Jack is determined to set Kalder free. As a Hellchaser, it's her calling, and she cannot allow even a not-so-innocent to be tortured for an act of kindness that spared her damnation.
To defeat evil, it sometimes takes an even worse evil, and Cameron is willing to do whatever she must to make this right. If Vine thought she had her hands full before, she hasn't seen anything nearly as powerful as Cameron's resolve.
I absolutely love Sherrilyn Kenyon! I struggled with the first book and sometimes this one was a bit of a struggle too but overall another great book from a very talented writer! I got so excited to see Savitar, Archeron and Simi!! No Dark hunter novel is complete without Simi and her BBQ sauce!!
I did find it funny swapping from normal to pirate talk my husband thought I was crazy laughing to myself!
⭐⭐⭐⭐

Lyndsey Gollogly (2893 KP) rated A Strange Hymn (The Bargainer #2) in Books
Apr 30, 2020
Siren and soulmate to the King of Night, Callypso Lillis survived the clutches of Karnon, the mad king, and his twisted prison. But the nightmare isn't over. Callie wears the physical reminders of her time as a captive, and mounting evidence suggests the Thief of Souls is still out there.
When a fae celebration thrusts Callie and her mate, Desmond Flynn, into the Kingdom of Flora, they take their investigation with them. But under the bright lights and striking blooms of the realm, they find there are more immediate issues to deal with. No place is more uniquely savage than the great fae halls, and no amount of bargains can save Callie from royal intrigues.
Fairies play dangerous games. Some want love, some want vengeance, some want flesh, and some want things too unspeakable to utter. One thing is for sure: no one is who they appear to be. Not even Des, who only grows more enigmatic with every passing secret.
But the Kingdom of Flora has its own secrets, from bleeding trees to branded slaves and missing guards. Something is stirring in the land of all that grows, and if Callie isn't careful, it will claim everything and everyone she loves - and her along with it.
I bloody loved it!! Second One was better than the first! I’ve been waiting for a decent fairy series since Merry Gentry by LkH and this fits it! I adore Des! Love Temperance and Callypso is just brilliant! The fey politics is brilliant and it makes an exciting read!! I’m really enjoying Laura’s writing style.
When a fae celebration thrusts Callie and her mate, Desmond Flynn, into the Kingdom of Flora, they take their investigation with them. But under the bright lights and striking blooms of the realm, they find there are more immediate issues to deal with. No place is more uniquely savage than the great fae halls, and no amount of bargains can save Callie from royal intrigues.
Fairies play dangerous games. Some want love, some want vengeance, some want flesh, and some want things too unspeakable to utter. One thing is for sure: no one is who they appear to be. Not even Des, who only grows more enigmatic with every passing secret.
But the Kingdom of Flora has its own secrets, from bleeding trees to branded slaves and missing guards. Something is stirring in the land of all that grows, and if Callie isn't careful, it will claim everything and everyone she loves - and her along with it.
I bloody loved it!! Second One was better than the first! I’ve been waiting for a decent fairy series since Merry Gentry by LkH and this fits it! I adore Des! Love Temperance and Callypso is just brilliant! The fey politics is brilliant and it makes an exciting read!! I’m really enjoying Laura’s writing style.