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Acanthea Grimscythe (300 KP) rated How I Lost You in Books
May 16, 2018
As seen on <a href="http://theghastlygrimoire.com/"; target="_new">The Ghastly Grimoire.</a>
How I Lost You by Jenny Blackhurst is difficult for me to score with ease, to be completely and totally honest. There are several things I loved about this book and others that felt more like a cliche. Aside from those few moments, I enjoyed reading this novel.
Susan Webster, a.k.a. Emma Cartwright, finds her head still spinning after serving her time in a psychiatric prison for the murder of her son. As a character, she is for the most part fairly well-written. Having suffered a psychotic break, she becomes an unreliable narrator and Blackhurst does an excellent job at describing the sort of incredulity that individuals suffering mental illness find themselves often faced with. Reading Susan’s point of view felt very much like my own after a break I had about two years ago, and for that reason I found her to be relatable – all the way down to the seemingly instant attraction to an otherwise unknown man.
In some reviews, Susan’s interest in Nick has been viewed critically. I, on the other hand, have been that desperate for someone, anyone, to possibly listen to me or give me time of day so I feel Blackhurst’s portrayal of Susan in such a circumstance is certainly realistic. Diminished capacity for judgment is a side effect of mental illness, one that often gets dismissed as a cry for attention.
The story unfolds fairly quickly and in ways that are, at some moments, unsettling. Many of these moments take place in the past, where flashbacks take us to the glorious lives of the Durham Elite. It is in these flashbacks that I encountered the one cliche that absolutely annoyed the piss out of me: a cult like gathering that seemed to come out of nowhere. Seriously, cults are beyond overdone.
I really found myself dancing between three and four for this piece, largely because of the typical use of the “cult” as a scapegoat. For the most part, this is the only bit that appeared to stand completely out of place, so I’ve decided to lean toward four. Thus far, I find Emily Bestler’s selections to be wonderfully appropriate to my tastes and I look forward to seeing more of her publications as an imprint of Atria and Simon & Schuster.
I would like to thank the publisher and NetGalley for providing me with a copy of this book for the purpose of review. This review is written without bias and reflects my honest opinion.
How I Lost You by Jenny Blackhurst is difficult for me to score with ease, to be completely and totally honest. There are several things I loved about this book and others that felt more like a cliche. Aside from those few moments, I enjoyed reading this novel.
Susan Webster, a.k.a. Emma Cartwright, finds her head still spinning after serving her time in a psychiatric prison for the murder of her son. As a character, she is for the most part fairly well-written. Having suffered a psychotic break, she becomes an unreliable narrator and Blackhurst does an excellent job at describing the sort of incredulity that individuals suffering mental illness find themselves often faced with. Reading Susan’s point of view felt very much like my own after a break I had about two years ago, and for that reason I found her to be relatable – all the way down to the seemingly instant attraction to an otherwise unknown man.
In some reviews, Susan’s interest in Nick has been viewed critically. I, on the other hand, have been that desperate for someone, anyone, to possibly listen to me or give me time of day so I feel Blackhurst’s portrayal of Susan in such a circumstance is certainly realistic. Diminished capacity for judgment is a side effect of mental illness, one that often gets dismissed as a cry for attention.
The story unfolds fairly quickly and in ways that are, at some moments, unsettling. Many of these moments take place in the past, where flashbacks take us to the glorious lives of the Durham Elite. It is in these flashbacks that I encountered the one cliche that absolutely annoyed the piss out of me: a cult like gathering that seemed to come out of nowhere. Seriously, cults are beyond overdone.
I really found myself dancing between three and four for this piece, largely because of the typical use of the “cult” as a scapegoat. For the most part, this is the only bit that appeared to stand completely out of place, so I’ve decided to lean toward four. Thus far, I find Emily Bestler’s selections to be wonderfully appropriate to my tastes and I look forward to seeing more of her publications as an imprint of Atria and Simon & Schuster.
I would like to thank the publisher and NetGalley for providing me with a copy of this book for the purpose of review. This review is written without bias and reflects my honest opinion.
Kristy H (1252 KP) rated Jar of Hearts in Books
Mar 6, 2019
Compelling, twisted story
Fourteen years ago, Georgina "Geo" Shaw's best friend, Angela Wong, disappeared without a trace. The girls were only sixteen years old. Now Geo is a successful executive--and it comes to a surprise to everyone (except Geo) when she's arrested at her pharmaceutical firm for her role in Angela's murder. It turns out, fourteen years ago, Geo was involved while her older boyfriend, Calvin James, killed Angela and buried her remains in the woods behind Geo's childhood home. Calvin has gone on to become a serial killer known as the Sweetbay Strangler. But to Geo, he's Calvin, her first love, despite their abusive and turbulent relationship. For all these years, Geo carried the secret of what happened that fateful night with Calvin and Angela. She told no one, not even the girls' best friend, Kaiser Brody, who is now a detective with the Seattle PD and working on Angela and Calvin's cases. Geo is sentenced to prison and all her secrets appear to be out in the open. But are they truly? And what does it mean when more bodies start appearing, killed in the same manner as Angela?
This was just a great thriller. It alternates its viewpoints, with pieces of the novel told from Geo and Kai and changing between the past and the present. The result is completely captivating. I was mesmerized by this compelling and well-executed novel, which draws you in from the start. The characters in this one are excellent; rarely do you get two such strong vivid main characters, but I felt drawn to both Kai and Geo.
The story slowly works its way back to that fateful night. Hillier unravels things so adeptly that I was kept guessing for quite some time, meticulously starting to work out pieces of the plot, feeling quite triumphant when I was proved right. This novel is just so intricately plotted and incredibly creepy at times--it's simply a pleasure to read. It's deep and dark, propelled by its wonderfully written characters. Honestly, I can't rave enough about both the plot and the characters.
Overall, you can't go wrong with this one. It features compelling characters and a twisted, dark story that will keep you reading until the very end. I need to track down more of Ms. Hillier's books and soon! Highly recommend.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
This was just a great thriller. It alternates its viewpoints, with pieces of the novel told from Geo and Kai and changing between the past and the present. The result is completely captivating. I was mesmerized by this compelling and well-executed novel, which draws you in from the start. The characters in this one are excellent; rarely do you get two such strong vivid main characters, but I felt drawn to both Kai and Geo.
The story slowly works its way back to that fateful night. Hillier unravels things so adeptly that I was kept guessing for quite some time, meticulously starting to work out pieces of the plot, feeling quite triumphant when I was proved right. This novel is just so intricately plotted and incredibly creepy at times--it's simply a pleasure to read. It's deep and dark, propelled by its wonderfully written characters. Honestly, I can't rave enough about both the plot and the characters.
Overall, you can't go wrong with this one. It features compelling characters and a twisted, dark story that will keep you reading until the very end. I need to track down more of Ms. Hillier's books and soon! Highly recommend.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
Zuky the BookBum (15 KP) rated Desperation Road in Books
Mar 15, 2018
Read my review here: https://bookbumzuky.wordpress.com/2017/02/16/review-desperation-road-by-michael-farris-smith/
<b><i>Now they loved different lives, different from what any of them probably imagined. How could you imagine the complexities of what might come?</b></i>
One night, eleven years ago, Russell did something stupid, made a terrible mistake - he drank and drove and ended up killing someone. Now hes done his time in prison and he just wants to settle down into a normal life. On the same day as Russells release, troubled Maben, and her daughter, are trudging through the grass along the interstate. That night they end up in a motel with no money left and Maben decides theres something shes got to do to get them some cash. The night ends, instead, with a dead deputy and Maben pulling her daughter off running. The next day, Russell and Maben cross paths and Russell has to decide if it's his life, or theirs, that hes going to save.
This is a story about revenge, redemption and acceptance. Quite a different novel to what Im used to but I do like to step outside my comfort zone every once in awhile. I ended up really enjoying this book, even though, as the title suggests, its a little bit dark and depressing at times.
What I loved the most about this book was how realistic it was. There are millions of mystery thrillers out there, that I read on the daily, that are based around normal people;s lives but we know, could never be real. This story, on the other hand, is perfectly plausible to imagine in a bit of a down-and-out town. With inherently flawed but morally conscious people and others who are driven to madness and evil by their deep rooted emotions, this is the kind of novel that can really hit home.
Russell, although flawed in many ways, is one of the most likeable characters Ive ever come across. He means no harm to anyone and does everything out of the good of his heart.
My only issue with this novel was the ending, that I felt could have been grown upon. It felt a bit dead-ended and cut off, but other than that, this was a beautiful story.
<i>Thanks to Netgalley and Little, Brown and Company for giving me the opportunity to read this in exchange for an honest review.</i>
<b><i>Now they loved different lives, different from what any of them probably imagined. How could you imagine the complexities of what might come?</b></i>
One night, eleven years ago, Russell did something stupid, made a terrible mistake - he drank and drove and ended up killing someone. Now hes done his time in prison and he just wants to settle down into a normal life. On the same day as Russells release, troubled Maben, and her daughter, are trudging through the grass along the interstate. That night they end up in a motel with no money left and Maben decides theres something shes got to do to get them some cash. The night ends, instead, with a dead deputy and Maben pulling her daughter off running. The next day, Russell and Maben cross paths and Russell has to decide if it's his life, or theirs, that hes going to save.
This is a story about revenge, redemption and acceptance. Quite a different novel to what Im used to but I do like to step outside my comfort zone every once in awhile. I ended up really enjoying this book, even though, as the title suggests, its a little bit dark and depressing at times.
What I loved the most about this book was how realistic it was. There are millions of mystery thrillers out there, that I read on the daily, that are based around normal people;s lives but we know, could never be real. This story, on the other hand, is perfectly plausible to imagine in a bit of a down-and-out town. With inherently flawed but morally conscious people and others who are driven to madness and evil by their deep rooted emotions, this is the kind of novel that can really hit home.
Russell, although flawed in many ways, is one of the most likeable characters Ive ever come across. He means no harm to anyone and does everything out of the good of his heart.
My only issue with this novel was the ending, that I felt could have been grown upon. It felt a bit dead-ended and cut off, but other than that, this was a beautiful story.
<i>Thanks to Netgalley and Little, Brown and Company for giving me the opportunity to read this in exchange for an honest review.</i>
Chris Sawin (602 KP) rated Bronson (2009) in Movies
Jun 19, 2019 (Updated Jun 20, 2019)
Michael Peterson has always wanted to be famous, but didn't really have any potential to be much of anything. So he robbed a post office and received a seven year sentence. That seven years soon became over thirty and the majority of it was spent in solitary confinement. It was during this time that Michael Peterson let his alter-ego, Charles Bronson, take over. During his multi-year prison sentence, Peterson became violent and unpredictable. To this day, he's still considered to be Britain's most famous prisoner. Michael Peterson was no more and Charles Bronson was all that remained.
Bronson is one of the more interesting films I've had the pleasure of sitting through as of late. In the trailer (and movie poster), a quote can be seen where a reviewer called the film, "A Clockwork Orange for the 21st century." That quote is really spot-on. There is a big Clockwork Orange influence in this film. While Michael Peterson narrates the entire film, the film jumps between what actually happened and Peterson performing in front of an audience in a rather large theater. The make-up, the setting, and Hardy's performance are all very Clockwork Orange-esque. Another film that came to mind was Snatch. The action sequences and a lot of the humor gave off the same kind of vibe Guy Ritchie's film did. Bronson is very much its own film, but shares the same beloved qualities of the films mentioned.
Bronson is what it is because of Tom Hardy's performance. He's guiding you through his life, his dreams, and his goals while you're with him the duration of the film, so it's only logical that he steals the show since he gets the most screen time. The fact that he doesn't waste any of it is something to be proud of though. He makes what would be a rather dismal story entertaining, exciting, and worth sitting through. Hardy's performance is the highlight of the film. There's really no questioning that.
Bronson was really a sleeper hit for me since its premise didn't interest me at all, but it wound up luring me in with its trailer. It's a very unorthodox type of film that isn't like many other films out there. Films like Bronson think outside the box of normal cinema and is the type of gem you'd hope to find whenever you journey out to your favorite theater. If you're looking for a film that is a knock-down-drag-out, eccentric, thrill-ride with a strong lead actor performance, then look no further. Bronson is exactly what you're looking for.
Bronson is one of the more interesting films I've had the pleasure of sitting through as of late. In the trailer (and movie poster), a quote can be seen where a reviewer called the film, "A Clockwork Orange for the 21st century." That quote is really spot-on. There is a big Clockwork Orange influence in this film. While Michael Peterson narrates the entire film, the film jumps between what actually happened and Peterson performing in front of an audience in a rather large theater. The make-up, the setting, and Hardy's performance are all very Clockwork Orange-esque. Another film that came to mind was Snatch. The action sequences and a lot of the humor gave off the same kind of vibe Guy Ritchie's film did. Bronson is very much its own film, but shares the same beloved qualities of the films mentioned.
Bronson is what it is because of Tom Hardy's performance. He's guiding you through his life, his dreams, and his goals while you're with him the duration of the film, so it's only logical that he steals the show since he gets the most screen time. The fact that he doesn't waste any of it is something to be proud of though. He makes what would be a rather dismal story entertaining, exciting, and worth sitting through. Hardy's performance is the highlight of the film. There's really no questioning that.
Bronson was really a sleeper hit for me since its premise didn't interest me at all, but it wound up luring me in with its trailer. It's a very unorthodox type of film that isn't like many other films out there. Films like Bronson think outside the box of normal cinema and is the type of gem you'd hope to find whenever you journey out to your favorite theater. If you're looking for a film that is a knock-down-drag-out, eccentric, thrill-ride with a strong lead actor performance, then look no further. Bronson is exactly what you're looking for.
Midge (525 KP) rated Buried Secrets in Books
Jan 31, 2019
Plenty of action (3 more)
Genius characterisation
Plenty of twists
Brilliant conclusion
An Action-Packed Thriller!
I picked up a copy of "Buried Secrets" as it was chosen for our Book Club monthly read and I am so glad that I did because it transpired to be an amazing roller-coaster read and I didn’t want it to end.
First, we meet Brett Larson and his wife Emily who have recently moved into their first home, a beautiful, rural, yellow, farmhouse. When Brett finds human remains on their property and a mysterious note hidden in a box, he immediately starts his own investigation with no thought about what he might be getting himself into, that soon starts to land him in a great deal of trouble. We are then introduced to James Russo who is in prison awaiting trial and his cell-mate, Nate Reuter, who appears to be obsessed with the developments in the local tabloids of the discovery of the remains on the Larson property. Told in alternating chapters, I couldn’t read this exciting novel fast enough, so keen was I to know how the two stories would relate to each other.
T.J. Brearton has done a fantastic job in "Buried Secrets" with the characters. Emily and Brett are just like any other newly-weds, having just moved into their first home together and the excitement of Emily discovering that she is pregnant. I can only imagine their unease at the discovery of the bones and yet Brett couldn’t just leave matters for the police to investigate. For his part, Russo, who was an equally important character in the story, is a likeable bad guy, trying to keep out of trouble but kept finding himself in desperate situations. I found myself continually rooting for him as he kept trying to do what he thought was the right thing. I was left wondering exactly what choices I would make if I were to ever find myself in similar situations to Russo. "Buried Secrets" is a thought-provoking book because of that.
In the second half of the book, Brearton really picks up the pace, and I was kept guessing what was going to happen next the whole time I was reading this crime novel. The twists kept on coming at me right until the very end.
The way in which T.J. Brearton brings everything to a conclusion is just fabulous and I haven’t got anything negative thing to say about this book. I loved it and it has left me eager to read more from this author. "Buried Secrets" is an exciting and action-packed thriller that I highly recommend.
First, we meet Brett Larson and his wife Emily who have recently moved into their first home, a beautiful, rural, yellow, farmhouse. When Brett finds human remains on their property and a mysterious note hidden in a box, he immediately starts his own investigation with no thought about what he might be getting himself into, that soon starts to land him in a great deal of trouble. We are then introduced to James Russo who is in prison awaiting trial and his cell-mate, Nate Reuter, who appears to be obsessed with the developments in the local tabloids of the discovery of the remains on the Larson property. Told in alternating chapters, I couldn’t read this exciting novel fast enough, so keen was I to know how the two stories would relate to each other.
T.J. Brearton has done a fantastic job in "Buried Secrets" with the characters. Emily and Brett are just like any other newly-weds, having just moved into their first home together and the excitement of Emily discovering that she is pregnant. I can only imagine their unease at the discovery of the bones and yet Brett couldn’t just leave matters for the police to investigate. For his part, Russo, who was an equally important character in the story, is a likeable bad guy, trying to keep out of trouble but kept finding himself in desperate situations. I found myself continually rooting for him as he kept trying to do what he thought was the right thing. I was left wondering exactly what choices I would make if I were to ever find myself in similar situations to Russo. "Buried Secrets" is a thought-provoking book because of that.
In the second half of the book, Brearton really picks up the pace, and I was kept guessing what was going to happen next the whole time I was reading this crime novel. The twists kept on coming at me right until the very end.
The way in which T.J. Brearton brings everything to a conclusion is just fabulous and I haven’t got anything negative thing to say about this book. I loved it and it has left me eager to read more from this author. "Buried Secrets" is an exciting and action-packed thriller that I highly recommend.
LeftSideCut (3776 KP) rated Jurassic World: Fallen Kingdom (2018) in Movies
Jun 21, 2019
Please stop now
Contains spoilers, click to show
Where to begin...
Fallen Kingdom is full to the brim with stupid.
It sort of imitates The Lost World - first half set on an island, second half set within human population - but it just falls on its face, especially in that second half.
We have a typical evil guy, with a ludicrous plan to use dinosaurs in modern war scenarios (again - for some absurd reason), we have a new "crazy" hybrid lab created dinosaur on the rampage (again!), And to top it all off, the writers decided to throw in a side plot about a little girl who actually a clone? What? Why?
There's also a bit with a velociraptor diving through a window, away from an explosion, like a dinosaur John McClane - we are so far away from the first movie now, is there any point in carrying on?
The first half of the film fairs slightly better, (the opening scene is a highlight for me) and the CGI is pretty solid throughout, but as soon as they leave the island, it's nosedives in spectacular fashion.
Bruce Dallas-Howard and Chris Pratt - again, both fine actors, bit here they are just there, not really adding or taking away from the whole experience.
And just like Jurassic World, it's full of silly plot points that I try not to think too hard about, bit in the end can't help myself such as:
Why is Claire not incarcerated for the events of the first film - she's definitely responsible for a lot of civilians being mailed by rampant dinosaurs.
How does the old guy have absolutely no idea that there is a massive lab/dinosaur prison below his house.
How did they get the T-Rex onto the boat into containment in the few minutes between the main characters jumping into the ocean to getting to the boat themselves?
Why does the Indoraptor happily eat everyone in sight, but then sneak up on the little girl... It's a kind of cool shit but still.
When the film reaches it's conclusion with dinosaurs roaming our everyday lives, you realise that most of the trailer is in the last minute of the film, and this was maybe all filler to reach the inevitable sequel, but to be honest, my interest is low at this point.
On a final note, I love Jeff Goldblum but what was the point of his appearance here? He literally says the name of the film out loud, and that's it. Jesus.
Fallen Kingdom is full to the brim with stupid.
It sort of imitates The Lost World - first half set on an island, second half set within human population - but it just falls on its face, especially in that second half.
We have a typical evil guy, with a ludicrous plan to use dinosaurs in modern war scenarios (again - for some absurd reason), we have a new "crazy" hybrid lab created dinosaur on the rampage (again!), And to top it all off, the writers decided to throw in a side plot about a little girl who actually a clone? What? Why?
There's also a bit with a velociraptor diving through a window, away from an explosion, like a dinosaur John McClane - we are so far away from the first movie now, is there any point in carrying on?
The first half of the film fairs slightly better, (the opening scene is a highlight for me) and the CGI is pretty solid throughout, but as soon as they leave the island, it's nosedives in spectacular fashion.
Bruce Dallas-Howard and Chris Pratt - again, both fine actors, bit here they are just there, not really adding or taking away from the whole experience.
And just like Jurassic World, it's full of silly plot points that I try not to think too hard about, bit in the end can't help myself such as:
Why is Claire not incarcerated for the events of the first film - she's definitely responsible for a lot of civilians being mailed by rampant dinosaurs.
How does the old guy have absolutely no idea that there is a massive lab/dinosaur prison below his house.
How did they get the T-Rex onto the boat into containment in the few minutes between the main characters jumping into the ocean to getting to the boat themselves?
Why does the Indoraptor happily eat everyone in sight, but then sneak up on the little girl... It's a kind of cool shit but still.
When the film reaches it's conclusion with dinosaurs roaming our everyday lives, you realise that most of the trailer is in the last minute of the film, and this was maybe all filler to reach the inevitable sequel, but to be honest, my interest is low at this point.
On a final note, I love Jeff Goldblum but what was the point of his appearance here? He literally says the name of the film out loud, and that's it. Jesus.
Phil Leader (619 KP) rated The Loch Ness Legacy (Tyler Locke #4) in Books
Nov 20, 2019
When Tyler Locke foils an attack on a summit of Middle Eastern leaders at the Eiffel Tower he suspects there is more going on than meets the eye. He is soon proved correct as delegates at the summit start to die of a mysterious disease and an old enemy breaks out of prison bent on revenge. In a race for survival Locke and his friends must find out the truth and prevent all out war.
This book immediately gripped me. I have picked up many adventure thriller type books from many authors and few have impressed me. However Boyd Morrison manages to avoid the usual pitfalls. His characters are likeable and share realistic dialogue and act according to their motivations - even the main villain who is just ever so slightly over the top but still manages to be realistic as a character.
The action scenes - and there are plenty featuring more chases and fight scenes than a whole franchise of movies - are extremely well handled. People tire during fight scenes, nobody is a crack shot with a gun, injuries are realistic.
The plot cracks along as Locke and his team uncover the secrets one at a time. There are clues to solve and the whole time they are racing to beat the terrorists who always seem to be one step ahead.
I feel I must make special mention of the dialogue of the English and Scottish characters. A lot of American authors tend to assume everyone in the UK is either a 'cor blimey guv'nor' cockney or an 'I say old chap' aristocrat and so to my ears the dialogue always sounds phoney. Morrison does not fall into this trap and that really did enhance the immersion in the story.
Yes ultimately this is a hunt for the Loch Ness Monster but really that's just a McGuffin to drive the plot, and an ingenious one at that. I'm not aware of anyone else using Nessie in this kind of book and Morrison handles it well.
Overall a terrific book, well worth a read and would make a terrific holiday book. I've already got the first Tyle Locke novel lined up to read and am looking forward to it immensely. Morrison has immediately become on of my favourite authors. I noticed that he is credited as co-writer on the latest Clive Cussler Oregon Files book (Piranha) and will need to read that too, I suspect that he will inject some energy into the franchise and is a good choice as this book reads like one of Cussler's first novels - in fact I'd say even better.
This book immediately gripped me. I have picked up many adventure thriller type books from many authors and few have impressed me. However Boyd Morrison manages to avoid the usual pitfalls. His characters are likeable and share realistic dialogue and act according to their motivations - even the main villain who is just ever so slightly over the top but still manages to be realistic as a character.
The action scenes - and there are plenty featuring more chases and fight scenes than a whole franchise of movies - are extremely well handled. People tire during fight scenes, nobody is a crack shot with a gun, injuries are realistic.
The plot cracks along as Locke and his team uncover the secrets one at a time. There are clues to solve and the whole time they are racing to beat the terrorists who always seem to be one step ahead.
I feel I must make special mention of the dialogue of the English and Scottish characters. A lot of American authors tend to assume everyone in the UK is either a 'cor blimey guv'nor' cockney or an 'I say old chap' aristocrat and so to my ears the dialogue always sounds phoney. Morrison does not fall into this trap and that really did enhance the immersion in the story.
Yes ultimately this is a hunt for the Loch Ness Monster but really that's just a McGuffin to drive the plot, and an ingenious one at that. I'm not aware of anyone else using Nessie in this kind of book and Morrison handles it well.
Overall a terrific book, well worth a read and would make a terrific holiday book. I've already got the first Tyle Locke novel lined up to read and am looking forward to it immensely. Morrison has immediately become on of my favourite authors. I noticed that he is credited as co-writer on the latest Clive Cussler Oregon Files book (Piranha) and will need to read that too, I suspect that he will inject some energy into the franchise and is a good choice as this book reads like one of Cussler's first novels - in fact I'd say even better.
Emma @ The Movies (1786 KP) rated Just Mercy (2019) in Movies
Jan 22, 2020
Having seen Clemency in October I felt like I was prepared for what Just Mercy might throw at me. I was not. The two films handle the death row scenario in very different ways and the storyline that runs alongside it gives you two very different experiences.
Based on a true story - when it comes to history this phrase can be a horrible thing, and when you realise that the events of Just Mercy are only actually dating back to the late 80s/early 90s, well that's kind of sickening, it doesn't feel like this should be something from my own lifetime.
In the lead role of Bryan Stevenson we have Michael B. Jordan. We see Stevenson from intern to established lawyer and yet he doesn't really make any notable progression. The person he is at the beginning isn't all that changed by the end. Jordan's performance is fine, nothing felt technically wrong about it but the consistency was completely off. Every time the character was brought face to face with prejudice and high emotions he managed to knock it out of the park, he was nervous, he was scared, he was devastated. In between those moments he was just there, his performance didn't hold any weight against anyone else's.
Jamie Foxx shows us that missing consistency as Walter McMillan. It felt like he was fully immersed in his character the whole time. There are shots where we're focused on him while other characters are talking and he's always attentive to them, you can see him assessing Stevenson in their meetings and it was fascinating to watch. Every moment was strong without the need for any additional motivation.
When we're inside the prison there are so many different things going on. The tension between the guards and inmates, and that extending to Stevenson is powerful and it's development through the film and the change in attitude was a nice one to see. But the camaraderie between the inmates was probably the thing that was the most affecting, the execution in this was surprisingly subtle but very moving.
Just Mercy has a strong message about the divide and prejudice in southern America and the justice system, it's a very strong reminder of how much has changed because of strong-willed people and how much still needs to change. While I might not watch this film again it was certainly something I enjoyed watching, as much as "enjoyed" feels like the wrong word to use.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/01/just-mercy-movie-review.html
Based on a true story - when it comes to history this phrase can be a horrible thing, and when you realise that the events of Just Mercy are only actually dating back to the late 80s/early 90s, well that's kind of sickening, it doesn't feel like this should be something from my own lifetime.
In the lead role of Bryan Stevenson we have Michael B. Jordan. We see Stevenson from intern to established lawyer and yet he doesn't really make any notable progression. The person he is at the beginning isn't all that changed by the end. Jordan's performance is fine, nothing felt technically wrong about it but the consistency was completely off. Every time the character was brought face to face with prejudice and high emotions he managed to knock it out of the park, he was nervous, he was scared, he was devastated. In between those moments he was just there, his performance didn't hold any weight against anyone else's.
Jamie Foxx shows us that missing consistency as Walter McMillan. It felt like he was fully immersed in his character the whole time. There are shots where we're focused on him while other characters are talking and he's always attentive to them, you can see him assessing Stevenson in their meetings and it was fascinating to watch. Every moment was strong without the need for any additional motivation.
When we're inside the prison there are so many different things going on. The tension between the guards and inmates, and that extending to Stevenson is powerful and it's development through the film and the change in attitude was a nice one to see. But the camaraderie between the inmates was probably the thing that was the most affecting, the execution in this was surprisingly subtle but very moving.
Just Mercy has a strong message about the divide and prejudice in southern America and the justice system, it's a very strong reminder of how much has changed because of strong-willed people and how much still needs to change. While I might not watch this film again it was certainly something I enjoyed watching, as much as "enjoyed" feels like the wrong word to use.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/01/just-mercy-movie-review.html
JT (287 KP) rated Killer Elite (2011) in Movies
Mar 10, 2020
Just another mindless Statham master-class of ass kicking? Think again people, this one is a whole different ball game, and one that sets this easily one of the Stath’s best to date. Paired alongside Robert De Niro would be an honour in itself for any actor and the rapport between the two was like they had been lifelong friends.
Despite De Niro’s relatively smallish part he still gets his moment in the limelight, and makes the most of the opportunity, with a few witty pieces of dialogue thrown in, we all know he can handle an automatic weapon.
It’s more than just an action film though, it’s part drama part spy thriller
This is all about Danny (Jason Statham) and his group of deadly assassins, Davies, played by Prison Break’s Dominic Purcell and Meier (Aden Young) who set out to take down three former SAS soldiers who are alleged to have killed a dying Sheik’s three sons. All this in return for the release of Hunter, simply put “You do this job, or Hunter’s a dead man.”
Set in the 80s it gives the film a real retro feel to it, and the action is balls and all, there is no CGI here. From an opening sequence centred on a assassination attempt to close hand to hand combat, director McKendry goes a little Bourne-esque with his sharp direction and tight camera shots.
Clive Owen sporting the film’s dodgiest tash is ultra slick and uber cool as the dogsbody of a secret society called The Feather Men which is actually a book by Ranulph Fiennes to which the film is based. Why The Feather Men? Because they have the lightest touch, apt really when Owen goes about his business heavy handed.
It’s more than just an action film though, its part drama part spy thriller. The script is extremely well written with intricate characters that you can care about, rather than go to watch kick the shit out of each other.
The film does jump from a variety of locations, from the Middle East to London to Paris to the outback bush of Australia, it can be hard to follow and keep up with just where they are. But a close eye will leave no confusion whatsoever.
It’s a great debut feature from McKendry and will do his stock no harm at all, and for Statham fans this one has got a bit more meat on it to chew through.
Despite De Niro’s relatively smallish part he still gets his moment in the limelight, and makes the most of the opportunity, with a few witty pieces of dialogue thrown in, we all know he can handle an automatic weapon.
It’s more than just an action film though, it’s part drama part spy thriller
This is all about Danny (Jason Statham) and his group of deadly assassins, Davies, played by Prison Break’s Dominic Purcell and Meier (Aden Young) who set out to take down three former SAS soldiers who are alleged to have killed a dying Sheik’s three sons. All this in return for the release of Hunter, simply put “You do this job, or Hunter’s a dead man.”
Set in the 80s it gives the film a real retro feel to it, and the action is balls and all, there is no CGI here. From an opening sequence centred on a assassination attempt to close hand to hand combat, director McKendry goes a little Bourne-esque with his sharp direction and tight camera shots.
Clive Owen sporting the film’s dodgiest tash is ultra slick and uber cool as the dogsbody of a secret society called The Feather Men which is actually a book by Ranulph Fiennes to which the film is based. Why The Feather Men? Because they have the lightest touch, apt really when Owen goes about his business heavy handed.
It’s more than just an action film though, its part drama part spy thriller. The script is extremely well written with intricate characters that you can care about, rather than go to watch kick the shit out of each other.
The film does jump from a variety of locations, from the Middle East to London to Paris to the outback bush of Australia, it can be hard to follow and keep up with just where they are. But a close eye will leave no confusion whatsoever.
It’s a great debut feature from McKendry and will do his stock no harm at all, and for Statham fans this one has got a bit more meat on it to chew through.
Gareth von Kallenbach (980 KP) rated Dark Places (2015) in Movies
Aug 6, 2019
Although it was exciting to hear “Dark Places” is based on a novel written by the same author who wrote “Gone Girl,” unfortunately it just doesn’t measure up.
Libby Day (Charlize Theron) is the sole survivor of a massacre in which her two sisters and mother (Christina Hendricks) were murdered. Her Satan worshipping brother (Corey Stoll), the most likely suspect, spends his life in prison for the murders.
After living most of her life believing the case is closed, one day Libby is contacted by a group called “The Kill Club.” The group is obsessed with her family’s case and swears they can prove her brother’s innocence.
As Libby goes on a cathartic journey into her own mind and into a case she hardly feels is worth looking into, scenes switch between her memories and her present experience. The plot execution is intricate, yet coherent.
However, the film’s slow pace and lack of climactic scenes frankly starts to become exhausting about midway through. It is a raw and suspenseful drama. But it falls disappointingly short of being a thriller – getting close but never quite finishing.
There are moments of genuine quality, mostly found in the skill of Theron and Hendricks’ acting.
We’ve already seen Theron in similar roles and know she really can do no wrong. She embodies her role as an emotionally charged heroin, and her expressions exude a past riddled with dark memories. It could be said she has been type cast for these roles. This makes it hard to tell if the film would be all that watchable without her in the cast.
Even Theron’s amazing acting isn’t enough to place this film on a glorious pedestal.
The story feels incomplete in many ways while at the same time being quite elaborate in some aspects.
One example – the scenes showing the mother’s experience of hardship provide good background for the main plotline. These scenes are raw and unsettling. Hendricks does an amazing job showing the emotion of a single mother who is continuously beaten down by life.
On the other hand – “The Kill Club,” which is a central part of the plot as it is the catalyst for Theron’s exploration of the case, is hardly elaborated on. This makes its members come off as unconvincing in their roles and the idea of the group becomes a hokey part of the plot. The lack of depth here takes away from Theron’s skillful performance just a bit.
Not a big thrill, I give “Dark Places” 2.5 out of 5 stars.
Libby Day (Charlize Theron) is the sole survivor of a massacre in which her two sisters and mother (Christina Hendricks) were murdered. Her Satan worshipping brother (Corey Stoll), the most likely suspect, spends his life in prison for the murders.
After living most of her life believing the case is closed, one day Libby is contacted by a group called “The Kill Club.” The group is obsessed with her family’s case and swears they can prove her brother’s innocence.
As Libby goes on a cathartic journey into her own mind and into a case she hardly feels is worth looking into, scenes switch between her memories and her present experience. The plot execution is intricate, yet coherent.
However, the film’s slow pace and lack of climactic scenes frankly starts to become exhausting about midway through. It is a raw and suspenseful drama. But it falls disappointingly short of being a thriller – getting close but never quite finishing.
There are moments of genuine quality, mostly found in the skill of Theron and Hendricks’ acting.
We’ve already seen Theron in similar roles and know she really can do no wrong. She embodies her role as an emotionally charged heroin, and her expressions exude a past riddled with dark memories. It could be said she has been type cast for these roles. This makes it hard to tell if the film would be all that watchable without her in the cast.
Even Theron’s amazing acting isn’t enough to place this film on a glorious pedestal.
The story feels incomplete in many ways while at the same time being quite elaborate in some aspects.
One example – the scenes showing the mother’s experience of hardship provide good background for the main plotline. These scenes are raw and unsettling. Hendricks does an amazing job showing the emotion of a single mother who is continuously beaten down by life.
On the other hand – “The Kill Club,” which is a central part of the plot as it is the catalyst for Theron’s exploration of the case, is hardly elaborated on. This makes its members come off as unconvincing in their roles and the idea of the group becomes a hokey part of the plot. The lack of depth here takes away from Theron’s skillful performance just a bit.
Not a big thrill, I give “Dark Places” 2.5 out of 5 stars.