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Gareth von Kallenbach (980 KP) rated Pixels (2015) in Movies
Aug 6, 2019
The new Sony film ‘Pixels’, was written by Tim Herlihy, Adam Sandler and Timothy Dowling. It stars Adam Sandler (Sam Brenner), Peter Dinklage (Eddie ‘The Fire Blaster’), Kevin James (President Will Cooper), Jane Krakowski (the First Lady), and Josh Gad (Ludlow Lamonsoff).
The movie opens with scenes straight out of the 1980’s and shows Sam, Eddie, Will and Ludlow all gathering at the arcade video world championships. The championships are being recorded to send in a time capsule to outer space, hoping to find alien life forms. The competition comes down to Sam and Eddie (who has nick named himself ‘The Fire Blaster’) and Eddie defeats Sam. Sam is crushed.
Fast forward about 30 years and Sam is working as an installation technician, and somehow Will has become the POTUS. Ludlow and Eddie are no where to be seen.
An attack occurs, Ludlow mysteriously appears in Sams van, and Ludlow reveals that the attack was perpetrated not only by aliens, but by 80’s style pixelated arcade aliens, who apparently intercepted our space bound time capsule, interpreted it as a declaration of war (????) and sent back pixelated arcade aliens to destroy us (?!?).
The two childhood friends go to the president with the information, who at first, under the pressure of his advisors, brushes them off.
After another attack occurs, President Will over rides his advisers and enlists Sam and Ludlows help, and also reaches out to The Fire Blaster (currently in prison, and demanding a list of concessions in exchange for his help and expertise.)
The movie didn’t have any dragging points for me, and I did laugh out loud at some portions. My son who is nearly 7 REALLY enjoyed it, and if it had had slightly less obvious (and what felt like marginally unnecessary) curse words I would have liked it better for his age range. There were children even younger than my son in the theatre though, and I found myself cringing at some of the language, and noticed my son looking at me to see if I noticed him noticing that there were ‘bad words’. Since it IS rated PG-13, there’s not a whole lot to be said about it, but it could have been just as good a movie, and therefore enjoyable by a bigger age range, without the cursing.
When I asked him later whether he liked the movie he said he ‘liked it a lot, but it had some bad words’.
Pixels was pretty action packed, and although I found it to be an odd premise for a movie, I did enjoy it. I don’t feel that they made as good a use of the 3D format as they could have. The soundtrack was good. I liked the characters, even though i couldn’t quite make the jump as to ‘why or how’ Will became president, and I had the hardest time dealing with Eddies accent. It just ‘felt off’, most likely because I’ve been watching him most recently on Game of Thrones.
I think kids will enjoy it for the action and parents will like it well enough for the nostalgia factor.
Overall I would give this movie 2.5 out of 5 stars.
The movie opens with scenes straight out of the 1980’s and shows Sam, Eddie, Will and Ludlow all gathering at the arcade video world championships. The championships are being recorded to send in a time capsule to outer space, hoping to find alien life forms. The competition comes down to Sam and Eddie (who has nick named himself ‘The Fire Blaster’) and Eddie defeats Sam. Sam is crushed.
Fast forward about 30 years and Sam is working as an installation technician, and somehow Will has become the POTUS. Ludlow and Eddie are no where to be seen.
An attack occurs, Ludlow mysteriously appears in Sams van, and Ludlow reveals that the attack was perpetrated not only by aliens, but by 80’s style pixelated arcade aliens, who apparently intercepted our space bound time capsule, interpreted it as a declaration of war (????) and sent back pixelated arcade aliens to destroy us (?!?).
The two childhood friends go to the president with the information, who at first, under the pressure of his advisors, brushes them off.
After another attack occurs, President Will over rides his advisers and enlists Sam and Ludlows help, and also reaches out to The Fire Blaster (currently in prison, and demanding a list of concessions in exchange for his help and expertise.)
The movie didn’t have any dragging points for me, and I did laugh out loud at some portions. My son who is nearly 7 REALLY enjoyed it, and if it had had slightly less obvious (and what felt like marginally unnecessary) curse words I would have liked it better for his age range. There were children even younger than my son in the theatre though, and I found myself cringing at some of the language, and noticed my son looking at me to see if I noticed him noticing that there were ‘bad words’. Since it IS rated PG-13, there’s not a whole lot to be said about it, but it could have been just as good a movie, and therefore enjoyable by a bigger age range, without the cursing.
When I asked him later whether he liked the movie he said he ‘liked it a lot, but it had some bad words’.
Pixels was pretty action packed, and although I found it to be an odd premise for a movie, I did enjoy it. I don’t feel that they made as good a use of the 3D format as they could have. The soundtrack was good. I liked the characters, even though i couldn’t quite make the jump as to ‘why or how’ Will became president, and I had the hardest time dealing with Eddies accent. It just ‘felt off’, most likely because I’ve been watching him most recently on Game of Thrones.
I think kids will enjoy it for the action and parents will like it well enough for the nostalgia factor.
Overall I would give this movie 2.5 out of 5 stars.
Gareth von Kallenbach (980 KP) rated Seventh Son (2015) in Movies
Aug 6, 2019
After a two-year delay, Seventh Son has finally reached the big screen, and it will leave you conflicted.
Seventh Son is brought to us by director Sergey Bodrov. Originally set for a February 2013 release, the film had complicated distribution arrangements between Legendary and Warner Brothers, which kept causing delays.
Jeff Bridges plays one of the title characters: Master John Gregory. He is the last of an order of peacekeeper knights, which once used to be a thousand strong. All of these knights are seventh sons of seventh sons, and are self-tasked with keeping the evil creatures of the world at bay.
The movie starts off with a young Gregory completing a prison cell for an unknown woman. Years later, the prisoner, a draconic beast, breaks out and attacks a nearby town, specifically targeting the aged Knight and his apprentice (Kit Harington — Jon Snow from Game of Thrones). This recently released evil is Mother Malkin (Julianne Moore), the queen of witches.
During the battle, Harington’s brief existence in this film is brought to an end, causing Gregory to seek out another apprentice. This search leads him to young Thomas Ward (Ben Barnes). After Ward goes through some sad goodbyes with his family, he and Gregory set out to take down the Witch Queen before the blood moon sets.
His training would normally take 10 years, but they only have a week.
Put simply, this movie was very fragmented. It isn’t a good movie, but it isn’t a bad one either. It has reasonable special effects and decent fight scenes.
There is plenty of star power: Jeff Bridges, Julianne Moore, Kit Harington, Djimon Hounsou (one of my favorites), and Jason Scott Lee.
Jeff Bridges missed the mark on his character. It’s one thing to be disgruntled and war-torn with a curious sense of humor, but it’s something quite different to be outright silly.
There were no explanations. How did the order come about? Why seventh sons of seventh sons? How did Gregory KNOW there was a seventh son at that house? How did the war start? Why is Gregory the last? Why wasn’t there more about Gregory’s relationship with Malkin? Why did the skeleton in the armor attack Tom? Why do the swords hum? Where did the stone come from? Why was it powerful? Why anything, really? The story has no depth, failing to explain the “why” of any of its lore. There were only statements of fact, which confuses viewers and prevents them from becoming emotionally anchored to the story.
I simply didn’t care about the characters. The film was disorganized and rushed. Perhaps it would have been better served as two films, or a longer film, or even a mini series.
Seventh Son had the potential to be so much more. A combination of poor writing and bad direction made the movie lackluster to me and all three of my companions.
The actors delivered many campy one-liners, and the chuckles they drew from the crowd were quite unintentional.
If you are a fan of high fantasy, it’s probably worth seeing, but wait for it to arrive on Netflix and use it as background entertainment
Seventh Son is brought to us by director Sergey Bodrov. Originally set for a February 2013 release, the film had complicated distribution arrangements between Legendary and Warner Brothers, which kept causing delays.
Jeff Bridges plays one of the title characters: Master John Gregory. He is the last of an order of peacekeeper knights, which once used to be a thousand strong. All of these knights are seventh sons of seventh sons, and are self-tasked with keeping the evil creatures of the world at bay.
The movie starts off with a young Gregory completing a prison cell for an unknown woman. Years later, the prisoner, a draconic beast, breaks out and attacks a nearby town, specifically targeting the aged Knight and his apprentice (Kit Harington — Jon Snow from Game of Thrones). This recently released evil is Mother Malkin (Julianne Moore), the queen of witches.
During the battle, Harington’s brief existence in this film is brought to an end, causing Gregory to seek out another apprentice. This search leads him to young Thomas Ward (Ben Barnes). After Ward goes through some sad goodbyes with his family, he and Gregory set out to take down the Witch Queen before the blood moon sets.
His training would normally take 10 years, but they only have a week.
Put simply, this movie was very fragmented. It isn’t a good movie, but it isn’t a bad one either. It has reasonable special effects and decent fight scenes.
There is plenty of star power: Jeff Bridges, Julianne Moore, Kit Harington, Djimon Hounsou (one of my favorites), and Jason Scott Lee.
Jeff Bridges missed the mark on his character. It’s one thing to be disgruntled and war-torn with a curious sense of humor, but it’s something quite different to be outright silly.
There were no explanations. How did the order come about? Why seventh sons of seventh sons? How did Gregory KNOW there was a seventh son at that house? How did the war start? Why is Gregory the last? Why wasn’t there more about Gregory’s relationship with Malkin? Why did the skeleton in the armor attack Tom? Why do the swords hum? Where did the stone come from? Why was it powerful? Why anything, really? The story has no depth, failing to explain the “why” of any of its lore. There were only statements of fact, which confuses viewers and prevents them from becoming emotionally anchored to the story.
I simply didn’t care about the characters. The film was disorganized and rushed. Perhaps it would have been better served as two films, or a longer film, or even a mini series.
Seventh Son had the potential to be so much more. A combination of poor writing and bad direction made the movie lackluster to me and all three of my companions.
The actors delivered many campy one-liners, and the chuckles they drew from the crowd were quite unintentional.
If you are a fan of high fantasy, it’s probably worth seeing, but wait for it to arrive on Netflix and use it as background entertainment
The Thief (The Queen's Thief #1)
5.8
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Discover the world of the Queen's Thief New York Times-bestselling author Megan Whalen Turner's...
Gareth von Kallenbach (980 KP) rated Logan Lucky (2017) in Movies
Jul 11, 2019
Jimmy Logan (Channing Tatum) just got fired from his job and found out that his ex-wife is moving his daughter to another state. He lives for his daughter and needs to get money fast to pay for a lawyer to fight the move. He decides that the best way to get this fast cash is to rob his previous employer, the Charlotte Motor Speedway. He enlist the help of his brother Clyde Logan (Adam Driver), his fast driving sister Millie Logan (Riley Keough), and explosives expert Joe Bang (Daniel Craig). Together they hatch a plan to rob the cash vault under the NASCAR track during the biggest race of the year. It won’t be easy for the crew as they must overcome many obstacles along the way. For one they only one of them who can blow the massive safe, Bang, is currently in prison. Bang also insists that his two inept brothers be included in the heist. There is also the matter of a large private police force patrolling the track. But the biggest hurdle may be the Logan family curse. Something bad is seemingly always happening to the family. Jimmy was destine to go to the NFL before a freak accident ruined his knee and ended his football career. Clyde was on his way back home from deployment in the Army and was hit by a roadside bomb and lost his arm. If they can overcome all of this they can walk away with a fortune.
This Steven Soderbergh (Ocean’s 11, Ocean’s 12, Ocean’s 13) directed film is a fun and fast paced heist film. It definitely fits into the Ocean’s film model, with a large cast, twists that keep the audience guessing and well thought out ending. This films stands apart from those by being more hillbilly than the sleek well put together Ocean’s crew. The film dialog is well done and written expertly by Rebecca Blunt, this is the first screen writing credit for Rebecca. There are plenty of cameos by West Virginia Natives, NASCAR drivers and commentators, and others. I had heard beforehand that there were several cameos and made for a fun exercise in spotting the NASCAR drivers in various roles. The ensemble cast is stellar led by Tatum, Driver and Craig. The cast includes fun performances by a barely recognizable Seth MacFarlane along with Dwight Yoakam, Katie Holmes, and Hilary Swank. There were times thought that the various accents that the cast were attempting to use felt forced and/or missing from particular scenes. The pace of the film is good but does get a little slow during the heist set up and the two hour run time was a tad too long for me.
Overall this is a fun film that fits the heist movie genre perfectly. One news report in the film characterized the robbery as Ocean’s 7/11 and that pretty well sums up the film. The characters are original and if you are a fan of these types of movies you will not be disappointed.
This Steven Soderbergh (Ocean’s 11, Ocean’s 12, Ocean’s 13) directed film is a fun and fast paced heist film. It definitely fits into the Ocean’s film model, with a large cast, twists that keep the audience guessing and well thought out ending. This films stands apart from those by being more hillbilly than the sleek well put together Ocean’s crew. The film dialog is well done and written expertly by Rebecca Blunt, this is the first screen writing credit for Rebecca. There are plenty of cameos by West Virginia Natives, NASCAR drivers and commentators, and others. I had heard beforehand that there were several cameos and made for a fun exercise in spotting the NASCAR drivers in various roles. The ensemble cast is stellar led by Tatum, Driver and Craig. The cast includes fun performances by a barely recognizable Seth MacFarlane along with Dwight Yoakam, Katie Holmes, and Hilary Swank. There were times thought that the various accents that the cast were attempting to use felt forced and/or missing from particular scenes. The pace of the film is good but does get a little slow during the heist set up and the two hour run time was a tad too long for me.
Overall this is a fun film that fits the heist movie genre perfectly. One news report in the film characterized the robbery as Ocean’s 7/11 and that pretty well sums up the film. The characters are original and if you are a fan of these types of movies you will not be disappointed.
Ivana A. | Diary of Difference (1171 KP) rated Harry Potter and the Prisoner of Azkaban in Books
Aug 3, 2020
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#1 <a href="https://www.goodreads.com/review/show/3217515684">Harry Potter and the Philosopher's Stone</a> - ★★★★★
#2 <a href="https://www.goodreads.com/review/show/2371215543">Harry Potter and the Chamber of Secrets</a> - ★★★★★
#3 <a href="https://www.goodreads.com/review/show/3275165909">Harry Potter and the Prisoner of Azkaban</a> - ★★★★
<img src="https://diaryofdifference.com/wp-content/uploads/2020/05/Book-Review-Banner-44.png"/>;
In Harry Potter and the Prisoner of Azkaban, Harry Potter is now in his third year at Hogwarts. The atmosphere is tense. There is an escaped mass murderer on the loose, and the prison guards have been called to guard the school.
In the third book, we can immediately notice a much darker and dangerous atmosphere, compared to the previous book. During the series, the books do get gradually darker and darker, more and more mature, and I think this is the book where we start to notice this transition for the first time.
Harry Potter and his friends have grown up a little, and it clearly shows in their conversations and choices. I was happy to see all the things we learn in this book. The dementors and their deadly kiss, patronuses as well as magical creatures. We learn that Hippogriffs are proud and easily offended.
<b><i>And we also learn that Malfoy is still a little brat.</i></b>
The fact that little entitles Malfoy is so jealous of Harry that daddy puts him to play in the Quidditch team annoyed me so much. I just wanted to slap him!
<b><i>"Pity you can't attach an extra arm to yours, Malfoy," said Harry. "Then it could catch the Snitch for you."</i></b>
I got quite emotional when Harry is troubled by his parent's death and is grieving openly, probably for the first time. I believe him meeting more people that were friends with his parents helped him heal. It is such a good feeling to know Harry does have a family and things are starting to look a bit better for him.
<b><i>"You think the dead we have loved ever truly leave us? You think that we don't recall them more clearly than ever in times of great trouble?"
</i></b>
I didn't quite enjoy the time-travelling part through, I have to be honest. Even though the idea sounds nice, it always troubles me that it is never properly explained and very little attention is being given to it. I wish I read more about it, because then I would have loved it!
I enjoyed this book a lot! It is Harry Potter after all. But it isn't a favorite of mine. I loved how Harry finds out more about his past and gets a couple of more answers, but I also loved that new paths are opening and are waiting to be discovered in the next books.
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#1 <a href="https://www.goodreads.com/review/show/3217515684">Harry Potter and the Philosopher's Stone</a> - ★★★★★
#2 <a href="https://www.goodreads.com/review/show/2371215543">Harry Potter and the Chamber of Secrets</a> - ★★★★★
#3 <a href="https://www.goodreads.com/review/show/3275165909">Harry Potter and the Prisoner of Azkaban</a> - ★★★★
<img src="https://diaryofdifference.com/wp-content/uploads/2020/05/Book-Review-Banner-44.png"/>;
In Harry Potter and the Prisoner of Azkaban, Harry Potter is now in his third year at Hogwarts. The atmosphere is tense. There is an escaped mass murderer on the loose, and the prison guards have been called to guard the school.
In the third book, we can immediately notice a much darker and dangerous atmosphere, compared to the previous book. During the series, the books do get gradually darker and darker, more and more mature, and I think this is the book where we start to notice this transition for the first time.
Harry Potter and his friends have grown up a little, and it clearly shows in their conversations and choices. I was happy to see all the things we learn in this book. The dementors and their deadly kiss, patronuses as well as magical creatures. We learn that Hippogriffs are proud and easily offended.
<b><i>And we also learn that Malfoy is still a little brat.</i></b>
The fact that little entitles Malfoy is so jealous of Harry that daddy puts him to play in the Quidditch team annoyed me so much. I just wanted to slap him!
<b><i>"Pity you can't attach an extra arm to yours, Malfoy," said Harry. "Then it could catch the Snitch for you."</i></b>
I got quite emotional when Harry is troubled by his parent's death and is grieving openly, probably for the first time. I believe him meeting more people that were friends with his parents helped him heal. It is such a good feeling to know Harry does have a family and things are starting to look a bit better for him.
<b><i>"You think the dead we have loved ever truly leave us? You think that we don't recall them more clearly than ever in times of great trouble?"
</i></b>
I didn't quite enjoy the time-travelling part through, I have to be honest. Even though the idea sounds nice, it always troubles me that it is never properly explained and very little attention is being given to it. I wish I read more about it, because then I would have loved it!
I enjoyed this book a lot! It is Harry Potter after all. But it isn't a favorite of mine. I loved how Harry finds out more about his past and gets a couple of more answers, but I also loved that new paths are opening and are waiting to be discovered in the next books.
Hazel (1853 KP) rated This Secret We're Keeping in Books
May 25, 2017
Well-Written
I received this book for free through Goodreads First Reads.
A pupil and a teacher. Is it ever right to break the rules? This is the dilemma which debut author Rebecca Done basis her novel on. This Secret We’re Keeping is set seventeen years after a maths teacher began an inappropriate relationship with a schoolgirl; but did he really deserve what happened to him, after all he loved her and she loved him?
Jess has never got over her love for the teacher she ran away with when she was fifteen. Although she has got her life together: living in Norfolk, freelance catering business, a rich boyfriend; she cannot help but think back to way Mr. Landley, Matthew, made her feel. Suddenly, after a chance encounter, Matthew is back in her life with a new name, Will, and a girlfriend and daughter. Delighted to see each other again, it is not long before they fall back into their illicit affair, however the potential consequences are almost as bad as the previous time.
This Secret We’re Keeping causes the reader to question strong personal beliefs, primarily whether a teacher-student relationship is as wrong as it sounds. If certain events in this novel were to be made public through the media, the majority would instantly hate Matthew, deem him a paedophile, and be satisfied with his punishment. However on reading the situation from his point of view, initial opinions begin to crumble. It appears he genuinely loved Jess, and she him; there were no abusive occurrences, and it was Jess that instigated the relationship in the first place. Did Matthew truly deserve to go to prison for something that would have been legal in a year’s time?
Matthew/Will’s narrative helps to show that it is virtually impossible to pinpoint a single moment that changes a life forever. At which point did he know that he had stepped over the line from right to wrong? In hindsight it is fairly obvious, but at the time the warning signs are not so clear.
Due to the challenging of preset judgments, This Secret We’re Keeping can often be difficult to read. Whilst on the one hand logic will be screaming, “This is wrong!” Done plays with her readers’ sentimentalities to consider the other side of the argument. As the novel progresses it becomes easier to fall in line with Jess and Matthew/Will’s viewpoints, however a brief interaction towards the end forces readers to temporarily reconsider their forgone conclusion. After all, how much can a first person narrative really be trusted?
Having read the blurb I admit I was a bit wary about reading this book. For one, it falls under the genre of Chick Lit, which I am not all that fond of, but secondly the book’s theme appeared rather controversial. On the whole, This Secret We’re Keeping was much better than I was anticipating, however I began to lose interest towards the end as nothing much had changed throughout the present day chapters, and it was already obvious how the past narrative would pan out. The ending is also frustratingly ambiguous, as we never find out whether either of the key characters gets a “happy ever after.”
If you are someone who enjoys Chick Lit, do not let the themes of the book put you off. This Secret We’re Keeping is essentially a romance story, one that is written remarkably well for a first time author. Rebecca Done will be a name to look out for in the world of contemporary literature.
A pupil and a teacher. Is it ever right to break the rules? This is the dilemma which debut author Rebecca Done basis her novel on. This Secret We’re Keeping is set seventeen years after a maths teacher began an inappropriate relationship with a schoolgirl; but did he really deserve what happened to him, after all he loved her and she loved him?
Jess has never got over her love for the teacher she ran away with when she was fifteen. Although she has got her life together: living in Norfolk, freelance catering business, a rich boyfriend; she cannot help but think back to way Mr. Landley, Matthew, made her feel. Suddenly, after a chance encounter, Matthew is back in her life with a new name, Will, and a girlfriend and daughter. Delighted to see each other again, it is not long before they fall back into their illicit affair, however the potential consequences are almost as bad as the previous time.
This Secret We’re Keeping causes the reader to question strong personal beliefs, primarily whether a teacher-student relationship is as wrong as it sounds. If certain events in this novel were to be made public through the media, the majority would instantly hate Matthew, deem him a paedophile, and be satisfied with his punishment. However on reading the situation from his point of view, initial opinions begin to crumble. It appears he genuinely loved Jess, and she him; there were no abusive occurrences, and it was Jess that instigated the relationship in the first place. Did Matthew truly deserve to go to prison for something that would have been legal in a year’s time?
Matthew/Will’s narrative helps to show that it is virtually impossible to pinpoint a single moment that changes a life forever. At which point did he know that he had stepped over the line from right to wrong? In hindsight it is fairly obvious, but at the time the warning signs are not so clear.
Due to the challenging of preset judgments, This Secret We’re Keeping can often be difficult to read. Whilst on the one hand logic will be screaming, “This is wrong!” Done plays with her readers’ sentimentalities to consider the other side of the argument. As the novel progresses it becomes easier to fall in line with Jess and Matthew/Will’s viewpoints, however a brief interaction towards the end forces readers to temporarily reconsider their forgone conclusion. After all, how much can a first person narrative really be trusted?
Having read the blurb I admit I was a bit wary about reading this book. For one, it falls under the genre of Chick Lit, which I am not all that fond of, but secondly the book’s theme appeared rather controversial. On the whole, This Secret We’re Keeping was much better than I was anticipating, however I began to lose interest towards the end as nothing much had changed throughout the present day chapters, and it was already obvious how the past narrative would pan out. The ending is also frustratingly ambiguous, as we never find out whether either of the key characters gets a “happy ever after.”
If you are someone who enjoys Chick Lit, do not let the themes of the book put you off. This Secret We’re Keeping is essentially a romance story, one that is written remarkably well for a first time author. Rebecca Done will be a name to look out for in the world of contemporary literature.
Phillip McSween (751 KP) rated Trading Places (1983) in Movies
Apr 7, 2018
Great 80's Comedy
The Duke Brothers, kings of the stock exchange, wager a bet on whether or not a poor man with no experience can succeed in running their brokerage firm. It's a solid comedy that relies on human nature to help tell its story.
Acting: 10
A mixture of familiar faces and a few fresh ones, performances are stellar from top to bottom. It's what you expect when true professionals come together to put on a show. Eddie Murphy's comedic timing is on point as always, playing the role of homeless man Billy Ray Valentine. Just listening to him tell his story in prison about the Quart of Blood Technique had me in stitches. He has a way of being funny in a nonchalant way, reminding me of some of my closest friends.
Denholm Elliott won my heart as the lovable butler Coleman. He's kindhearted, but can be hilariously cruel at the same time. A lot of his laughs came from watching his subtle actions (rolling his eyes after a phone call, sneaking a drink during a party, etc.).
Dan Aykroyd won me over as well in his role as rich snob Louis Winthorpe III. I hated his guts at first but ultimately came to sympathize with his character which was the whole idea. He wore the role of proud rich kid well, but excelled when it came time for him to get crazy.
Beginning: 7
Characters: 7
Cinematography/Visuals: 8
The film opens with a multitude of shots that captures the heart of Philadelphia so well. I've only visited the city once and seeing those opening shots made me want to go back. Other very memorable scenes include the party at Valentine's home (absolute bedlam) and the calamity that is the trading room floor. Just seeing all those bodies pressing in on each other is enough to make you claustrophobic.
Favorite Still Shot: Valentine laying on the ground with almost a dozen cops pointing their guns just inches from his face. That one shot has been a feature in so many film montages over the years and deservedly so. That smile Murphy delivers saying, "I give up" is timeless.
Conflict: 8
Genre: 6
Memorability: 9
Trading Places still holds up all these years later as a classic comedy. It's hilarious but it also gives you pause for thought as well about the class and race roles in society. Sure it can be absolutely farfetched at times, but it's sole purpose is seemingly not just to entertain, but to raise awareness as well. It's been a few days since I've seen the film yet it still sticks out in my head amongst others.
Pace: 8
Plot: 8
As the plot unfolded, I thought it was absolutely ridiculous...Until I started thinking about today's political landscape and considered, "Hmmm, this is exactly the kind of experiment I could see a rich person with a lot of time on their hands concocting." It isn't all the way believable, but I tend to make exceptions for action films and comedies.
Resolution: 10
Overall: 81
I like Trading Places way more than I expected to. Director John Landis does an excellent job of walking the line between funny and thought-provoking, sometimes even daring to mix the two. Very solid film.
Acting: 10
A mixture of familiar faces and a few fresh ones, performances are stellar from top to bottom. It's what you expect when true professionals come together to put on a show. Eddie Murphy's comedic timing is on point as always, playing the role of homeless man Billy Ray Valentine. Just listening to him tell his story in prison about the Quart of Blood Technique had me in stitches. He has a way of being funny in a nonchalant way, reminding me of some of my closest friends.
Denholm Elliott won my heart as the lovable butler Coleman. He's kindhearted, but can be hilariously cruel at the same time. A lot of his laughs came from watching his subtle actions (rolling his eyes after a phone call, sneaking a drink during a party, etc.).
Dan Aykroyd won me over as well in his role as rich snob Louis Winthorpe III. I hated his guts at first but ultimately came to sympathize with his character which was the whole idea. He wore the role of proud rich kid well, but excelled when it came time for him to get crazy.
Beginning: 7
Characters: 7
Cinematography/Visuals: 8
The film opens with a multitude of shots that captures the heart of Philadelphia so well. I've only visited the city once and seeing those opening shots made me want to go back. Other very memorable scenes include the party at Valentine's home (absolute bedlam) and the calamity that is the trading room floor. Just seeing all those bodies pressing in on each other is enough to make you claustrophobic.
Favorite Still Shot: Valentine laying on the ground with almost a dozen cops pointing their guns just inches from his face. That one shot has been a feature in so many film montages over the years and deservedly so. That smile Murphy delivers saying, "I give up" is timeless.
Conflict: 8
Genre: 6
Memorability: 9
Trading Places still holds up all these years later as a classic comedy. It's hilarious but it also gives you pause for thought as well about the class and race roles in society. Sure it can be absolutely farfetched at times, but it's sole purpose is seemingly not just to entertain, but to raise awareness as well. It's been a few days since I've seen the film yet it still sticks out in my head amongst others.
Pace: 8
Plot: 8
As the plot unfolded, I thought it was absolutely ridiculous...Until I started thinking about today's political landscape and considered, "Hmmm, this is exactly the kind of experiment I could see a rich person with a lot of time on their hands concocting." It isn't all the way believable, but I tend to make exceptions for action films and comedies.
Resolution: 10
Overall: 81
I like Trading Places way more than I expected to. Director John Landis does an excellent job of walking the line between funny and thought-provoking, sometimes even daring to mix the two. Very solid film.
Ross (3284 KP) rated Split (2016) in Movies
Apr 19, 2019
A half-decent film in its own right. A dreadful desperate attempt to link to Unbreakable at the end
Contains spoilers, click to show
I had watched over half of this film before someone mentioned to me it was part of the Unbreakable "trilogy". I had heard of Glass, and had noticed that McAvoy looked similar in the two films but hadn't realised they were linked (I guess I assumed he got bored of growing his hair back to then have to become Professor X again). I had wondered what the second film in the trilogy was. Unbeknownst to me, I was watching it.
McAvoy plays Kevin, a man whose upbringing lead him to develop a number of (mostly) distinct personalities. These personalities allow his brain to compartmentalise and protect itself from certain aspects of life.
Kevin has decided to kidnap two girls (but for reasons he ends up getting three for the price of two). There is much less threat and horror in their imprisonment than in this type of scenario normally, which is to the film's credit. The girls are confused by the different personalities and how they interact with them and with each other. There are moments of charm, comedy, pantomime and some chilling moments in these scenes.
McAvoy does a good job of portraying these different personalities and they are mostly distinct. He is said to have 23 such personalities but I can only say I recognised 5 distinct ones, two of which were only a camp leg-crossing away from being the same.
Kevin is afraid of, but also excited about (depending on which personality has the spotlight) the possible coming of The Beast, a 24th personality that will be strong and powerful and hard for him to control.
Most of the film centres around either Kevin and his kidnappees or his therapist, which helps to describe his issues and show them at the same time.
The final section, The Beast's emergence and the eventual escape of the victims (I actually can't remember if either of the other 2 girls escaped) was so implausible and hammy. The supposed physical changes that each personality brings to Kevin's body are stretched to breaking point, and I think this just becomes stupid.
We then see where the girls had been kept all this time (a zoo) and again this just shouts out stupid. Suggesting a mentally ill janitor could drive a car with three unconscious schoolgirls into a closed zoo is just stupid.
The final scene made me so angry. Up to this point, there was no link whatsoever to Unbreakable. Fine, I thought. Keep them as separate films in their own right and then Glass can bring them together. But no. We see a news report of the kidnapping and Kevin's escape and disappearance playing out in a diner. One woman remarks that it sounded like that guy a few years ago who went to prison. She turns to Bruce Willis who responds "Mr Glass" (Samuel L Jackson's character from Unbreakable). It sounded absolutely nothing like "that guy". There was no similarity whatsoever in what had been described on TV and the story about a rich disabled man organising terrorist attacks. None whatsoever. This was such a clumsy, unnecessary attempt to sow the seeds of excitement for Glass. This has actually tainted the film for me, it would probably have gotten a 7 or an 8 if not for this lunacy.
McAvoy plays Kevin, a man whose upbringing lead him to develop a number of (mostly) distinct personalities. These personalities allow his brain to compartmentalise and protect itself from certain aspects of life.
Kevin has decided to kidnap two girls (but for reasons he ends up getting three for the price of two). There is much less threat and horror in their imprisonment than in this type of scenario normally, which is to the film's credit. The girls are confused by the different personalities and how they interact with them and with each other. There are moments of charm, comedy, pantomime and some chilling moments in these scenes.
McAvoy does a good job of portraying these different personalities and they are mostly distinct. He is said to have 23 such personalities but I can only say I recognised 5 distinct ones, two of which were only a camp leg-crossing away from being the same.
Kevin is afraid of, but also excited about (depending on which personality has the spotlight) the possible coming of The Beast, a 24th personality that will be strong and powerful and hard for him to control.
Most of the film centres around either Kevin and his kidnappees or his therapist, which helps to describe his issues and show them at the same time.
The final section, The Beast's emergence and the eventual escape of the victims (I actually can't remember if either of the other 2 girls escaped) was so implausible and hammy. The supposed physical changes that each personality brings to Kevin's body are stretched to breaking point, and I think this just becomes stupid.
We then see where the girls had been kept all this time (a zoo) and again this just shouts out stupid. Suggesting a mentally ill janitor could drive a car with three unconscious schoolgirls into a closed zoo is just stupid.
The final scene made me so angry. Up to this point, there was no link whatsoever to Unbreakable. Fine, I thought. Keep them as separate films in their own right and then Glass can bring them together. But no. We see a news report of the kidnapping and Kevin's escape and disappearance playing out in a diner. One woman remarks that it sounded like that guy a few years ago who went to prison. She turns to Bruce Willis who responds "Mr Glass" (Samuel L Jackson's character from Unbreakable). It sounded absolutely nothing like "that guy". There was no similarity whatsoever in what had been described on TV and the story about a rich disabled man organising terrorist attacks. None whatsoever. This was such a clumsy, unnecessary attempt to sow the seeds of excitement for Glass. This has actually tainted the film for me, it would probably have gotten a 7 or an 8 if not for this lunacy.
Forced premise (2 more)
Storytelling & writing that drives you insane
Not interesting
You'll probably love it or hate it
Dustin Tillman is a psychologist in Ohio; he's married with two sons and rarely even thinks about the horrific incident of his childhood, when his adopted brother, Rusty, murdered Dustin's parents and his aunt and uncle. Dustin was just a child then, and his brother was arrested largely on the testimony of Dustin and his cousin Kate and the 1980s' fears over satanism. But now Dustin learns that Rusty is being released from prison; his appeal has been granted, and his verdict overturned based on DNA evidence. Meanwhile, Dustin is struggling with one of his patients, Aqil, a former police officer who believes there is a link among a group of drunken college boys who have died by drowning. As more and more things start going wrong in Dustin's life, he gets drawn into Aqil's paranoia-- and he threatens to bring down his family with him.
This book had an interesting premise: linking two sets of crimes in the past and present, but I felt like that premise was a little forced/falsified, and I never got into the book, or the characters. As a reader, you'll probably find the way it's written either brilliant or incredibly irritating, and I fell squarely into the irritating camp. There are very abrupt chapter switches between the present and the past that are quite annoying, making it difficult to tell exactly where you are in time. The changes in point of view aren't as bad, allowing you to hear from Dustin, his son, and others, but it still gets confusing quickly. (Sidebar: doesn't anyone just tell a linear story from one person's point of view anymore?)
Even more, the story is written quite like the characters think--which is fine in theory--for instance, this includes Dustin's tendency to just stop mid-sentence, something his family teases him about. After a bit you get somewhat used to the random sentences that end mid-thought, or the weird white spaces, but it's still strange. Other parts are the story are split into two or three parts on a page and told almost in parallel, causing you to flip back and forth to read each set. I never was quite sure of the point of that. Yes, people in the novel are going crazy and on drugs. I could get that concept and not have to flip back and forth constantly to read chunks of the story. It's one of those storytelling devices that, to me, could be amazing, but just winds up driving you slightly insane.
This novel is also very dark. Again, that's fine. I just finished The Roanoke Girls, which was incredibly dark, and loved it. But this one: I just didn't find it that interesting. I found myself finishing it more out of a vague curiosity and duty than anything else. I figured out one of the main plot points pretty on and wasn't engaged with any of the characters. Then, after all of this, the ending is awful and vague, and there's no resolution, and I found myself just throwing the whole thing down in disgust. Definitely not one of my favorites. I can see the potential for others, but it wasn't for me.
I received a copy of this novel from the publisher and Netgalley (thank you) in return for an unbiased review.
This book had an interesting premise: linking two sets of crimes in the past and present, but I felt like that premise was a little forced/falsified, and I never got into the book, or the characters. As a reader, you'll probably find the way it's written either brilliant or incredibly irritating, and I fell squarely into the irritating camp. There are very abrupt chapter switches between the present and the past that are quite annoying, making it difficult to tell exactly where you are in time. The changes in point of view aren't as bad, allowing you to hear from Dustin, his son, and others, but it still gets confusing quickly. (Sidebar: doesn't anyone just tell a linear story from one person's point of view anymore?)
Even more, the story is written quite like the characters think--which is fine in theory--for instance, this includes Dustin's tendency to just stop mid-sentence, something his family teases him about. After a bit you get somewhat used to the random sentences that end mid-thought, or the weird white spaces, but it's still strange. Other parts are the story are split into two or three parts on a page and told almost in parallel, causing you to flip back and forth to read each set. I never was quite sure of the point of that. Yes, people in the novel are going crazy and on drugs. I could get that concept and not have to flip back and forth constantly to read chunks of the story. It's one of those storytelling devices that, to me, could be amazing, but just winds up driving you slightly insane.
This novel is also very dark. Again, that's fine. I just finished The Roanoke Girls, which was incredibly dark, and loved it. But this one: I just didn't find it that interesting. I found myself finishing it more out of a vague curiosity and duty than anything else. I figured out one of the main plot points pretty on and wasn't engaged with any of the characters. Then, after all of this, the ending is awful and vague, and there's no resolution, and I found myself just throwing the whole thing down in disgust. Definitely not one of my favorites. I can see the potential for others, but it wasn't for me.
I received a copy of this novel from the publisher and Netgalley (thank you) in return for an unbiased review.
Asiza Tait (139 KP) rated Child 44 in Books
Feb 1, 2018
We all agreed that it was a very intense book and for those of us who weren’t fully aware of what it was like to live in Stalinist Russia during that time our eyes were surely opened!
This book takes you through the transformation of Leo Demidov from a complete ‘company man’ of the Russian State to a real person listening to his own sense of right and wrong. We meet him as a no nonsense officer of the MGB willing and able to follow through on his orders and completely committed to succeeding. We also get glimpses of his insecurity because no one is safe under the scrutiny of the State. He is very aware of this and the long running jealousy of Vasily is a constant reminder of how much someone hates him and desperately wishes and works towards his downfall. From the beginning the life of Leo is shown for the stark reality it is. There is no happy family man here, or even a happy career man, it is purely survival in a very structured and dangerous place.
The relationship between Leo and his wife Raisa is another that is deep, raw and completely honest. Their relationship ebbs and flows according to the State plan, but the book takes a serious turn when Leo is faced with the decision of denouncing his wife. Seeing into their marriage is like facing a needed surgery, the inevitable pain is necessary to start the way to healing. Raisa is the stronger character in my view, never losing her sense of humanity but knowing how to hide herself in order to survive.
Leo’s decision starts a chain of events that leads to him discovering that murders are occurring the breadth of Russia, and since there is no crime in Russia he is the only one trying to convince anyone of the scary reality that a serial child killer/s is on the loose. His commitment to this brings further scrutiny on him and he feels the full force of the authorities and experiences a complete reversal of circumstances. Where he was the one arresting people and transporting them to the most notorious prison Lubyanka, he is now the one in the prisoners' seat.
There are twists and turns in this book that will knock the breath out of you. A seriously brilliant book.
On a personal note I found this book hit too close to home in regards to my own upbringing in the Jehovah’s Witnesses. Where Leo is hitting his head against a stone wall in trying to convince people of the danger they are ignoring, it reminded me very strongly of how difficult it is to convince or motivate the Governing Body of Jehovah’s Witnesses and the Congregation Elders that the right thing to do when an accusation of child abuse comes to them is to immediately call the authorities. They instead stick to their own procedures in the face of irrefutable evidence and demonstrated experience that their procedures are dead wrong and need to be changed, they still refuse to listen and insist that their way of doing things is right and everyone else must be wrong. They desperately work to keep their image clean just like the Russian Government insists that the State is always right. Thankfully there is an army of people worldwide working incredibly hard to expose there hurtful practices and in so doing protect the public from being sucked into this so called religion.
This book takes you through the transformation of Leo Demidov from a complete ‘company man’ of the Russian State to a real person listening to his own sense of right and wrong. We meet him as a no nonsense officer of the MGB willing and able to follow through on his orders and completely committed to succeeding. We also get glimpses of his insecurity because no one is safe under the scrutiny of the State. He is very aware of this and the long running jealousy of Vasily is a constant reminder of how much someone hates him and desperately wishes and works towards his downfall. From the beginning the life of Leo is shown for the stark reality it is. There is no happy family man here, or even a happy career man, it is purely survival in a very structured and dangerous place.
The relationship between Leo and his wife Raisa is another that is deep, raw and completely honest. Their relationship ebbs and flows according to the State plan, but the book takes a serious turn when Leo is faced with the decision of denouncing his wife. Seeing into their marriage is like facing a needed surgery, the inevitable pain is necessary to start the way to healing. Raisa is the stronger character in my view, never losing her sense of humanity but knowing how to hide herself in order to survive.
Leo’s decision starts a chain of events that leads to him discovering that murders are occurring the breadth of Russia, and since there is no crime in Russia he is the only one trying to convince anyone of the scary reality that a serial child killer/s is on the loose. His commitment to this brings further scrutiny on him and he feels the full force of the authorities and experiences a complete reversal of circumstances. Where he was the one arresting people and transporting them to the most notorious prison Lubyanka, he is now the one in the prisoners' seat.
There are twists and turns in this book that will knock the breath out of you. A seriously brilliant book.
On a personal note I found this book hit too close to home in regards to my own upbringing in the Jehovah’s Witnesses. Where Leo is hitting his head against a stone wall in trying to convince people of the danger they are ignoring, it reminded me very strongly of how difficult it is to convince or motivate the Governing Body of Jehovah’s Witnesses and the Congregation Elders that the right thing to do when an accusation of child abuse comes to them is to immediately call the authorities. They instead stick to their own procedures in the face of irrefutable evidence and demonstrated experience that their procedures are dead wrong and need to be changed, they still refuse to listen and insist that their way of doing things is right and everyone else must be wrong. They desperately work to keep their image clean just like the Russian Government insists that the State is always right. Thankfully there is an army of people worldwide working incredibly hard to expose there hurtful practices and in so doing protect the public from being sucked into this so called religion.