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High-Rise (2016)
High-Rise (2016)
2016 | Action, Drama, International
4
5.0 (8 Ratings)
Movie Rating
This movie wants to be a dystopian drama, but fails to really add any dystopia. It wants to be a satire, but it is largely unclear what it is satirizing, other than a generic "all people are really just animals" theme and some under-explored "the rich live at the top and the poor at the bottom" stuff that doesn't really seem to pan out. It has very little in the way of narrative structure, what the characters are doing and why is never explained. I had a difficult time getting behind the idea of this "state of the art" high rise being some gleaming and beautiful example when it was such a ugly, Brutalist concrete mess to begin with. I'm sure there's some sort of "but the High-Rise looks like a prison because it metaphorically is one!" explanation, but it's just not a good one.

This movie was a slog to get through. It's far too long and feels even longer. Very few of the thematic elements amount to much. It's like it wants to say something about *society*, but isn't very clear on what that is.

The acting is pretty great. The visuals are gripping enough in some sections to keep you hooked and hopeful that the movie will amount to something greater than the sum of its parts, but it simply doesn't.

Also Tom Hiddleston is naked for a couple minutes.
  
40x40

Suswatibasu (1703 KP) Sep 15, 2017

I totally agree as I actually prefer the book! The film was a little muddled and it got lost in the cinematography.

The A-Team (2010)
The A-Team (2010)
2010 | Action
Leaden remake of the popular-in-the-80s-but-only-possible-to-enjoy-ironically-now TV action show. Unhinged special-forces unit the A-Team are framed for a crime they didn't commit, bust out of prison, try to clear their names by going to Germany. Where, you may be wondering, is the mom 'n' pop store being threatened by cheap gangsters the team are called in to protect? Where is Hannibal putting on a stupid disguise? Where is the bit where the bad guys lock them in a shed with a load of welding gear, allowing them to build an armoured car out of bits of old washing machine? Where is the scene where they spray 35,000 rounds of .223 ammunition at the bad guys, destroying everything in sight but leaving their targets miraculously unscathed? Friends, none of these things are here.

Instead it's almost as if the A-Team have wandered into a rather downbeat Mission: Impossible movie, or possibly one of the Bournes. You don't expect to have to wrestle with the plot of The A-Team but there's a confusing tangle of double-crosses and betrayals between military intelligence, the CIA and private security firms at the heart of this. Seems to fundamentally misunderstand the essential cheesy disposability of The A-Team by trying to make it feel like a serious drama. I wouldn't have thought it was possible: this manages to be both inauthentic to the original series and also bad.
  
Sullivan's Travels (1941)
Sullivan's Travels (1941)
1941 | Action, Classics, Comedy
8.0 (2 Ratings)
Movie Favorite

"I saw this for the first time at CalArts [and] since then I’ve become a big fan of all Preston Sturges films. Again, I [had] already chosen what I wanted to do for a living but [this] story touched me so deeply. Here’s a guy who makes comedies during the Depression and he’s so isolated in Hollywood [that] he sets out to learn what’s going on with people. He becomes a hobo. And he ends up way in the South and [is] put into this work prison. And everyone in Hollywood believes that he’s dead, that a hobo stole his coat and was killed by a train. And so he’s there and [he can’t] get word back that he’s still alive. It’s a horrible situation. For Christmas Eve, at the depth of his misery, a black church in the segregated South invites all the prisoners out. And they sit there and what they watch is a Pluto cartoon. It’s the famous scene of Pluto getting the flypaper stuck on him and he can’t get it off. And [the audience] starts howling with laughter. Howling with laughter. People who you wouldn’t think would still have laughter in their bodies. And Sullivan came out of this and gets back to Hollywood and everyone’s like, “Oh, you had this horrible situation, you must make a great drama.” And he goes, “No, I’m going to make a comedy. Because that’s what the world needs.”"

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