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Trigger Warnings: abuse, assault, dating violence
Sparrow is about 17-year-old ballet prodigy Savannah Rose, aka Sparrow, and her journey after being violently assaulted by her boyfriend, Tristan. The story jumps between Sparrow's POV and her friend's Lucas as they both confront their ghosts and demons of the aftermath.
Through most of this story I felt like I was just missing chunks of it. Before we went into Lucas' POV we seemed to just jump around with Sparrow. She has her first date with Tristan and then all of a sudden she's afraid of him. Then, when she'd have fights with Lucas, we'd get half with Sparrow's POV and then a few chapters later we'd get the other half with Lucas' POV which most of the time changed the whole fight. Pieces were almost always missing - like the fact that I thought Sophie was Sparrow's stepmom or her dad's girlfriend, not her aunt for the first hundred pages.
Because of all this, I really had no connection to Sparrow. I did, however, feel more connected with Lucas and what happened with him. Some things that happened with him tugged on my heartstrings. I feel bad for not really caring about Sparrow's story, but the only reason I knew of her story was because I wanted to read more about Lucas'.
Overall the book was good, but I wish it was fleshed out a bit more. A lot of characters had such great potential in the beginning but seemed to fade out/be glossed over in the middle and end. There were many distractions and an empty hole around the plot that I wish were filled in.
Sparrow is about 17-year-old ballet prodigy Savannah Rose, aka Sparrow, and her journey after being violently assaulted by her boyfriend, Tristan. The story jumps between Sparrow's POV and her friend's Lucas as they both confront their ghosts and demons of the aftermath.
Through most of this story I felt like I was just missing chunks of it. Before we went into Lucas' POV we seemed to just jump around with Sparrow. She has her first date with Tristan and then all of a sudden she's afraid of him. Then, when she'd have fights with Lucas, we'd get half with Sparrow's POV and then a few chapters later we'd get the other half with Lucas' POV which most of the time changed the whole fight. Pieces were almost always missing - like the fact that I thought Sophie was Sparrow's stepmom or her dad's girlfriend, not her aunt for the first hundred pages.
Because of all this, I really had no connection to Sparrow. I did, however, feel more connected with Lucas and what happened with him. Some things that happened with him tugged on my heartstrings. I feel bad for not really caring about Sparrow's story, but the only reason I knew of her story was because I wanted to read more about Lucas'.
Overall the book was good, but I wish it was fleshed out a bit more. A lot of characters had such great potential in the beginning but seemed to fade out/be glossed over in the middle and end. There were many distractions and an empty hole around the plot that I wish were filled in.
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Emma @ The Movies (1786 KP) rated The Prodigy (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
Here we are, a turning point of sorts. I had said to myself that I would try to be less of a scaredy cat and see all the films at the cinema. I'm not at a point where I can happily say "it's a no from me". Horror and I mix fine if I can watch them at home in the daylight and I can shout at the characters when they do dumb things like go into basements and don't turn on lights.
I wasn't even halfway through the trailers when I realised that sitting in the pitch black where people can appear out of nowhere was not for me. I made a decision to not see Us at the cinema there and then, and the same would be true for Pet Semetary if it wasn't for the fact they announced an Unlimited Screening for it.
Anyway...
I didn't know exactly what this film when I went in, I'd read the smallest of synopsis and that was basically it. It wasn't until I was in the cinema that I realised what I'd got myself into but by that point I was there and that was the end of it, I was staying.
The basic outline of the story is one that I'm certain I've seen in a similar form on other things, but I can't for the life of me remember where. Potentially I'm thinking of things like Criminal Minds.
You know fairly early on where this film is going to take you, I think I jumped in the first minute, along with a couple in front of me.
The way they link the simultaneous events at the beginning if very well done, the timing and the visuals line up perfectly. We then get fast-tracked through his early years and we see how special he is, and how he's just a smidge creepy.
The Prodigy has lots of classic tells from horror sprinkled through it, if I'd been at home I'd have been screaming at the screen. There are little tells everywhere but none of it spoils what's to come.
Overall the brought everything together extremely well to create something that was gripping and just a little scary to everyone around me... apart from the guy behind me who on more than one occasion laughed and gave me the urge to move seats.
The further in we get the more messed up things become for the characters, they're basically all screwed but none of them see it until it's too late. Miles becomes so creepy at one point that I'm assuming they decided that it was too much for the young actor to do. There's a cutaway to his eyes as he's talking but it sounds rather like a voice-over that's unlike the rest of the audio in the film.
At some point I gave up hope for... everything, and just wished someone would do the right thing and do away with him. Had I been watching this at home and shouting at the screen, someone might have listened and saved everyone a lot of heartbreak.
The Prodigy knows how to draw you in. We see Miles hypnotised with a metronome and the sequence makes you want to lean towards the screen for what you know is going to be something important. The constantly moving camera in time with the ticking worked so well.
If you look up Jackson Robert Scott on IMDb you get a delightfully cute picture, but even if I were his own mother I'd be suspicious about having him in the house after seeing this film. He seems to have found a little creepy niche with this and It, and he's pretty good at it. There's something about his mannerisms that don't feel quite right, but had he nailed that then I don't think I'd have ever slept again.
Taylor Shilling works well as Miles' mother, her reactions all help you get that sense of danger she feels and as her emotions ramp up so do ours. I'm not sure that the love of my child would have kept me on board for that long though.
There were mixed offerings from the rest of the cast, not that I'm sure that matters a great deal when the key part of the film is almost entirely focused on Miles and the visuals around that. I particularly like that they consistently show you the two sides of Miles. We see it on the movie posters as well as in the film with effective use of light and dark.
The Prodigy is almost right up my alley, it's basically a Criminal Minds storyline without the FBI, and a little supernatural something thrown in. It probably would have got higher marks from me had it not take every opportunity to make the audience jump. This film also teaches us a very important lesson, when a friendly dog hates a child you should trust its instincts.
What you should do
This is a very good thriller and if you don't mind jumping a bit every now and then it's well worth a watch. I think it's probably worth watching twice, knowing what I know now I'd like to see it again to put the pieces back together.
Movie thing you wish you could take home
I will have the puppy from the beginning of the film, everything else can stay very very far away.
I wasn't even halfway through the trailers when I realised that sitting in the pitch black where people can appear out of nowhere was not for me. I made a decision to not see Us at the cinema there and then, and the same would be true for Pet Semetary if it wasn't for the fact they announced an Unlimited Screening for it.
Anyway...
I didn't know exactly what this film when I went in, I'd read the smallest of synopsis and that was basically it. It wasn't until I was in the cinema that I realised what I'd got myself into but by that point I was there and that was the end of it, I was staying.
The basic outline of the story is one that I'm certain I've seen in a similar form on other things, but I can't for the life of me remember where. Potentially I'm thinking of things like Criminal Minds.
You know fairly early on where this film is going to take you, I think I jumped in the first minute, along with a couple in front of me.
The way they link the simultaneous events at the beginning if very well done, the timing and the visuals line up perfectly. We then get fast-tracked through his early years and we see how special he is, and how he's just a smidge creepy.
The Prodigy has lots of classic tells from horror sprinkled through it, if I'd been at home I'd have been screaming at the screen. There are little tells everywhere but none of it spoils what's to come.
Overall the brought everything together extremely well to create something that was gripping and just a little scary to everyone around me... apart from the guy behind me who on more than one occasion laughed and gave me the urge to move seats.
The further in we get the more messed up things become for the characters, they're basically all screwed but none of them see it until it's too late. Miles becomes so creepy at one point that I'm assuming they decided that it was too much for the young actor to do. There's a cutaway to his eyes as he's talking but it sounds rather like a voice-over that's unlike the rest of the audio in the film.
At some point I gave up hope for... everything, and just wished someone would do the right thing and do away with him. Had I been watching this at home and shouting at the screen, someone might have listened and saved everyone a lot of heartbreak.
The Prodigy knows how to draw you in. We see Miles hypnotised with a metronome and the sequence makes you want to lean towards the screen for what you know is going to be something important. The constantly moving camera in time with the ticking worked so well.
If you look up Jackson Robert Scott on IMDb you get a delightfully cute picture, but even if I were his own mother I'd be suspicious about having him in the house after seeing this film. He seems to have found a little creepy niche with this and It, and he's pretty good at it. There's something about his mannerisms that don't feel quite right, but had he nailed that then I don't think I'd have ever slept again.
Taylor Shilling works well as Miles' mother, her reactions all help you get that sense of danger she feels and as her emotions ramp up so do ours. I'm not sure that the love of my child would have kept me on board for that long though.
There were mixed offerings from the rest of the cast, not that I'm sure that matters a great deal when the key part of the film is almost entirely focused on Miles and the visuals around that. I particularly like that they consistently show you the two sides of Miles. We see it on the movie posters as well as in the film with effective use of light and dark.
The Prodigy is almost right up my alley, it's basically a Criminal Minds storyline without the FBI, and a little supernatural something thrown in. It probably would have got higher marks from me had it not take every opportunity to make the audience jump. This film also teaches us a very important lesson, when a friendly dog hates a child you should trust its instincts.
What you should do
This is a very good thriller and if you don't mind jumping a bit every now and then it's well worth a watch. I think it's probably worth watching twice, knowing what I know now I'd like to see it again to put the pieces back together.
Movie thing you wish you could take home
I will have the puppy from the beginning of the film, everything else can stay very very far away.
Kristy H (1252 KP) rated Dirty Wings (Metamorphoses, #2) in Books
Feb 13, 2018
The second book in Sarah McCarry's Metamorphoses' trilogy, this novel actually goes back in time to introduce us to Cass and Maia - the mothers of the heroines from McCarry's first book, "All Our Pretty Songs." Maia is a lovely, but sheltered, teen - a piano prodigy living with her rigid, overprotective adoptive parents. Cass, meanwhile, is a tough kid living on the streets - she's used to taking care of herself and no one else. But when she meets Maia, everything changes.
I'll confess that I am somewhat continuing to read this trilogy as it checks off a requirement in a book challenge that I'm doing. But, McCarry's books are always very well-written and interesting, if not a bit strange. I actually enjoyed this one a bit more than the first. The story was a little more clear. Much like book one, I still maintain that I would enjoy these books more without the odd mystical influence hovering in the corners of the pages. In this novel, Maia and Cass eventually meet Jason, with whom Maia falls in love with, and with whom it seems that Minos (the shadowy man from the other world) is trying to lure away... or, as Cass fears, does he just want Maia?
It's all a bit confusing and such a strange side plot to a story of troubled teenagers falling in love and rebelling against the world - which would work just fine on its own. Oh well. I'm still hooked and will read the last book. McCarry has a beautiful voice and this book is very poetical, much like the first. The story flips between present and past in this one, which can be a bit confusing, but also makes the book fly by. It's a compelling read, if not one that will leave you a bit frustrated and wanting more.
I'll confess that I am somewhat continuing to read this trilogy as it checks off a requirement in a book challenge that I'm doing. But, McCarry's books are always very well-written and interesting, if not a bit strange. I actually enjoyed this one a bit more than the first. The story was a little more clear. Much like book one, I still maintain that I would enjoy these books more without the odd mystical influence hovering in the corners of the pages. In this novel, Maia and Cass eventually meet Jason, with whom Maia falls in love with, and with whom it seems that Minos (the shadowy man from the other world) is trying to lure away... or, as Cass fears, does he just want Maia?
It's all a bit confusing and such a strange side plot to a story of troubled teenagers falling in love and rebelling against the world - which would work just fine on its own. Oh well. I'm still hooked and will read the last book. McCarry has a beautiful voice and this book is very poetical, much like the first. The story flips between present and past in this one, which can be a bit confusing, but also makes the book fly by. It's a compelling read, if not one that will leave you a bit frustrated and wanting more.
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