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Gareth von Kallenbach (980 KP) rated the PlayStation 4 version of Crash Bandicoot 4: It's About Time in Video Games
Oct 29, 2020
Crash Bandicoot is back and better than ever in Crash Bandicoot 4: It’s About Time.
This time around the lovable Crash must face his most challenge obstacles yet as he navigates various locales each with an abundance of timed precision jumps, enemies, traps, and more.
Aside from his speed, Crash can slide, jump, and spin to fight or avoid enemies and obstacles and this time around he can phase objects at certain locales which allows him to pass through them. This is often tricky as he has to phase out an object to jump but must phase it back in order land on it but cannot do so before allowing ample space to land.
Patience is required as there are frequent dangers that require precise movements to complete and nothing is more frustrating than biting it with a checkpoint in site.
The game also offers up some interesting variety not only in a plethora of level designs but by also allowing players to play as other characters in the game. Being able to zap objects to complete levels vs the traditional running and jumping does bring an interesting new dimension to the play and keeps things fresh.
The graphics are pleasing and Crash is such a fun and charming character it is easy to stick with him even when the level becomes so rage inducing you want to quit in a hailstorm of profanity.
What really makes the game great are not only the clever and creative levels but the sheer variety of them. From a junkyard with gears, fire, and shark like creatures to a frozen landscape where slipping off the ice is commonplace, the level designers combine sadism and genius to create a truly fun and challenging gaming experience.
The game is not only lots of fun but is ideal for players of all ages and offers plenty of great gaming moments. This is a great return for Crash and hopefully we will see him again soon as I would love to see a new game designed from the ground up for the Next-Generation systems.
4 stars out of 5
This time around the lovable Crash must face his most challenge obstacles yet as he navigates various locales each with an abundance of timed precision jumps, enemies, traps, and more.
Aside from his speed, Crash can slide, jump, and spin to fight or avoid enemies and obstacles and this time around he can phase objects at certain locales which allows him to pass through them. This is often tricky as he has to phase out an object to jump but must phase it back in order land on it but cannot do so before allowing ample space to land.
Patience is required as there are frequent dangers that require precise movements to complete and nothing is more frustrating than biting it with a checkpoint in site.
The game also offers up some interesting variety not only in a plethora of level designs but by also allowing players to play as other characters in the game. Being able to zap objects to complete levels vs the traditional running and jumping does bring an interesting new dimension to the play and keeps things fresh.
The graphics are pleasing and Crash is such a fun and charming character it is easy to stick with him even when the level becomes so rage inducing you want to quit in a hailstorm of profanity.
What really makes the game great are not only the clever and creative levels but the sheer variety of them. From a junkyard with gears, fire, and shark like creatures to a frozen landscape where slipping off the ice is commonplace, the level designers combine sadism and genius to create a truly fun and challenging gaming experience.
The game is not only lots of fun but is ideal for players of all ages and offers plenty of great gaming moments. This is a great return for Crash and hopefully we will see him again soon as I would love to see a new game designed from the ground up for the Next-Generation systems.
4 stars out of 5
Heather Cranmer (2721 KP) rated The Last Thing He Told Me in Books
Aug 13, 2021
When I read the synopsis for The Last Thing He Told Me by Laura Dave, I was hooked. I knew this book would be one that I would really enjoy judging by the sound of it. I didn't judge wrong!
The Last Thing He Told Me was a definite page turner with a fast paced plot that I loved! I found myself trying to guess why Owen went missing and why Bailey had to be protected. I kept wondering how much Bailey actually knew or was she just an innocent. I also would second guess other characters' intentions throughout the book. I will say I was way off with my guesses about everything. The book does take a bit of an overdramatic turn about half way through, but although it's a bit far fetched, it's still plausible. Dave did a fantastic job with the world building as well. I felt like I was right there beside Hannah and Bailey the whole time. I especially felt like I was with them when they were in Austin, Texas trying to find out what happened to Owen and his whereabouts since Laura Dave described many landmarks within Austin that I've been to and near. There are no cliff-hangers in this book and all my questions were answered, but I was a little saddened by the ending, not because it wasn't written well (because it was written great!), but because of what happens.
I enjoyed the characters in The Last Thing He Told Me very much as they were all very fleshed out and felt realistic. I really loved the family dynamic that eventually develops between Bailey and Hannah. It was interesting seeing them grow closer due to Owen's disappearance. Even the minor characters felt like really people instead of just random characters in a book.
Trigger warnings for The Last Thing He Told Me include embezzlement, profanity, lying, violence, and murder.
Overall, The Last Thing He Told Me has an intriguing plot that will leave you guessing throughout. You'll never know who who is bad or who's good. I would definitely recommend The Last Thing He Told Me by Laura Dave to those aged 16+ who enjoy fast paced mystery thrillers!
The Last Thing He Told Me was a definite page turner with a fast paced plot that I loved! I found myself trying to guess why Owen went missing and why Bailey had to be protected. I kept wondering how much Bailey actually knew or was she just an innocent. I also would second guess other characters' intentions throughout the book. I will say I was way off with my guesses about everything. The book does take a bit of an overdramatic turn about half way through, but although it's a bit far fetched, it's still plausible. Dave did a fantastic job with the world building as well. I felt like I was right there beside Hannah and Bailey the whole time. I especially felt like I was with them when they were in Austin, Texas trying to find out what happened to Owen and his whereabouts since Laura Dave described many landmarks within Austin that I've been to and near. There are no cliff-hangers in this book and all my questions were answered, but I was a little saddened by the ending, not because it wasn't written well (because it was written great!), but because of what happens.
I enjoyed the characters in The Last Thing He Told Me very much as they were all very fleshed out and felt realistic. I really loved the family dynamic that eventually develops between Bailey and Hannah. It was interesting seeing them grow closer due to Owen's disappearance. Even the minor characters felt like really people instead of just random characters in a book.
Trigger warnings for The Last Thing He Told Me include embezzlement, profanity, lying, violence, and murder.
Overall, The Last Thing He Told Me has an intriguing plot that will leave you guessing throughout. You'll never know who who is bad or who's good. I would definitely recommend The Last Thing He Told Me by Laura Dave to those aged 16+ who enjoy fast paced mystery thrillers!
Hazel (2934 KP) rated Survivor's Guilt (DCI Matilda Darke #8) in Books
Sep 26, 2021
Having just finished Time is Running Out, the 7th in this series, and being absolutely blown away by it, I couldn't wait to get my grubby little mitts on this, the 8th in the brilliant Matilda Darke series and I wasn't disappointed in the slightest. What I will say is that I think it would be preferable to have read the 7th book before reading this one as this one picks the story up 9 months later and will provide an explanation as to why Matilda and other characters are acting as they are.
This book follows 3 themes; the aftermath of the massacre that occurred in the previous book, the murder of prostitutes in Sheffield and the long-running theme of the kidnapping of Carl Meagan.
Once again, Michael writes a gripping story that moves at pace. There is violence and edge-of-the-seat moments; I took at sharp intake of breath when the murderer was revealed - I am usually quite good at figuring out who it is but this one absolutely blind-sided me and I actually gasped and said a few choice words that are not repeatable here as I try to avoid profanity in my reviews!
There is also compassion and tenderness and an authentic-feeling description of how grief and tragedy can affect people differently; it can bring you together or completely tear you apart and destroy you and those around you. Everyone is struggling to manage their grief but can they work together to catch the killer or are they too broken?
The characters are just brilliant and I particularly liked how Michael portrayed the prostitutes as "people" rather than the usual stereotypes which made a nice change; I absolutely loved Bev and Sarah. Matilda is, I admit, a difficult person to like in this book but given what she has endured, she is forgiven ... just this once!
Full of tension, suspense and emotion, this book and the series, is one that shouldn't be missed ... roll on number 9!
I am grateful to HarperCollins UK / One More Chapter via NetGalley for my copy in return for an honest, unbiased and unedited review.
This book follows 3 themes; the aftermath of the massacre that occurred in the previous book, the murder of prostitutes in Sheffield and the long-running theme of the kidnapping of Carl Meagan.
Once again, Michael writes a gripping story that moves at pace. There is violence and edge-of-the-seat moments; I took at sharp intake of breath when the murderer was revealed - I am usually quite good at figuring out who it is but this one absolutely blind-sided me and I actually gasped and said a few choice words that are not repeatable here as I try to avoid profanity in my reviews!
There is also compassion and tenderness and an authentic-feeling description of how grief and tragedy can affect people differently; it can bring you together or completely tear you apart and destroy you and those around you. Everyone is struggling to manage their grief but can they work together to catch the killer or are they too broken?
The characters are just brilliant and I particularly liked how Michael portrayed the prostitutes as "people" rather than the usual stereotypes which made a nice change; I absolutely loved Bev and Sarah. Matilda is, I admit, a difficult person to like in this book but given what she has endured, she is forgiven ... just this once!
Full of tension, suspense and emotion, this book and the series, is one that shouldn't be missed ... roll on number 9!
I am grateful to HarperCollins UK / One More Chapter via NetGalley for my copy in return for an honest, unbiased and unedited review.
Heather Cranmer (2721 KP) rated Spine Chillers: The Scarecrow in Books
Jan 4, 2019
The Plot (2 more)
The Pacing
The Characters
A Great Spooky Read!
I've read two other novels by Nancy Gray, Empty Eyes and Krampus, so when I read the synopsis of The Scarecrow, I know I had to read it. It sounded really interesting. I was not disappointed.
All of the previous books in the Spine Chillers series have been short, and The Scarecrow was no exception. I love how each book in the series can be read as a standalone.
I found myself enthralled by the plot of The Scarecrow from the very beginning. Once I started reading, I was immediately thrust into all the action. Yes, the plot about a scary scarecrow come to life has been done many times before, but I loved the way Nancy Gray made her story a bit different. There are a couple of plot twists, and there was even one I didn't see coming. The Scarecrow is a scary read, but it's not overly scary for its targeted audience. I found the world building to be believable. It was easy to be transported to Sophie's world with each word I read.
The pacing for The Scarecrow is done fantastically. Not once did it slow down to where it became boring, and it was never too fast paced where I was just left confused. The pacing is spot on, and I found myself wanting to know more about the scarecrow, Hunt, Sophie, and Edward with each page. This was a definite page turner. Luckily The Scarecrow is a short read because I never wanted to stop reading. I had to know how everything would turn out.
I loved the characters in The Scarecrow. I found Sophie to be incredibly brave and sweet the way she was willing to put her life on the line to look for and save her cousin. Edward was an interesting character in a good way. Even the adults in this book were likable as well as believable.
Trigger warnings for The Scarecrow include one minor profanity (one of the characters says "what the hell"), violence, and disobeying adults.
Overall, The Scarecrow is a great read for those that like to be spooked. It has a great story line, interesting characters, and fantastic pacing. I would definitely recommend Spine Chillers: The Scarecrow by Nancy Gray to those aged 11+. Even though this is written for the middle grade age group, I really think adults would enjoy it too.
All of the previous books in the Spine Chillers series have been short, and The Scarecrow was no exception. I love how each book in the series can be read as a standalone.
I found myself enthralled by the plot of The Scarecrow from the very beginning. Once I started reading, I was immediately thrust into all the action. Yes, the plot about a scary scarecrow come to life has been done many times before, but I loved the way Nancy Gray made her story a bit different. There are a couple of plot twists, and there was even one I didn't see coming. The Scarecrow is a scary read, but it's not overly scary for its targeted audience. I found the world building to be believable. It was easy to be transported to Sophie's world with each word I read.
The pacing for The Scarecrow is done fantastically. Not once did it slow down to where it became boring, and it was never too fast paced where I was just left confused. The pacing is spot on, and I found myself wanting to know more about the scarecrow, Hunt, Sophie, and Edward with each page. This was a definite page turner. Luckily The Scarecrow is a short read because I never wanted to stop reading. I had to know how everything would turn out.
I loved the characters in The Scarecrow. I found Sophie to be incredibly brave and sweet the way she was willing to put her life on the line to look for and save her cousin. Edward was an interesting character in a good way. Even the adults in this book were likable as well as believable.
Trigger warnings for The Scarecrow include one minor profanity (one of the characters says "what the hell"), violence, and disobeying adults.
Overall, The Scarecrow is a great read for those that like to be spooked. It has a great story line, interesting characters, and fantastic pacing. I would definitely recommend Spine Chillers: The Scarecrow by Nancy Gray to those aged 11+. Even though this is written for the middle grade age group, I really think adults would enjoy it too.
Andy K (10823 KP) rated Okja (2017) in Movies
Nov 17, 2019
1st half vs. 2nd half
Director Bong Joon Ho has a phenomenal track record of producing engaging, interesting, rich, vibrant and complex stories. From Snowpiercer to The Host to current critic favorite, Parasite his unique storytelling has proven he can be imaginative and still bring an audience through an entertaining, creative story. This time, as others have said in their reviews, it seems like a tale of two halves remarkably different in tone, scale and narrative.
A large corporation sells itself as leading the world in global food production as it creates 26 "Super Pigs" that it disperses throughout the world and allows them to grow for 10 years adopted by farmers. During that time, one of them, Okja, is seen alongside their adopted family in South Korea. A young girl and her grandfather have made Okja part of their family and love their companion immensely Eventually the corporation, along with one of their weird spokespeople goons arrive and say they are going to bring Okja to New York.
The girl, Mija, doesn't want this to happen and for her to lose her friend and life-mate, Okja, so she decides to pursue the creature and rescue it from whatever plans are happening and bring back to their mountainous farm.
Unfortunately, the differences in tone really handicap the film almost immediately. I really thought this appeared to be a family film like Babe or Homeward Bound, but then turned into some kind of exposition to inhibit cruelty to animals? Not sure. There was profanity throughout which of course doesn't bother me but would be off putting if you wanted to show this movie in schools or for small children. The innocence is lost when thugs arrive and try and kidnap Okja, or this animal advocacy group also arrives to attempt their own rescue to prevent anything against their will of happening to the beast.
It doesn't happen too often for me, but I was really confused as to what the movie was trying to say. I am a meat eater myself and am not sorry for it. I certainly believe people should be who they are and would not push my beliefs on anyone else. Is that what the movie intends? Does it want to just be an entertaining adventure?
My confusion prevented me from enjoying the movie as much as I wanted to, but was still entertained by what I saw.
A large corporation sells itself as leading the world in global food production as it creates 26 "Super Pigs" that it disperses throughout the world and allows them to grow for 10 years adopted by farmers. During that time, one of them, Okja, is seen alongside their adopted family in South Korea. A young girl and her grandfather have made Okja part of their family and love their companion immensely Eventually the corporation, along with one of their weird spokespeople goons arrive and say they are going to bring Okja to New York.
The girl, Mija, doesn't want this to happen and for her to lose her friend and life-mate, Okja, so she decides to pursue the creature and rescue it from whatever plans are happening and bring back to their mountainous farm.
Unfortunately, the differences in tone really handicap the film almost immediately. I really thought this appeared to be a family film like Babe or Homeward Bound, but then turned into some kind of exposition to inhibit cruelty to animals? Not sure. There was profanity throughout which of course doesn't bother me but would be off putting if you wanted to show this movie in schools or for small children. The innocence is lost when thugs arrive and try and kidnap Okja, or this animal advocacy group also arrives to attempt their own rescue to prevent anything against their will of happening to the beast.
It doesn't happen too often for me, but I was really confused as to what the movie was trying to say. I am a meat eater myself and am not sorry for it. I certainly believe people should be who they are and would not push my beliefs on anyone else. Is that what the movie intends? Does it want to just be an entertaining adventure?
My confusion prevented me from enjoying the movie as much as I wanted to, but was still entertained by what I saw.
Heather Cranmer (2721 KP) rated The Return in Books
Feb 19, 2020 (Updated Feb 21, 2020)
I had been looking forward to reading The Return by Rachel Harrison for awhile, so when I got the opportunity to review it, I jumped at the chance. Unfortunately, I was left feeling very disappointed.
The plot for The Return sounds promising. Elise's best friend Julie disappeared 2 years ago. No one had heard or seen her. Then one day, Julie showed up again claiming to have no memory of what happened. No one ever pressed her for answers. However, Julie isn't like she was before. She's acting much different, and the smell she gives off is terrible! What really happened to Julie during those two years she was missing?
The Return started out extremely slow. I kept reading thinking the pacing would pick up. However, it never did except for a tiny bit during the end where all the action happens, but even then, the pacing is still slow. This book really lacks any kind of action, in my opinion, and is instead more like watching three snobby and boring women on a vacation where they just stay in their hotel. I skimmed through a lot of this book waiting for something interesting to happen.
I couldn't connect to any of the characters. There is some backstory for each of the characters, but it feels forced and jagged and like it doesn't fit in very well with the book. The only semi-decent character is Elise. She's a tad bit relatable, but even she doesn't feel that realistic. She's too dependent on others especially when it comes to Julie. Putting her life in danger after finding out what really happened to Julie was just insane and didn't feel like something a real person would do. Mae and Molly were snobby rich women how seemed to not want to do much. Mae liked complaining all the time, and I don't really know what the point of Molly was.
Trigger warnings include profanity, drinking, violence, death, and murder.
Overall, The Return felt short of my expectations. The pacing was too slow, and the characters just felt too wooden. Unfortunately, I would not recommend The Return.
--
A special thank you to the publisher for providing me with an eBook of The Return by Rachel Harrison in exchange for an honest and unbiased review.)
The plot for The Return sounds promising. Elise's best friend Julie disappeared 2 years ago. No one had heard or seen her. Then one day, Julie showed up again claiming to have no memory of what happened. No one ever pressed her for answers. However, Julie isn't like she was before. She's acting much different, and the smell she gives off is terrible! What really happened to Julie during those two years she was missing?
The Return started out extremely slow. I kept reading thinking the pacing would pick up. However, it never did except for a tiny bit during the end where all the action happens, but even then, the pacing is still slow. This book really lacks any kind of action, in my opinion, and is instead more like watching three snobby and boring women on a vacation where they just stay in their hotel. I skimmed through a lot of this book waiting for something interesting to happen.
I couldn't connect to any of the characters. There is some backstory for each of the characters, but it feels forced and jagged and like it doesn't fit in very well with the book. The only semi-decent character is Elise. She's a tad bit relatable, but even she doesn't feel that realistic. She's too dependent on others especially when it comes to Julie. Putting her life in danger after finding out what really happened to Julie was just insane and didn't feel like something a real person would do. Mae and Molly were snobby rich women how seemed to not want to do much. Mae liked complaining all the time, and I don't really know what the point of Molly was.
Trigger warnings include profanity, drinking, violence, death, and murder.
Overall, The Return felt short of my expectations. The pacing was too slow, and the characters just felt too wooden. Unfortunately, I would not recommend The Return.
--
A special thank you to the publisher for providing me with an eBook of The Return by Rachel Harrison in exchange for an honest and unbiased review.)
Wesley (The Son Series Book 1)
Book
~Wesley~ Yeah, I don’t trust them. Who are they? The family who takes me in after they catch...
romance contemporary African American African-American adult fiction
Heather Cranmer (2721 KP) rated Penpal in Books
May 12, 2021
I love books that keep you guessing throughout the story. When I heard about Penpal by Dathan Auerbach through a Facebook group I'm in, it sounded right up my alley. However, I was left with so many questions after finishing the book.
The premise for the plot of Penpal is an interesting one. I liked how Auerbach uses the narrator's memories to lead us up to big reveal of what the horrible thing is. However, the execution of this is where it falls short. The memories are out of chronological order which makes things confusing. There were times where I had to really think about what I was reading and try to place it before or after another memory I had read about. Putting the memories in chronological order would have really benefitted this book much better. I will say the pacing was great for Penpal though. I did find myself wanting to know what would happen. The suspense throughout was fantastic! However, I felt the ending was a bit anti-climatic considering all that had happened. By the ending, I was left feeling so confused! I can't really say too much, but there were some things that just didn't make sense. Some of my questions were answered by scouring the internet for answers, but many of my questions about the book went unanswered. I also noticed many had the same questions I had. On the plus side, there were no cliff hangers.
While the narrator and his best friend felt fairly fleshed out, I felt that the author missed their voice when they were children. I just felt that that when they were kids, they would not be talking or acting the way they did. I also felt that the parents needed to keep an eye on their children better! The narrator is never named which I think helps with the suspense of this book. I did like the characters and empathized with the narrator, but as I've stated previously, the author really needed to work on the voice of his characters as children to give them a more realistic feel.
Trigger warnings for Penpal include death, attempted murder, some profanity, implied pedophilia, violence, and kidnapping.
Overall, Penpal is a confusing book, but I did enjoy the writing style. With some rewriting, this book could be really good and even have the potential to be a great idea for a film. I'd recommend Penpal by Dathan Auerbach to those 16+ who like to figure things out on their own, but be prepared to be left with many questions after you've finished reading it.
The premise for the plot of Penpal is an interesting one. I liked how Auerbach uses the narrator's memories to lead us up to big reveal of what the horrible thing is. However, the execution of this is where it falls short. The memories are out of chronological order which makes things confusing. There were times where I had to really think about what I was reading and try to place it before or after another memory I had read about. Putting the memories in chronological order would have really benefitted this book much better. I will say the pacing was great for Penpal though. I did find myself wanting to know what would happen. The suspense throughout was fantastic! However, I felt the ending was a bit anti-climatic considering all that had happened. By the ending, I was left feeling so confused! I can't really say too much, but there were some things that just didn't make sense. Some of my questions were answered by scouring the internet for answers, but many of my questions about the book went unanswered. I also noticed many had the same questions I had. On the plus side, there were no cliff hangers.
While the narrator and his best friend felt fairly fleshed out, I felt that the author missed their voice when they were children. I just felt that that when they were kids, they would not be talking or acting the way they did. I also felt that the parents needed to keep an eye on their children better! The narrator is never named which I think helps with the suspense of this book. I did like the characters and empathized with the narrator, but as I've stated previously, the author really needed to work on the voice of his characters as children to give them a more realistic feel.
Trigger warnings for Penpal include death, attempted murder, some profanity, implied pedophilia, violence, and kidnapping.
Overall, Penpal is a confusing book, but I did enjoy the writing style. With some rewriting, this book could be really good and even have the potential to be a great idea for a film. I'd recommend Penpal by Dathan Auerbach to those 16+ who like to figure things out on their own, but be prepared to be left with many questions after you've finished reading it.
A muddled faux memoir posing as fiction
This is the eleventh book in my #atozchallenge! I'm challenging myself to read a book from my shelves that starts with each letter of the alphabet. Let's clear those shelves and delve into that backlist!
Jay leaves college, determined to become a writer, and heads to Paris. There he meets a young model, Katerina, and falls in love. Twenty-five years later, Jay is a writer--famous and rich--but he's lost his way. Then he receives a message from a lost love. The message draws him back to memories of his old life and his old loves.
Years ago, James Frey dazzled me with A Million Little Pieces and My Friend Leonard. I loved those books so much, and while I was aware of some of the controversy surrounding Pieces, I don't think I fully grasped it. Katerina is a strange book--a memoir type story hidden as a novel that loosely covers Frey's life, including the time he wrote a novel that was sort of a memoir. Following? Confused? Me too.
I thought Katerina was a book, fiction, but it's really Frey's retelling of his life, trying to cast himself as a sympathetic character (I think? Jay doesn't exactly come across as all that likeable.). It did intrigue me enough to read up more on the past controversies of his life and truly, the end result was that I didn't care for Katerina all that much, and I felt disillusioned about Pieces, a book I really enjoyed. Sigh.
Katerina uses the same stream of consciousness writing style from Pieces, and if you don't want your writing filled with profanity and sex, I wouldn't go near Katerina with a ten-foot pole. There's drinking--so much drinking here--that it physically pained me at times. It's an emotional read--Frey excels at that--and there are some twists. I won't lie, I found it interesting at times, and narcissistic and boring at others. Jay is hard to like in the past and present (the book splits it time between the two), but I do not think Frey cares, and it covers Frey's scandals lightly disguised as Jay's.
It's a beautiful love letter to Paris; the descriptions of the city are wonderful. There's no real characterization of Jay's beloved Katerina (the person), though, and many descriptions are just repetitive. The ending comes up quickly, as well.
Overall, while I found pieces of this novel engaging, I was disappointed overall. Honestly, I'll probably never be able to capture the magic I found in Frey's early works. 2.5 stars.
Jay leaves college, determined to become a writer, and heads to Paris. There he meets a young model, Katerina, and falls in love. Twenty-five years later, Jay is a writer--famous and rich--but he's lost his way. Then he receives a message from a lost love. The message draws him back to memories of his old life and his old loves.
Years ago, James Frey dazzled me with A Million Little Pieces and My Friend Leonard. I loved those books so much, and while I was aware of some of the controversy surrounding Pieces, I don't think I fully grasped it. Katerina is a strange book--a memoir type story hidden as a novel that loosely covers Frey's life, including the time he wrote a novel that was sort of a memoir. Following? Confused? Me too.
I thought Katerina was a book, fiction, but it's really Frey's retelling of his life, trying to cast himself as a sympathetic character (I think? Jay doesn't exactly come across as all that likeable.). It did intrigue me enough to read up more on the past controversies of his life and truly, the end result was that I didn't care for Katerina all that much, and I felt disillusioned about Pieces, a book I really enjoyed. Sigh.
Katerina uses the same stream of consciousness writing style from Pieces, and if you don't want your writing filled with profanity and sex, I wouldn't go near Katerina with a ten-foot pole. There's drinking--so much drinking here--that it physically pained me at times. It's an emotional read--Frey excels at that--and there are some twists. I won't lie, I found it interesting at times, and narcissistic and boring at others. Jay is hard to like in the past and present (the book splits it time between the two), but I do not think Frey cares, and it covers Frey's scandals lightly disguised as Jay's.
It's a beautiful love letter to Paris; the descriptions of the city are wonderful. There's no real characterization of Jay's beloved Katerina (the person), though, and many descriptions are just repetitive. The ending comes up quickly, as well.
Overall, while I found pieces of this novel engaging, I was disappointed overall. Honestly, I'll probably never be able to capture the magic I found in Frey's early works. 2.5 stars.
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