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Icon by Public Enemy
Icon by Public Enemy
2014 | Rhythm And Blues
(0 Ratings)
Album Favorite

"I can't say this about every song on this list, but with this one I was quite aware of what the band were doing when it came out. I wouldn't say Public Enemy are my favourite band, but it's pretty close, and when this record was released, they were the most important group in the world as far as I was concerned. ""They were the most interesting, the most intelligent, and at the time, nobody was more controversial than Chuck D. They were so original; they were breaking new ground with every recording. Before It Takes a Nation of Millions to Hold Us Back, there just wan't music like this. ""That record came out six months before Fear of a Black Planet, and it still felt so sharply of its time because Chuck was talking about everything he'd gone through in the months leading up to it - the controversy with Professor Griff, and everything else. Later on, he said something like, ""Public Enemy is CNN for black people,"" and you get that with this song. It's totally brutal, totally brilliant, and totally of the moment. In the winter of 1990, they just meant everything. ""I've put this one on plenty of mixtapes. Plus, is that a Frankie Goes to Hollywood reference in the title? It's got to be, right?"

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Irrational Man (2015)
Irrational Man (2015)
2015 | Drama
Murderous Woody Allen >> Romantic Woody Allen. Not quite sure why this monstrously clever rush is relegated as slight while just cute fluff like π˜”π˜ͺπ˜₯𝘯π˜ͺ𝘨𝘩𝘡 π˜ͺ𝘯 π˜—π˜’π˜³π˜ͺ𝘴 gets BP noms but hey, more for me. I was initially turned off by this movie's writerly cynicism but soon realized that it was necessary to play into the whole, and reflexively appreciated it more immediately upon realization. Found this to get more and more lusciously beguiling as it went along, pretty much everything you'd want from a story about a philosophy professor who gets embroiled in a crime plot - complete with all of the knowingly self-satisfied dialogue and exploratory (but ultimately [intentionally] bullshit) ethical/moral dilemmas one could hope for. Phoenix and Stone are next level and this is rich with atmosphere without ever being even the slightest bit gaudy. Mainly just an incredibly good idea with a proper execution to back it up, I'm sure I'm alone in this one but this pretty much had my heart pounding more and more with anxiety as it went along - including multiple prolonged sequences where it wanted to burst right out of my chest the whole time - allowing me only to breath a sigh of safe relief upon the first sting of the end credits. Adored it, no doubt one of Allen's best.