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BankofMarquis (1832 KP) rated Don't Look Up (2021) in Movies
Jan 9, 2022
A Brilliant Satire
Satire is a tricky thing to get right, there is a balance between humor and pathos that must be struck in order to drive home the point.
The Netflix Original Satire, DON’T LOOK UP, Directed by Adam McKay (THE BIG SHORT) finds the right line, beautifully.
A send-up of the Climate Change debate (but also, a condemnation of the reaction to the current Global Virus), DON’T LOOK UP has a who’s who of performers that are at the top of their game and delivers a top-notch entertainment that also makes you think.
The plot of the film is simple enough - a PhD Student (Jennifer Lawrence) discovers a “planet killing” comet that is on a collision course with Earth and, joined by her Professor (Leonardo DiCaprio), tries to get the “powers-that-be” to listen to the threat.
DiCaprio (in essence, in the Anthony Fauci role) is superb as the Professor that tries to convince the Politicians about the Science of the threat. His frustration at hitting the brick wall of “political spin” crescendos in an absurdly bravura performance.
Meryl Streep is brilliant (of course) as the President who is more interested in how this situation affects her, politically, than how it affects the populace. She is joined by a sychophantic Jonah Hill (as her son and Chief of Staff). Hill has never been better and understands the nature of this character and mines it for comedic gold.
Cate Blanchette and Tyler Perry are also strong as the Cable News Anchors who are more interested in keeping the conversation “light and fun” and they actually have good “co-anchor” chemistry with each other.
Timothee Chalamet, Mark Rylance, Rob Morgan, Ron Perlman and, yes, Ariana Grande are also strong in smaller, almost cameo, roles.
But the standout star of this film is Jennifer Lawrence as PhD student Kate DiBiasky, the person who discovers the comet (and for whom the comet is named). It is easy to forget just how strong of a performer that Lawrence is but she goes toe-to-toe with Streep/DiCaprio/Blanchette et al and more than holds her own. Her character/performance is the backbone - and conscience - that holds this film together.
Of course, credit for all of this must go to Writer/Director Adam McKay who showed in THE BIG SHORT that he is more than “the comedy Director” of such films like ANCHORMAN and he puts that ability to work, strongly, in this film. He clearly had a vision of what he wanted to put across in this film and straddles the line between humor and seriousness in such a way that no matter what side of the “Global Change” and “Global Pandemic” crisis you are on, you will think that this film skewers you and favors the other side.
Which is the sign of a terrific satire.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
The Netflix Original Satire, DON’T LOOK UP, Directed by Adam McKay (THE BIG SHORT) finds the right line, beautifully.
A send-up of the Climate Change debate (but also, a condemnation of the reaction to the current Global Virus), DON’T LOOK UP has a who’s who of performers that are at the top of their game and delivers a top-notch entertainment that also makes you think.
The plot of the film is simple enough - a PhD Student (Jennifer Lawrence) discovers a “planet killing” comet that is on a collision course with Earth and, joined by her Professor (Leonardo DiCaprio), tries to get the “powers-that-be” to listen to the threat.
DiCaprio (in essence, in the Anthony Fauci role) is superb as the Professor that tries to convince the Politicians about the Science of the threat. His frustration at hitting the brick wall of “political spin” crescendos in an absurdly bravura performance.
Meryl Streep is brilliant (of course) as the President who is more interested in how this situation affects her, politically, than how it affects the populace. She is joined by a sychophantic Jonah Hill (as her son and Chief of Staff). Hill has never been better and understands the nature of this character and mines it for comedic gold.
Cate Blanchette and Tyler Perry are also strong as the Cable News Anchors who are more interested in keeping the conversation “light and fun” and they actually have good “co-anchor” chemistry with each other.
Timothee Chalamet, Mark Rylance, Rob Morgan, Ron Perlman and, yes, Ariana Grande are also strong in smaller, almost cameo, roles.
But the standout star of this film is Jennifer Lawrence as PhD student Kate DiBiasky, the person who discovers the comet (and for whom the comet is named). It is easy to forget just how strong of a performer that Lawrence is but she goes toe-to-toe with Streep/DiCaprio/Blanchette et al and more than holds her own. Her character/performance is the backbone - and conscience - that holds this film together.
Of course, credit for all of this must go to Writer/Director Adam McKay who showed in THE BIG SHORT that he is more than “the comedy Director” of such films like ANCHORMAN and he puts that ability to work, strongly, in this film. He clearly had a vision of what he wanted to put across in this film and straddles the line between humor and seriousness in such a way that no matter what side of the “Global Change” and “Global Pandemic” crisis you are on, you will think that this film skewers you and favors the other side.
Which is the sign of a terrific satire.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Midge (525 KP) rated Before She Knew Him in Books
Mar 18, 2019
An Exceptional Psychological Thriller!
This exceptional psychological thriller from Peter Swanson (author of ‘The Kind Worth Killing’), is an absolute masterpiece!
Henrietta ‘Hen’ Mazur and her husband, Lloyd Harding, have dinner one evening with their new neighbours, Matt and Mira Dolamore, at their suburban Boston home. Following dinner, on a tour of their house, Hen notices a fencing trophy in Matt’s study that she believes was won by Dustin Miller, a college student who was murdered two years previous and who attended the high school where Matt is a history Professor. Matt claims that the trophy was bought in a sale, but Hen, who is obsessed with Dustin’s case, suspects that Matt killed Dustin. However, the next day when she visits Mira, the trophy has vanished, thereby reinforcing her suspicions. But Hen gets little support from the Police or her husband because of her history of mental health problems. An unlikely bond then develops between Hen and Matt, whose traumatic childhood adds tonnes of emotional interest to Peter Swanson’s superb narrative. Lots of twists and turns and an edge-of-your-seat plot keep the suspense in “Before She Knew Him” really high until the fulfilling and dramatic conclusion.
This brilliant psychological novel is a fabulous page-turner and a definite winner.
{Thank you to Edelweiss, HarperCollins UK/William Morrow and Peter Swanson for a free copy and for giving me the opportunity to provide an honest review.}
Henrietta ‘Hen’ Mazur and her husband, Lloyd Harding, have dinner one evening with their new neighbours, Matt and Mira Dolamore, at their suburban Boston home. Following dinner, on a tour of their house, Hen notices a fencing trophy in Matt’s study that she believes was won by Dustin Miller, a college student who was murdered two years previous and who attended the high school where Matt is a history Professor. Matt claims that the trophy was bought in a sale, but Hen, who is obsessed with Dustin’s case, suspects that Matt killed Dustin. However, the next day when she visits Mira, the trophy has vanished, thereby reinforcing her suspicions. But Hen gets little support from the Police or her husband because of her history of mental health problems. An unlikely bond then develops between Hen and Matt, whose traumatic childhood adds tonnes of emotional interest to Peter Swanson’s superb narrative. Lots of twists and turns and an edge-of-your-seat plot keep the suspense in “Before She Knew Him” really high until the fulfilling and dramatic conclusion.
This brilliant psychological novel is a fabulous page-turner and a definite winner.
{Thank you to Edelweiss, HarperCollins UK/William Morrow and Peter Swanson for a free copy and for giving me the opportunity to provide an honest review.}
Lenard (726 KP) rated Tolkien (2019) in Movies
May 19, 2019
Tolkien is a biopic of author/professor JRR Tolkien, the writer of The Hobbit and other fantasy novels. The only reason it was greenlit was to ensnare fans of the LOTR. The film opens with Ronald in the trenches of Belgium during WWI suffering from trench fever. He is overcome with a need to find his friend who he learns is nearby and in dire trouble. We then flashback to his country childhood home located in a village reminiscent of The Shire from his novels. His father has died and left the family with little hope of survival. The church has found a new home for the Tolkiens in Lake-town, I mean Birmingham. Soon, his mother is dead, Ronald and his brother become wards of the Catholic Church and are moved into the home of elderly woman who already cares for a young female pianist. Tolkien earns scholarship to a local private school where he accidentally becomes friends with other artistically inclined young men. One of whom, the poet, is secretly in love with Tolkien. Thus, with a kiss, I die in the trenches of Belgium fron poison gas. The whole film spends so much time finding connections to his famous novels, it never really gets to know the writer himself. Plus, Nicholas Hoult does not help much playing the writer like a Hugh Grant rom-com character. He even does the squinting quirk multiple times to romance his boarding house companion.
Mark Halpern (153 KP) rated Murder on the Orient Express (2017) in Movies
Jan 26, 2018
Exceptional remake
Based on the famous book written by Agatha Christie Novel Murder On The Orient Express. The story of thirteen different strangers and one famous Detective are on one of the most luxurious trains in the eastern hemisphere. One man gets murdered and it is up to famous detective Hercule Poirot to solve the case. The train passengers contain a mixture of classes from a Princess, to countess, a Doctor, a Dancer, The valet, The professor, the gold digger a antiquities dealer and a nurse, a governess, a Count, the Italian fan and the Conductor. They are the suspects in this cold blooded murder. During the murder the an avalanche knocks the train off the tracks and during this is when the body is discovered. It is this stoppage of time that allows our Hero to question the suspects and try to make sense of all the evidence what ever there maybe.
I can't divulge more because there are so many different plot points that it would ruin the chance for you to see the movie and enjoy it.
The Book can never be beat, The first movie was ok but, the remake was fantastic. Stars Melanie Griffith, Judi Dench, William Dafoe, Daisy Ridley, Johnny Deep, Josh Gad, Penople Cruz and Kenneth Branagh. This is an excellent cast for this movie and it is amazing. I do suggest you read the book first but, that is just a suggestion
I can't divulge more because there are so many different plot points that it would ruin the chance for you to see the movie and enjoy it.
The Book can never be beat, The first movie was ok but, the remake was fantastic. Stars Melanie Griffith, Judi Dench, William Dafoe, Daisy Ridley, Johnny Deep, Josh Gad, Penople Cruz and Kenneth Branagh. This is an excellent cast for this movie and it is amazing. I do suggest you read the book first but, that is just a suggestion
FilmIntuition (33 KP) rated The Byline Bible in Books
Aug 20, 2018
In this wholly entertaining guide for freelance writers looking to climb the publication ladder, professor and scribe Susan Shapiro transfers her highly successful, results oriented course to print in a lively new release.
Serving up various writing assignments that might result in you finding out where your strengths lie, from mining your life for irresistible personal essay fodder to locating someone to pitch it to (as well as how to respond to a critique and the most common reactions to expect), Shapiro guides old and new freelancers throughout the entire process from submit to print.
Reminding writers that the fastest way to burn a bridge is to respond to an email in anger, she offers another practical reason to bite one's tongue as charming someone on the staff of a publication with your sincerity, reliability, and professionalism might make an editor far more willing to work with you to get your piece publication ready than a total stranger would be.
With decades of proven experience to back her up both personally as a writer and professionally as a teacher, Shapiro includes countless columns and articles penned by her students over the years as examples throughout.
Giving it to you straight while maintaining a healthy sense of relatable optimism and dry wit that keeps you flipping pages, Susan Shapiro's compellingly readable Byline Bible makes a worthwhile addition to your nonfiction shelf.
Note: I received this title from Bookish First in exchange for an honest review.
Serving up various writing assignments that might result in you finding out where your strengths lie, from mining your life for irresistible personal essay fodder to locating someone to pitch it to (as well as how to respond to a critique and the most common reactions to expect), Shapiro guides old and new freelancers throughout the entire process from submit to print.
Reminding writers that the fastest way to burn a bridge is to respond to an email in anger, she offers another practical reason to bite one's tongue as charming someone on the staff of a publication with your sincerity, reliability, and professionalism might make an editor far more willing to work with you to get your piece publication ready than a total stranger would be.
With decades of proven experience to back her up both personally as a writer and professionally as a teacher, Shapiro includes countless columns and articles penned by her students over the years as examples throughout.
Giving it to you straight while maintaining a healthy sense of relatable optimism and dry wit that keeps you flipping pages, Susan Shapiro's compellingly readable Byline Bible makes a worthwhile addition to your nonfiction shelf.
Note: I received this title from Bookish First in exchange for an honest review.
Phil Leader (619 KP) rated Lord of the Things Book I: The Mellow Hip of the Thing in Books
Nov 20, 2019
This is by no means the first parody of Professor Tolkien's enduring (and weighty) fantasy tale, nor will it be the last. This is a broad retelling of the first book of the classic trilogy, and as such it's really only for people who are familiar with the source book.
This started as an online creation of a discussion group, later edited and extended by the author to the published version. The history shows in the writing, the first half being distinctly uneven in tone and with plenty of things that were no doubt funny to the group, but don't work so well without the background.
However once past Rivendell, things get a lot better (if no less silly), although the story does feel a little rushed. There are some good chuckles to be had throughout as fun is thoroughly poked at some of the rather po-faced pontification of the source text. Yes the jokes use the scattergun approach but enough hit the mark - certainly more later in the story - to make this an entertaining read.
This won't be to everyone's tastes - it is very very silly and the start can be a bit hard going - but this book is there purely to entertain, not to win any literature prizes. The thing is, for all of it's disposable puns, references and silly jokes just occasionally there's a glimpse of some real wit underneath it all.
This started as an online creation of a discussion group, later edited and extended by the author to the published version. The history shows in the writing, the first half being distinctly uneven in tone and with plenty of things that were no doubt funny to the group, but don't work so well without the background.
However once past Rivendell, things get a lot better (if no less silly), although the story does feel a little rushed. There are some good chuckles to be had throughout as fun is thoroughly poked at some of the rather po-faced pontification of the source text. Yes the jokes use the scattergun approach but enough hit the mark - certainly more later in the story - to make this an entertaining read.
This won't be to everyone's tastes - it is very very silly and the start can be a bit hard going - but this book is there purely to entertain, not to win any literature prizes. The thing is, for all of it's disposable puns, references and silly jokes just occasionally there's a glimpse of some real wit underneath it all.
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