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Gareth von Kallenbach (980 KP) rated The Haunted Mansion (2003) in Movies
Jul 28, 2023
Welcome Foolish Mortals to the latest adaptation of the popular Disney attraction as Haunted Mansion has materialized for audiences to enjoy.
This time around the film follows a single mother named Gabbie (RosarioDawson), and her son Travis (Chase W. Dillon).
The family has moved into an abandoned mansion near New Orleans as they look to start over but find that their new abode is haunted.
Despite their best efforts to flee, the ghosts force them to return to the
mansion and they seek help in the form of a Priest named Father Kent (Owen Wilson), and Ben Matthias (LaKeith Stanfield) who has been reduced to doing Ghost Tours following a personal tragedy that saw his lofty skills and career vanish in the aftermath.
When the help finds themselves able to leave the mansion without an
otherworldly escort, they bring in a Medium named Harriet (Tiffany
Haddish) and in time the mysterious Madame Leota (Jamie Lee Curtis).
It is learned that a dangerous ghost is striking fear into the other 999
haunts that inhabit the locale and should he collect his 1000th soul, he
will unleash a new level of terror on the world.
Things become even more complicated with a local professor named Bruce (Danny DeVito) arrives and creates a new Wild Card to the situation.
The movie does a great job of capturing the look and tone of the
attraction as one of the great joys was seeing things ranging from the
pictures to stretching room and other factors big and small from the
attraction portrayed on the big screen.
The cast is great and works well with one another but the movie does take
some time getting ramped up and I did find it dragging in various places.
The audience laughed frequently but for me many of the jokes did not work which I attributed to the focus being on a a younger audience as I found them more amusing than funny.
The FX in the film are solid and Jared Leto’s character is so well done
you cannot recognize him as he has disappeared so deeply into the
character aided by some great visual work.
As a big fan of the attraction it was nice to see a much better take on
the source material than previous efforts.
In the end despite the flaws, there is enough happy nostalgia to keep fans
entertained and hopefully the audience will want to visit the mansion enough that a new franchise is on the way.
3 stars out of 5
This time around the film follows a single mother named Gabbie (RosarioDawson), and her son Travis (Chase W. Dillon).
The family has moved into an abandoned mansion near New Orleans as they look to start over but find that their new abode is haunted.
Despite their best efforts to flee, the ghosts force them to return to the
mansion and they seek help in the form of a Priest named Father Kent (Owen Wilson), and Ben Matthias (LaKeith Stanfield) who has been reduced to doing Ghost Tours following a personal tragedy that saw his lofty skills and career vanish in the aftermath.
When the help finds themselves able to leave the mansion without an
otherworldly escort, they bring in a Medium named Harriet (Tiffany
Haddish) and in time the mysterious Madame Leota (Jamie Lee Curtis).
It is learned that a dangerous ghost is striking fear into the other 999
haunts that inhabit the locale and should he collect his 1000th soul, he
will unleash a new level of terror on the world.
Things become even more complicated with a local professor named Bruce (Danny DeVito) arrives and creates a new Wild Card to the situation.
The movie does a great job of capturing the look and tone of the
attraction as one of the great joys was seeing things ranging from the
pictures to stretching room and other factors big and small from the
attraction portrayed on the big screen.
The cast is great and works well with one another but the movie does take
some time getting ramped up and I did find it dragging in various places.
The audience laughed frequently but for me many of the jokes did not work which I attributed to the focus being on a a younger audience as I found them more amusing than funny.
The FX in the film are solid and Jared Leto’s character is so well done
you cannot recognize him as he has disappeared so deeply into the
character aided by some great visual work.
As a big fan of the attraction it was nice to see a much better take on
the source material than previous efforts.
In the end despite the flaws, there is enough happy nostalgia to keep fans
entertained and hopefully the audience will want to visit the mansion enough that a new franchise is on the way.
3 stars out of 5
Kristy H (1252 KP) rated Fresh Complaint in Books
Jan 10, 2018
Jeffrey Eugenides' short story collection features a variety of stories written across the course of his career, many featured earlier in various publications in previous forms. From the sperm switching antics of "Baster" to the complications of nationality and marriage in "Fresh Complaint" to money and morality in "Great Experiment," we're treated to Eugenides' usual excellent writing and perspective on characters and life.
I often skip story collections, as I tend to feel a loss with them, as if the tale is unfinished, and I just want more details about each character and their motivations and end-state. I picked up FRESH COMPLAINT based solely on my love for Eugenides (Middlesex is an all-time favorite). I won't lie: I still felt that same unfinished feeling at the end of most of the stories. Clearly I just am meant more for long-form fiction. I also hadn't realized when I picked up the book that most of the stories were previously published, but luckily I am not usually reading The New Yorker and such, so I hadn't come across any of these previously.
One of the most exciting discoveries for me was, upon completing "Baster," confirming that it was indeed the premise for the silly film "The Switch" with Jason Bateman and Jennifer Aniston that is an incredibly guilty pleasure of mine. The story differs from the film, but you can clearly see how it's the base, and it's quite enjoyable.
Another favorite of mine was "Fresh Complaint," the final story in the collection, and clearly where it gets its title. We meet a young woman, Prakrtri, who is struggling with the fact that her family is trying to arrange a marriage for her, and a college professor who is traveling for work. How their paths cross is quite interesting. It's detailed, touching, and yet disturbing.
My other favorite was "Great Experiment" featuring an editor, Kendall, in his mid-thirties. He's comparing himself (unfavorably) to his peers, as he struggles financially in his job and resentfully watches his wealthy boss live well while not even providing Kendall health insurance. The story takes an interesting turn, and, as with much of Eugenides work, seems to have a greater message for us.
Overall, I didn't enjoy this as much as an Eugenides novel, because there just isn't the time to fall for his nuanced characters. I still enjoyed many of the stories and realize I probably gravitated toward "Fresh Complaint" and "Great Experiment" because they were some of the longer tales in the collection. If you like Eugenides, you may want to pick up this collection (provided you haven't already read the stories elsewhere). If you haven't read him in any form, go find Middlesex instead. 3.5 stars.
I often skip story collections, as I tend to feel a loss with them, as if the tale is unfinished, and I just want more details about each character and their motivations and end-state. I picked up FRESH COMPLAINT based solely on my love for Eugenides (Middlesex is an all-time favorite). I won't lie: I still felt that same unfinished feeling at the end of most of the stories. Clearly I just am meant more for long-form fiction. I also hadn't realized when I picked up the book that most of the stories were previously published, but luckily I am not usually reading The New Yorker and such, so I hadn't come across any of these previously.
One of the most exciting discoveries for me was, upon completing "Baster," confirming that it was indeed the premise for the silly film "The Switch" with Jason Bateman and Jennifer Aniston that is an incredibly guilty pleasure of mine. The story differs from the film, but you can clearly see how it's the base, and it's quite enjoyable.
Another favorite of mine was "Fresh Complaint," the final story in the collection, and clearly where it gets its title. We meet a young woman, Prakrtri, who is struggling with the fact that her family is trying to arrange a marriage for her, and a college professor who is traveling for work. How their paths cross is quite interesting. It's detailed, touching, and yet disturbing.
My other favorite was "Great Experiment" featuring an editor, Kendall, in his mid-thirties. He's comparing himself (unfavorably) to his peers, as he struggles financially in his job and resentfully watches his wealthy boss live well while not even providing Kendall health insurance. The story takes an interesting turn, and, as with much of Eugenides work, seems to have a greater message for us.
Overall, I didn't enjoy this as much as an Eugenides novel, because there just isn't the time to fall for his nuanced characters. I still enjoyed many of the stories and realize I probably gravitated toward "Fresh Complaint" and "Great Experiment" because they were some of the longer tales in the collection. If you like Eugenides, you may want to pick up this collection (provided you haven't already read the stories elsewhere). If you haven't read him in any form, go find Middlesex instead. 3.5 stars.
Midge (525 KP) rated The First Time I Died in Books
Feb 4, 2019
Captivating An Engaging
I was completely (and unexpectedly) bowled over by this book! Why you might ask? It leapt out at me to be read as it is a thriller which is one of my favourite genres. My enjoyment was unexpected as I am usually wary of anything to do with the paranormal, but not on this occasion. It is not a crime novel where the reader is buried under loads of supernatural information. The thriller and mystery parts are well interwoven along with the paranormal aspects and as a result, I was hooked from the very beginning!
Garnet McGee returns to her home-town in Pitchford, Vermont, at the suggestion of her college professor, who thinks she needs some time away from her studies so that she can re-evaluate what she wants to do with her life. Whilst there, she vows to solve the mystery of a murder which shattered her life ten years ago. But after dying in an accident and being brought back to life, she starts hearing voices, seeing visions and experiencing strange sensations. Are these merely symptoms of post-traumatic stress disorder and an over-active imagination, or is she getting messages from a paranormal presence?
This is the first of Jo Macgregor’s novels I have read and as always when reading a mystery, I started guessing who the main suspect was. Well, I was wrong because it was someone else…
THE FIRST TIME I DIED is unusual in that I had imagined that it would be about Garnet's death, but it was, in fact mostly about someone else’s. I found that this gave the novel an edge that was both engaging and enjoyable. I found it easy to empathise with Garnet and I wanted her to succeed in what she was looking to achieve.
I loved Jo Macgregor’s writing style and some of her descriptions in the novel were so atmospheric, especially those about Plover Pond. The first half of the novel is written in alternating chapters of time, giving the reader clarity, which really worked for me. "Then" referred to a time period of ten years ago, when Garnet was a seventeen-year-old schoolgirl.
Jo Macgregor brought everything together for a fabulous conclusion even though I never did manage to accurately guess who was behind the murder. I haven’t got anything negative thing to say about this book. I loved it and it has left me eager to read more from this author. THE FIRST TIME I DIED is an exciting and action-packed crime/thriller that I highly recommend.
Thank you to Hidden Gems and the author for a free ARC of this book in exchange for a voluntary, honest review.
Garnet McGee returns to her home-town in Pitchford, Vermont, at the suggestion of her college professor, who thinks she needs some time away from her studies so that she can re-evaluate what she wants to do with her life. Whilst there, she vows to solve the mystery of a murder which shattered her life ten years ago. But after dying in an accident and being brought back to life, she starts hearing voices, seeing visions and experiencing strange sensations. Are these merely symptoms of post-traumatic stress disorder and an over-active imagination, or is she getting messages from a paranormal presence?
This is the first of Jo Macgregor’s novels I have read and as always when reading a mystery, I started guessing who the main suspect was. Well, I was wrong because it was someone else…
THE FIRST TIME I DIED is unusual in that I had imagined that it would be about Garnet's death, but it was, in fact mostly about someone else’s. I found that this gave the novel an edge that was both engaging and enjoyable. I found it easy to empathise with Garnet and I wanted her to succeed in what she was looking to achieve.
I loved Jo Macgregor’s writing style and some of her descriptions in the novel were so atmospheric, especially those about Plover Pond. The first half of the novel is written in alternating chapters of time, giving the reader clarity, which really worked for me. "Then" referred to a time period of ten years ago, when Garnet was a seventeen-year-old schoolgirl.
Jo Macgregor brought everything together for a fabulous conclusion even though I never did manage to accurately guess who was behind the murder. I haven’t got anything negative thing to say about this book. I loved it and it has left me eager to read more from this author. THE FIRST TIME I DIED is an exciting and action-packed crime/thriller that I highly recommend.
Thank you to Hidden Gems and the author for a free ARC of this book in exchange for a voluntary, honest review.
Movie Metropolis (309 KP) rated Logan (2017) in Movies
Jun 10, 2019 (Updated Jun 10, 2019)
Third time lucky?
The X-Men franchise is as convoluted as Spaghetti Junction. Littered with constantly changing timelines, it has become the epitome of tiring and fans are getting exasperated too. With every great film (X2, X-Men: Days of Future Past), the series has followed it with some truly awful movies (X-Men: Origins Wolverine, X-Men: Apocalypse).
To this end, Hugh Jackman has finally decided to hang up his Adamantium claws after Logan, his ninth and apparently final outing as the grizzly hero. Are we third time lucky for his solo films?
James Mangold, director of The Wolverine, returns to the director’s chair and helms an at times brutal and uncompromising film speckled with the sort of emotional heft you’d find in the saddest rom-com’s.
In the near future, a weary Logan (Hugh Jackman) cares for an ailing Professor Charles Xavier (Patrick Stewart) in a hide out on the Mexican border accompanied by long-time acquaintance Caliban (Stephen Merchant). But Logan’s attempts to hide from the world and his legacy are upended when a young mutant, Laura, (Dafne Keen) arrives, being pursued by unspeakable dark forces.
In parts, Logan feels very much like a Western. The bleak, unforgiving Mexican landscape is a beautiful change from the dreary concrete jungles that blight the majority of superhero films these days and this is where Logan will either succeed or fail. It doesn’t feel like a superhero film, despite its faithfulness to the Old Man Logan comics.
Much like a metaphor for the genre itself, Logan has grown weary of the world and it is a testament to Hugh Jackman’s acting capabilities that he is able to add yet another dimension to a character that has been a cinema staple since the Millennium. Patrick Stewart is also on top form showing a vulnerable side to the world’s smartest mutant. Newcomer, Dafne Keen is also exceptional despite her limited dialogue.
Heartfelt scenes in which the oddball family share dinner with kind strangers are strikingly juxtaposed with sequences of sheer brutality. If you thought Deadpool was bloody, you haven’t seen anything yet. And for all the violence, Logan is the most poignant film in the entire X-Men canon, wearing its 15 certification proudly when it needs to, but not shying away from sections of quiet contemplation.
Negatives? Well, in spite of its gargantuan length, the ending feels a little tacked on and rushed – something a lot of modern blockbusters seem to feel is necessary at the moment and the final 30 minutes are a slight anti-climax in comparison to what preceded it, but on the whole, this final outing for Hugh Jackman proves a fitting one. Third time’s a charm!
https://moviemetropolis.net/2017/03/03/third-time-lucky-logan-review/
To this end, Hugh Jackman has finally decided to hang up his Adamantium claws after Logan, his ninth and apparently final outing as the grizzly hero. Are we third time lucky for his solo films?
James Mangold, director of The Wolverine, returns to the director’s chair and helms an at times brutal and uncompromising film speckled with the sort of emotional heft you’d find in the saddest rom-com’s.
In the near future, a weary Logan (Hugh Jackman) cares for an ailing Professor Charles Xavier (Patrick Stewart) in a hide out on the Mexican border accompanied by long-time acquaintance Caliban (Stephen Merchant). But Logan’s attempts to hide from the world and his legacy are upended when a young mutant, Laura, (Dafne Keen) arrives, being pursued by unspeakable dark forces.
In parts, Logan feels very much like a Western. The bleak, unforgiving Mexican landscape is a beautiful change from the dreary concrete jungles that blight the majority of superhero films these days and this is where Logan will either succeed or fail. It doesn’t feel like a superhero film, despite its faithfulness to the Old Man Logan comics.
Much like a metaphor for the genre itself, Logan has grown weary of the world and it is a testament to Hugh Jackman’s acting capabilities that he is able to add yet another dimension to a character that has been a cinema staple since the Millennium. Patrick Stewart is also on top form showing a vulnerable side to the world’s smartest mutant. Newcomer, Dafne Keen is also exceptional despite her limited dialogue.
Heartfelt scenes in which the oddball family share dinner with kind strangers are strikingly juxtaposed with sequences of sheer brutality. If you thought Deadpool was bloody, you haven’t seen anything yet. And for all the violence, Logan is the most poignant film in the entire X-Men canon, wearing its 15 certification proudly when it needs to, but not shying away from sections of quiet contemplation.
Negatives? Well, in spite of its gargantuan length, the ending feels a little tacked on and rushed – something a lot of modern blockbusters seem to feel is necessary at the moment and the final 30 minutes are a slight anti-climax in comparison to what preceded it, but on the whole, this final outing for Hugh Jackman proves a fitting one. Third time’s a charm!
https://moviemetropolis.net/2017/03/03/third-time-lucky-logan-review/
Movie Metropolis (309 KP) rated Arrival (2016) in Movies
Jun 11, 2019
Thrilling from start to finish
Sci-fi seems to be having somewhat of a renaissance recently, that is, if you don’t count Independence Day: Resurgence which could’ve easily derailed the whole genre, never mind just the franchise.
What with last year’s The Martian, the rebirth of Star Wars and the upcoming Passengers, sci-fi is really getting its mojo back. The subject of this review, Arrival, has been hailed as a masterpiece across the Atlantic. But is it worthy of such a strong adjective?
From the director of Prisoners and Sicario; Arrival is not only one of the best sci-fi films of the last year, it’s up there with the genre’s greatest assets. We’re talking a Close Encounters level of good.
Linguistics professor Louise Banks (Amy Adams) leads an elite team of investigators when humongous spaceships touch down in 12 locations around the world. As nations teeter on the verge of global war, Banks and her crew must race against time to find a way to communicate with the extra-terrestrial visitors. Hoping to unravel the mystery, she takes a chance that could threaten her life and quite possibly all of mankind.
Amy Adams leads a pleasing cast that includes commanding turns from Forest Whitaker and Jeremy Renner but it is in our female protagonist that we find the most joy. Adams is fast becoming one of Hollywood’s best actresses and her complex character is superbly written and incredibly well acted.
Elsewhere, the cinematography is truly exceptional with the alien craft taking a backseat to sweeping landscapes from across the world. The focal point of the film, a lush and open Montana valley is filmed to a breath-taking standard especially during Arrival’s opening sequences.
When it comes to special effects, director Denis Villeneuve doesn’t bombard the audience with constant CGI, instead opting for a laidback approach. Even the aliens themselves are understated in their appearance. It’s also fair to say that the film is a slow-burner with very little in the way of action – though it manages to stay well-clear of becoming tedious.
In spite of all this though, Arrival’s greatest strength is its story. This is thinking person’s sci-fi that somehow manages to cement its themes with an emotional heft of gravitational proportions. Throughout the 114 minute running time, we’re constantly reminded of our characters and where it is they come from, something missing from the majority of mass-market blockbusters these days.
Overall, Arrival is more than worthy of an adjective like masterpiece. From it’s incredible story and beautiful cinematography to what is Amy Adams’ best performance to date, it’s a new classic for the sci-fi genre and well worth a watch.
https://moviemetropolis.net/2016/11/11/thrilling-from-start-to-finish-arrival-review/
What with last year’s The Martian, the rebirth of Star Wars and the upcoming Passengers, sci-fi is really getting its mojo back. The subject of this review, Arrival, has been hailed as a masterpiece across the Atlantic. But is it worthy of such a strong adjective?
From the director of Prisoners and Sicario; Arrival is not only one of the best sci-fi films of the last year, it’s up there with the genre’s greatest assets. We’re talking a Close Encounters level of good.
Linguistics professor Louise Banks (Amy Adams) leads an elite team of investigators when humongous spaceships touch down in 12 locations around the world. As nations teeter on the verge of global war, Banks and her crew must race against time to find a way to communicate with the extra-terrestrial visitors. Hoping to unravel the mystery, she takes a chance that could threaten her life and quite possibly all of mankind.
Amy Adams leads a pleasing cast that includes commanding turns from Forest Whitaker and Jeremy Renner but it is in our female protagonist that we find the most joy. Adams is fast becoming one of Hollywood’s best actresses and her complex character is superbly written and incredibly well acted.
Elsewhere, the cinematography is truly exceptional with the alien craft taking a backseat to sweeping landscapes from across the world. The focal point of the film, a lush and open Montana valley is filmed to a breath-taking standard especially during Arrival’s opening sequences.
When it comes to special effects, director Denis Villeneuve doesn’t bombard the audience with constant CGI, instead opting for a laidback approach. Even the aliens themselves are understated in their appearance. It’s also fair to say that the film is a slow-burner with very little in the way of action – though it manages to stay well-clear of becoming tedious.
In spite of all this though, Arrival’s greatest strength is its story. This is thinking person’s sci-fi that somehow manages to cement its themes with an emotional heft of gravitational proportions. Throughout the 114 minute running time, we’re constantly reminded of our characters and where it is they come from, something missing from the majority of mass-market blockbusters these days.
Overall, Arrival is more than worthy of an adjective like masterpiece. From it’s incredible story and beautiful cinematography to what is Amy Adams’ best performance to date, it’s a new classic for the sci-fi genre and well worth a watch.
https://moviemetropolis.net/2016/11/11/thrilling-from-start-to-finish-arrival-review/
Kristy H (1252 KP) rated Goodbye, Vitamin in Books
Jan 21, 2018
Funny (2 more)
Sweet moments
Well-written
Lovely, touching read
After a rough breakup with her fiance, Ruth reluctantly accepts her mother's request to return home and help care for her father, Howard, who is suffering from Alzheimer's disease. Once home, Ruth realizes that Howard--an extremely well-respected professor of history--has his good days and bad days, while her mother has stopped cooking (blaming the aluminum in cookware for Howard's illness). Floundering at first, Ruth eventually steps up, cooking for her family, helping her father, and generally trying to regain her footing. But even she cannot ignore that her father's condition is worsening.
This is an interesting novel, told in short bits and pieces, as if Ruth is talking to her father and describing their days. It covers one year after she comes to stay and comes across almost as if a diary, with a very conversational tone (interspersed with her random thoughts). It's oddly compelling and often humorous, despite the serious subject matter. Occasionally, we get a few snippets from a journal Ruth's father kept during her childhood, chronicling funny things she did or said as a child.
As for Ruth, there's a lightness to many of her stories and observations, but also a sadness: she's watching her beloved, intelligent father fall prey to Alzheimer's; there is a darkness as well, as she grapples with finding out imperfections about her parents' marriage and life. The character list is limited, but all we need, including Ruth's younger brother, Linus; Howard's former teaching assistant, Theo; and a few of Ruth's friends. Ruth comes across as a very real person: she doesn't have it all together, but that's okay. A few pieces of the overall story path are predictable, but do not detract from your overall enjoyment of the book.
The few portions we get from Howard's journal regarding young Ruth are amazing: they humanize him and definitely capture parenthood perfectly. They also so well illustrate how Ruth and Howard are slowly switching roles from child to parent, as Ruth almost begins to have similar observations about her own failing father. The way Khong depicts the sadness and poignancy in these moments is just beautiful and brilliant.
In the end, this is a different kind of book: you have to have the patience for it. It doesn't necessarily tell a story in a full arc, but it's sweet and moving. I very much liked Ruth and the novel (even I did wonder how both Ruth and eventually Linus could afford to stay with their parents, while jobless, but oh well.). Lovely and touching - certainly worth picking up.
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review
This is an interesting novel, told in short bits and pieces, as if Ruth is talking to her father and describing their days. It covers one year after she comes to stay and comes across almost as if a diary, with a very conversational tone (interspersed with her random thoughts). It's oddly compelling and often humorous, despite the serious subject matter. Occasionally, we get a few snippets from a journal Ruth's father kept during her childhood, chronicling funny things she did or said as a child.
As for Ruth, there's a lightness to many of her stories and observations, but also a sadness: she's watching her beloved, intelligent father fall prey to Alzheimer's; there is a darkness as well, as she grapples with finding out imperfections about her parents' marriage and life. The character list is limited, but all we need, including Ruth's younger brother, Linus; Howard's former teaching assistant, Theo; and a few of Ruth's friends. Ruth comes across as a very real person: she doesn't have it all together, but that's okay. A few pieces of the overall story path are predictable, but do not detract from your overall enjoyment of the book.
The few portions we get from Howard's journal regarding young Ruth are amazing: they humanize him and definitely capture parenthood perfectly. They also so well illustrate how Ruth and Howard are slowly switching roles from child to parent, as Ruth almost begins to have similar observations about her own failing father. The way Khong depicts the sadness and poignancy in these moments is just beautiful and brilliant.
In the end, this is a different kind of book: you have to have the patience for it. It doesn't necessarily tell a story in a full arc, but it's sweet and moving. I very much liked Ruth and the novel (even I did wonder how both Ruth and eventually Linus could afford to stay with their parents, while jobless, but oh well.). Lovely and touching - certainly worth picking up.
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review
Kristy H (1252 KP) rated River Road in Books
Feb 8, 2018
Nan Lewis is a creative writing professor at a state school in upstate New York. She lives alone after the tragic death of her young daughter, Emmy--an incident which her marriage could not survive. She's recently been denied tenure by her school and is upset and agitated the university's holiday party. On her way home, she hits a deer, but cannot find the animal when she goes to check on it. Nan eventually makes it back home in a snowstorm, leaving her car at the bottom of her icy, unplowed driveway. But when she wakes in the morning, she learns that one of her prized students, Leia, was killed in a hit-and-run the night before on River Road: the exact road where Nan hit the deer. Because her car was damaged from hitting the deer, Nan is the prime suspect, and she quickly loses the support of her colleagues, who point out that she has become a functioning alcoholic since her daughter's death. Even worse, Nan starts seeing signs that remind her of Emmy's death. Are Emmy and Leia's deaths related? How much did Nan have to drink the night she hit the deer? Will she clear her name before her entire life is destroyed?
I'm honestly not sure why I enjoyed this book as much as I did. It had several things working against it: 1) an unlikable narrator who drinks heavily; 2) a storyline that heavily involved dead children and pets (why?!); and 3) an easily guessed villain. Still, I found this one compulsively readable and stayed up far past my bedtime to finish the second half of the book. Nan grew on me, and I found myself almost protective of her. The lead policeman in the novel, Joe, was a favorite of mine. While I figured out the villain fairly early, I didn't understand the motives, so the plot kept me guessing until the end. Goodman weaves several storylines together--which intersect, but loosely--and somehow they all work. There are several supporting characters, including the woman who killed Nan's daughter and a young single mother from one of Nan's classes, who give the novel a surprising depth.
Anyway, despite some of the craziness, I found myself enjoying the book and racing to finish it. I first fell in love with Goodman due to her novel [b:The Lake of Dead Languages|120274|The Lake of Dead Languages|Carol Goodman|https://d.gr-assets.com/books/1320554718s/120274.jpg|3159707]. That book was impressive and still sits on my bookshelf to this day. If you haven't read it, I certainly recommend it. However, [b:River Road|25111007|River Road|Carol Goodman|https://d.gr-assets.com/books/1454544060s/25111007.jpg|44804735] is a fun thriller and a worthy diversion.
I'm honestly not sure why I enjoyed this book as much as I did. It had several things working against it: 1) an unlikable narrator who drinks heavily; 2) a storyline that heavily involved dead children and pets (why?!); and 3) an easily guessed villain. Still, I found this one compulsively readable and stayed up far past my bedtime to finish the second half of the book. Nan grew on me, and I found myself almost protective of her. The lead policeman in the novel, Joe, was a favorite of mine. While I figured out the villain fairly early, I didn't understand the motives, so the plot kept me guessing until the end. Goodman weaves several storylines together--which intersect, but loosely--and somehow they all work. There are several supporting characters, including the woman who killed Nan's daughter and a young single mother from one of Nan's classes, who give the novel a surprising depth.
Anyway, despite some of the craziness, I found myself enjoying the book and racing to finish it. I first fell in love with Goodman due to her novel [b:The Lake of Dead Languages|120274|The Lake of Dead Languages|Carol Goodman|https://d.gr-assets.com/books/1320554718s/120274.jpg|3159707]. That book was impressive and still sits on my bookshelf to this day. If you haven't read it, I certainly recommend it. However, [b:River Road|25111007|River Road|Carol Goodman|https://d.gr-assets.com/books/1454544060s/25111007.jpg|44804735] is a fun thriller and a worthy diversion.
BankofMarquis (1832 KP) rated Jumanji: Welcome to the Jungle (2017) in Movies
Jul 18, 2018
A fun, family friendly action comedy
JUMANJI was a fun film from the middle 1990's, starring the late, great ROBIN WILLIAMS. And, when I heard that they were making a sequel to this film 22 years later and starring Dwayne "The Rock" Johnson, I thought "no thanks" and even skipped seeking it out at movie theaters over the winter, even after I heard that it was "pretty fun".
I finally caught up to it on a recent flight and I have to admit - I was wrong for skipping this film JUMANJI: WELCOME TO THE JUNGLE is a fun romp with The Rock ably filling the lead role, aided by a strong supporting cast.
JUMANJI was about a board came come to life. JUMANJI: WELCOME TO THE JUNGLE has the same board game that morphs itself into a video game and when 4 High Schoolers stumble across it while serving detention, well...comedy - and adventure - ensue.
The four high schoolers are typical THE BREAKFAST CLUB stereotypes. The nerdy boy, the hot girl, the jock boy and the dorky girl. When these four are transported into the game they take on the outward appearance - and skills - of their video game characters - the nerdy body becomes the dashing hero (Dwayne "The Rock" Johnson). The hot girl becomes the dumpy (male!) professor (Jack Black). The jock becomes the un-athletic short kid (Kevin Hart) and the dorky girl becomes the kick-ass girl (Karen Gillan). It is the 4 actors playing their high school counterparts in their bodies that is the core of this film - and the center of the charm and fun of this film. All 4 shine. Johnson and Hart (back together after CENTRAL INTELLIGENCE) show that the chemistry they showed with each other in the previous film is no fluke. Gillan (Nebula in the GUARDIANS OF THE GALAXY films) shows that she can do kick-ass well - and with a wink in her eye. But it is the performance of Black that steals things. Someone said to me that Black was made to play a "hot high school girl" and I would have to agree. He almost steals the movie.
Director Jake Kasdan (the TV series NEW GIRL) understands what kind of film that he is making, so keeps the fun and action going at a superficial, almost cartoon level, never really stopping to breathe (or to think). He keeps things light - and family friendly - with just enough "almost" dirty jokes to keep young and old alike interested. It earns - but never crosses the line - of it's PG-13 rating. There is talk of a sequel, and I, for one, am looking forward to it.
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank(ofMarquis
I finally caught up to it on a recent flight and I have to admit - I was wrong for skipping this film JUMANJI: WELCOME TO THE JUNGLE is a fun romp with The Rock ably filling the lead role, aided by a strong supporting cast.
JUMANJI was about a board came come to life. JUMANJI: WELCOME TO THE JUNGLE has the same board game that morphs itself into a video game and when 4 High Schoolers stumble across it while serving detention, well...comedy - and adventure - ensue.
The four high schoolers are typical THE BREAKFAST CLUB stereotypes. The nerdy boy, the hot girl, the jock boy and the dorky girl. When these four are transported into the game they take on the outward appearance - and skills - of their video game characters - the nerdy body becomes the dashing hero (Dwayne "The Rock" Johnson). The hot girl becomes the dumpy (male!) professor (Jack Black). The jock becomes the un-athletic short kid (Kevin Hart) and the dorky girl becomes the kick-ass girl (Karen Gillan). It is the 4 actors playing their high school counterparts in their bodies that is the core of this film - and the center of the charm and fun of this film. All 4 shine. Johnson and Hart (back together after CENTRAL INTELLIGENCE) show that the chemistry they showed with each other in the previous film is no fluke. Gillan (Nebula in the GUARDIANS OF THE GALAXY films) shows that she can do kick-ass well - and with a wink in her eye. But it is the performance of Black that steals things. Someone said to me that Black was made to play a "hot high school girl" and I would have to agree. He almost steals the movie.
Director Jake Kasdan (the TV series NEW GIRL) understands what kind of film that he is making, so keeps the fun and action going at a superficial, almost cartoon level, never really stopping to breathe (or to think). He keeps things light - and family friendly - with just enough "almost" dirty jokes to keep young and old alike interested. It earns - but never crosses the line - of it's PG-13 rating. There is talk of a sequel, and I, for one, am looking forward to it.
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank(ofMarquis
Louise (64 KP) rated Harry Potter and the Chamber of Secrets in Books
Jul 2, 2018
The school year is just about to start and once again Harry finds himself back at 4 Privet Drive with the Dursley's. Harry Potter is to attend his second year at Hogwarts school of Witchcraft and Wizardry but for some reason a strange house elf named Dobby appears in his bedroom one evening warning him that he cannot go back to school as it is unsafe. This Dobby creature doesn't let Harry know how he has got such information but when Harry doesn't agree to stay away he starts making life even more unbearable with the Dursley's.
Harry's second year at Hogwarts is not all plain and simple as he was hoping, he appears to attract attention from unwanted people...mostly Draco Malfoy. When Students start being petrified into a coma like state and a message informing the 'Chamber of Secrets' has been opened.... Harry, Ron and Hermione take it upon themselves to find the culprit.
There were some new characters introduced in this second edition of Harry Potter, we meet Dobby the house elf, who is trying to persuade Harry not to go to Hogwarts this year. I loved that we got another magical creature into the book and that he was a house elf/servant and explores classes, his relevance in the story is explained as the story progresses. Gilderoy Lockhart is the new professor for the defence against the dark arts, Lockhart is a self obsessed, pompous, egotistical character that is very annoying. Then we have Moaning Myrtle the ghost that haunts the girls toilets, it's in the name really she moans a lot and feels sorry for herself and always crying but again with every character in the book, she has relevance to the story. Ginny Weasley the last of the Weasley clan has started school and is very shy around Harry, it appears she has somewhat of a crush. We have all the same characters as the first book and you get to see Harry, Ron and Hermione grow and develop.
There is a lot of repetition in this book, I think you could read this second book without reading the first as she explains things over again, It is the shortest book among the series but it is fast paced, packed full of adventure and written in true J K Rowling style. It has you gripped all the way through. This isn't my favourite book of the series and I think that is because there are a lot of annoying characters in my opinion.
Favourite character of the book for me so far is Hagrid, I like the way he is written as big softy and the dialect of the dialogue makes him more endearing.
This book is an excellent continuation of the Harry Potter series and definitely recommend the book to anyone.
Harry's second year at Hogwarts is not all plain and simple as he was hoping, he appears to attract attention from unwanted people...mostly Draco Malfoy. When Students start being petrified into a coma like state and a message informing the 'Chamber of Secrets' has been opened.... Harry, Ron and Hermione take it upon themselves to find the culprit.
There were some new characters introduced in this second edition of Harry Potter, we meet Dobby the house elf, who is trying to persuade Harry not to go to Hogwarts this year. I loved that we got another magical creature into the book and that he was a house elf/servant and explores classes, his relevance in the story is explained as the story progresses. Gilderoy Lockhart is the new professor for the defence against the dark arts, Lockhart is a self obsessed, pompous, egotistical character that is very annoying. Then we have Moaning Myrtle the ghost that haunts the girls toilets, it's in the name really she moans a lot and feels sorry for herself and always crying but again with every character in the book, she has relevance to the story. Ginny Weasley the last of the Weasley clan has started school and is very shy around Harry, it appears she has somewhat of a crush. We have all the same characters as the first book and you get to see Harry, Ron and Hermione grow and develop.
There is a lot of repetition in this book, I think you could read this second book without reading the first as she explains things over again, It is the shortest book among the series but it is fast paced, packed full of adventure and written in true J K Rowling style. It has you gripped all the way through. This isn't my favourite book of the series and I think that is because there are a lot of annoying characters in my opinion.
Favourite character of the book for me so far is Hagrid, I like the way he is written as big softy and the dialect of the dialogue makes him more endearing.
This book is an excellent continuation of the Harry Potter series and definitely recommend the book to anyone.
Andrew Koltuniuk (762 KP) Aug 2, 2023