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Kristy H (1252 KP) rated A Good Neighborhood in Books
Mar 26, 2020
Oak Knoll is a close-knit multiracial neighborhood in North Carolina where everyone looks out for one another. Valerie Alston-Holt, a professor and single mother, has raised her biracial son, Xavier, there since he was small. Their calm life changes, however, when the Whitman family moves in next door. First they raze the current house and build a "Mcmansion," whose very existence threatens the health of Valerie's beloved historic oak tree. Brad Whitman is a local celebrity, known for his charisma and commercials for his company, Whitman HVAC. His wife, Julia, has long escaped her trailer park days and is now raising her daughters Julia and Lily in a privilege she once dreamed of. But soon the Alston-Holts and Whitmans find them themselves fighting over the oak tree's well-being and then, the budding romance between Julia and Xavier.
"An upscale new house in a simple old neighborhood. A girl on a chaise beside a swimming pool, who wants to be left alone. We begin our story here, in the minutes before the small event that will change everything."
This book took my heart and spit it right out again. Oh my goodness. It's a different, beautiful, and absolutely heartbreaking read. We're told from the very beginning--by our omniscient third person narrator--that something bad is going to happen. And yet, I lived in denial that this was true. I devoured this book in two halves. It's utterly engrossing, and the characters just pop off the pages. The teens, especially. Oh Juniper and Xavier. I will not easily forget either of you.
A Good Neighborhood tackles a host of timely topics, and it handles all of them deftly. Race, religion, sexism, feminism--none of these are exempt in the pages of this novel. We see whiteness as a symbolism for purity, and we watch as Juniper struggles with the set of values being pushed upon her by her mother and stepfather, including a "purity vow" to remain both a virgin and loyal to her future husband. And then there's Xavier, a talented musician, who has been raised by his strong mother after his father's death. She wants so much for her son to do anything, but yet lives in fear because he is biracial. Juniper, Xavier, and Valerie were such powerful characters.
I do not want to give much of the plot away, but I can tell you that this book is heartbreaking and beautiful. It will get you to think about racism and sexism. The strong themes of good versus evil are presented in such a unique and compelling manner. Adding the third-person piece just gives an extra piece to the story. This book is incredibly well-written and will stay with you for quite some time. 4.5 stars.
"An upscale new house in a simple old neighborhood. A girl on a chaise beside a swimming pool, who wants to be left alone. We begin our story here, in the minutes before the small event that will change everything."
This book took my heart and spit it right out again. Oh my goodness. It's a different, beautiful, and absolutely heartbreaking read. We're told from the very beginning--by our omniscient third person narrator--that something bad is going to happen. And yet, I lived in denial that this was true. I devoured this book in two halves. It's utterly engrossing, and the characters just pop off the pages. The teens, especially. Oh Juniper and Xavier. I will not easily forget either of you.
A Good Neighborhood tackles a host of timely topics, and it handles all of them deftly. Race, religion, sexism, feminism--none of these are exempt in the pages of this novel. We see whiteness as a symbolism for purity, and we watch as Juniper struggles with the set of values being pushed upon her by her mother and stepfather, including a "purity vow" to remain both a virgin and loyal to her future husband. And then there's Xavier, a talented musician, who has been raised by his strong mother after his father's death. She wants so much for her son to do anything, but yet lives in fear because he is biracial. Juniper, Xavier, and Valerie were such powerful characters.
I do not want to give much of the plot away, but I can tell you that this book is heartbreaking and beautiful. It will get you to think about racism and sexism. The strong themes of good versus evil are presented in such a unique and compelling manner. Adding the third-person piece just gives an extra piece to the story. This book is incredibly well-written and will stay with you for quite some time. 4.5 stars.
Kristy H (1252 KP) rated The Maidens in Books
Jun 24, 2021
A lackluster and dull thriller
Mariana Andros is a group therapist and Cambridge University graduate. She is mourning her late husband, Sebastian, when their niece, Zoe, calls, upset because a friend at Cambridge has been murdered. Mariana and Sebastian raised Zoe as a surrogate daughter, so Mariana heads to Cambridge and St. Christopher's College to be there for her. There, Mariana feels she can help her friend and fellow therapist, Julian Ashcroft, in looking into the murder. Mariana is convinced that Greek tragedy professor Edward Fosca is responsible. He is followed around by a group of female students, deemed The Maidens, who seem obsessed with Fosca and his teachings. When another girl, a Maiden, is found dead, Mariana vows she will do anything to stop him.
"Death was no stranger to Mariana; it had been her traveling companion since she was a child--keeping close behind her, hovering just over her shoulder. She sometimes felt she had been cursed, as if by some malevolent goddess in a Greek myth, to lose everyone she ever loved."
Unpopular opinion time... this book did not work for me. I did not find it engaging nor interesting. I had to force myself to keep reading, as I did not care for any of the characters, including Mariana and Zoe. Mariana is fixated on Edward Fosca from the beginning and seems convinced she should insert herself in a rather serious murder investigation despite not seeming one bit qualified. I'm not sure how her group therapist qualifications lend her any credentials and she lies constantly, much to the annoyance (justified) and detriment of the police. There are basically no sympathetic characters, and there seems to be no reason to care about the murdered women, as we're given no background on them. Some characters (e.g., Julian) seem inserted for no reason whatsoever.
There is a lot of Greek mythology tucked into the story and perhaps I was just over it, as I've read several books revolving around Greek myths lately. It was a lot, though, and sometimes did not seem relevant to our story.
This thriller is certainly atmospheric, with Cambridge playing a strong role in the setting. You definitely feel a part of the academic setting, and I learned a lot about the university while reading. It's dark and somewhat foreboding, but since I was not fully invested in the story, I could only feel so tense. There are some twists, but the big twist came too late and seemed too preposterous to be truly exciting. The author throws in so many red herrings that you find yourself almost rolling your eyes.
Still, this is a very popular thriller for many readers, so chances are it may work for you. For me, it just didn't hold my interest or seem all that, well, thrilling. 2 stars.
"Death was no stranger to Mariana; it had been her traveling companion since she was a child--keeping close behind her, hovering just over her shoulder. She sometimes felt she had been cursed, as if by some malevolent goddess in a Greek myth, to lose everyone she ever loved."
Unpopular opinion time... this book did not work for me. I did not find it engaging nor interesting. I had to force myself to keep reading, as I did not care for any of the characters, including Mariana and Zoe. Mariana is fixated on Edward Fosca from the beginning and seems convinced she should insert herself in a rather serious murder investigation despite not seeming one bit qualified. I'm not sure how her group therapist qualifications lend her any credentials and she lies constantly, much to the annoyance (justified) and detriment of the police. There are basically no sympathetic characters, and there seems to be no reason to care about the murdered women, as we're given no background on them. Some characters (e.g., Julian) seem inserted for no reason whatsoever.
There is a lot of Greek mythology tucked into the story and perhaps I was just over it, as I've read several books revolving around Greek myths lately. It was a lot, though, and sometimes did not seem relevant to our story.
This thriller is certainly atmospheric, with Cambridge playing a strong role in the setting. You definitely feel a part of the academic setting, and I learned a lot about the university while reading. It's dark and somewhat foreboding, but since I was not fully invested in the story, I could only feel so tense. There are some twists, but the big twist came too late and seemed too preposterous to be truly exciting. The author throws in so many red herrings that you find yourself almost rolling your eyes.
Still, this is a very popular thriller for many readers, so chances are it may work for you. For me, it just didn't hold my interest or seem all that, well, thrilling. 2 stars.
Darren (1599 KP) rated Hellmington (2018) in Movies
Sep 13, 2019
Characters – Samantha Woodhouse is a detective from a big city, she returns home with her father being on his deathbed, to help plan for the next stage, she decides to stick around after learning about missing person that hasn’t ever been solved, where she must face her own connection of her past, while trying to understand what actually happened to the missing girl. Rupert is the Uncle to Samantha, he is the local sheriff that bought her back, only to wish for her to leave the case alone. Professor Freeborn is one of the locals experts that is helping Samantha understand the truth around what might be happening. We do meet a host of potential suspects, or residents that do have a chapter to say when it comes to unlocking the truth.
Performances – This movie revolves around the performance Nicola Correia-Damude gives, she is involved in every scene and you can understand the mindset of her character as she both learns truths and faces pasts through the film. Michael Ironside might well be the biggest name in the film and does everything we need him to do. The rest of the cast is strong through the film too.
Story – The story follows a detective that returns home for her father’s funeral, only to find herself investigating a missing persons case, one that does mean she must face her own past to learn the truth. This is an interesting story because it does show us how your past can come back to haunt you and investigating a bigger case can only make you see the people in your life in a different light. We do follow just one character which will show us how they are learning about the case, just as we are, which is nice too be left in the dark about certain parts instead of being given all answers. We do get pushed down different ideas of what is happening which does keep us guessing and will leave shocked by the truth.
Horror – The film does use horror elements which involve how the Samantha is experience strange events while trying to uncover the truth.
Settings – The film is set in one locations which is the hometown of the Samantha which is filled with memories, some she liked, others she doesn’t want to.
Special Effects – The effects in the film are strong when needed, we don’t use them too often which isn’t needed.
Scene of the Movie – The first visit of the stranger.
That Moment That Annoyed Me – Slightly rushed finished.
Final Thoughts – This is an interesting horror that deals with the investigation into a missing person, it has a wonderful leading lady performance and does keep you guessing.
Overall: Strong horror investigation.
Performances – This movie revolves around the performance Nicola Correia-Damude gives, she is involved in every scene and you can understand the mindset of her character as she both learns truths and faces pasts through the film. Michael Ironside might well be the biggest name in the film and does everything we need him to do. The rest of the cast is strong through the film too.
Story – The story follows a detective that returns home for her father’s funeral, only to find herself investigating a missing persons case, one that does mean she must face her own past to learn the truth. This is an interesting story because it does show us how your past can come back to haunt you and investigating a bigger case can only make you see the people in your life in a different light. We do follow just one character which will show us how they are learning about the case, just as we are, which is nice too be left in the dark about certain parts instead of being given all answers. We do get pushed down different ideas of what is happening which does keep us guessing and will leave shocked by the truth.
Horror – The film does use horror elements which involve how the Samantha is experience strange events while trying to uncover the truth.
Settings – The film is set in one locations which is the hometown of the Samantha which is filled with memories, some she liked, others she doesn’t want to.
Special Effects – The effects in the film are strong when needed, we don’t use them too often which isn’t needed.
Scene of the Movie – The first visit of the stranger.
That Moment That Annoyed Me – Slightly rushed finished.
Final Thoughts – This is an interesting horror that deals with the investigation into a missing person, it has a wonderful leading lady performance and does keep you guessing.
Overall: Strong horror investigation.
Darren (1599 KP) rated Our Kind of Traitor (2016) in Movies
Sep 16, 2019
Characters – Perry is a university professor, he is trying to make amends with his wife on a romantic holiday, he reluctantly gets involved in the information trade with his good nature being used by both sides. Gail is the lawyer wife of Perry, she has become distant from him while still loving him and does question his decision to help Dima. Dima is the Russian mafia handling the accounts, but he wants out to help his own children become safe, he uses his connection with Perry to get MI6 involved in the truth. Hector is the MI6 agent that is willing to work with Dima for the information in exchange for the family, he does have his own grudge with the man they are trying to take down too.
Performances – The performances through the film show us just what Le Carre does with his characters, he gives them good moments, without making them stand out. McGregor is good, but you feel a younger up and comer would have been perfect here, Harris is good and doesn’t put a foot wrong, while Skarsgard enjoys his role, shady but loyal. Damian Lewis brings back his true English role which at times does feel weird knowing how often he has been an American character recently.
Story – The story comes from a John Le Carre novel, so instantly we know we are going to get a thriller that keeps us guessing on what everyone’s motivation will be. The idea that a normal couple get mixed up in the middle of an international information exchange is different and does work for the film because it helps us stay on edge thinking and wondering if they do have a bigger involvement. The story does feel like that one moment to make it great is missing, as everything does end up feeling just normal and good only.
Crime – The crime side of the film follows a criminal looking for a safe way out of the life for his family in exchange for bringing down the mafia’s dealings in London.
Settings – The film splits the settings between London, for the deals, Morocco for the exchanges and the final location for the next chapter of the lives, they work because they show how this world would operate.
Scene of the Movie – The escape.
That Moment That Annoyed Me – It lacks the edge of your seat style of Le Carre novels have given us.
Final Thoughts – This is a solid thriller even if it lacks that final factor to make it one of the best ones, it does the by the book material well, but never develops the characters enough to understand the situation they put themselves in.
Overall: Simple thriller.
Performances – The performances through the film show us just what Le Carre does with his characters, he gives them good moments, without making them stand out. McGregor is good, but you feel a younger up and comer would have been perfect here, Harris is good and doesn’t put a foot wrong, while Skarsgard enjoys his role, shady but loyal. Damian Lewis brings back his true English role which at times does feel weird knowing how often he has been an American character recently.
Story – The story comes from a John Le Carre novel, so instantly we know we are going to get a thriller that keeps us guessing on what everyone’s motivation will be. The idea that a normal couple get mixed up in the middle of an international information exchange is different and does work for the film because it helps us stay on edge thinking and wondering if they do have a bigger involvement. The story does feel like that one moment to make it great is missing, as everything does end up feeling just normal and good only.
Crime – The crime side of the film follows a criminal looking for a safe way out of the life for his family in exchange for bringing down the mafia’s dealings in London.
Settings – The film splits the settings between London, for the deals, Morocco for the exchanges and the final location for the next chapter of the lives, they work because they show how this world would operate.
Scene of the Movie – The escape.
That Moment That Annoyed Me – It lacks the edge of your seat style of Le Carre novels have given us.
Final Thoughts – This is a solid thriller even if it lacks that final factor to make it one of the best ones, it does the by the book material well, but never develops the characters enough to understand the situation they put themselves in.
Overall: Simple thriller.
Kristy H (1252 KP) rated I'd Give Anything in Books
Jun 11, 2020
At eighteen, Ginny "Zinny" Beale is a lighthearted, fun, brave girl with a close group of friends and brother with whom she can unite against their uptight mother. But one night changes all of that. Someone sets the town's high school on fire and in the aftermath, the father of Ginny's best friend, Gray, is dead. The townspeople look for someone to blame--leaving most of it on a troubled teen--but Ginny learns some news that changes her entire world. She tells no one, but the secret alters her life and leaves her an outcast among her friends and family. Over the next twenty years, Ginny transitions, settling down, returning to her hometown and marrying Harris, a professor. They have a daughter, Avery, and Ginny cares for her mother, who is dying. But when scandal rocks the town again--this time focused on Harris--Ginny has to make some choices. It's time to confront the past and the secret she's kept buried all this time.
"In one night, one night, I lost all of them."
I adore Marisa de los Santos and her writing, though this wasn't my favorite of her books. Still, she's just so good at capturing the little moments in life: nailing down the feelings and emotions of her characters. Ginny, Avery, and others spring to life in this one. The story swings between past and present, with older excerpts often told from Ginny's diary entries. It takes a while to learn Ginny's big secret, which is a bit of a pet peeve of mine: I'm not always a fan of dragging out a secret.
This is a poignant and sad read, delving into marriage, love, and parenthood. My favorite character was fifteen-year-old Avery, who is hit hard by the incident involving her father, Harris. In many ways, I was far more invested in Avery's growth than Ginny's--I liked Ginny, but I couldn't quite find myself fully wanting to root for her. Although the juxtaposition between young Zinny and present-day Ginny was quite well-done.
Did you stop being your old selves? Did they fall away? Were you always only the self you were in the present?
The book explores how one secret can so change a person and the ripple effect it has on many lives. Ms. de los Santos examines her characters very closely via her writing, and I will always love picking up her books and getting an intimate look at her cast of players. In the end, this is a touching and well-written novel, even if I couldn't always find myself fully engaged in Ginny's world. 3.75 stars, rounded to 4 here.
"In one night, one night, I lost all of them."
I adore Marisa de los Santos and her writing, though this wasn't my favorite of her books. Still, she's just so good at capturing the little moments in life: nailing down the feelings and emotions of her characters. Ginny, Avery, and others spring to life in this one. The story swings between past and present, with older excerpts often told from Ginny's diary entries. It takes a while to learn Ginny's big secret, which is a bit of a pet peeve of mine: I'm not always a fan of dragging out a secret.
This is a poignant and sad read, delving into marriage, love, and parenthood. My favorite character was fifteen-year-old Avery, who is hit hard by the incident involving her father, Harris. In many ways, I was far more invested in Avery's growth than Ginny's--I liked Ginny, but I couldn't quite find myself fully wanting to root for her. Although the juxtaposition between young Zinny and present-day Ginny was quite well-done.
Did you stop being your old selves? Did they fall away? Were you always only the self you were in the present?
The book explores how one secret can so change a person and the ripple effect it has on many lives. Ms. de los Santos examines her characters very closely via her writing, and I will always love picking up her books and getting an intimate look at her cast of players. In the end, this is a touching and well-written novel, even if I couldn't always find myself fully engaged in Ginny's world. 3.75 stars, rounded to 4 here.
Kristy H (1252 KP) rated Heartbreak for Hire in Books
Aug 19, 2021
A wreck of a romance
Brinkley Saunders tells everyone she works as an administrative assistant. But she really works at
Heartbreak for Hire, an undercover operation that specializes in a variety of revenge schemes for jilted lovers, annoyed coworkers, and more. She dropped out of grad school in the aftermath of a disastrous relationship--much to the despair of her mother--but the job helps Brinkley save for her dream of opening her own art gallery. However, when her boss Margo announces she's hiring male Heartbreakers for the first time, Brinkley starts questioning her purpose, especially when one of the new hires is a target she was paid to take down. Markus Cavanaugh is an adjunct anthropology professor at University of Chicago. He doesn't seem like the backstabbing academic she was told to go after... and as she gets to know Markus more and continues to question her role as a Heartbreaker, Brinkley realizes a lot of things aren't what they seem.
"I had my career, my cat, control. The Three C's of avoiding that hopeless cycle of loving someone who didn't love me back."
I feel awful, but this book just did not work for me at all. I almost didn't finish it, but I really try to complete all my ARCs. Ironically I hated most of it except the end, which was actually pretty good. But most of this one had me cringing. Brinkley's job is terrible and makes no sense--I couldn't even see how Heartbreakers and the division of "Egos, Players, Cheaters, and Grifters" would even possibly translate to the real world. Her boss is absolutely awful.
"If we trained men to break women's hearts, what did that say about our mission? What did that say about us?"
The book is filled with ridiculous contrived fights and plot-lines, and I didn't buy the relationship between her and Markus at all. They like each other, hate each other, rinse and repeat, with a bunch of silly "twists" thrown in over and over to keep them apart. Do something and stop whining (this applies equally to them both). It was just boring and stupid, and I couldn't handle all the bad decisions. If there's going to be conflict, I want it to be realistic, and if there's going to be romance, I want to buy into the couple and feel a genuine affection toward them. But with everyone being so hateful to each other, an entire profession created toward tearing people down, and a bunch of random contrived obstacles thrown up to keep Markus and Brinkley apart... I just couldn't handle it.
A lot of other people enjoyed this one far more than me, so hopefully you will too.
I received a copy of this book from Gallery Books and Netgalley in return for an unbiased review.
Heartbreak for Hire, an undercover operation that specializes in a variety of revenge schemes for jilted lovers, annoyed coworkers, and more. She dropped out of grad school in the aftermath of a disastrous relationship--much to the despair of her mother--but the job helps Brinkley save for her dream of opening her own art gallery. However, when her boss Margo announces she's hiring male Heartbreakers for the first time, Brinkley starts questioning her purpose, especially when one of the new hires is a target she was paid to take down. Markus Cavanaugh is an adjunct anthropology professor at University of Chicago. He doesn't seem like the backstabbing academic she was told to go after... and as she gets to know Markus more and continues to question her role as a Heartbreaker, Brinkley realizes a lot of things aren't what they seem.
"I had my career, my cat, control. The Three C's of avoiding that hopeless cycle of loving someone who didn't love me back."
I feel awful, but this book just did not work for me at all. I almost didn't finish it, but I really try to complete all my ARCs. Ironically I hated most of it except the end, which was actually pretty good. But most of this one had me cringing. Brinkley's job is terrible and makes no sense--I couldn't even see how Heartbreakers and the division of "Egos, Players, Cheaters, and Grifters" would even possibly translate to the real world. Her boss is absolutely awful.
"If we trained men to break women's hearts, what did that say about our mission? What did that say about us?"
The book is filled with ridiculous contrived fights and plot-lines, and I didn't buy the relationship between her and Markus at all. They like each other, hate each other, rinse and repeat, with a bunch of silly "twists" thrown in over and over to keep them apart. Do something and stop whining (this applies equally to them both). It was just boring and stupid, and I couldn't handle all the bad decisions. If there's going to be conflict, I want it to be realistic, and if there's going to be romance, I want to buy into the couple and feel a genuine affection toward them. But with everyone being so hateful to each other, an entire profession created toward tearing people down, and a bunch of random contrived obstacles thrown up to keep Markus and Brinkley apart... I just couldn't handle it.
A lot of other people enjoyed this one far more than me, so hopefully you will too.
I received a copy of this book from Gallery Books and Netgalley in return for an unbiased review.
Kristy H (1252 KP) rated The Dreamers in Books
Apr 4, 2019 (Updated Apr 8, 2019)
Beautiful, fascinating read
In Santa Lora, California, it all begins at the college. It precisely originates with Kara, who climbs into her bed and never wakes up. Her roommate, Mei, finds her, panicking when nothing rouses the girl. Then another girl falls asleep. And another. And then more. Soon classes are canceled. The kids on the floor are quarantined. And before you know it, things escalate from there. A mapping of brain activity shows that the sleepers are dreaming--dreaming extraordinarily active dreams in fact. But what are they dreaming of? And can anything stop "the sickness" from spreading?
"Whatever this is, it comes over them quietly; a sudden drowsiness, a closing of the eyes. Most of the victims are found in their beds."
I found this book to be utterly fascinating and such a wonderful change of pace. It was almost like reading a horror film at some points (and I'm not the type who likes scary movies). It was compulsively readable--I read it in five settings, completely drawn into the creepy, amazing, and sometimes horrifying story.
The book is told from the point of view of a variety of characters--all in short snippets--and through an often impassive narration style. Still, you grow to care for the few characters you do get to know: Mei and some of the other college students; kids Libby and Sara and their apocalyptic-fearing father; professors Ben and Annie and their new baby, Grace; a biology professor, Nathaniel, and his partner, Henry; and Dr. Catherine Cohen, a psychiatrist called in after the sickness starts.
There's really no way to describe this book, and I do not want to reveal too much about the plot. It's beautifully written, which is amazing, considering it's mostly a book about a near plague spreading through a town. The characters, even though their chapters are often short and sparse, are fully-formed. It's easy to get attached to them and pulled into their lives, which are so quickly altered by the sickness. And it's amazing how quickly the sickness changes life in Santa Lora: how a town can nearly become a war-zone due to illness. It was really intriguing to read about, especially when the narration style is so mesmerizing and presents such a creepy helplessness (I wish I could describe it better).
Overall, I really, really enjoyed this book. The subject matter was not what I usually read, but it was a fascinating, captivating read. I was drawn to the characters and the narration style. The book presented such an interesting scenario to think about too--what would happen if this occurred in real-life society? Walker's writing is beautiful, and I've already tracked down her novel, The Age of Miracles, on Paperbackswap.com, and look forward to reading it soon.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
"Whatever this is, it comes over them quietly; a sudden drowsiness, a closing of the eyes. Most of the victims are found in their beds."
I found this book to be utterly fascinating and such a wonderful change of pace. It was almost like reading a horror film at some points (and I'm not the type who likes scary movies). It was compulsively readable--I read it in five settings, completely drawn into the creepy, amazing, and sometimes horrifying story.
The book is told from the point of view of a variety of characters--all in short snippets--and through an often impassive narration style. Still, you grow to care for the few characters you do get to know: Mei and some of the other college students; kids Libby and Sara and their apocalyptic-fearing father; professors Ben and Annie and their new baby, Grace; a biology professor, Nathaniel, and his partner, Henry; and Dr. Catherine Cohen, a psychiatrist called in after the sickness starts.
There's really no way to describe this book, and I do not want to reveal too much about the plot. It's beautifully written, which is amazing, considering it's mostly a book about a near plague spreading through a town. The characters, even though their chapters are often short and sparse, are fully-formed. It's easy to get attached to them and pulled into their lives, which are so quickly altered by the sickness. And it's amazing how quickly the sickness changes life in Santa Lora: how a town can nearly become a war-zone due to illness. It was really intriguing to read about, especially when the narration style is so mesmerizing and presents such a creepy helplessness (I wish I could describe it better).
Overall, I really, really enjoyed this book. The subject matter was not what I usually read, but it was a fascinating, captivating read. I was drawn to the characters and the narration style. The book presented such an interesting scenario to think about too--what would happen if this occurred in real-life society? Walker's writing is beautiful, and I've already tracked down her novel, The Age of Miracles, on Paperbackswap.com, and look forward to reading it soon.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
As a child, Miles watched in horror as his mother was murdered before his very eyes. Despite that awful event, Miles grew up into a well-respected professor, as well as an inventor. He married his wife, Lily, and they had a family, daughter Eva and son Errol. Miles loves to tinker in his workshop while Eva watches and assists. Miles best invention, however? A machine built off plans supposedly from Thomas Edison and handed down to Miles: it allows you to speak with your deceased loved ones. But Miles' hard-fought happy adult life ends when a terrible storm hits his family home: at the same time, the machine turns itself on, warning them of danger. Shortly after, Eva awakes and is told by Lily that Miles and Errol are dead. Their home has been lost in the "Great Flood," and they can never return. Eva reinvents herself as Necco, and she and her mother find a new life among the homeless of Burntown. But then Necco's mother dies and a series of events shows that Necco is in grave danger. What exactly happened the night of the Great Flood? And will Necco ever be safe again?
The premise of this book probably sounds absurd, but please, don't let it deter you. I've read a handful of McMahon's books over time now and liked them all, but <i>I really, really enjoyed this book.</i> Many of her books have a blend of paranormal, fantasy, etc., and this one was no exception, expertly weaving in fantasy and supernatural flavors into a surprisingly riveting mystery.
The novel starts off a bit convoluted--there are a lot of narrators--and you have to suspend your disbelief at times for the plot to work, but it's really worth it. Necco is a wonderful character, and she's surrounded by this intriguing group of people, including Pru, a cafeteria lady/circus fanatic; Theo, a high school student finding her way; and Mr. Marcelle, a delivery man who helps out his private investigator brother. McMahon seamlessly weaves together these characters--and many more--into a mesmerizing tale that is part ghost story, part mystery, part love story. I honestly couldn't put this book down: I stayed up late to finish it.
This novel isn't your usual mystery or your usual supernatural tale, but it's certainly worth reading if you like one or both genres. There's a sweetness to it, as well as a completely compelling plot that will pull you in immediately.
You can read my review of McMahon's novel, THE NIGHT SISTER, <a href="https://www.goodreads.com/book/show/24040551-the-night-sister">here</a>;.
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The premise of this book probably sounds absurd, but please, don't let it deter you. I've read a handful of McMahon's books over time now and liked them all, but <i>I really, really enjoyed this book.</i> Many of her books have a blend of paranormal, fantasy, etc., and this one was no exception, expertly weaving in fantasy and supernatural flavors into a surprisingly riveting mystery.
The novel starts off a bit convoluted--there are a lot of narrators--and you have to suspend your disbelief at times for the plot to work, but it's really worth it. Necco is a wonderful character, and she's surrounded by this intriguing group of people, including Pru, a cafeteria lady/circus fanatic; Theo, a high school student finding her way; and Mr. Marcelle, a delivery man who helps out his private investigator brother. McMahon seamlessly weaves together these characters--and many more--into a mesmerizing tale that is part ghost story, part mystery, part love story. I honestly couldn't put this book down: I stayed up late to finish it.
This novel isn't your usual mystery or your usual supernatural tale, but it's certainly worth reading if you like one or both genres. There's a sweetness to it, as well as a completely compelling plot that will pull you in immediately.
You can read my review of McMahon's novel, THE NIGHT SISTER, <a href="https://www.goodreads.com/book/show/24040551-the-night-sister">here</a>;.
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Kristy H (1252 KP) rated Hold Still in Books
Feb 13, 2018
Maya is an English professor (her specialty is Woolf) dealing with her daughter Ellie's drug addiction and general disinterest with life. The daughter of two college professors, Ellie has never lived up to her familial expectations. Instead, she's drifting, experimenting, and causing her mother great angst. So Maya sends Ellie to Florida, to stay with her friend, Annie and her family: husband Stephen and five-year-old son, Jack. Annie is having her own issues with Jack and looking for some help. But Maya doesn't tell her friend all of Ellie's woes. Then one day, disaster strikes on Ellie's watch, and things will never be the same again. Now, both Ellie and Maya must confront the aftermath of their actions.
This was an interesting book. It's told in chapters that alternate between Ellie's perspective and Maya's; they also alternate in time: before the event and after. The before chapters lead right up to said event. You know generally what has happened, but not how, so it's surprisingly suspenseful for a book that's mainly about emotions and feelings. As such, the novel conveys a stressful tension immediately. It also does an excellent job of delving into the frightening ramifications of becoming a parent. How much do we influence what our kids become? We see Maya--herself so influenced by her own family situation--and then realize her own effects on Ellie. It's startling and humbling.
However, there is a little bit of a "been there, done that" feeling when reading, of experiencing yet another novel of well-off New York parents screwing up their kids. Neither Maya nor Ellie are really likable in any capacity, and while that's not a problem per se, they are harder to relate to than one would think. (Also not likable: her husband. I felt great sympathy for the younger son, Ben.) There were moments I found myself drawn to Maya, but overall, she was too distant and too horrible to really feel any connection to whatsoever. That fact that she's nearly as immature as her daughter was perhaps the point, but I'm not sure it was one I enjoyed or felt was worth making. Also, the plotlines related to Maya's teaching assistant and other friends seem odd and inserted into the story at times.
Still, it was a well-written novel and the somewhat parallel storylines of a lost and drifting mother and daughter were well-done. I'm not sure about the ending, though. In fact, for a good part of the book, I found myself wondering more about Maya's friend, Annie. I think her story might have been one I would have enjoyed more. Overall, the novel certainly makes you feel and the parenting elements resonate. But will it stay with me? I don't think so.
I received an ARC of this novel from Netgalley (thank you!); it is available for U.S. publication on 3/21/16. You can check out a review of this novel and many others on my <a href="http://justacatandabookatherside.blogspot.com/">blog</a>;.
This was an interesting book. It's told in chapters that alternate between Ellie's perspective and Maya's; they also alternate in time: before the event and after. The before chapters lead right up to said event. You know generally what has happened, but not how, so it's surprisingly suspenseful for a book that's mainly about emotions and feelings. As such, the novel conveys a stressful tension immediately. It also does an excellent job of delving into the frightening ramifications of becoming a parent. How much do we influence what our kids become? We see Maya--herself so influenced by her own family situation--and then realize her own effects on Ellie. It's startling and humbling.
However, there is a little bit of a "been there, done that" feeling when reading, of experiencing yet another novel of well-off New York parents screwing up their kids. Neither Maya nor Ellie are really likable in any capacity, and while that's not a problem per se, they are harder to relate to than one would think. (Also not likable: her husband. I felt great sympathy for the younger son, Ben.) There were moments I found myself drawn to Maya, but overall, she was too distant and too horrible to really feel any connection to whatsoever. That fact that she's nearly as immature as her daughter was perhaps the point, but I'm not sure it was one I enjoyed or felt was worth making. Also, the plotlines related to Maya's teaching assistant and other friends seem odd and inserted into the story at times.
Still, it was a well-written novel and the somewhat parallel storylines of a lost and drifting mother and daughter were well-done. I'm not sure about the ending, though. In fact, for a good part of the book, I found myself wondering more about Maya's friend, Annie. I think her story might have been one I would have enjoyed more. Overall, the novel certainly makes you feel and the parenting elements resonate. But will it stay with me? I don't think so.
I received an ARC of this novel from Netgalley (thank you!); it is available for U.S. publication on 3/21/16. You can check out a review of this novel and many others on my <a href="http://justacatandabookatherside.blogspot.com/">blog</a>;.
Gareth von Kallenbach (980 KP) rated My Super Ex-Girlfriend (2006) in Movies
Aug 14, 2019
William Shakespeare once wrote that “Hell Hath No Fury Like A Woman Scorned”. Never was a phrase more prophetic than in the case of the new Ivan Reitman comedy My “Super-Ex Girlfriend” which is a clever twist on the obsessive lover genre made popular by films such as “Fatal Attraction”.
The film stars Luke Wilson as Matt Saunders, an easy going guy who works with a architecture firm and who is on the rebound after becoming single from what his friends refer to as a crazy woman.
Since Matt has been single for six months, he at the urging of his friend Vaughn (Rain Wilson), approaches a woman on the subway, who is at first very icy towards him. Fate steps in and soon the two decide to setup a date.
Soon after Matt meets up with his new acquaintance Jenny Johnson (Uma Thurman) and the two begin to see each other despite the concern Matt has that something is different about Jenny.
In time, Jenny reveals to Matt that she is in fact the super heroine G-Girl which is a huge ego stroke to Matt and convinces him that is why he is getting an odd vibe from Jenny due to the train of hiding her real identity from the world.
Since Matt is the only person Jenny has ever told about her secret, she believes that this is a huge step in their relationship which will help them become closer and fall deeply in love.
That does not happen as Jenny soon becomes very Jealous of Matt and his friendship with perky co-worker Hannah (Anna Faris). Soon things begin to deteriorate for Matt as Jenny is becoming very obsessive, needy and psychotic, which forces Matt at the urging of Vaughn to call things off with Jenny.
This decision by Matt turns out to be a big mistake as the emotionally unbalanced Jenny decides to use her super abilities to make like hell for Matt who before he knows what hit him, has every aspect of his life and career under assault from the vindictive G-Girl.
As if this was not enough trouble for Matt, he realizes that he is falling for Hannah, all of which only adds to the fury and wrath brought on By G-Girl.
Further complications arise when Professor Bedlam (Eddie Izzard) enters the scene as the arch-nemesis for G-Girl. The two become wary allies and the comedic aftermath that follows is packed with light hearted fun.
The film is thin on plot and character development by the leads work well with one another as does Wanda Sykes as an over zealous office manager. While some may dismiss the inane and lightweight nature of the film, others may see this as charming, which in the end is how I found this film, lightweight, but a fun diversion.
The film stars Luke Wilson as Matt Saunders, an easy going guy who works with a architecture firm and who is on the rebound after becoming single from what his friends refer to as a crazy woman.
Since Matt has been single for six months, he at the urging of his friend Vaughn (Rain Wilson), approaches a woman on the subway, who is at first very icy towards him. Fate steps in and soon the two decide to setup a date.
Soon after Matt meets up with his new acquaintance Jenny Johnson (Uma Thurman) and the two begin to see each other despite the concern Matt has that something is different about Jenny.
In time, Jenny reveals to Matt that she is in fact the super heroine G-Girl which is a huge ego stroke to Matt and convinces him that is why he is getting an odd vibe from Jenny due to the train of hiding her real identity from the world.
Since Matt is the only person Jenny has ever told about her secret, she believes that this is a huge step in their relationship which will help them become closer and fall deeply in love.
That does not happen as Jenny soon becomes very Jealous of Matt and his friendship with perky co-worker Hannah (Anna Faris). Soon things begin to deteriorate for Matt as Jenny is becoming very obsessive, needy and psychotic, which forces Matt at the urging of Vaughn to call things off with Jenny.
This decision by Matt turns out to be a big mistake as the emotionally unbalanced Jenny decides to use her super abilities to make like hell for Matt who before he knows what hit him, has every aspect of his life and career under assault from the vindictive G-Girl.
As if this was not enough trouble for Matt, he realizes that he is falling for Hannah, all of which only adds to the fury and wrath brought on By G-Girl.
Further complications arise when Professor Bedlam (Eddie Izzard) enters the scene as the arch-nemesis for G-Girl. The two become wary allies and the comedic aftermath that follows is packed with light hearted fun.
The film is thin on plot and character development by the leads work well with one another as does Wanda Sykes as an over zealous office manager. While some may dismiss the inane and lightweight nature of the film, others may see this as charming, which in the end is how I found this film, lightweight, but a fun diversion.