Deep Simplicity: Bringing Order to Chaos and Complexity
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Over the past two decades, no field of scientific inquiry has had a more striking impact across a...
Pictures of Perfection (Dalziel & Pascoe #14)
10.0
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Reginald Hill's ironic humor, polished prose, and keen insight have placed him squarely alongside...
It Looks Like This
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A new state, a new city, a new high school. Mike's father has already found a new evangelical church...
Bullying Death and Dying
Oh Yeah, Audrey!
9.0
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It’s 5:00 a.m. on Fifth Avenue, and 16-year-old Gemma Beasley is standing in front of Tiffany &...
Evelyn Waugh's Oxford
6.0
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Evelyn Waugh’s Oxford years were so formative that the city never left him, appearing again and...
It Is Wood, It Is Stone
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With sharp, gorgeous prose, It Is Wood, It Is Stone takes place over the course of a year in São...
The Memoirs of Stockholm Sven
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In 1916, Sven Ormson leaves Stockholm to seek adventure in Svalbard, an Arctic archipelago where...
Arctic Memoir Historical Fiction
Lyndsey Gollogly (2893 KP) rated Norse Mythology in Books
Mar 8, 2022
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Norse Mythology
By Neil Gaiman
⭐️⭐️⭐️⭐️
Neil Gaiman, long inspired by ancient mythology in creating the fantastical realms of his fiction, presents a bravura rendition of the Norse gods and their world from their origin though their upheaval in Ragnarok.
In Norse Mythology, Gaiman stays true to the myths in envisioning the major Norse pantheon: Odin, the highest of the high, wise, daring, and cunning; Thor, Odin’s son, incredibly strong yet not the wisest of gods; and Loki—son of a giant—blood brother to Odin and a trickster and unsurpassable manipulator.
Gaiman fashions these primeval stories into a novelistic arc that begins with the genesis of the legendary nine worlds and delves into the exploits of deities, dwarfs, and giants. Through Gaiman’s deft and witty prose, these gods emerge with their fiercely competitive natures, their susceptibility to being duped and to duping others, and their tendency to let passion ignite their actions, making these long-ago myths breathe pungent life again.
Quick read and so good I really enjoyed Gaimans retellings!
David McK (3251 KP) rated Infernal Devices (Mortal Engines #3) in Books
Dec 12, 2021
As before, I found this to be uncertain of its own identity: the language and general style of the prose would lead you to believe it was written for children (or even the so-called tweenage audience), but then you get into the 'meat' of the story, with child slavery, death and mutilation all abounding!
Professor Pennyroyal also makes a return, with Hester Shaw herself coming across more - in this - as a complex anti-villain than she did in the previous entries, and with this also seeing the return of the Stalkers Shrike and Fang, both of whom largely drive the plot.
Worth a read, but maybe not the best 'jumping-on' point.
Hara05 (11 KP) rated The Tattooist of Auschwitz in Books
Jun 30, 2019
Boy, what I disappointed.
The premise of this book offered so much potential but from the first page, I found myself cringing. I haven't read a book so poorly written since the Fifty Shades fiasco and although I'm loathe to compare the two (one a poorly informed erotica and this one, a book on such a important and harrowing topic) I find that I cannot help it.
As I've said, the premise offered so much potential. A true story of the Holocaust from a little explored prospective which shines a light on the suffering of all those forced through the gates of Auschwitz and Birkenau, this book could have been something truly special, resonating with so many readers on so many levels. Instead, the reader must grapple through pages of unrealistic dialogue, clunky exchanges and at times, very simplistic prose which simply makes the reader bored. We must never be bored when it comes to The Holocaust - of anything, the horrific event should have us all squirming, almost in a sea of distress as we turn each page for how else can we learn from this? How can we take on board the lessons that must be learned when we cannot connect with the characters?
The fact that this is a true story just adds to the disappointment. So many survivors spent their lives too afraid or too completely isolated to ever want to share their experiences with the world and yet, here we have a brave survivor , willing to do just that and their story is completely ruined by awful story telling. Whether all of the survivors story is true or not is not the issue here, it's how the story has been presented and bundled up beneath an eye catching cover.
So bad is the writing, so terribly constructed is the prose, that I found myself forcing myself to finish. By the time I did read the final sentence, I was relieved. Not my usual relief of 'Thank God, they survived!' but instead, relieved that I had managed to get through it. By the time the end came, I still did not feel any connection to the main characters other than the sympathy that they were forced to live through that ordeal. Of course, I was routing for them but not because of anything included in the book rather because they were real human beings who found themselves in such a place.
What is so disappointing is the fact that, with all the media attention and advertising this book received, it could have been at the forefront of the movement to raise awareness of The Holocaust. With so many survivors now gone, most without having shared their own stories, this book could have really been something special. It could have educated masses of people and made us take a long, hard look at ourselves and the world around us.
Instead, it is only memorable it's disjointed prose and simplicity, when it's premise is anything but simple.