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Mr. Churchill's Secretary (Maggie Hope Mystery, #1)
8.5
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London, 1940. Winston Churchill has just been sworn in, war rages across the Channel, and the threat...
If I Die Tonight
9.5
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Reminiscent of the bestsellers of Laura Lippman and Harlan Coben—with a dose of Big Little Lies or...
suspense fiction thriller
Hazel (2934 KP) rated The Life She Wants in Books
Nov 21, 2021
I am a fan of Mel Sherratt's work and always look forward to reading her books but, I have to say, never have I been so confused as I was with this one.
Now, whilst at first this might seem to be a negative, let me reassure you that if you stick with it, everything falls into place very nicely and the confusion was well worth it in the end.
Told from different perspectives over different timelines, this is a complex storyline which deals with various unsavoury but important and contemporary themes; coercive control, domestic abuse and loss. These are hard-hitting subjects but Mel deals with them with respect.
There are a number of characters and all have a part to play but I found I didn't really focus on them that much as I was more interested in the story and how it was going to play out. That's not to say they weren't great characters, far from it, it's just that the story was so engrossing that they felt secondary to me somehow.
Full of secrets, lies and manipulation, this is a book that makes you angry and sympathetic all at the same time. It's definitely one that kept me totally engrossed and I couldn't read fast enough.
With atmosphere, suspense and tension aplenty, this is a book that I would definitely recommend to lovers of psychological thrillers and I have to thank Bookouture and NetGalley for my copy in return for an honest, unbiased and unedited review.
Now, whilst at first this might seem to be a negative, let me reassure you that if you stick with it, everything falls into place very nicely and the confusion was well worth it in the end.
Told from different perspectives over different timelines, this is a complex storyline which deals with various unsavoury but important and contemporary themes; coercive control, domestic abuse and loss. These are hard-hitting subjects but Mel deals with them with respect.
There are a number of characters and all have a part to play but I found I didn't really focus on them that much as I was more interested in the story and how it was going to play out. That's not to say they weren't great characters, far from it, it's just that the story was so engrossing that they felt secondary to me somehow.
Full of secrets, lies and manipulation, this is a book that makes you angry and sympathetic all at the same time. It's definitely one that kept me totally engrossed and I couldn't read fast enough.
With atmosphere, suspense and tension aplenty, this is a book that I would definitely recommend to lovers of psychological thrillers and I have to thank Bookouture and NetGalley for my copy in return for an honest, unbiased and unedited review.
Jesters_folly (230 KP) rated We're all going to the world's fair (2021) in Movies
Oct 8, 2022
Contains spoilers, click to show
We're all going to the world's fair is an interesting film. The story focuses on Cassey, a girl who decides to take the 'World fair' change, an online/live action horror game. Before taking the challenge the player is warned that game will change them. The player then says "I want to go to the world fair" 3 times, pricks their finger to draw blood then watch a short video. They then film how they are changed.
'World's fair' is mostly shot as YouTube videos and Snapchats, most of which are from Cassey's perspective, other 'World's fair' players or the other main character, JBL.
With only two major characters the film is a slow burn, following the effect the game has on Cassey and the help that JBL tries to give her.
The film ends in a certain ambiguity, both with just how serious Cassey is taking the game and with what JBL's intentions really are and I do think that the film may have been better without the final scene as (I feel) it takes away a bit of the final mystery.
'We're all going to the world's fair' is more creepy than scary and doesn't really have any gore or jump scares relying on a more creeping, psychological form of horror as we watch Cassey's deterioration.
'We're all going to the world's fair' is an interesting film that plays on the the phenomenon of creepy pasta and role-play but doesn't offer anything for gore, slasher, body horror fans.
'World's fair' is mostly shot as YouTube videos and Snapchats, most of which are from Cassey's perspective, other 'World's fair' players or the other main character, JBL.
With only two major characters the film is a slow burn, following the effect the game has on Cassey and the help that JBL tries to give her.
The film ends in a certain ambiguity, both with just how serious Cassey is taking the game and with what JBL's intentions really are and I do think that the film may have been better without the final scene as (I feel) it takes away a bit of the final mystery.
'We're all going to the world's fair' is more creepy than scary and doesn't really have any gore or jump scares relying on a more creeping, psychological form of horror as we watch Cassey's deterioration.
'We're all going to the world's fair' is an interesting film that plays on the the phenomenon of creepy pasta and role-play but doesn't offer anything for gore, slasher, body horror fans.
One Wrong Word
5.0
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A heart-racing new psychological thriller from USA Today bestselling and multiple award-winning...
The Measure of Enough
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Thirty-four-year old social worker, Kacee Robinson, runs a non-profit agency helping women and...
Psychological Women's Fiction
Black-Eyed Susans
8.6
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**THE TOP 5 SUNDAY TIMES BESTSELLER** 'My book of the year so far. Breathtakingly, heart-stoppingly...
BankofMarquis (1832 KP) rated Marnie (1964) in Movies
Nov 6, 2020
Mediocre Hitchcock - but still pretty good
Heading into 1964, Alfred Hitchcock was on quite a roll. He had just rolled out - in order, VERTIGO (1958), NORTH BY NORTHWEST (1959), PSYCHO (1960) and THE BIRDS (1963) and his anthology series ALFRED HITCHCOCK PRESENTS had made him into a household name throughout the world. So it was with great anticipation/expectation that the world awaited his next major motion picture.
And while this film, MARNIE was not the critical or commercial success of his previous outings, it still has enough good in it that makes it a worthwhile film to watch.
Starring Tippi Hedren (THE BIRDS) and Sean Connery (fresh off his James Bond success in DR. NO and FROM RUSSIA WITH LOVE), MARNIE is, basically, a "two-hander" (a film that is primarily focused on conversation between 2 people) about an habitual thief, Marnie, with deep psychological troubles who is loved (and handled) by a man who is seeking to get to the root of what makes her tick.
And..in someone else's hands..this film could have been overly melodramatic, but in Hitchcock's adroit hands, it is a deep and disturbing psychological thriller that succeeds more often than it doesn't.
Starting with what works, Hitchcock's Direction (obviously) is at the fore. He knows how to play out a moment - especially a scene where Marnie steals from a safe. Hitchcock locks the camera in place and plays the scene with no music and just letting the events play out. It is a typical suspenseful Hitchcock scene and very well done.
The other thing that works is the performance of Connery. His charm and screen charisma shines brightly. making a problematic character like the one Connery portrays seemingly benign. Also...Tippi Hedren's performance at the end of this movie almost rescues her character...almost.
What doesn't work? Well...let's start with the title character, Marnie, as played by Hedren. She just doesn't have the charisma and charm of Connery and never really brings her character to life. She overacts at times when she has one of her "episodes" (I would think that both Hitchcock and Hedren share the blame for this) it is almost laughable in it's over-acting and she just seems in over her head with this role. It is said that Hitchcock had the film and role of Marnie written specifically as a comeback vehicle for Grace Kelly. It is too bad that this didn't come to pass, as I would have LOVED to see what an actress of her caliber would have done with this role.
The other thing that doesn't really work for me is the 2 characters at the forefront of this film. Both Hedren's Marnie and Connery's Mark Rutland are not likeable (though, as I said earlier, Connery's charm and charisma rescue's the Rutland character), but neither of these characters are ones that us, the audience, particularly care for - and that is a problem with a film that is pretty much focused on these characters.
Not one of Hitchcock's best...but still good...and the ending almost makes up for the weaknesses of the earlier parts of the movie.
Letter Grade: B
7 stars (out of 10) - even mediocre Hitchcock is till pretty good.
And...you can take that to the Bank(ofMarquis)
And while this film, MARNIE was not the critical or commercial success of his previous outings, it still has enough good in it that makes it a worthwhile film to watch.
Starring Tippi Hedren (THE BIRDS) and Sean Connery (fresh off his James Bond success in DR. NO and FROM RUSSIA WITH LOVE), MARNIE is, basically, a "two-hander" (a film that is primarily focused on conversation between 2 people) about an habitual thief, Marnie, with deep psychological troubles who is loved (and handled) by a man who is seeking to get to the root of what makes her tick.
And..in someone else's hands..this film could have been overly melodramatic, but in Hitchcock's adroit hands, it is a deep and disturbing psychological thriller that succeeds more often than it doesn't.
Starting with what works, Hitchcock's Direction (obviously) is at the fore. He knows how to play out a moment - especially a scene where Marnie steals from a safe. Hitchcock locks the camera in place and plays the scene with no music and just letting the events play out. It is a typical suspenseful Hitchcock scene and very well done.
The other thing that works is the performance of Connery. His charm and screen charisma shines brightly. making a problematic character like the one Connery portrays seemingly benign. Also...Tippi Hedren's performance at the end of this movie almost rescues her character...almost.
What doesn't work? Well...let's start with the title character, Marnie, as played by Hedren. She just doesn't have the charisma and charm of Connery and never really brings her character to life. She overacts at times when she has one of her "episodes" (I would think that both Hitchcock and Hedren share the blame for this) it is almost laughable in it's over-acting and she just seems in over her head with this role. It is said that Hitchcock had the film and role of Marnie written specifically as a comeback vehicle for Grace Kelly. It is too bad that this didn't come to pass, as I would have LOVED to see what an actress of her caliber would have done with this role.
The other thing that doesn't really work for me is the 2 characters at the forefront of this film. Both Hedren's Marnie and Connery's Mark Rutland are not likeable (though, as I said earlier, Connery's charm and charisma rescue's the Rutland character), but neither of these characters are ones that us, the audience, particularly care for - and that is a problem with a film that is pretty much focused on these characters.
Not one of Hitchcock's best...but still good...and the ending almost makes up for the weaknesses of the earlier parts of the movie.
Letter Grade: B
7 stars (out of 10) - even mediocre Hitchcock is till pretty good.
And...you can take that to the Bank(ofMarquis)
Midge (525 KP) rated The Couple in Books
Feb 12, 2019 (Updated Feb 14, 2019)
Brilliant And Dark
THE COUPLE is a debut psychological thriller by Sarah Mitchell and I absolutely loved it! I adore novels that are written in two time periods, namely the past and present, like this one.
The characters were very difficult to warm to, especially the main character Claire, who became rather irritating, annoying and dis-likeable during the story.
Claire, who works for the Immigration Service is newly engaged after a whirlwind romance. Her fiance, Angus, is a hotel entrepreneur and they are looking to buy their perfect home together. When Claire views a house and meets Mark, the fellow who is selling the house, she finds that he resembles a former lover, a man for whom she still has feelings. Claire is drawn to him and Angus starts to behave very suspiciously, but can Claire trust either of them or herself?
For me, Sarah Mitchell’s writing is captivating and extremely well structured. This book is full of twists and turns and I really enjoyed it. The novel moved along at an intense speed and I loved how dark and twisted it was. The character development was brilliant and apart from most of the characters themselves, I liked everything about this book. THE COUPLE held my interest from start to finish and the way in which Sarah Mitchell brought everything to a conclusion was just fabulous. I loved it and it has left me eager to read more from this author.
I would recommend THE COUPLE to anyone who likes this genre.
Thank you to NetGalley, Bookouture and Sarah Mitchell for a free ARC of this book in exchange for a voluntary, honest review.
The characters were very difficult to warm to, especially the main character Claire, who became rather irritating, annoying and dis-likeable during the story.
Claire, who works for the Immigration Service is newly engaged after a whirlwind romance. Her fiance, Angus, is a hotel entrepreneur and they are looking to buy their perfect home together. When Claire views a house and meets Mark, the fellow who is selling the house, she finds that he resembles a former lover, a man for whom she still has feelings. Claire is drawn to him and Angus starts to behave very suspiciously, but can Claire trust either of them or herself?
For me, Sarah Mitchell’s writing is captivating and extremely well structured. This book is full of twists and turns and I really enjoyed it. The novel moved along at an intense speed and I loved how dark and twisted it was. The character development was brilliant and apart from most of the characters themselves, I liked everything about this book. THE COUPLE held my interest from start to finish and the way in which Sarah Mitchell brought everything to a conclusion was just fabulous. I loved it and it has left me eager to read more from this author.
I would recommend THE COUPLE to anyone who likes this genre.
Thank you to NetGalley, Bookouture and Sarah Mitchell for a free ARC of this book in exchange for a voluntary, honest review.
MelanieTheresa (997 KP) rated Daisy Jones & the Six in Books
Apr 4, 2019
I adored this book.
It's so completely different from anything I've recently read. I do love my psychological thrillers, but sometimes it's nice to jump into a totally different world. Daisy Jones & The Six perfectly fits the bill.
There's been so much hype surrounding this book that I'm sure you know the premise by now: set in the mid-sixties through late seventies, Daisy Jones & The Six is about the rise and eventual fall of a fictional rock band. It reads like a Rolling Stone interview, or an episode of Behind the Music, which is an interesting and effective approach to the subject matter. I was immediately immersed in the story, but this also means I flew through it so quickly that I was sad when it was over. It drew me in so completely that I actually forgot this was not a real band.
Sex? ✔ Drugs? ✔ Rock 'n' Roll? ✔
Daisy Jones & The Six has all this and more. I've heard that it bears more than a passing resemblance to Fleetwood Mac's history, which makes sense as the author herself states that she was very much influenced by Fleetwood Mac and Stevie Nicks (a living goddess if there ever was one). Every character is flawed, because, life. The descriptions of the songs, the music, are so complete, I could almost hear them in my head.
Last summer, Amazon ordered a 13-episode limited series of the book. The series will be co-produced by Amazon Studios and Reese Witherspoon’s Hello Sunshine banner. ALSO: Amazon will be distributing original music from the television adaptation exclusively through Amazon Music. ?
And I.Can't.Wait.
?
It's so completely different from anything I've recently read. I do love my psychological thrillers, but sometimes it's nice to jump into a totally different world. Daisy Jones & The Six perfectly fits the bill.
There's been so much hype surrounding this book that I'm sure you know the premise by now: set in the mid-sixties through late seventies, Daisy Jones & The Six is about the rise and eventual fall of a fictional rock band. It reads like a Rolling Stone interview, or an episode of Behind the Music, which is an interesting and effective approach to the subject matter. I was immediately immersed in the story, but this also means I flew through it so quickly that I was sad when it was over. It drew me in so completely that I actually forgot this was not a real band.
Sex? ✔ Drugs? ✔ Rock 'n' Roll? ✔
Daisy Jones & The Six has all this and more. I've heard that it bears more than a passing resemblance to Fleetwood Mac's history, which makes sense as the author herself states that she was very much influenced by Fleetwood Mac and Stevie Nicks (a living goddess if there ever was one). Every character is flawed, because, life. The descriptions of the songs, the music, are so complete, I could almost hear them in my head.
Last summer, Amazon ordered a 13-episode limited series of the book. The series will be co-produced by Amazon Studios and Reese Witherspoon’s Hello Sunshine banner. ALSO: Amazon will be distributing original music from the television adaptation exclusively through Amazon Music. ?
And I.Can't.Wait.
?
