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Ivana A. | Diary of Difference (1171 KP) rated Not My Daughter in Books
Oct 5, 2020
I am so happy to have the opportunity to be part of the blog tour for Not My Daughter by Suzy K. Quinn. Thank you to the team at HQ, for sending me an e-copy in exchange for an honest review. Have a look at the Blog Tour Banner below and check out the other bloggers.
Suzy K Quinn is a British fiction author, and writes in three different genres: psychological thriller, comedy and romance. She was first published by Hachette in 2010 with her debut novel Glass Geishas (now Night Girls), then self-published a romance series, the Ivy Lessons, which became an international bestseller and a #1 Kindle romance bestseller in the US and UK.
After her second daughter was born in 2013, she self-published the Bad Mother’s Diary series, which also went on to become a #1 Kindle romantic comedy bestseller. Suzy K Quinn’s novels have been translated into 7 languages and her books have sold over ¾ million copies worldwide.
She lives in Wivenhoe, Essex, with her husband Demi and two daughters, and travels to Mexico every year to write and study Mayan story telling. Suzy loves her family, friends and readers, but when pushed to add more to the list, she also loves travelling, food and alcohol.
Synopsis:
Lorna has been trying to protect her daughter Liberty for sixteen years. There are dark secrets from her past about her father that Lorna wishes her daughter never finds out. Liberty’s father is a monster, and the best solution is to hide. Forever.
But Liberty has other plans. One day, Liberty decides to find her father, no matter the cost. And Lorna can’t protect her if she doesn’t know where she went…
My Thoughts:
I really enjoyed Not My Daughter. It was a novel that kept me on my toes throughout the whole book and I was eager to know what happens in the end and who the true villain is.
We begin the story in one way, where we have an idea of who the bad person is, and how Lorna is the protector. But once we start reading more, this story becomes more twisted, and we don’t know who to trust anymore. This is something I see in books quite often, but it is not usually as well-written. Suzy did an amazing job writing this part, and making us switch sides as she wanted us to.
The ending was not predictable at all, although, it was a bit unrealistic. However, it really fit nicely with the whole story and I cannot be disappointed.
It is interesting to see how the mother-daughter relationship develops. But more so, how a relationship forms when a daughter wants to get to know her father, no matter what. You meet this person that you share genes with, and you want them to like you. You want them to accept you, like nothing happened. We could see this wish in Liberty as she meets her father – the need to be accepted as a daughter.
I would recommend this book to everyone that loves mystery thrillers. It is a one of a kind, and a very well-written one too.
Suzy K Quinn is a British fiction author, and writes in three different genres: psychological thriller, comedy and romance. She was first published by Hachette in 2010 with her debut novel Glass Geishas (now Night Girls), then self-published a romance series, the Ivy Lessons, which became an international bestseller and a #1 Kindle romance bestseller in the US and UK.
After her second daughter was born in 2013, she self-published the Bad Mother’s Diary series, which also went on to become a #1 Kindle romantic comedy bestseller. Suzy K Quinn’s novels have been translated into 7 languages and her books have sold over ¾ million copies worldwide.
She lives in Wivenhoe, Essex, with her husband Demi and two daughters, and travels to Mexico every year to write and study Mayan story telling. Suzy loves her family, friends and readers, but when pushed to add more to the list, she also loves travelling, food and alcohol.
Synopsis:
Lorna has been trying to protect her daughter Liberty for sixteen years. There are dark secrets from her past about her father that Lorna wishes her daughter never finds out. Liberty’s father is a monster, and the best solution is to hide. Forever.
But Liberty has other plans. One day, Liberty decides to find her father, no matter the cost. And Lorna can’t protect her if she doesn’t know where she went…
My Thoughts:
I really enjoyed Not My Daughter. It was a novel that kept me on my toes throughout the whole book and I was eager to know what happens in the end and who the true villain is.
We begin the story in one way, where we have an idea of who the bad person is, and how Lorna is the protector. But once we start reading more, this story becomes more twisted, and we don’t know who to trust anymore. This is something I see in books quite often, but it is not usually as well-written. Suzy did an amazing job writing this part, and making us switch sides as she wanted us to.
The ending was not predictable at all, although, it was a bit unrealistic. However, it really fit nicely with the whole story and I cannot be disappointed.
It is interesting to see how the mother-daughter relationship develops. But more so, how a relationship forms when a daughter wants to get to know her father, no matter what. You meet this person that you share genes with, and you want them to like you. You want them to accept you, like nothing happened. We could see this wish in Liberty as she meets her father – the need to be accepted as a daughter.
I would recommend this book to everyone that loves mystery thrillers. It is a one of a kind, and a very well-written one too.
Ivana A. | Diary of Difference (1171 KP) rated Codename Villanelle (Killing Eve #1) in Books
Aug 3, 2020
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#1 <a href="https://www.goodreads.com/review/show/3346735674">Codename Villanelle</a> - ★★★
#2 <a href="https://www.goodreads.com/review/show/3350743338">No Tomorrow</a> - To Be Read
<img src="https://diaryofdifference.com/wp-content/uploads/2020/06/Book-Review-Banner-62.png"/>;
<b><i>Codename Villanelle is a book I listened to. I don’t often listen to audiobooks, but I wanted to read this book, and I didn’t own a physical copy.</i></b>
The reason I wanted to read this book is because I heard there is a TV series coming, featuring Sandra Oh from Grey’s Anatomy. I loved Sandra as Christina, and I knew I was going to love her as Eve. The TV Series is a hit, and I love it, but this is not why we’re here. We are here to talk about the books. On this occasion, the first book in the series.
<b><i>Villanelle is one of the world’s best assassins.</i></b>
She is a psychopath who loves her luxurious lifestyle and loves playing mind games. She is hired by a powerful group called the Twelve, and she is tasked to murder rich and influential people.
<b><i>Eve Polastri is a former MI6 operative.</i></b>
She is hired to find and capture or kill this assassin. Eve, who has a quiet life with her husband Nico and enjoys the peace, accepts the mission. However, little does she know, everything is about to change.
The chase is an exciting one and we never know what will happen next.
Honestly, I had troubles with the audiobook. The pronunciation of everything in Russian, French and Italian was a complete miss, and it annoyed me. Names, food, places, cities - it was all said incorrectly. I know for some people this is a minor issue. However, for me, it took away the joy throughout the whole book.
Apart from this, the first book of the series is a great introduction to both Eve and Villanelle. We find out more about their personalities and characters. We follow Villanelle in a few of her assassinations, and we follow Eve in some of her investigations. I think this book focused more on VIllanelle, featuring her childhood and training days as well. The presentation of their feelings and insights was immaculate. I loved their relationship forming, even without them meeting each other. There is tension, there are clues, and there is the play of destiny to always end up chasing each other.
<b><i>The writing was good and the pace was fast, which led to a very fast adventure. Also, the ending was intriguing, and it definitely leaves space for the second book to come in and explain a few things.</i></b>
I am looking forward to continuing this series and reading the second book - No Tomorrow. I recommend Codename Villanelle to everyone that loves action, assassination, murder, spy themes and psychological thrillers.
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#1 <a href="https://www.goodreads.com/review/show/3346735674">Codename Villanelle</a> - ★★★
#2 <a href="https://www.goodreads.com/review/show/3350743338">No Tomorrow</a> - To Be Read
<img src="https://diaryofdifference.com/wp-content/uploads/2020/06/Book-Review-Banner-62.png"/>;
<b><i>Codename Villanelle is a book I listened to. I don’t often listen to audiobooks, but I wanted to read this book, and I didn’t own a physical copy.</i></b>
The reason I wanted to read this book is because I heard there is a TV series coming, featuring Sandra Oh from Grey’s Anatomy. I loved Sandra as Christina, and I knew I was going to love her as Eve. The TV Series is a hit, and I love it, but this is not why we’re here. We are here to talk about the books. On this occasion, the first book in the series.
<b><i>Villanelle is one of the world’s best assassins.</i></b>
She is a psychopath who loves her luxurious lifestyle and loves playing mind games. She is hired by a powerful group called the Twelve, and she is tasked to murder rich and influential people.
<b><i>Eve Polastri is a former MI6 operative.</i></b>
She is hired to find and capture or kill this assassin. Eve, who has a quiet life with her husband Nico and enjoys the peace, accepts the mission. However, little does she know, everything is about to change.
The chase is an exciting one and we never know what will happen next.
Honestly, I had troubles with the audiobook. The pronunciation of everything in Russian, French and Italian was a complete miss, and it annoyed me. Names, food, places, cities - it was all said incorrectly. I know for some people this is a minor issue. However, for me, it took away the joy throughout the whole book.
Apart from this, the first book of the series is a great introduction to both Eve and Villanelle. We find out more about their personalities and characters. We follow Villanelle in a few of her assassinations, and we follow Eve in some of her investigations. I think this book focused more on VIllanelle, featuring her childhood and training days as well. The presentation of their feelings and insights was immaculate. I loved their relationship forming, even without them meeting each other. There is tension, there are clues, and there is the play of destiny to always end up chasing each other.
<b><i>The writing was good and the pace was fast, which led to a very fast adventure. Also, the ending was intriguing, and it definitely leaves space for the second book to come in and explain a few things.</i></b>
I am looking forward to continuing this series and reading the second book - No Tomorrow. I recommend Codename Villanelle to everyone that loves action, assassination, murder, spy themes and psychological thrillers.
Lee (2222 KP) rated Greyhound (2020) in Movies
Sep 2, 2020
Snore...
Based on a C.S. Forester novel The Good Shepherd, and a screenplay by Mr Tom Hanks himself, Greyhound is the latest movie to feature Hanks in the role of brave Captain, returning once more to World War II territory. Any hopes that this might be a return to the grand heights of Saving Private Ryan though are soon laid to rest.
Set in 1942, Hanks plays Captain Ernest Krause, responsible for one of only a handful of warships as they escort and protect an even larger number of merchant vessels making the journey across the Atlantic Ocean with vital supplies for England. They will be entering what’s known as ‘the black pit’ – a stretch of Ocean too far out at sea for any aerial cover to be provided by the countries on either side. For a few days, they will be on their own, and at the mercy of any German U-boats they may encounter.
Greyhound wastes no time in landing us right in the thick of it all, joining the crew as they enter the black pit, and sticking with them while they attempt to make it to relative safety on the other side. Obviously, it’s not long before a number of U-boats target the fleet of vessels and begin trying to pick them off in a tense game of cat and mouse at sea.
There is a LOT of nautical jargon in Greyhound and twenty minutes in, I was already feeling exhausted just trying to follow it all and gain any kind of enjoyment out of the movie. Despite throwing the occasion title up on screen to tell us which vessel we’re looking at out on the gloomy CGI seas, it’s also not always clear which ship is which, or who’s firing at who either. That attention to detailed dialogue really doesn’t let up one bit either, making what is only a 91 minute movie feel so much longer.
By throwing us straight into the action, we’re also given no time to learn or even care about any of the characters. Krause is only given a couple of brief flashback scenes, showing us with his partner two months earlier, played by Elizabeth Shue. Other than knowing this is his first Atlantic crossing, and that he is fully committed to the job in hand, refusing to eat any of the hot meals regularly brought to him by the ship’s cook, we’re provided very little information about our Captain.
The crew are also there just to fire off updates to their Captain and respond to his commands, providing no character development whatsoever for them either and giving us nothing to feel invested in, other than a desire for them all to make it safely to England.
With the focus of the movie entirely on the crew and setting of the Greyhound, we only hear from other characters via radio – calls for support from the other vessels, or psychological jaunts from the Germans on the U-boat. Again, by not giving us the viewpoint of any other side or vessel, it all makes for a very one dimensional and dull ride. Definitely not one of Tom Hanks finest.
Set in 1942, Hanks plays Captain Ernest Krause, responsible for one of only a handful of warships as they escort and protect an even larger number of merchant vessels making the journey across the Atlantic Ocean with vital supplies for England. They will be entering what’s known as ‘the black pit’ – a stretch of Ocean too far out at sea for any aerial cover to be provided by the countries on either side. For a few days, they will be on their own, and at the mercy of any German U-boats they may encounter.
Greyhound wastes no time in landing us right in the thick of it all, joining the crew as they enter the black pit, and sticking with them while they attempt to make it to relative safety on the other side. Obviously, it’s not long before a number of U-boats target the fleet of vessels and begin trying to pick them off in a tense game of cat and mouse at sea.
There is a LOT of nautical jargon in Greyhound and twenty minutes in, I was already feeling exhausted just trying to follow it all and gain any kind of enjoyment out of the movie. Despite throwing the occasion title up on screen to tell us which vessel we’re looking at out on the gloomy CGI seas, it’s also not always clear which ship is which, or who’s firing at who either. That attention to detailed dialogue really doesn’t let up one bit either, making what is only a 91 minute movie feel so much longer.
By throwing us straight into the action, we’re also given no time to learn or even care about any of the characters. Krause is only given a couple of brief flashback scenes, showing us with his partner two months earlier, played by Elizabeth Shue. Other than knowing this is his first Atlantic crossing, and that he is fully committed to the job in hand, refusing to eat any of the hot meals regularly brought to him by the ship’s cook, we’re provided very little information about our Captain.
The crew are also there just to fire off updates to their Captain and respond to his commands, providing no character development whatsoever for them either and giving us nothing to feel invested in, other than a desire for them all to make it safely to England.
With the focus of the movie entirely on the crew and setting of the Greyhound, we only hear from other characters via radio – calls for support from the other vessels, or psychological jaunts from the Germans on the U-boat. Again, by not giving us the viewpoint of any other side or vessel, it all makes for a very one dimensional and dull ride. Definitely not one of Tom Hanks finest.
Beckie Shelton (40 KP) rated Two Sisters in Books
May 28, 2017
Such a great Read
Two Sisters By Kerry Wilkinson is well worth a read.
I would describe this as a psychological mystery but with the added bonus of it dipping its toe into the waters of mental illness and addiction to.
To summarise we have two sisters Megan and Chloe who after the death of their parents in a road accident, journey back to their parents holiday cottage in Whitecliff to stay, supposedly to sort out their affairs and get the cottage in order.
But for Megan, there are different reasons for her return she has received a postcard with the letter Z spelt on it.
years ago the girls older brother Zak went missing at Whitecliff his body never found, Megan the oldest sister is determined to figure out the truth of what has happened to her brother and she will bulldoze down whoever gets in her way.
Now the sisters are an interesting pair, having spent their time at different boarding schools growing up, these two are like chalk and cheese.
We have Chloe the younger of the two nearly seventeen a bit shy, but friendly and open, Chloe doesn't like to rock the waters and I get the impression she's a bit of a people pleaser. She's also a fabulous artist, A vegan and looks like her mother.
Now Megan, by contrast, is the exact polar opposite of her younger sister, she's prickly, bad tempered, goes out of her way to cause strife and shock in people.
there's a lot of deep-seated issues that are girl needs to get a handle on she is addicted to prescription drugs which she acquires through dubious means and as if that's not enough she is also suffering from an eating disorder, which her sister pretends to turn a blind eye too.
So as you can see there is an awful lot going on here.
As the story progresses truths that people want buried come to light, Megan puts herself and sister in extreme danger and some people are so not what they seem in Whitecliff.
Two sisters was definitely a page turner with a flowing easy storyline that sucked you in from the start. I especially appreciated Megan's issues, this added a whole extra layer to the storyline enriching it greatly. Eating disorders are a subject close to my heart, so it was fascinating to kind of get into the mindset of an individual suffering from this type of mental illness. The addiction storyline was also an extremely fascinating issue, we often see drug taking in novels but prescription drug addiction, even know so prevalent, is not explored so frequently in fiction.
But I have to say my favourite aspect of Two Sisters was seeing the two girls connect together after being virtual strangers growing up, now that was really charming indeed.
So, in conclusion, I found this a Fabulous book and I would definitely recommend this to other readers.
Thank you to the publisher and NetGalley for providing me with a free advance reader copy of Two Sisters by Kerry Wilkinson. This is my own unbiased opinion of this novel.
Arc Reviewed By BeckieBookworm
https://www.beckiebookworm.com/
https://www.facebook.com/beckiebookworm/
https://www.goodreads.com/user/show/9460945-bex-beckie-bookworm
I would describe this as a psychological mystery but with the added bonus of it dipping its toe into the waters of mental illness and addiction to.
To summarise we have two sisters Megan and Chloe who after the death of their parents in a road accident, journey back to their parents holiday cottage in Whitecliff to stay, supposedly to sort out their affairs and get the cottage in order.
But for Megan, there are different reasons for her return she has received a postcard with the letter Z spelt on it.
years ago the girls older brother Zak went missing at Whitecliff his body never found, Megan the oldest sister is determined to figure out the truth of what has happened to her brother and she will bulldoze down whoever gets in her way.
Now the sisters are an interesting pair, having spent their time at different boarding schools growing up, these two are like chalk and cheese.
We have Chloe the younger of the two nearly seventeen a bit shy, but friendly and open, Chloe doesn't like to rock the waters and I get the impression she's a bit of a people pleaser. She's also a fabulous artist, A vegan and looks like her mother.
Now Megan, by contrast, is the exact polar opposite of her younger sister, she's prickly, bad tempered, goes out of her way to cause strife and shock in people.
there's a lot of deep-seated issues that are girl needs to get a handle on she is addicted to prescription drugs which she acquires through dubious means and as if that's not enough she is also suffering from an eating disorder, which her sister pretends to turn a blind eye too.
So as you can see there is an awful lot going on here.
As the story progresses truths that people want buried come to light, Megan puts herself and sister in extreme danger and some people are so not what they seem in Whitecliff.
Two sisters was definitely a page turner with a flowing easy storyline that sucked you in from the start. I especially appreciated Megan's issues, this added a whole extra layer to the storyline enriching it greatly. Eating disorders are a subject close to my heart, so it was fascinating to kind of get into the mindset of an individual suffering from this type of mental illness. The addiction storyline was also an extremely fascinating issue, we often see drug taking in novels but prescription drug addiction, even know so prevalent, is not explored so frequently in fiction.
But I have to say my favourite aspect of Two Sisters was seeing the two girls connect together after being virtual strangers growing up, now that was really charming indeed.
So, in conclusion, I found this a Fabulous book and I would definitely recommend this to other readers.
Thank you to the publisher and NetGalley for providing me with a free advance reader copy of Two Sisters by Kerry Wilkinson. This is my own unbiased opinion of this novel.
Arc Reviewed By BeckieBookworm
https://www.beckiebookworm.com/
https://www.facebook.com/beckiebookworm/
https://www.goodreads.com/user/show/9460945-bex-beckie-bookworm
tapestry100 (306 KP) rated The Marsh King's Daughter in Books
Aug 2, 2017
Originally reviewed on http://www.frommybookshelf.com
Helena Pelletier's life is more or less exactly what she wants: a husband and two daughters she loves deeply, a home business that keeps her busy during the days, her past a secret that she keeps hidden from everyone. Helena has worked hard for these things and she prides herself in her accomplishments, until the day her father escapes from prison and she immediately understands that her past is going to catch up to her, whether she wants it to or not. She also knows that the only way to keep her family safe and put her father back in prison is to find and deal with her father herself, since he was the one who trained her to live in the marshes of Michigan's Upper Peninsula, where he was keeping her mother captive after he had kidnapped her as a young girl.
With the main part of the story taking place over 24 hours "real time" with Helena tracking her father, the actual meat of the story all takes place in flashbacks as Helena thinks back on her childhood in the marshes of the UP and how her father treated her and her mother, who her father kidnapped as a young girl and made his wife. As she closes in on her father, she goes over various aspects of the only life she knew as a child, until her mother's past starts to catch up to her and Helena realizes that much of her life has been a lie perpetrated by both her father and mother and isn't exactly what they told her it was. As she grows older and finally starts to understand that even though this is the only life she's ever known, it may not be the life that either she or her mother deserves, and when she finally escapes her father's control she discovers that there is in fact an entire world she never knew about outside the marsh.
To be honest, the story of Helena's childhood is what really makes this book. Personally, I felt the entire portion of the book that is taking place in "real time" where Helena knows that she's the only one who can find her father, regardless of the large police force searching for him, and that she knows exactly where to look for him in the entire area surrounding her home and the prison he escaped from all seemed far to convenient, and only plausible in order to make this portion of the story move forward. Helena's memories of her childhood and the psychological aspects of being a child who has been raised in an extreme situation, but one that seems normal to her only because it's all that she knows, was fascinating. Her recollections of her father teaching her how to hunt and live in the wilderness, and her childhood idolization of him in this respect juxtaposed against her later feeling towards him as she starts to mature and gain some sense of adolescent independence, and her eventual discovery that her whole life has been based on lies and the kidnapping of her mother, was remarkable storytelling, and Karen Dionne delivers this entire sequence of events deftly and with sharp storytelling. While the "real time" story requires quite a hefty amount of suspension of disbelief, the background story well makes up for this and creates a truly mesmerizing and atmospheric story that will keep you up late into the night, turning the page for more.
Helena Pelletier's life is more or less exactly what she wants: a husband and two daughters she loves deeply, a home business that keeps her busy during the days, her past a secret that she keeps hidden from everyone. Helena has worked hard for these things and she prides herself in her accomplishments, until the day her father escapes from prison and she immediately understands that her past is going to catch up to her, whether she wants it to or not. She also knows that the only way to keep her family safe and put her father back in prison is to find and deal with her father herself, since he was the one who trained her to live in the marshes of Michigan's Upper Peninsula, where he was keeping her mother captive after he had kidnapped her as a young girl.
With the main part of the story taking place over 24 hours "real time" with Helena tracking her father, the actual meat of the story all takes place in flashbacks as Helena thinks back on her childhood in the marshes of the UP and how her father treated her and her mother, who her father kidnapped as a young girl and made his wife. As she closes in on her father, she goes over various aspects of the only life she knew as a child, until her mother's past starts to catch up to her and Helena realizes that much of her life has been a lie perpetrated by both her father and mother and isn't exactly what they told her it was. As she grows older and finally starts to understand that even though this is the only life she's ever known, it may not be the life that either she or her mother deserves, and when she finally escapes her father's control she discovers that there is in fact an entire world she never knew about outside the marsh.
To be honest, the story of Helena's childhood is what really makes this book. Personally, I felt the entire portion of the book that is taking place in "real time" where Helena knows that she's the only one who can find her father, regardless of the large police force searching for him, and that she knows exactly where to look for him in the entire area surrounding her home and the prison he escaped from all seemed far to convenient, and only plausible in order to make this portion of the story move forward. Helena's memories of her childhood and the psychological aspects of being a child who has been raised in an extreme situation, but one that seems normal to her only because it's all that she knows, was fascinating. Her recollections of her father teaching her how to hunt and live in the wilderness, and her childhood idolization of him in this respect juxtaposed against her later feeling towards him as she starts to mature and gain some sense of adolescent independence, and her eventual discovery that her whole life has been based on lies and the kidnapping of her mother, was remarkable storytelling, and Karen Dionne delivers this entire sequence of events deftly and with sharp storytelling. While the "real time" story requires quite a hefty amount of suspension of disbelief, the background story well makes up for this and creates a truly mesmerizing and atmospheric story that will keep you up late into the night, turning the page for more.
RəX Regent (349 KP) rated Pandora's Box (1929) in Movies
Feb 18, 2019
Pandora’s Box was one of the last films of the silent era, a period of transition to sound which I believe set the art of cinematography back a decade.
In short. Pandora’s Box looks stunning! Using the frame to its fullest, with a combination of wide framing and exploiting the art of the close up as Lulu herself, would the men around her, as well as driven by brilliant performances by most of the cast. But kudos needs to go to the star, Louise Brooks, as she portrays Lulu, the alluring flapper girl who can work her innocent, secutive magic on anyone, men and women alike.
But this is not limited to the narrative’s characters as her performance is subtle and underplayed, oozing out the silver screen and seducing the audience with same allure. If looks could kill, then this movie has them all.
With a sparse use of inter-titles, the film relies on both the physicality of the cast and imaginative cinematography to convey the seductive and danger of the events as they unfold over the two and bit hour runtime. Fritz Korner in particular rivals Brooks with the intensity of his performance as the ill fated husband of the girl about town.
And then there’s Alice Roberts, the Countess, who is widely thought to have the first lesbian to be seen on screen. Only Belgian actress’s second film in her short career, is played very Germanic, yet sympathetic as she too, has been drawn under Lulu’s spell.
This was made during the period in which German cinema was ruling, driving the art form from the nickelodeon to the theatre, but this was about to change in the 1930’s with advent of the sound and the golden age of American cinema. But as this film proves, you do not need sound to tell or show a good story.
Granted, the central story is pretty mediocre; a simple tale of a damaged woman who instinctively uses her allure to get her own way yet not as a diva, just an instinctive manipulator, casting her spell far and wide until that spell leads her into the hands London serial killer, Jack The Ripper (Gustav Diessl). But she is never portrayed as evil or scheming, just as herself as those around her are drawn to her aide.
There is little of the pantamine action or motives that you can expect from this genre even now, 90 years on.
But German director G.W. Pabst manages to create a multi-layered tale, deepened by psychological and social subtext, achieved as much because of the relationship he garnered with the star, Brookes, as he played on her natural talents to bring one of cinemas most defining roles to the screen. This would be the first of two collaborations between the director and the wayward starlet that year.
Pandora’s Box is yet another example of how German Cinema was leading the world back in the 1920’s; and even though the second world war may have brought this golden era to an abrupt end, it’s legacy lives on today with the styles, both in front and behind the camera, still being honoured by entire film industry now and hopefully for decades to come.
In short. Pandora’s Box looks stunning! Using the frame to its fullest, with a combination of wide framing and exploiting the art of the close up as Lulu herself, would the men around her, as well as driven by brilliant performances by most of the cast. But kudos needs to go to the star, Louise Brooks, as she portrays Lulu, the alluring flapper girl who can work her innocent, secutive magic on anyone, men and women alike.
But this is not limited to the narrative’s characters as her performance is subtle and underplayed, oozing out the silver screen and seducing the audience with same allure. If looks could kill, then this movie has them all.
With a sparse use of inter-titles, the film relies on both the physicality of the cast and imaginative cinematography to convey the seductive and danger of the events as they unfold over the two and bit hour runtime. Fritz Korner in particular rivals Brooks with the intensity of his performance as the ill fated husband of the girl about town.
And then there’s Alice Roberts, the Countess, who is widely thought to have the first lesbian to be seen on screen. Only Belgian actress’s second film in her short career, is played very Germanic, yet sympathetic as she too, has been drawn under Lulu’s spell.
This was made during the period in which German cinema was ruling, driving the art form from the nickelodeon to the theatre, but this was about to change in the 1930’s with advent of the sound and the golden age of American cinema. But as this film proves, you do not need sound to tell or show a good story.
Granted, the central story is pretty mediocre; a simple tale of a damaged woman who instinctively uses her allure to get her own way yet not as a diva, just an instinctive manipulator, casting her spell far and wide until that spell leads her into the hands London serial killer, Jack The Ripper (Gustav Diessl). But she is never portrayed as evil or scheming, just as herself as those around her are drawn to her aide.
There is little of the pantamine action or motives that you can expect from this genre even now, 90 years on.
But German director G.W. Pabst manages to create a multi-layered tale, deepened by psychological and social subtext, achieved as much because of the relationship he garnered with the star, Brookes, as he played on her natural talents to bring one of cinemas most defining roles to the screen. This would be the first of two collaborations between the director and the wayward starlet that year.
Pandora’s Box is yet another example of how German Cinema was leading the world back in the 1920’s; and even though the second world war may have brought this golden era to an abrupt end, it’s legacy lives on today with the styles, both in front and behind the camera, still being honoured by entire film industry now and hopefully for decades to come.
A Fascinating Tale Of Obsession, Revenge & Lies
Wow, What an absolute joy this book was to read! THE EX by Freida McFadden is a fascinating tale of obsession, revenge and lies.
Told in alternating chapters between the ex and the new girlfriend, and even though the plot is not an original one by any means as it has been tried and tested many times before, I was, nevertheless, absolutely enthralled by this novel from the very first page, which I attribute to Freida McFadden’s superb writing.
The ex, Francesca Mascolo, is Italian and is expecting to marry her adorable boyfriend, Dr Joel Broder, who works as an Emergency Room physician at the local hospital. They have been together many, many years and have travelled and worked abroad together, until one night he dumps her in a crowded restaurant, saying that their relationship didn’t work for him any more. Francesca repeatedly begs him to reconsider - she is very much in love and can’t afford to pay the rent for their flat on her own earnings.
Cassie Donovan is the new girl, twenty-six-years-old and runs a small, used book-store called Bookland, that she inherited from her grandparents Grandma Bea & Grandpa Marv, when she was twenty-two. Her best friend, Zoe Malloy is also her business partner and they were room-mates at college. Cassie offered her a share in Bookland for some help with running Bookland. Cassie is the accountant and Zoe, who has a degree in Communication, manages the sales. Bookland is in a bit of financial trouble and the girls haven’t yet managed to drag it out of the financial hole it was in when Cassie took over. Zoe is gorgeous with bobbed jet black hair, red lipstick and black nails and glowing personality. She’s chatty, everyone’s friend, and kind to the homeless.
Cassie’s not interested in dating, she’s too busy trying to keep Bookland afloat. And all of her most recent dating endeavours have been bitterly disappointing.
Joel is in his mid-thirties and is very much a “Hot Doctor.” He has vivid blue eyes, a lovely smile, an attractive laugh, and lovely biceps. Joel and Cassie first meet in Bookland and Joel is so sexy that Cassie starts to waver about not dating. He is as attracted to Cassie as she is to him.
I loved that Joel is a bit of a romantic and that there is a connection between the two of them straight-away. One of the best bits of the book is following how their romance develops, however, everyone has a past and some people are keeping secrets and hiding their emotions …
I really liked Freida McFadden’s character development and her straightforward writing style. She managed to create exactly the right amount of suspense to keep the story interesting so that I felt that I needed to read just one more chapter.
Freida McFadden writes with great flair, which helped to make this novel as wonderful as it is. This book will be extremely enjoyable for anyone who loves a good psychological thriller. Overall, THE EX is a highly recommended, incredibly entertaining story with a surprising and fulfilling ending.
{Thank you to Hidden Gems and Freida McFadden for the free copy of this novel and for giving me the opportunity to provide an honest review.}
Told in alternating chapters between the ex and the new girlfriend, and even though the plot is not an original one by any means as it has been tried and tested many times before, I was, nevertheless, absolutely enthralled by this novel from the very first page, which I attribute to Freida McFadden’s superb writing.
The ex, Francesca Mascolo, is Italian and is expecting to marry her adorable boyfriend, Dr Joel Broder, who works as an Emergency Room physician at the local hospital. They have been together many, many years and have travelled and worked abroad together, until one night he dumps her in a crowded restaurant, saying that their relationship didn’t work for him any more. Francesca repeatedly begs him to reconsider - she is very much in love and can’t afford to pay the rent for their flat on her own earnings.
Cassie Donovan is the new girl, twenty-six-years-old and runs a small, used book-store called Bookland, that she inherited from her grandparents Grandma Bea & Grandpa Marv, when she was twenty-two. Her best friend, Zoe Malloy is also her business partner and they were room-mates at college. Cassie offered her a share in Bookland for some help with running Bookland. Cassie is the accountant and Zoe, who has a degree in Communication, manages the sales. Bookland is in a bit of financial trouble and the girls haven’t yet managed to drag it out of the financial hole it was in when Cassie took over. Zoe is gorgeous with bobbed jet black hair, red lipstick and black nails and glowing personality. She’s chatty, everyone’s friend, and kind to the homeless.
Cassie’s not interested in dating, she’s too busy trying to keep Bookland afloat. And all of her most recent dating endeavours have been bitterly disappointing.
Joel is in his mid-thirties and is very much a “Hot Doctor.” He has vivid blue eyes, a lovely smile, an attractive laugh, and lovely biceps. Joel and Cassie first meet in Bookland and Joel is so sexy that Cassie starts to waver about not dating. He is as attracted to Cassie as she is to him.
I loved that Joel is a bit of a romantic and that there is a connection between the two of them straight-away. One of the best bits of the book is following how their romance develops, however, everyone has a past and some people are keeping secrets and hiding their emotions …
I really liked Freida McFadden’s character development and her straightforward writing style. She managed to create exactly the right amount of suspense to keep the story interesting so that I felt that I needed to read just one more chapter.
Freida McFadden writes with great flair, which helped to make this novel as wonderful as it is. This book will be extremely enjoyable for anyone who loves a good psychological thriller. Overall, THE EX is a highly recommended, incredibly entertaining story with a surprising and fulfilling ending.
{Thank you to Hidden Gems and Freida McFadden for the free copy of this novel and for giving me the opportunity to provide an honest review.}
Amanda (96 KP) rated The Woman in the Window in Books
Mar 11, 2019
Anna has what's called Agoraphobia, meaning that she has anxiety leaving her house. Therefore, anything that needs to be done outside the house, she has done for her. Any medications she needs, groceries, etc., they are delivered to her house. She can't even bare to open a window because it would trigger her phobia. You learn there are different reasons for this kind of phobia.
Loss of a loved one.
Tragic accident.
Or...it could be something else entirely.
Ann also talks to other people with the same phobia and tries to also council them. You don't find out till much later as to why Anna who was a child psychologist now cannot bare to leave her home. She suffers from depression and is on multiple medications. She's separated from her husband, whom also has their daughter with him.
And she drinks...a lot.
One of the things I liked about Anna is her love for old movies. I loved how Finn incorporated some lines from different movies, including Alfred Hitchcock. Anna witnesses a murder in her neighbors house across the street. Try as she may, nobody takes her seriously and blame it on the medication she takes with alcohol.
“You can hear someone’s secrets and their fears and their wants, but remember that these exist alongside other people’s secrets and fears, people living in the same room.”
I kind of felt bad for her, but sometime during the story, I started to get frustrated with her as well. I really got a Girl on a Train feel. The main character always needs a drink or has to drink something in order to keep herself together, even though the alcohol doesn't help her situation at all.
On a different note, Girl on a Train was highly depressing.
The more the story progressed the more intrigued I got because there were quite a few twists that I honestly didn't see coming and I found myself yelling, 'WHAT?' Glad I was only listening to a book in the car and not in my house where someone could look at me funny. Not that people don't do that anyway, but such as life as a bookworm, I don't care.
“The definition of insanity, Fox, Wesley used to remind me, paraphrasing Einstein, is doing the same thing again and again and expecting different result.”
I've read a few psychological thrillers and while they were good, none kept me on my toes like this one. So many things happen with Anna and they come in bits and pieces but eventually make up a whole puzzle. You almost start to believe that perhaps Anna didn't see someone being murdered...maybe she did have an illusion.
Did it happen?
You have to read and find out.
I'd definitely give this 4 1/2 stars. Finn's writing in Anna's point of view is brilliant. You are inside her head and you are seeing everything through her eyes. She may start to ramble from time to time, but that just shows that she's still someone who is suffering. Other characters that play a major role in her life you don't know all that much...but you learn who they are in the end.
It's a long book, but every minute of it was well worth the listen. I will say that toward the beginning it was more like Girl on a Train, but it slowly morphs into Alfred Hitchcock's, Rear Window. I will say that I look forward to A.J. Finn's next novel.
Loss of a loved one.
Tragic accident.
Or...it could be something else entirely.
Ann also talks to other people with the same phobia and tries to also council them. You don't find out till much later as to why Anna who was a child psychologist now cannot bare to leave her home. She suffers from depression and is on multiple medications. She's separated from her husband, whom also has their daughter with him.
And she drinks...a lot.
One of the things I liked about Anna is her love for old movies. I loved how Finn incorporated some lines from different movies, including Alfred Hitchcock. Anna witnesses a murder in her neighbors house across the street. Try as she may, nobody takes her seriously and blame it on the medication she takes with alcohol.
“You can hear someone’s secrets and their fears and their wants, but remember that these exist alongside other people’s secrets and fears, people living in the same room.”
I kind of felt bad for her, but sometime during the story, I started to get frustrated with her as well. I really got a Girl on a Train feel. The main character always needs a drink or has to drink something in order to keep herself together, even though the alcohol doesn't help her situation at all.
On a different note, Girl on a Train was highly depressing.
The more the story progressed the more intrigued I got because there were quite a few twists that I honestly didn't see coming and I found myself yelling, 'WHAT?' Glad I was only listening to a book in the car and not in my house where someone could look at me funny. Not that people don't do that anyway, but such as life as a bookworm, I don't care.
“The definition of insanity, Fox, Wesley used to remind me, paraphrasing Einstein, is doing the same thing again and again and expecting different result.”
I've read a few psychological thrillers and while they were good, none kept me on my toes like this one. So many things happen with Anna and they come in bits and pieces but eventually make up a whole puzzle. You almost start to believe that perhaps Anna didn't see someone being murdered...maybe she did have an illusion.
Did it happen?
You have to read and find out.
I'd definitely give this 4 1/2 stars. Finn's writing in Anna's point of view is brilliant. You are inside her head and you are seeing everything through her eyes. She may start to ramble from time to time, but that just shows that she's still someone who is suffering. Other characters that play a major role in her life you don't know all that much...but you learn who they are in the end.
It's a long book, but every minute of it was well worth the listen. I will say that toward the beginning it was more like Girl on a Train, but it slowly morphs into Alfred Hitchcock's, Rear Window. I will say that I look forward to A.J. Finn's next novel.
Sassy Brit (97 KP) rated Tear Me Apart in Books
Jun 5, 2019
Tear Me Apart by J.T. Ellison is a “why done it,” instead of a “who done it.” She explores how one lie can build upon another as the resulting betrayal rips two families apart.
Originally known for her two series she has now switched to writing stand-alones. One series main character is Lt. Taylor Jackson a Nashville homicide detective who hunts down serial killers. The other series featured Dr. Samantha Owen, a medical examiner who came into prominence as the conscience of the Taylor Jackson series, and eventually morphed into her own series. Ellison noted, “Currently I will continue writing the stand-alones because the publisher loves them and they are doing better. With that said, I have already started the Samantha book and will eventually get to it. But for now, I will continue to write these psychological thrillers.”
While writing the series books, Ellison actually had an idea for this plot, back in 2011. “I had a guy at the funeral of his wife and baby. He dreamed of this little girl who became a professional ice skater. I then added layers including to have a story about committing suicide. I also had the letters originally as AOL chats, but after my mom read it, I changed the correspondence to letters. She did not know what an AOL chat was and I realized I would have a bunch of readers, both young and older, who would not know. Another change I made was to have Mindy as a professional skier, not skater. I based her on Lindsey Vonn, someone who had made multiple comebacks from injuries. I think of her as an incredible hero.”
This story begins with an Olympic downhill skier, Mindy Wright, crashing and severely breaking her leg. During the surgery, it’s discovered she has leukemia and will eventually need a stem cell transplant. In need of a bone marrow transplant both her parents are tested, where it is discovered that they are not a genetic match to Mindy. Questions arise as to what happened: was she switched at birth, or was there something more sinister, such as a baby farm? Her mother Lauren is hiding secrets, while her aunt Juliet is determined to find answers and a match to save Mindy’s life. As the story unravels so does Lauren’s life and mental state. She will go to almost any length to prevent people from knowing the truth about what happened.
Mindy is strong, determined, driven, and unemotional. “I wanted to write her as someone who takes control of every aspect of her life and mind. She is the 1% of the 1% of the 1%. She will do anything to achieve her goal, training very hard.”
Her mother Lauren is someone who created a life for herself. Once she became a mother she made a loving life for her daughter Mindy. She is the direct opposite of her sister, Juliet. While growing up, Lauren was her mother’s favorite, Juliet was the outsider. These siblings are eleven years apart, but were thick as thieves. Although both are devastated by the diagnosis, Ellison explores how a parent would react in that situation, seeing a child suffer and unable to fix it. “I wanted to write the essence of what a parent does, trying to make everything better.”
The plot examines the relationships between mothers and daughters as well as sisters. It sheds light on mental health problems and the terrible consequences that result when the emotional balance is neglected.
Originally known for her two series she has now switched to writing stand-alones. One series main character is Lt. Taylor Jackson a Nashville homicide detective who hunts down serial killers. The other series featured Dr. Samantha Owen, a medical examiner who came into prominence as the conscience of the Taylor Jackson series, and eventually morphed into her own series. Ellison noted, “Currently I will continue writing the stand-alones because the publisher loves them and they are doing better. With that said, I have already started the Samantha book and will eventually get to it. But for now, I will continue to write these psychological thrillers.”
While writing the series books, Ellison actually had an idea for this plot, back in 2011. “I had a guy at the funeral of his wife and baby. He dreamed of this little girl who became a professional ice skater. I then added layers including to have a story about committing suicide. I also had the letters originally as AOL chats, but after my mom read it, I changed the correspondence to letters. She did not know what an AOL chat was and I realized I would have a bunch of readers, both young and older, who would not know. Another change I made was to have Mindy as a professional skier, not skater. I based her on Lindsey Vonn, someone who had made multiple comebacks from injuries. I think of her as an incredible hero.”
This story begins with an Olympic downhill skier, Mindy Wright, crashing and severely breaking her leg. During the surgery, it’s discovered she has leukemia and will eventually need a stem cell transplant. In need of a bone marrow transplant both her parents are tested, where it is discovered that they are not a genetic match to Mindy. Questions arise as to what happened: was she switched at birth, or was there something more sinister, such as a baby farm? Her mother Lauren is hiding secrets, while her aunt Juliet is determined to find answers and a match to save Mindy’s life. As the story unravels so does Lauren’s life and mental state. She will go to almost any length to prevent people from knowing the truth about what happened.
Mindy is strong, determined, driven, and unemotional. “I wanted to write her as someone who takes control of every aspect of her life and mind. She is the 1% of the 1% of the 1%. She will do anything to achieve her goal, training very hard.”
Her mother Lauren is someone who created a life for herself. Once she became a mother she made a loving life for her daughter Mindy. She is the direct opposite of her sister, Juliet. While growing up, Lauren was her mother’s favorite, Juliet was the outsider. These siblings are eleven years apart, but were thick as thieves. Although both are devastated by the diagnosis, Ellison explores how a parent would react in that situation, seeing a child suffer and unable to fix it. “I wanted to write the essence of what a parent does, trying to make everything better.”
The plot examines the relationships between mothers and daughters as well as sisters. It sheds light on mental health problems and the terrible consequences that result when the emotional balance is neglected.
Kristy H (1252 KP) rated I Let You Go in Books
Feb 1, 2018
One rainy evening, an accident occurs on a quiet neighborhood street. Walking home from school with his mother, young Jacob is hit by a car, and killed. Even worse, the car quickly backs up and drives away, leaving Jacob's mother shattered and Detective Inspector Ray Stevens and his team, particularly eager young DC Kate, to seek out answers.
With her world ruined by the accident, Jenna Gray seeks refuge by the coast. She finds a small cottage, gets a dog, and tries to escape the nightmares of the accident that haunt both her dreams and waking hours. Meanwhile, Ray and Kate are forced to close Jacob's case, no closer to the suspect than when they started. But the two remain undaunted, working on the case in their off hours, and an anniversary plea one year after the accident turns up some potential leads. What exactly happened that rainy night? Will justice ever come for Jacob--and peace for Jenna?
This was an excellent thriller-- a real surprise, honestly. The beginning of the novel started out slow, and was so horrendously sad, what with Jacob's accident and his mother's terrible grief. It was one of several book's I'd read lately involving the death of a child, and I was so saddened that I almost set it aside. I'm glad I didn't though, because while the book is gut-wrenchingly sad, it's excellent, tense, and suspenseful. Divided into several parts, things pick up immensely at the end of the first part, when Mackintosh throws in an excellent plot twist (I shan't say anymore so as not to ruin it).
Mackintosh is excellent at conveying Jenna's anguish and the sadness that the accident causes. We also have a side-plot of Ray and his feelings toward his subordinate, Kate. Ray's home life is unbalanced: he's dealing with issues with his son, Tom, and his wife. These are a bit distracting at times, but serve to humanize him as well. The police subplot (watching them try to piece things together) is interesting, also. In fact, the book alternates in perspectives: we hear from Ray, Jenna, and one more character. In part 2, we go back in time for some of the characters, but remain in the present with Ray and Kate as they (much like us, the readers) try to solve this crime. It's an interesting technique and works surprisingly well. Jenna is a complicated character, but a well-drawn one.
Overall, I quite enjoyed this book. I won't spoil anything, but I will say that there is definitely a trigger for domestic abuse/violence, so please be forewarned for that. There's a character in the novel who reminds me of the husband in that creepy Julia Roberts' film "Sleeping with the Enemy" (I'm totally dating myself here). As such I was up late reading one night, completely creeped out. However, that's the sign of an excellent thriller in my opinion. I raced through the last 2/3 of the book and really wasn't disappointed. There are several more twists, but they actually are pretty believable, not outlandish like in many thrillers. Definitely recommend this one (with the abuse caveat thrown in). A unique psychological thriller that's worth your time, for sure.
I received an ARC of this novel from Netgalley - thank you! The U.S. edition is available everywhere on 5/3/16. You can find a review of this book and many more at my <a href="http://justacatandabookatherside.blogspot.com/">blog</a>;.
With her world ruined by the accident, Jenna Gray seeks refuge by the coast. She finds a small cottage, gets a dog, and tries to escape the nightmares of the accident that haunt both her dreams and waking hours. Meanwhile, Ray and Kate are forced to close Jacob's case, no closer to the suspect than when they started. But the two remain undaunted, working on the case in their off hours, and an anniversary plea one year after the accident turns up some potential leads. What exactly happened that rainy night? Will justice ever come for Jacob--and peace for Jenna?
This was an excellent thriller-- a real surprise, honestly. The beginning of the novel started out slow, and was so horrendously sad, what with Jacob's accident and his mother's terrible grief. It was one of several book's I'd read lately involving the death of a child, and I was so saddened that I almost set it aside. I'm glad I didn't though, because while the book is gut-wrenchingly sad, it's excellent, tense, and suspenseful. Divided into several parts, things pick up immensely at the end of the first part, when Mackintosh throws in an excellent plot twist (I shan't say anymore so as not to ruin it).
Mackintosh is excellent at conveying Jenna's anguish and the sadness that the accident causes. We also have a side-plot of Ray and his feelings toward his subordinate, Kate. Ray's home life is unbalanced: he's dealing with issues with his son, Tom, and his wife. These are a bit distracting at times, but serve to humanize him as well. The police subplot (watching them try to piece things together) is interesting, also. In fact, the book alternates in perspectives: we hear from Ray, Jenna, and one more character. In part 2, we go back in time for some of the characters, but remain in the present with Ray and Kate as they (much like us, the readers) try to solve this crime. It's an interesting technique and works surprisingly well. Jenna is a complicated character, but a well-drawn one.
Overall, I quite enjoyed this book. I won't spoil anything, but I will say that there is definitely a trigger for domestic abuse/violence, so please be forewarned for that. There's a character in the novel who reminds me of the husband in that creepy Julia Roberts' film "Sleeping with the Enemy" (I'm totally dating myself here). As such I was up late reading one night, completely creeped out. However, that's the sign of an excellent thriller in my opinion. I raced through the last 2/3 of the book and really wasn't disappointed. There are several more twists, but they actually are pretty believable, not outlandish like in many thrillers. Definitely recommend this one (with the abuse caveat thrown in). A unique psychological thriller that's worth your time, for sure.
I received an ARC of this novel from Netgalley - thank you! The U.S. edition is available everywhere on 5/3/16. You can find a review of this book and many more at my <a href="http://justacatandabookatherside.blogspot.com/">blog</a>;.