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Heather Cranmer (2721 KP) rated The Midnight Side in Books
Jun 7, 2018
(This review can be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
When I read the blurb for The Midnight Side by Natasha Mostert, I thought I was in for a scary ghost story. However, it's not really scary, and there's not much ghost in it. While it wasn't a fantastic read, it was still a decent one.
Isabelle (Isa for short) and Alette are cousins who have always been fairly close. As children, they would lucid dream together. When Alette dies in a car accident, Isabelle flies over from South Africa to England since she was Alette's sole beneficiary. Alette leaves three envelopes for Isabelle asking her for to do a big favor. Things become a bit more complicated when Isabelle develops romantic feelings for Alette's ex. Unknowingly, Alette has put Isabelle in danger. Will Isabelle make it out alive or will she suffer the same fate as Alette?
I don't really get the title. To me, it doesn't really seem to fit the book at all. Nothing special takes place at midnight, so the title is a bit misleading and confusing.
I'm not a fan of the cover at all. Besides showing Big Ben which is in London where the story takes place, the cover doesn't relate to the book at all.
I felt the world building was believable. There's been documented cases of lucid dreaming and receiving telephone calls from the dead. Besides the supernatural aspects, the rest of the world building was believable as well. The only thing I found a bit hard to believe was that Isabelle would develop romantic feelings for Alette's ex after she told her how he treated her. Plus, Alette was not only Isabelle's cousin, but they were like best friends. I suppose it does happen in real life, but it was a bit too instant to be 100% believable.
The pacing was a bit hit and miss throughout the first two-thirds of the book, but when it got to the last third of the book, the pacing steadied out, and I was hooked until the very end of the book.
I was a little bit confused with the story line. In my opinion, it was as if the book couldn't decide if it wanted to be more of a paranormal story or a psychological thriller. Alette leaves Isabelle instructions on how to bring her ex-husband's company crashing down. Isabelle must decide if she wants to comply with her deceased cousin's wish or listen to her heart. During this, Isabelle keeps receiving calls from Alette from the other side as well as Alette appearing in her dreams during lucid dreaming. There is a plot twist that I never saw coming. There's also no cliff hanger ending.
I thought the characters were all well developed. Even if Alette was a bit selfish, I still admired her determination. Isabelle is more of a follower instead of a leader which is why she does what Alette wants her to do. I started off not liking Justin, but by the middle of the book or so, I realized what a large heart he really had. Michael seemed like a good friend, but to me, he seemed to be a bit too...caring if that makes sense.
As for the dialogue, I felt that it flowed very well. In fact, I wish there would've been more dialogue instead of description. I think that having more dialogue would've made this book a bit better. I don't remember any swearing in this book, and the violence is mild.
Overall, The Midnight Side is a decent read. I think it would've been better with more dialogue and less description. I would've also liked more paranormal elements in the book, but that's just a personal preference.
I'd recommend this book to those aged 18+ who are fans of the psychological thriller as horror fans probably won't be too impressed.
<b>I'd give The Midnight Side by Natasha Mostert a 3.5 out of 5.</b>
(I received a free ecopy of this title from the publisher through Netgalley in exchange for a fair and honest review).
When I read the blurb for The Midnight Side by Natasha Mostert, I thought I was in for a scary ghost story. However, it's not really scary, and there's not much ghost in it. While it wasn't a fantastic read, it was still a decent one.
Isabelle (Isa for short) and Alette are cousins who have always been fairly close. As children, they would lucid dream together. When Alette dies in a car accident, Isabelle flies over from South Africa to England since she was Alette's sole beneficiary. Alette leaves three envelopes for Isabelle asking her for to do a big favor. Things become a bit more complicated when Isabelle develops romantic feelings for Alette's ex. Unknowingly, Alette has put Isabelle in danger. Will Isabelle make it out alive or will she suffer the same fate as Alette?
I don't really get the title. To me, it doesn't really seem to fit the book at all. Nothing special takes place at midnight, so the title is a bit misleading and confusing.
I'm not a fan of the cover at all. Besides showing Big Ben which is in London where the story takes place, the cover doesn't relate to the book at all.
I felt the world building was believable. There's been documented cases of lucid dreaming and receiving telephone calls from the dead. Besides the supernatural aspects, the rest of the world building was believable as well. The only thing I found a bit hard to believe was that Isabelle would develop romantic feelings for Alette's ex after she told her how he treated her. Plus, Alette was not only Isabelle's cousin, but they were like best friends. I suppose it does happen in real life, but it was a bit too instant to be 100% believable.
The pacing was a bit hit and miss throughout the first two-thirds of the book, but when it got to the last third of the book, the pacing steadied out, and I was hooked until the very end of the book.
I was a little bit confused with the story line. In my opinion, it was as if the book couldn't decide if it wanted to be more of a paranormal story or a psychological thriller. Alette leaves Isabelle instructions on how to bring her ex-husband's company crashing down. Isabelle must decide if she wants to comply with her deceased cousin's wish or listen to her heart. During this, Isabelle keeps receiving calls from Alette from the other side as well as Alette appearing in her dreams during lucid dreaming. There is a plot twist that I never saw coming. There's also no cliff hanger ending.
I thought the characters were all well developed. Even if Alette was a bit selfish, I still admired her determination. Isabelle is more of a follower instead of a leader which is why she does what Alette wants her to do. I started off not liking Justin, but by the middle of the book or so, I realized what a large heart he really had. Michael seemed like a good friend, but to me, he seemed to be a bit too...caring if that makes sense.
As for the dialogue, I felt that it flowed very well. In fact, I wish there would've been more dialogue instead of description. I think that having more dialogue would've made this book a bit better. I don't remember any swearing in this book, and the violence is mild.
Overall, The Midnight Side is a decent read. I think it would've been better with more dialogue and less description. I would've also liked more paranormal elements in the book, but that's just a personal preference.
I'd recommend this book to those aged 18+ who are fans of the psychological thriller as horror fans probably won't be too impressed.
<b>I'd give The Midnight Side by Natasha Mostert a 3.5 out of 5.</b>
(I received a free ecopy of this title from the publisher through Netgalley in exchange for a fair and honest review).
Billie Wichkan (118 KP) rated The Burning House in Books
May 22, 2019
It was a victimless crime...
Estate Agent Clara is struggling to make a sale. With her abusive ex-husband on the brink of finding where she's hiding, she needs to make a commission soon or lose her chance to escape.
Boleskine House on the shores of Loch Ness has remained unsold for years, and Clara is sure that an 'innocent' fire will force the price down. But the perfect crime soon turns into the perfect nightmare: there was a witness, a stranger in the village, and he's not going to let Clara get away with it that easily...
This is a very creepy read indeed, which features old secrets, black magic and also a story line which deals with domestic violence, and stalking, set very much in the real world. This combination of crimes we can understand, and empathize with, alongside the supernatural, works very well.
I didn't realize until the end that he had taken the story of the real Boleskin House and weaved the story around it. Boleskin sounds an absolutely fascinating place, owned by Alistair Crowley and Jimmy Page and reputedly incredibly haunted and the site of some odd rituals and occurrences. Spring explains in a footnote that a mysterious fire did really happen, do unfortunately you can't exactly visit the real place.
It is hard to write too much about this novel, without giving away the plot and I have no wish to do that.
This was a tense and chilling read that was!! From the start you are thrown into quite a chain of shocking events and the consequences of these are felt throughout the book, and leads to some very dark places for some of the characters!
Great plot that will grip you and not let you go at all. The characters were well written and some are very unsavory and that adds to the dark story line. The action never seems to let up and I found myself holding my breath in anticipation.
Definitely a superb psychological thriller with a twist and I thought it was brilliant.
Highly recommend reading!!!
My thanks go to the Publisher and Netgalley for the chance to read this book.
Estate Agent Clara is struggling to make a sale. With her abusive ex-husband on the brink of finding where she's hiding, she needs to make a commission soon or lose her chance to escape.
Boleskine House on the shores of Loch Ness has remained unsold for years, and Clara is sure that an 'innocent' fire will force the price down. But the perfect crime soon turns into the perfect nightmare: there was a witness, a stranger in the village, and he's not going to let Clara get away with it that easily...
This is a very creepy read indeed, which features old secrets, black magic and also a story line which deals with domestic violence, and stalking, set very much in the real world. This combination of crimes we can understand, and empathize with, alongside the supernatural, works very well.
I didn't realize until the end that he had taken the story of the real Boleskin House and weaved the story around it. Boleskin sounds an absolutely fascinating place, owned by Alistair Crowley and Jimmy Page and reputedly incredibly haunted and the site of some odd rituals and occurrences. Spring explains in a footnote that a mysterious fire did really happen, do unfortunately you can't exactly visit the real place.
It is hard to write too much about this novel, without giving away the plot and I have no wish to do that.
This was a tense and chilling read that was!! From the start you are thrown into quite a chain of shocking events and the consequences of these are felt throughout the book, and leads to some very dark places for some of the characters!
Great plot that will grip you and not let you go at all. The characters were well written and some are very unsavory and that adds to the dark story line. The action never seems to let up and I found myself holding my breath in anticipation.
Definitely a superb psychological thriller with a twist and I thought it was brilliant.
Highly recommend reading!!!
My thanks go to the Publisher and Netgalley for the chance to read this book.
Kristy H (1252 KP) rated Pretty Girls: A Novel in Books
Feb 13, 2018
Claire Scott leads a seemingly perfect life - she's beautiful and adored by her wealthy husband, Paul. However, Claire's life is shadowed by the disappearance of her eldest sister, Julia, over twenty years ago. Julia went missing while in college and was never seen again. In the aftermath, Claire lost not only Julia, but her other sister, Lydia, as the sisters have been estranged for years. As a result, Claire has clung to Paul and the comfort and security he provides . However, a new tragic event changes everything for Claire - and will eventually lead her to look at everything in her life differently, including Julia's disappearance and her relationship with Lydia.
I really enjoyed this novel - it's engaging and suspenseful: filled with twists and turns. Sometimes you see them coming and other times you don't. It's a quick read, but not a particularly light one - be prepared for a dark read. The book is raw, violent, and even heartbreaking at points. Most of the story unfolds from Julia and Claire's point of view, but we also hear a little bit from their father between chapters. As the novel progresses, we learn not only about the present day mystery (which is captivating) but what happened to their sister, Julia, so long ago.
The book's strength is that it presents not only a compelling and interesting mystery tale, but a chilling portrait of its characters, as well. You get a good look into the lives of Lydia and Claire and their own psychological motivations. It goes beyond a thriller into a story of parenthood and sisterhood. Frankly, as a parent, there are parts of this book that break my heart and made me want to never let my children out of my sight! But, truly, that was what made it so good - it deftly portrayed the evil that can befall them in the world.
Some of the plot points are a bit fantastical and it suffers from the trope where Claire and Paul Scott just have unlimited financial resources, but overall, I found this one fascinating. Definitely a worthy read.
I really enjoyed this novel - it's engaging and suspenseful: filled with twists and turns. Sometimes you see them coming and other times you don't. It's a quick read, but not a particularly light one - be prepared for a dark read. The book is raw, violent, and even heartbreaking at points. Most of the story unfolds from Julia and Claire's point of view, but we also hear a little bit from their father between chapters. As the novel progresses, we learn not only about the present day mystery (which is captivating) but what happened to their sister, Julia, so long ago.
The book's strength is that it presents not only a compelling and interesting mystery tale, but a chilling portrait of its characters, as well. You get a good look into the lives of Lydia and Claire and their own psychological motivations. It goes beyond a thriller into a story of parenthood and sisterhood. Frankly, as a parent, there are parts of this book that break my heart and made me want to never let my children out of my sight! But, truly, that was what made it so good - it deftly portrayed the evil that can befall them in the world.
Some of the plot points are a bit fantastical and it suffers from the trope where Claire and Paul Scott just have unlimited financial resources, but overall, I found this one fascinating. Definitely a worthy read.
Daniel Boyd (1066 KP) rated Castle Rock in TV
Oct 23, 2018 (Updated Oct 23, 2018)
Good cast (2 more)
Some cool ideas
Stephen King references
Ups and Downs
Castle Rock is an interesting show, it wasn't what I thought it would be at all. I went in expected a creepy, atmospheric thriller and instead I got a slow burning character study. Don't get me wrong, it is a very well told character study, with plenty of interesting characters and plot threads.
The cast is made up of a few actors that have been used in Stephen King adaptions in the past, as well as a few newcomers to the King adaption universe. Everybody is great in their role, with Sissy Spacek and Bill Skarsgard being the standouts.
The liberties that the show takes with it's inspiration is weirdly inconstant, with some episode whoring out King references left and right and some ignoring the writer's influence altogether. I get the feeling that this was due to the creators wanting to please King fans in the audience while still trying to craft a show that can stand on it's own independently, which is fine, but I kinda wish that they had committed one way or the other.
The show starts off strong, then drags a bit in the middle, but if you can get to episodes 8 & 9, they are possible contenders for some of the best episodes of TV broadcast in 2018. Unfortunately the last episode is very underwhelming after this awesome build up of intrigue that precedes it.
The ending was the biggest negative that the show had. Without giving too much away, it leaves the audience feeling like everything they just witnessed was pretty pointless and leaves you feeling unfulfilled and fairly disappointed. It is clearly trying to set things up for a second season, but does so to the point that it forgets to end the first season in any significant way.
Overall, if you are a King fan you will get a kick out of this. Alternatively, if you are in the mood for a well told, slow burning character study full of intrigue, with elements of psychological horror, then this show is perfect for you. Just don't go in expecting an intense, chilling atmosphere to be present throughout.
The cast is made up of a few actors that have been used in Stephen King adaptions in the past, as well as a few newcomers to the King adaption universe. Everybody is great in their role, with Sissy Spacek and Bill Skarsgard being the standouts.
The liberties that the show takes with it's inspiration is weirdly inconstant, with some episode whoring out King references left and right and some ignoring the writer's influence altogether. I get the feeling that this was due to the creators wanting to please King fans in the audience while still trying to craft a show that can stand on it's own independently, which is fine, but I kinda wish that they had committed one way or the other.
The show starts off strong, then drags a bit in the middle, but if you can get to episodes 8 & 9, they are possible contenders for some of the best episodes of TV broadcast in 2018. Unfortunately the last episode is very underwhelming after this awesome build up of intrigue that precedes it.
The ending was the biggest negative that the show had. Without giving too much away, it leaves the audience feeling like everything they just witnessed was pretty pointless and leaves you feeling unfulfilled and fairly disappointed. It is clearly trying to set things up for a second season, but does so to the point that it forgets to end the first season in any significant way.
Overall, if you are a King fan you will get a kick out of this. Alternatively, if you are in the mood for a well told, slow burning character study full of intrigue, with elements of psychological horror, then this show is perfect for you. Just don't go in expecting an intense, chilling atmosphere to be present throughout.
ClareR (5589 KP) rated The House Guest in Books
Jul 10, 2021 (Updated Jul 10, 2021)
The House Guest is a psychological thriller that had me so frustrated in parts, that I could happily have thrown my kindle across the room (I really liked the book, by the way)
Kate’s sister disappeared when she was 10 years old, and now 15 years later Kate decides to move to London after one of her sisters old friends phones to say that they’ve seen her. Could this be Kate’s chance to find her sister?
Kate is overwhelmed by everything: the fact that she can’t find a decent job, she’s having no luck in finding her sister, and her parents expectation that she’ll come home to be with them, that London is just a phase. In fact they are very protective of Kate, almost suffocatingly so. They want her to phone them regularly, and make it clear that they expect her to come back to Oxford.
So when Della walks in to the cafe that Kate works at and invites her to join in her life-coaching class for some free sessions, Kate jumps at the chance. After all, she might just get the help she needs.
Kate is such a vulnerable character: she’s emotional and needs constant reassurance, whilst at the same time she doesn’t want anyone to know about her past. Della, on the other hand, is confident in every aspect of her life. She’s a successful life coach with beautiful children and a supportive husband - but there always seems to be something lurking under this glossy exterior. You just can’t put your finger on it until it’s too late!
I couldn’t decide if I wanted to shake or hug Kate, if I’m honest, and I’m sure other people will feel the same way, especially as more of her past is revealed. But my standing ovation goes to Della’s character and how she manages to manipulate Kate into getting exactly what she wants!
I hope this has piqued your interest. It’s a pretty gripping read especially in the latter half, and I’m sure you will really enjoy it - I did!
Many thanks to HarperCollins for my NetGalley copy of this book.
Kate’s sister disappeared when she was 10 years old, and now 15 years later Kate decides to move to London after one of her sisters old friends phones to say that they’ve seen her. Could this be Kate’s chance to find her sister?
Kate is overwhelmed by everything: the fact that she can’t find a decent job, she’s having no luck in finding her sister, and her parents expectation that she’ll come home to be with them, that London is just a phase. In fact they are very protective of Kate, almost suffocatingly so. They want her to phone them regularly, and make it clear that they expect her to come back to Oxford.
So when Della walks in to the cafe that Kate works at and invites her to join in her life-coaching class for some free sessions, Kate jumps at the chance. After all, she might just get the help she needs.
Kate is such a vulnerable character: she’s emotional and needs constant reassurance, whilst at the same time she doesn’t want anyone to know about her past. Della, on the other hand, is confident in every aspect of her life. She’s a successful life coach with beautiful children and a supportive husband - but there always seems to be something lurking under this glossy exterior. You just can’t put your finger on it until it’s too late!
I couldn’t decide if I wanted to shake or hug Kate, if I’m honest, and I’m sure other people will feel the same way, especially as more of her past is revealed. But my standing ovation goes to Della’s character and how she manages to manipulate Kate into getting exactly what she wants!
I hope this has piqued your interest. It’s a pretty gripping read especially in the latter half, and I’m sure you will really enjoy it - I did!
Many thanks to HarperCollins for my NetGalley copy of this book.
BankofMarquis (1832 KP) rated Kimi (2022) in Movies
Feb 22, 2022
Better-Than-Average, but nothing more
Oscar winning Director Steven Soderbergh (TRAFFIC) could rightfully be called the current “Master of Suspense” as most of his films fall into the “Psychological Drama” category - and his latest HBO MAX film, KIMI, is a perfectly ordinary entry in his catalogue.
Starring Zoe Kravitz (BIG LITTLE LIES) in the titular role, KIMI follows an agoraphobic tech worker, in the middle of global pandemic, who thinks she might have stumbled upon a crime.
Written by veteran Screenwriter David Koepp (the OG SPIDERMAN, starring Tobey Maguire), KIMI is a better-than-average thriller with a better-than-average lead performance by Kravitz and Directed in better-than-average style by Soderbergh.
Which makes this film entertaining, somewhat interesting but nothing special.
The plot twists and turns enough that keeps you guessing, but never falls into over-the-top “you got to be kidding me” territory or something of true suspense while the performance of Kravitz is good (enough) to hold your attention without falling prey to gimmickry/tricks/twitches. It is a solid “B” performance but not better (or worse).
A highlight for me was the appearance of Robin Givens (the former Mrs. Mike Tyson) as Kravitz’/Kimi’s mother. It was good to see her get some work. On the other hand, this is counter-balanced by the horrible performance of Rita Wilson (the current Mrs. Tom Hanks) as a shady Corporate-type who does everything by twirl her mustache in her single appearance on screen.
Add on top of this some fairly pedestrian Direction by Soderbergh and you have a serviceable, passable, “good enough” film that is, mercifully, only an hour and a 1/2 long. It is one of those rare films that I wondered when it ended that if they added another 1/2 hour to this film - and added some depth to the characters (especially the villians) perhaps this would have been a better film.
But, instead, we get a pleasant (enough) diversion.
Letter Grade: B-
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
Starring Zoe Kravitz (BIG LITTLE LIES) in the titular role, KIMI follows an agoraphobic tech worker, in the middle of global pandemic, who thinks she might have stumbled upon a crime.
Written by veteran Screenwriter David Koepp (the OG SPIDERMAN, starring Tobey Maguire), KIMI is a better-than-average thriller with a better-than-average lead performance by Kravitz and Directed in better-than-average style by Soderbergh.
Which makes this film entertaining, somewhat interesting but nothing special.
The plot twists and turns enough that keeps you guessing, but never falls into over-the-top “you got to be kidding me” territory or something of true suspense while the performance of Kravitz is good (enough) to hold your attention without falling prey to gimmickry/tricks/twitches. It is a solid “B” performance but not better (or worse).
A highlight for me was the appearance of Robin Givens (the former Mrs. Mike Tyson) as Kravitz’/Kimi’s mother. It was good to see her get some work. On the other hand, this is counter-balanced by the horrible performance of Rita Wilson (the current Mrs. Tom Hanks) as a shady Corporate-type who does everything by twirl her mustache in her single appearance on screen.
Add on top of this some fairly pedestrian Direction by Soderbergh and you have a serviceable, passable, “good enough” film that is, mercifully, only an hour and a 1/2 long. It is one of those rare films that I wondered when it ended that if they added another 1/2 hour to this film - and added some depth to the characters (especially the villians) perhaps this would have been a better film.
But, instead, we get a pleasant (enough) diversion.
Letter Grade: B-
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
BankofMarquis (1832 KP) rated Marnie (1964) in Movies
Nov 6, 2020
Mediocre Hitchcock - but still pretty good
Heading into 1964, Alfred Hitchcock was on quite a roll. He had just rolled out - in order, VERTIGO (1958), NORTH BY NORTHWEST (1959), PSYCHO (1960) and THE BIRDS (1963) and his anthology series ALFRED HITCHCOCK PRESENTS had made him into a household name throughout the world. So it was with great anticipation/expectation that the world awaited his next major motion picture.
And while this film, MARNIE was not the critical or commercial success of his previous outings, it still has enough good in it that makes it a worthwhile film to watch.
Starring Tippi Hedren (THE BIRDS) and Sean Connery (fresh off his James Bond success in DR. NO and FROM RUSSIA WITH LOVE), MARNIE is, basically, a "two-hander" (a film that is primarily focused on conversation between 2 people) about an habitual thief, Marnie, with deep psychological troubles who is loved (and handled) by a man who is seeking to get to the root of what makes her tick.
And..in someone else's hands..this film could have been overly melodramatic, but in Hitchcock's adroit hands, it is a deep and disturbing psychological thriller that succeeds more often than it doesn't.
Starting with what works, Hitchcock's Direction (obviously) is at the fore. He knows how to play out a moment - especially a scene where Marnie steals from a safe. Hitchcock locks the camera in place and plays the scene with no music and just letting the events play out. It is a typical suspenseful Hitchcock scene and very well done.
The other thing that works is the performance of Connery. His charm and screen charisma shines brightly. making a problematic character like the one Connery portrays seemingly benign. Also...Tippi Hedren's performance at the end of this movie almost rescues her character...almost.
What doesn't work? Well...let's start with the title character, Marnie, as played by Hedren. She just doesn't have the charisma and charm of Connery and never really brings her character to life. She overacts at times when she has one of her "episodes" (I would think that both Hitchcock and Hedren share the blame for this) it is almost laughable in it's over-acting and she just seems in over her head with this role. It is said that Hitchcock had the film and role of Marnie written specifically as a comeback vehicle for Grace Kelly. It is too bad that this didn't come to pass, as I would have LOVED to see what an actress of her caliber would have done with this role.
The other thing that doesn't really work for me is the 2 characters at the forefront of this film. Both Hedren's Marnie and Connery's Mark Rutland are not likeable (though, as I said earlier, Connery's charm and charisma rescue's the Rutland character), but neither of these characters are ones that us, the audience, particularly care for - and that is a problem with a film that is pretty much focused on these characters.
Not one of Hitchcock's best...but still good...and the ending almost makes up for the weaknesses of the earlier parts of the movie.
Letter Grade: B
7 stars (out of 10) - even mediocre Hitchcock is till pretty good.
And...you can take that to the Bank(ofMarquis)
And while this film, MARNIE was not the critical or commercial success of his previous outings, it still has enough good in it that makes it a worthwhile film to watch.
Starring Tippi Hedren (THE BIRDS) and Sean Connery (fresh off his James Bond success in DR. NO and FROM RUSSIA WITH LOVE), MARNIE is, basically, a "two-hander" (a film that is primarily focused on conversation between 2 people) about an habitual thief, Marnie, with deep psychological troubles who is loved (and handled) by a man who is seeking to get to the root of what makes her tick.
And..in someone else's hands..this film could have been overly melodramatic, but in Hitchcock's adroit hands, it is a deep and disturbing psychological thriller that succeeds more often than it doesn't.
Starting with what works, Hitchcock's Direction (obviously) is at the fore. He knows how to play out a moment - especially a scene where Marnie steals from a safe. Hitchcock locks the camera in place and plays the scene with no music and just letting the events play out. It is a typical suspenseful Hitchcock scene and very well done.
The other thing that works is the performance of Connery. His charm and screen charisma shines brightly. making a problematic character like the one Connery portrays seemingly benign. Also...Tippi Hedren's performance at the end of this movie almost rescues her character...almost.
What doesn't work? Well...let's start with the title character, Marnie, as played by Hedren. She just doesn't have the charisma and charm of Connery and never really brings her character to life. She overacts at times when she has one of her "episodes" (I would think that both Hitchcock and Hedren share the blame for this) it is almost laughable in it's over-acting and she just seems in over her head with this role. It is said that Hitchcock had the film and role of Marnie written specifically as a comeback vehicle for Grace Kelly. It is too bad that this didn't come to pass, as I would have LOVED to see what an actress of her caliber would have done with this role.
The other thing that doesn't really work for me is the 2 characters at the forefront of this film. Both Hedren's Marnie and Connery's Mark Rutland are not likeable (though, as I said earlier, Connery's charm and charisma rescue's the Rutland character), but neither of these characters are ones that us, the audience, particularly care for - and that is a problem with a film that is pretty much focused on these characters.
Not one of Hitchcock's best...but still good...and the ending almost makes up for the weaknesses of the earlier parts of the movie.
Letter Grade: B
7 stars (out of 10) - even mediocre Hitchcock is till pretty good.
And...you can take that to the Bank(ofMarquis)
Gareth von Kallenbach (971 KP) rated A Haunting In Cawdor (2016) in Movies
Aug 6, 2019
The psychological thriller is another genre that seems to have taken a ‘back seat’ to the big budget action films, horror, and comedies in recent years. Or if there were any good psychological thrillers to hit the theater or the internet I either didn’t hear about them or they didn’t really make much of an impact. Personally when I think of that genre the first name to come to mind is Alfred Hitchcook. I’m sure if I sat down and thought about it, I could think of a movie that falls into that category I’ve seen since then but I don’t have that kind of time. What I do have time for is to tell you about a movie that is certainly a step in the right direction.
Uncork’ed Entertainment’s ‘A Haunting In Cawdor’ available March 11th, is written and directed by Phil Wurtzel and revisits this genre of film with an impressive cast in attempt to breathe new life into psychological terror. Vivian Miller (Shelby Young of American Horror Story) is a young troubled woman who is serving out her jail sentence along with a group of convicts with a work release program in a small Midwestern town. Specifically, at the Cawdor Barn Theater. A rundown seasonal summer run by Lawrence O’Neil (Cary Elwes of A Princess Bride and The X-Files) a failed Broadway director who has taken it upon himself to stage amateur productions with young parolees.
It doesn’t take long once the movie starts for the quote ‘madness’ to begin. The moment Vivian sets foot in town, she starts to hallucinate. A local boy Roddy (Michael Welch of The Twilight Saga, Z Nation, Scandal) takes an immediate interest in her but disappears shortly thereafter. Once the group arrives at the theater they are told that along with helping with the theater’s upkeep part of the group’s probation is to put on a stage production of William Shakespeare’s ‘MacBeth’ which has not been performed at the theater in 15 years. While the everyone is preparing to upgrade the theater and rehearse for the play Vivian finds an old VHS cassette with a recording of the theater’s last performance of ‘MacBeth’. As it turns out the young girl that was cast in the lead for that performance Jeanette (Alexandria Deberry), the same role Vivian has been cast in, was found dead not long after and upon viewing the tape unintentionally releases an evil force that has some sort of connection to Lawrence who has begun to act superstitiously. At first Vivian tries to write these instances off as hallucinations brought about by her own personal demons and a lack of medication which her psychiatrist Dr. Lazarus (Peter Floch) readily agrees with. Things take an even more otherworldly turn though when the spirit of the dead girl begins to communicate with Vivian through the tape and the mystery surrounding her death and that of her mysterious admirer Roddy and his connection to Lawrence and the play all converge just days before the play.
This film is definitely the kind of thing you’d want to watch in the dark and preferably on a stormy night as well. You had a great cast composed of veterans and up-and-comers combined with a basic premise. The movie did seem to lack something though. There was very little regarding the interpersonal relationships between the characters in the movie and how they got along with one another. Mostly just a few scenes of the group presumably drinking alcohol which they were not supposed to have to begin with. There was also the fact that you learn Vivian’s crime but not why she did it and they continually poke at the subject in the brief flashbacks. There were also the ending of the film which, after the grand finale, makes no sense whatsoever. There’s no resolution and not in the sense that it was written that way purposely. There were a few directions the movie could’ve explored in that hour and 40 minutes but didn’t which would added more to the film. It could almost be compared to having a bunch of people run every path in a maze except the one path that would lead you out of it.
The one thing that saved the film was the cast and their performances. I can give this film 2 1/2 stars because of that. It’s worth watching once for that aspect alone.
Uncork’ed Entertainment’s ‘A Haunting In Cawdor’ available March 11th, is written and directed by Phil Wurtzel and revisits this genre of film with an impressive cast in attempt to breathe new life into psychological terror. Vivian Miller (Shelby Young of American Horror Story) is a young troubled woman who is serving out her jail sentence along with a group of convicts with a work release program in a small Midwestern town. Specifically, at the Cawdor Barn Theater. A rundown seasonal summer run by Lawrence O’Neil (Cary Elwes of A Princess Bride and The X-Files) a failed Broadway director who has taken it upon himself to stage amateur productions with young parolees.
It doesn’t take long once the movie starts for the quote ‘madness’ to begin. The moment Vivian sets foot in town, she starts to hallucinate. A local boy Roddy (Michael Welch of The Twilight Saga, Z Nation, Scandal) takes an immediate interest in her but disappears shortly thereafter. Once the group arrives at the theater they are told that along with helping with the theater’s upkeep part of the group’s probation is to put on a stage production of William Shakespeare’s ‘MacBeth’ which has not been performed at the theater in 15 years. While the everyone is preparing to upgrade the theater and rehearse for the play Vivian finds an old VHS cassette with a recording of the theater’s last performance of ‘MacBeth’. As it turns out the young girl that was cast in the lead for that performance Jeanette (Alexandria Deberry), the same role Vivian has been cast in, was found dead not long after and upon viewing the tape unintentionally releases an evil force that has some sort of connection to Lawrence who has begun to act superstitiously. At first Vivian tries to write these instances off as hallucinations brought about by her own personal demons and a lack of medication which her psychiatrist Dr. Lazarus (Peter Floch) readily agrees with. Things take an even more otherworldly turn though when the spirit of the dead girl begins to communicate with Vivian through the tape and the mystery surrounding her death and that of her mysterious admirer Roddy and his connection to Lawrence and the play all converge just days before the play.
This film is definitely the kind of thing you’d want to watch in the dark and preferably on a stormy night as well. You had a great cast composed of veterans and up-and-comers combined with a basic premise. The movie did seem to lack something though. There was very little regarding the interpersonal relationships between the characters in the movie and how they got along with one another. Mostly just a few scenes of the group presumably drinking alcohol which they were not supposed to have to begin with. There was also the fact that you learn Vivian’s crime but not why she did it and they continually poke at the subject in the brief flashbacks. There were also the ending of the film which, after the grand finale, makes no sense whatsoever. There’s no resolution and not in the sense that it was written that way purposely. There were a few directions the movie could’ve explored in that hour and 40 minutes but didn’t which would added more to the film. It could almost be compared to having a bunch of people run every path in a maze except the one path that would lead you out of it.
The one thing that saved the film was the cast and their performances. I can give this film 2 1/2 stars because of that. It’s worth watching once for that aspect alone.
Hazel (1853 KP) rated The Wolf Road in Books
Dec 14, 2018
3.5 Stars
<i>I received this book for free through Goodreads First Reads.</i>
“Any lie can turn into the truth if you believe it long enough.” <i>The Wolf Road</i> is the debut literary thriller by British author Beth Lewis. The post-apocalyptic world is not a very safe place to be, especially for a seven year old during a fierce and dangerous storm. Lost in the woods, a young girl comes across a man who, after naming her Elka, gives her a place to stay for the next ten years of her life. During this time he teaches her how to trap animals, use hunting knives and move silently between the trees – all the vital things needed to survive in the wild. For a long time Elka views this man as a father figure, but on discovering that her beloved Daddy is a serial killer, she realizes she has been living a life of lies.
Desperate to get away from the horrifying realization, Elka runs off deep into the forest with only a hunting knife and the clothes on her back. With nowhere to go, she decides to try and find her birth parents, but although she can easily survive in the wild, she is completely unprepared for the human world. With a childlike innocence, Elka finds herself in trouble on numerous occasions, only feeling at ease once she is back in the woods living the life of wolves. However she soon realizes that she will never be safe no matter how far she travels – not until that murderer is dead himself.
Once you get used to Elka’s colourful dialect, the gripping narrative pulls us into a world with danger around every corner. Elka’s revelation at the beginning of the book seems like a small issue compared with all the trouble she finds herself in later on. The reader will sympathize with Elka as she discovers the evils of man, and admire her strength as well as the development of a conscience after meeting and making her first ever friend. But whilst Elka learns how to walk amongst humans, there is a foreboding sense of doom as evilness keeps her within its sights.
<i>The Wolf Road</i> is a great post-apocalyptic story with a strong protagonist. At times it takes on a similar theme to a western novel, with guns, gold mining, and violence; but it is essentially a thriller built up of lies that are gradually unpicked. There is no psychological element to the book, thus nothing to try and work out for yourself. You simply need to read and discover what happens. As a result this book is the kind you will either love or hate. Some people may find it disturbing or gruesome, whereas others may find it exciting and enjoy reading about the unique main character.
Personally I think <i>The Wolf Road</i> is a great, original piece of work, and it only loses stars because I found a few parts a bit too grisly. Beth Lewis writes well and it cannot have been easy to keep the dialect up for the entire novel. This is an author who definitely has promise for the future.
<i>I received this book for free through Goodreads First Reads.</i>
“Any lie can turn into the truth if you believe it long enough.” <i>The Wolf Road</i> is the debut literary thriller by British author Beth Lewis. The post-apocalyptic world is not a very safe place to be, especially for a seven year old during a fierce and dangerous storm. Lost in the woods, a young girl comes across a man who, after naming her Elka, gives her a place to stay for the next ten years of her life. During this time he teaches her how to trap animals, use hunting knives and move silently between the trees – all the vital things needed to survive in the wild. For a long time Elka views this man as a father figure, but on discovering that her beloved Daddy is a serial killer, she realizes she has been living a life of lies.
Desperate to get away from the horrifying realization, Elka runs off deep into the forest with only a hunting knife and the clothes on her back. With nowhere to go, she decides to try and find her birth parents, but although she can easily survive in the wild, she is completely unprepared for the human world. With a childlike innocence, Elka finds herself in trouble on numerous occasions, only feeling at ease once she is back in the woods living the life of wolves. However she soon realizes that she will never be safe no matter how far she travels – not until that murderer is dead himself.
Once you get used to Elka’s colourful dialect, the gripping narrative pulls us into a world with danger around every corner. Elka’s revelation at the beginning of the book seems like a small issue compared with all the trouble she finds herself in later on. The reader will sympathize with Elka as she discovers the evils of man, and admire her strength as well as the development of a conscience after meeting and making her first ever friend. But whilst Elka learns how to walk amongst humans, there is a foreboding sense of doom as evilness keeps her within its sights.
<i>The Wolf Road</i> is a great post-apocalyptic story with a strong protagonist. At times it takes on a similar theme to a western novel, with guns, gold mining, and violence; but it is essentially a thriller built up of lies that are gradually unpicked. There is no psychological element to the book, thus nothing to try and work out for yourself. You simply need to read and discover what happens. As a result this book is the kind you will either love or hate. Some people may find it disturbing or gruesome, whereas others may find it exciting and enjoy reading about the unique main character.
Personally I think <i>The Wolf Road</i> is a great, original piece of work, and it only loses stars because I found a few parts a bit too grisly. Beth Lewis writes well and it cannot have been easy to keep the dialect up for the entire novel. This is an author who definitely has promise for the future.
Chris Sawin (602 KP) rated Catfish (2010) in Movies
Jun 22, 2019 (Updated Jun 23, 2019)
Nev Schulman is a photographer of dance that catches the eye of an 8 year old girl named Abby when one of his pictures is published nationally. She sends Nev a painting of his published picture, which begins a rather incredible friendship. Nev eventually gets the chance to talk to Abby's mom, Angela, and her older sister, Megan. Megan and Nev really start to hit it off and a relationship begins to form. That is until many of the things Megan has been telling Nev begin drifting further and further from the truth. Nev decides to fly to Michigan and get the answers he so desperately desires.
If somebody made me choose a favorite film genre, psychological thriller would quite possibly be my answer. Films that include incredible twist endings (Oldboy) or have elaborate storylines that make you think (Inception) are definitely some of the best times to be had when it comes to an entertaining movie experience. Catfish was marketed as a film that was not only a thriller, but also contained "a shattering conclusion" that was compared to Alfred Hitchcock. In the end, it didn't really have either of those things.
Catfish had this vibe the entire film like it was leading towards something dark near its conclusion. As Nev makes his way to Michigan, you get more and more anxious as he nears his destination. Even the music gets really unsettling. Is Megan's family going to be a bunch of chainsaw wielding cannibals or have Angela and Vince been keeping a kidnapped girl named Megan chained in their basement for weeks to lead young, single guys out there for them to torture as some sort of twisted way to get off? No, it's nothing like that. Catfish never really became thrilling or even came near diving into dark territory.
What Catfish winds up being is an interesting character study presented as a documentary. The film's heart resides in who Megan really is and how the entire experience affects Nev. Once the pieces of the puzzle are put together and everything falls into place, Catfish turns out to be a very raw, emotional, and heartfelt film. What's intriguing is the film revolves around Facebook and with The Social Network hitting theaters in about two weeks, it seems like a bit of a bold move.
What is arguably the best scene in the film is when it's actually explained why Catfish was chosen as the title in the final minutes. It is a pretty incredible explanation and fits the film perfectly.
Catfish isn't necessarily a bad film, in fact, it's pretty powerful once it really gets going. It probably isn't what you're expecting though. While Catfish is laugh out loud at certain points in the film, at its core, it's a documented love story that mostly resides on the internet. Maybe it just comes from personal experience, the way the film was presented, or the on-screen presence of the characters in the film, but Catfish felt genuine which isn't something that can be said about many films that have come out in 2010.
If somebody made me choose a favorite film genre, psychological thriller would quite possibly be my answer. Films that include incredible twist endings (Oldboy) or have elaborate storylines that make you think (Inception) are definitely some of the best times to be had when it comes to an entertaining movie experience. Catfish was marketed as a film that was not only a thriller, but also contained "a shattering conclusion" that was compared to Alfred Hitchcock. In the end, it didn't really have either of those things.
Catfish had this vibe the entire film like it was leading towards something dark near its conclusion. As Nev makes his way to Michigan, you get more and more anxious as he nears his destination. Even the music gets really unsettling. Is Megan's family going to be a bunch of chainsaw wielding cannibals or have Angela and Vince been keeping a kidnapped girl named Megan chained in their basement for weeks to lead young, single guys out there for them to torture as some sort of twisted way to get off? No, it's nothing like that. Catfish never really became thrilling or even came near diving into dark territory.
What Catfish winds up being is an interesting character study presented as a documentary. The film's heart resides in who Megan really is and how the entire experience affects Nev. Once the pieces of the puzzle are put together and everything falls into place, Catfish turns out to be a very raw, emotional, and heartfelt film. What's intriguing is the film revolves around Facebook and with The Social Network hitting theaters in about two weeks, it seems like a bit of a bold move.
What is arguably the best scene in the film is when it's actually explained why Catfish was chosen as the title in the final minutes. It is a pretty incredible explanation and fits the film perfectly.
Catfish isn't necessarily a bad film, in fact, it's pretty powerful once it really gets going. It probably isn't what you're expecting though. While Catfish is laugh out loud at certain points in the film, at its core, it's a documented love story that mostly resides on the internet. Maybe it just comes from personal experience, the way the film was presented, or the on-screen presence of the characters in the film, but Catfish felt genuine which isn't something that can be said about many films that have come out in 2010.