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Matthew Krueger (10051 KP) rated the Xbox One version of Resident Evil 7 biohazard in Video Games
Oct 25, 2019 (Updated Oct 25, 2019)
Back To Horror
Contains spoilers, click to show
This game is so scary, its terrorfying, horrorfying, spooky, creepy and so much more. Plus its back to the old resident evil games. Unlike 5 and 6 which toke the action rote. So it was so good to see it back home where it belongs. Its twisted, psychological, nightmareful and so much more. Lets talk about the plot/story.
The Plot/Story: player controls Ethan Winters as he searches for his wife in a derelict plantation occupied by a cannibal family, solving puzzles and fighting enemies. It is the first main series game to use a first-person view.
Ethan must choose to cure either Mia or Zoe. Choosing Zoe leaves Mia heartbroken, despite Ethan's promise to send help. As he and Zoe flee on a boat, Zoe reveals that the Bakers were infected after Mia arrived with a young girl named Eveline when the wreck of a tanker ship washed ashore. Eveline stops their escape by calcifying Zoe, killing her, and Ethan is knocked from the boat by a creature. If Ethan chooses Mia, Zoe gives a bitter farewell to him and Mia.
I like thie because you have to choose to decide on who gets the cure and who doesnt.
If Ethan cured Mia, she resists Eveline's control long enough to seal Ethan out of the ship; if he cured Zoe, Mia succumbs to Eveline's control and attacks Ethan, forcing him to kill her.
Chris Redfield does apper in the game, at the end through. The helicopter that Chris comes in on is branded with the Umbrella Corporation logo.
Their is alot of extra contant/DLC for this game.
If you haven't played this game, than i would highly reccordmend playing this game.
The Plot/Story: player controls Ethan Winters as he searches for his wife in a derelict plantation occupied by a cannibal family, solving puzzles and fighting enemies. It is the first main series game to use a first-person view.
Ethan must choose to cure either Mia or Zoe. Choosing Zoe leaves Mia heartbroken, despite Ethan's promise to send help. As he and Zoe flee on a boat, Zoe reveals that the Bakers were infected after Mia arrived with a young girl named Eveline when the wreck of a tanker ship washed ashore. Eveline stops their escape by calcifying Zoe, killing her, and Ethan is knocked from the boat by a creature. If Ethan chooses Mia, Zoe gives a bitter farewell to him and Mia.
I like thie because you have to choose to decide on who gets the cure and who doesnt.
If Ethan cured Mia, she resists Eveline's control long enough to seal Ethan out of the ship; if he cured Zoe, Mia succumbs to Eveline's control and attacks Ethan, forcing him to kill her.
Chris Redfield does apper in the game, at the end through. The helicopter that Chris comes in on is branded with the Umbrella Corporation logo.
Their is alot of extra contant/DLC for this game.
If you haven't played this game, than i would highly reccordmend playing this game.
The Last Time I Saw You
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The internationally bestselling author of The Last Mrs. Parrish follows that success with an...
Fiction Mystery Contemporary
Walking Dead: The Game
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**NOTE: Compatible with iPad 2 and up, and iPhone 4 and up - WILL NOT RUN ON EARLIER DEVICES** ...
Sarah (7800 KP) rated Rebecca (2020) in Movies
Nov 1, 2020
A dull adaptation
Rebecca is an adaptation of Daphne Du Maurier’s 1938 novel of the same name, following a young woman’s whirlwind romance and her battle to rid her new marriage and home of the shadow of her husband’s first wife.
Rebecca as a novel is a classic and a book I very much enjoyed, and whilst I’ve never seen the Hitchcock adaptation, it’s often referred to as a fairly legendary classic too. However I’m afraid to say the same cannot be said about this new version. The basic plot and story is present, although rather frustratingly the ending has been extended unnecessarily, but it has not been executed very well.
The trailer made this look quite sinister and spooky, which is quite right when the original novel is a gothic horror with aspects of a ghost story thrown in. However this film turns out to be nothing of the sort. It’s more of a romantic drama with a hint of thriller thrown in – the gothic horror ghost story is nowhere to be seen and neither is any form of intrigue or suspense. In fact I’d be so bold as to say this is just outright dull, and even the campy over the top sinister vibes from Kristin Scott Thomas’s housekeeper Mrs Danvers are laughable at best. The most interesting part of this was the opening scene with it’s sinister score but this just didn’t carry through to the rest of the film.
Sadly the cast don’t fare very well in this either. Lily James is a great actor, but her version of the new wife is too mousy and timid and you wonder what on earth Maxim ever sees in her. The character herself is very frustrating and irksome as she’s far too naïve and sweet. And Armie Hammer is miscast as Maxim De Winter himself. He looks the part, dashing and handsome, but he’s lacking in the intrigue, charm and secrecy that you’d expect this character to have. He’s also missing the age gap that is rather notable in the book.
The cinematography in this is rather concerning. The scenes in Monte Carlo are far too colourful and garish and they just look out of place, even more so for something that is meant to be a gothic horror. I’m unsure of why this has been done, other than to show a striking difference between Monte Carlo and Maxim’s Cornish home of Manderley. In fact what is most concerning about this film is why Ben Wheatley wanted to direct it. By far the biggest shock of this film was finding out Wheatley, of Kill List and Sightseers fame, had directed it. Wheatley is known for psychological dark (and often funny) thrillers and there is nothing of his style to be seen in this film at all. Which is a shame, as I think a little more of his dark style would’ve propelled this film into more than just a sub-par drama.
Overall this a very disappointing and long winded adaptation of a classic novel. Whilst there are a few decent scenes and a good, if not out of character, performance from Lily James, these are nowhere near enough to save this from being a bit of a bore.
Rebecca as a novel is a classic and a book I very much enjoyed, and whilst I’ve never seen the Hitchcock adaptation, it’s often referred to as a fairly legendary classic too. However I’m afraid to say the same cannot be said about this new version. The basic plot and story is present, although rather frustratingly the ending has been extended unnecessarily, but it has not been executed very well.
The trailer made this look quite sinister and spooky, which is quite right when the original novel is a gothic horror with aspects of a ghost story thrown in. However this film turns out to be nothing of the sort. It’s more of a romantic drama with a hint of thriller thrown in – the gothic horror ghost story is nowhere to be seen and neither is any form of intrigue or suspense. In fact I’d be so bold as to say this is just outright dull, and even the campy over the top sinister vibes from Kristin Scott Thomas’s housekeeper Mrs Danvers are laughable at best. The most interesting part of this was the opening scene with it’s sinister score but this just didn’t carry through to the rest of the film.
Sadly the cast don’t fare very well in this either. Lily James is a great actor, but her version of the new wife is too mousy and timid and you wonder what on earth Maxim ever sees in her. The character herself is very frustrating and irksome as she’s far too naïve and sweet. And Armie Hammer is miscast as Maxim De Winter himself. He looks the part, dashing and handsome, but he’s lacking in the intrigue, charm and secrecy that you’d expect this character to have. He’s also missing the age gap that is rather notable in the book.
The cinematography in this is rather concerning. The scenes in Monte Carlo are far too colourful and garish and they just look out of place, even more so for something that is meant to be a gothic horror. I’m unsure of why this has been done, other than to show a striking difference between Monte Carlo and Maxim’s Cornish home of Manderley. In fact what is most concerning about this film is why Ben Wheatley wanted to direct it. By far the biggest shock of this film was finding out Wheatley, of Kill List and Sightseers fame, had directed it. Wheatley is known for psychological dark (and often funny) thrillers and there is nothing of his style to be seen in this film at all. Which is a shame, as I think a little more of his dark style would’ve propelled this film into more than just a sub-par drama.
Overall this a very disappointing and long winded adaptation of a classic novel. Whilst there are a few decent scenes and a good, if not out of character, performance from Lily James, these are nowhere near enough to save this from being a bit of a bore.
graveyardgremlin (7194 KP) rated The Christmas Killer in Books
Feb 15, 2019
The Christmas Killer (aka The Dream Killer) was a Point Horror book I missed out reading when I was younger, so decided to pick it up to enjoy this holiday season (yes, I am sick). Rosecleer Potter is a normal, everyday fifteen-year-old girl who has a twin brother, Jerram, and loves to dance. She also just happens to have developed the ability to talk, through dreams, to the recently departed, which starts when an acquaintance disappears and whose body turns up murdered in the woods. Now, as the body count rises, Rose has to figure out how to use her power before the killer gets to her.
The first paragraph almost caused me to rethink my expectations of enjoyment I'd get from the book. The sentences were short and choppy, and if the whole book had been written this way, I don't think I'd have managed to get through it. Fortunately for me, it didn't turn out that way at all. Although there were more short, fragmented sentences, they were few and far between and seemed more of a style choice than anything else.
Rose was a good choice as a lead and had both positive and negative attributes to her personality. She was generally nice but could have moments of cattiness or where her temper got the best of her, which made her more believable. I can't say any of the characters are over-developed, but they are described enough to get a rough sketch of who they are as a person, and there are moments of truth in many of their actions, e.g. the mother's freaking out, the father's clamming up, and the brother's withdrawal and secretiveness. The atmosphere is done extremely well. Even though I don't remember many actual descriptions, I got the feeling of a small town, its claustrophobia, and sense of impending doom all the same.
I have to admit this book surprised me. I went in expecting more of the slasher-type YA horrors I read as a youngster, and was handed a more mature, psychological suspense horror read instead. The plot flows well and has enough clues and red herrings to keep most readers interested. As someone who has read a lot of mysteries, I did figure it out, but it could have gone many ways and still have been satisfying. The ending is the only weak point as it was a bit abrupt and maybe too open-ended, but that's a minor niggle and didn't affect my enjoyment much. As far as I've been able to tell, there is no sequel, which might be for the best. The Christmas Killer was a quick and easy chiller that kept me entertained throughout and I'd recommend it for those who like creepy teen reads.
Originally Reviewed: December 29, 2012
Received: Library
The first paragraph almost caused me to rethink my expectations of enjoyment I'd get from the book. The sentences were short and choppy, and if the whole book had been written this way, I don't think I'd have managed to get through it. Fortunately for me, it didn't turn out that way at all. Although there were more short, fragmented sentences, they were few and far between and seemed more of a style choice than anything else.
Rose was a good choice as a lead and had both positive and negative attributes to her personality. She was generally nice but could have moments of cattiness or where her temper got the best of her, which made her more believable. I can't say any of the characters are over-developed, but they are described enough to get a rough sketch of who they are as a person, and there are moments of truth in many of their actions, e.g. the mother's freaking out, the father's clamming up, and the brother's withdrawal and secretiveness. The atmosphere is done extremely well. Even though I don't remember many actual descriptions, I got the feeling of a small town, its claustrophobia, and sense of impending doom all the same.
I have to admit this book surprised me. I went in expecting more of the slasher-type YA horrors I read as a youngster, and was handed a more mature, psychological suspense horror read instead. The plot flows well and has enough clues and red herrings to keep most readers interested. As someone who has read a lot of mysteries, I did figure it out, but it could have gone many ways and still have been satisfying. The ending is the only weak point as it was a bit abrupt and maybe too open-ended, but that's a minor niggle and didn't affect my enjoyment much. As far as I've been able to tell, there is no sequel, which might be for the best. The Christmas Killer was a quick and easy chiller that kept me entertained throughout and I'd recommend it for those who like creepy teen reads.
Originally Reviewed: December 29, 2012
Received: Library
This ebook was provided by the publisher via NetGalley in exchange for an honest review
Bullying is a topic many authors try to tackle, usually ending up with the bullied overcoming their tormentors. But, as many people have experienced, that is not always the result in real life. Natasha A. Salnikova, on the other hand, produces an alternative solution, a solution that is almost too horrific to imagine.
Fifteen-year-old Corby Mackentile is the stereotypical victim for private school bullies; she is quiet, intelligent and overweight. Whilst mostly humiliating Corby because of her size, the bullies also use her own parents against her. Corby’s mother is a Boston TV Anchor and her father is a vegetarian Buddhist who also happens to own a butcher’s shop.
The butcher’s shop is a haven for Corby; she can escape there after school and not be intimidated by anyone. But when one of the horrible girls from school turns up at the shop after hours, a terrible accident occurs, which gives Corby a new solution to her bullying problem.
It is initially hard to get into the novel Mean Girl; the third person narrative distances the reader from the main character. Although many people may be able to relate to Corby’s situation, the incident in the shop changes her beyond recognition. In order to hide events from her parents, she becomes mean, rude and altogether an unpleasant person.
Until the feeble plot twist at the end of the novel, it is impossible to care much about what happens to Corby. Bullying is a terrible thing to experience but the way Corby deals with it is beyond tolerable.
Mean Girl is advertised as a psychological thriller; however, it appears to be lacking the thrilling aspect. Some may place the book in the horror genre but “horrifying” would be more appropriate. With some scenes containing gruesome details, it is overall not a very pleasant story to read.
Bullying is a topic many authors try to tackle, usually ending up with the bullied overcoming their tormentors. But, as many people have experienced, that is not always the result in real life. Natasha A. Salnikova, on the other hand, produces an alternative solution, a solution that is almost too horrific to imagine.
Fifteen-year-old Corby Mackentile is the stereotypical victim for private school bullies; she is quiet, intelligent and overweight. Whilst mostly humiliating Corby because of her size, the bullies also use her own parents against her. Corby’s mother is a Boston TV Anchor and her father is a vegetarian Buddhist who also happens to own a butcher’s shop.
The butcher’s shop is a haven for Corby; she can escape there after school and not be intimidated by anyone. But when one of the horrible girls from school turns up at the shop after hours, a terrible accident occurs, which gives Corby a new solution to her bullying problem.
It is initially hard to get into the novel Mean Girl; the third person narrative distances the reader from the main character. Although many people may be able to relate to Corby’s situation, the incident in the shop changes her beyond recognition. In order to hide events from her parents, she becomes mean, rude and altogether an unpleasant person.
Until the feeble plot twist at the end of the novel, it is impossible to care much about what happens to Corby. Bullying is a terrible thing to experience but the way Corby deals with it is beyond tolerable.
Mean Girl is advertised as a psychological thriller; however, it appears to be lacking the thrilling aspect. Some may place the book in the horror genre but “horrifying” would be more appropriate. With some scenes containing gruesome details, it is overall not a very pleasant story to read.
Greg Mottola recommended 2001: A Space Odyssey (1968) in Movies (curated)
Merissa (14160 KP) rated Discordant Cultivation in Books
Jan 2, 2026
DISCORDANT CULTIVATION is a DARK standalone novel about a music producer who sees the potential in a street busker. He kidnaps him and uses 'dubious' methods to teach him how to get the best out of his music.
Vale is the producer, and Kieran is the musician. You read the story from both perspectives, seeing Kieran succumb to Stockholm Syndrome in real time, along with everything else. There isn't a massive supporting cast, but each one plays a part in Vale and Kieran's story.
Now, it says it is "A Dark MM Captive Musician Romance", but I don't know if I would put the word romance anywhere near this. I mean, yes, they fall into something, a dark and twisted version of love, maybe, but romance? Maybe psychological horror fits better? Don't get me wrong, I love a dark romance, but I struggled with this book. It took me over three days to read it, when I can normally finish a book (or more) in a day.
I will say, read the trigger warnings! You will need to, to protect your own mental health. This book pushed boundaries I didn't even know I had. It was an extremely uncomfortable book to read, BUT it was so incredibly well-written!!! Gale Ian Tate has a knack for dark stories, but I think this one might be both the best and the worst! And while I both loved and loathed it, it definitely won't be one I read again!
An amazing, horrible, uncomfortable story that pushed everything I thought I knew. If that sounds like the book for you, then I can definitely recommend it. Just be careful with your own mental health, though!
** Same worded review will appear elsewhere. **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jan 2, 2026
Vale is the producer, and Kieran is the musician. You read the story from both perspectives, seeing Kieran succumb to Stockholm Syndrome in real time, along with everything else. There isn't a massive supporting cast, but each one plays a part in Vale and Kieran's story.
Now, it says it is "A Dark MM Captive Musician Romance", but I don't know if I would put the word romance anywhere near this. I mean, yes, they fall into something, a dark and twisted version of love, maybe, but romance? Maybe psychological horror fits better? Don't get me wrong, I love a dark romance, but I struggled with this book. It took me over three days to read it, when I can normally finish a book (or more) in a day.
I will say, read the trigger warnings! You will need to, to protect your own mental health. This book pushed boundaries I didn't even know I had. It was an extremely uncomfortable book to read, BUT it was so incredibly well-written!!! Gale Ian Tate has a knack for dark stories, but I think this one might be both the best and the worst! And while I both loved and loathed it, it definitely won't be one I read again!
An amazing, horrible, uncomfortable story that pushed everything I thought I knew. If that sounds like the book for you, then I can definitely recommend it. Just be careful with your own mental health, though!
** Same worded review will appear elsewhere. **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jan 2, 2026
Emma @ The Movies (1786 KP) rated Men (2022) (2022) in Movies
Jul 3, 2022
Men... am I right?
Harper takes some time away in the country, following the death of her husband. But the break isn't quite as restful as she'd hoped.
I had a lot of feelings about Men. The trouble was, every time I started thinking about it, my brain spiralled off into many debates.
With Jessie Buckley and Rory Kinnear, I was fairly certain that the performances would be solid. They didn't disappoint. Kinnear in particular showed immense dedication to his roles, especially considering some of the things he was having to do. But, despite the superb acting, the characters weren't all that easy to get along with... and yes, that's sort of the point, but never mind.
There seems to be a jumble of genres happening, the trailers for the film show some of its creepy horror-esque moments, and the dramatic portion is represented. In the middle of the film, where Harper suffers from phone issues, we get an odd flash of science fiction... it doesn't fit with the rest of the film, it could easily have been removed with no consequences and left us with something much more consistent.
According to writer and director, Alex Garland, the idea of Men is whatever the viewer takes away from it. I've heard plenty of opinions about the meaning behind the film, though mainly from a small demographic.
To me, it felt like a dive into the mind of a woman who had suffered psychological abuse, and how she deals with that trauma. There are certainly a lot of ways this could be taken, and Men could have been a bold statement, but not committing to an explanation was a bit of a cop out.
While I didn't dislike the experience of watching it on the big screen, I don't need to see it again. Ultimately, the inconsistencies left me wanting something more.
Originally posted on: emmaatthemovies.blogspot.com/2022/07/men-movie-review.html
Harper takes some time away in the country, following the death of her husband. But the break isn't quite as restful as she'd hoped.
I had a lot of feelings about Men. The trouble was, every time I started thinking about it, my brain spiralled off into many debates.
With Jessie Buckley and Rory Kinnear, I was fairly certain that the performances would be solid. They didn't disappoint. Kinnear in particular showed immense dedication to his roles, especially considering some of the things he was having to do. But, despite the superb acting, the characters weren't all that easy to get along with... and yes, that's sort of the point, but never mind.
There seems to be a jumble of genres happening, the trailers for the film show some of its creepy horror-esque moments, and the dramatic portion is represented. In the middle of the film, where Harper suffers from phone issues, we get an odd flash of science fiction... it doesn't fit with the rest of the film, it could easily have been removed with no consequences and left us with something much more consistent.
According to writer and director, Alex Garland, the idea of Men is whatever the viewer takes away from it. I've heard plenty of opinions about the meaning behind the film, though mainly from a small demographic.
To me, it felt like a dive into the mind of a woman who had suffered psychological abuse, and how she deals with that trauma. There are certainly a lot of ways this could be taken, and Men could have been a bold statement, but not committing to an explanation was a bit of a cop out.
While I didn't dislike the experience of watching it on the big screen, I don't need to see it again. Ultimately, the inconsistencies left me wanting something more.
Originally posted on: emmaatthemovies.blogspot.com/2022/07/men-movie-review.html