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Death of a Ladies' Man by Leonard Cohen
Death of a Ladies' Man by Leonard Cohen
1977 | Pop
8.0 (1 Ratings)
Album Favorite

"Time gets flattened out, because now we’re into the digital age. Usually, I’m quite a retro person, but my manager was one of the first people to buy an iPod, so I got one. But then I thought, When am I ever going to use that? It took me ages to take it out of the box—maybe four or five years—and then I just couldn’t see the point of carrying it around. The first song that I ever downloaded was Leonard Cohen’s “Death of a Ladies’ Man.” Leonard Cohen and Scott Walker are the two real touchstones in terms of people I’ve listened to consistently throughout my whole life. If you listen to that first Pulp record, it is just a direct rip off of his first album—though I’m not saying it was as good as that. I was very lucky to [meet Cohen] when his album Old Ideas came out. I hosted the playback of that in London, and then I interviewed him about it. I was nervous about doing that, but I’m really glad that I did. I didn’t get to know him so much, but at least I got to meet him, and I was able to tell him how much his work had meant to me."

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LoganCrews (2861 KP) rated Indecent Proposal (1993) in Movies

Sep 21, 2020 (Updated Nov 26, 2020)  
Indecent Proposal (1993)
Indecent Proposal (1993)
1993 | Drama
Okay, look - I'm a straight man... but I'd let Robert Redford fuck *me* for a million dollars. First hour >>> second hour, but some seriously luscious looking pulp from one of the resounding kings of shooting gorgeous people looking into picturesque backgrounds. Still to date one of my favorite film premises, so it's a shame that it goes for a more conventional romance and doesn't hold all its weight in the second half like it did in the much more mysterious, sick intrigue of the first. God-level Redford, I'd like to think this is what Alexander Pierce from 𝘊𝘢𝘱𝘵𝘢𝘪𝘯 𝘈𝘮𝘦𝘳𝘪𝘤𝘢: 𝘛𝘩𝘦 𝘞𝘪𝘯𝘵𝘦𝘳 𝘚𝘰𝘭𝘥𝘪𝘦𝘳 did in his free time. Harrelson overreacting to everything is fucking hilarious, can't believe they played all this deliciously goofy portent straight. Speaking of which, the fact that we're supposed to empathize with either of these assholes is demeaning. Though as a result, rather than viewing this perhaps deservedly maligned piece as outright misogyny - imo I think this works best at showing the lengths either extreme of man will go to treat women like property, a vaguely cartoonish version mind you, but it isn't too far off from the unfortunate reality. Lurid, engaging, occasionally funny (intentional and not so) 90s psychopathic businessman trash.
  
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Awix (3310 KP) rated At the Earth's Core (1976) in Movies

Nov 10, 2018 (Updated Nov 10, 2018)  
At the Earth's Core (1976)
At the Earth's Core (1976)
1976 | Adventure, Fantasy, Sci-Fi
Second in Amicus's series of Burroughs-inspired pulp adventures with Doug McClure. Adventurers seeking to drill through the mountains from England to Wales take a wrong turn and end up in a terrifying wasteland dominated by sub-human beasts; it takes them a while to figure out their mistake. It turns out the Earth's core is ruled by evil giant pterodactyls with hypnotic powers - having taken a fancy to the local princess (Munro), the beefier of the visitors (McClure) resolves to sort the situation out.

One of the final examples of the kind of cheap and cheerful genre movie that the success of Star Wars the following year was to transform utterly. This one is notable for some of the worst man-in-a-suit monster effects ever seen outside Japan, the closest thing to a bad performance ever given by Peter Cushing, and an oddly inconsistent tone - much of it is rather juvenile, but some of the violence is a bit heavy for what often feels like a knockabout kid's film (the Earth's core is a wholly abstinent place - there isn't even the suggestion of funny business between McClure and Munro). The Iron Mole model is actually not bad, and the prog rock soundtrack certainly makes it distinctive. Kind of fun, in the end. Contains the line 'You can't mesmerise me, I'm British!'
  
Lovecraft Country
Lovecraft Country
2020 | Drama, Fantasy, Horror
Lovecraft country was a total surprise to me, I expected something that was totally over the top and when I saw the opening scene of the first episode it looked looked I was going to be right. However the show soon settles down and, after the first episode finds itself ground in reality, even if it is a reality contain magic. A lot of the episodes have a Lovecraftian/Pulp feel (The strange case springs instantly to mind) but they are still set in a very real feeling world and some episodes throw a real emotional punch.
The first couple of episodes focus on a couple of characters which leave some of the supporting cast feeling a bit two dimensional to begin with but, by the final episode almost everyone has been filled out and some of the best emotion comes from the characters you'd least expect.
There is violence, racism, sex and magic in Lovecraft Country so you may want to keep younger viewers away.
The series has Lovecraftian themes but also pulls on other classic literature and still manages to steer away from the more conventional monsters , there are no vampires, no zombies and, even though it's called 'Lovecraft' Country his most famous creation, Cthulhu, only has a small cameo that has no effect on the story, favouring the Shoggoth as the go-to Lovecraft creation.
  
The Scorpion King (2002)
The Scorpion King (2002)
2002 | Action, Horror, Sci-Fi
8
6.2 (19 Ratings)
Movie Rating
The Rock (2 more)
Kelly Hu
Michael Clarke Duncan
Lots of white guys for Africa (1 more)
Not a single female who is not stuck in a bikini of some sort (Not that I'm complaining, but....)
Good sword and sorcery fun
Spinning out of The Mummy Returns, The Scorpion King is a decent sword-and-sorcery epic in the vein of Conan the Barbarian that would work better on its own than it does connected to the Mummy franchise. It's not that it's bad, but we know how things end up in The Mummy Returns, and that undercuts some of the characterization in this film. The performances are good to great across the board, though there's a lot of white guys given the African setting. I realize that it's the cradle of civilization, but still. Then there's the trope of all the women wearing bikinis, which doesn't play as well in this day and age as it did in the pulp era....I mean, it has the desired effect, don't get me wrong, but I think we've moved on. The action is excellent, the graphics hold up even seventeen years later (which is more than can be said for the character's introduction in TMR), and on the whole, I enjoyed the film. After watching the special features, though, I think they should have kept the prophecy element in the film. Just my opinion.