Search
Acanthea Grimscythe (300 KP) rated The Motion of Puppets in Books
May 16, 2018
In Keith Donohue's modern retelling of Orpheus and Eurydice, The Motion of Puppets, we're introduced to a range of characters from a besotted husband and his missing wife, to an emotionally unstable puppet girl as the husband embarks on a journey to save his wife from eternity as a doll. For fans of mythology, this sounds like a great read and it is, without a doubt, beautifully written; however, when it comes to execution, the story fell flat.
Theo and Kay Harper are newlyweds with a ten year age difference between them. A teacher at a local college, Theo takes an summer vacation away from New York with his wife, Kay, as she performs with a cirque in Quebec City. While she works, he translates a book from French to English, and everything appears to be fine. That is, until Kay suddenly disappears one night after going out with her fellow actors for dinner and drinks. Woven with necromancy, animated puppets, and many references to the madness of Alice in Wonderland, Donohue's story could be considered riveting, and perhaps I would gladly label it so if I had not been so profoundly bored while reading it.
The book's plot is, in and of itself, highly intriguing. As a fan of horror and having proclaimed a love for anything necromantic in nature, the idea of people becoming puppets, or even dying and being reanimated in any fashion really, is something apt to catch my attention, and for that reason and my love of ancient mythology, I requested an advanced reader's copy of The Motion of Puppets. My frustration with it came mostly in the fact that I felt like the book progressed too slowly and there seemed to be a lot of extra "fluff" added in. For instance, the snippets regarding Theo's translation of Eadweard Muybridge's biography really felt a bit unnecessary. There was no real correlation between Muybridge and the book itself, save to provide Theo with something on which to focus. That, also, didn't feel necessary, as Theo seems to be a rather detached character, despite his very clear obsession with his wife. Even Kay's point of view seems to be a bit overly deluded, considering her time as a puppet is significantly shorter than that of the other puppets around her and yet she seems almost as aloof as they are by the conclusion of the book.
In addition to moving at a bit of a slow pace, The Motion of Puppets also seems to rely a bit more on Alice in Wonderland-like elements than it does mythos or current happenings. Everything seems weird and ridiculous, and little, if anything, makes any sense. If you try to make sense of it, chances are you'll find yourself lost, which I found myself giving up on halfway through the book. Magic is clearly alluded to as being the cause for the current state of the majority of the cast's existence; however, it is hardly mentioned and never really explained. Clearly there's enough oddness going on that the nearly-faceless bad guys worry about being found out, but even that isn't enough of a reason to delve into the why or how: it simply is.
There is no doubt in my mind that Keith Donohue is an excellent writer; he has a beautiful command of language that quite literally takes my breath away. Though The Motion of Puppets failed to satisfy me as a reader, I will likely read more of his work when I have the time. As for the genre of this book, horror probably isn't the right one. It'd be better suited in fantasy. There's nothing scary here.
Thank you to Macmillan-Picador, NetGalley, and the author for providing me with an advanced reader's copy of this book in exchange for an honest review.
Theo and Kay Harper are newlyweds with a ten year age difference between them. A teacher at a local college, Theo takes an summer vacation away from New York with his wife, Kay, as she performs with a cirque in Quebec City. While she works, he translates a book from French to English, and everything appears to be fine. That is, until Kay suddenly disappears one night after going out with her fellow actors for dinner and drinks. Woven with necromancy, animated puppets, and many references to the madness of Alice in Wonderland, Donohue's story could be considered riveting, and perhaps I would gladly label it so if I had not been so profoundly bored while reading it.
The book's plot is, in and of itself, highly intriguing. As a fan of horror and having proclaimed a love for anything necromantic in nature, the idea of people becoming puppets, or even dying and being reanimated in any fashion really, is something apt to catch my attention, and for that reason and my love of ancient mythology, I requested an advanced reader's copy of The Motion of Puppets. My frustration with it came mostly in the fact that I felt like the book progressed too slowly and there seemed to be a lot of extra "fluff" added in. For instance, the snippets regarding Theo's translation of Eadweard Muybridge's biography really felt a bit unnecessary. There was no real correlation between Muybridge and the book itself, save to provide Theo with something on which to focus. That, also, didn't feel necessary, as Theo seems to be a rather detached character, despite his very clear obsession with his wife. Even Kay's point of view seems to be a bit overly deluded, considering her time as a puppet is significantly shorter than that of the other puppets around her and yet she seems almost as aloof as they are by the conclusion of the book.
In addition to moving at a bit of a slow pace, The Motion of Puppets also seems to rely a bit more on Alice in Wonderland-like elements than it does mythos or current happenings. Everything seems weird and ridiculous, and little, if anything, makes any sense. If you try to make sense of it, chances are you'll find yourself lost, which I found myself giving up on halfway through the book. Magic is clearly alluded to as being the cause for the current state of the majority of the cast's existence; however, it is hardly mentioned and never really explained. Clearly there's enough oddness going on that the nearly-faceless bad guys worry about being found out, but even that isn't enough of a reason to delve into the why or how: it simply is.
There is no doubt in my mind that Keith Donohue is an excellent writer; he has a beautiful command of language that quite literally takes my breath away. Though The Motion of Puppets failed to satisfy me as a reader, I will likely read more of his work when I have the time. As for the genre of this book, horror probably isn't the right one. It'd be better suited in fantasy. There's nothing scary here.
Thank you to Macmillan-Picador, NetGalley, and the author for providing me with an advanced reader's copy of this book in exchange for an honest review.
Toy Story: Story Theater
Education and Entertainment
App
• Beloved Toy Story characters are ready to star in your child’s movie masterpiece! • Learn...
The Last Days of the Spanish Republic
Book
Told for the first time in English, Paul Preston's new book tells the story of a preventable tragedy...
Alice (117 KP) rated Children of Virtue and Vengeance in Books
Mar 3, 2021
3 is probably generous... review to follow
(There's proabably spoilers in here)
Okay so I hadn't heard great things about this so I was apprehensive about picking it up and after the first half I didn't really see what all the fuss was about but then it happened. This whole book stressed me out and made me angry. The lack of communication was so frustrating that nobody would believe anybody else and it just led to so many unnecessary conflicts. The whole overarching plot was about the war but then every chapter had the exact same conflicts that happened in every chapter before... "Inan is bad, no wait Inan is good, how could we be so stupid of course iInan is bad, but maybe he's good nope still bad" you catch my drift. Also Inan even did this himself because he may be the king but he's not in control of his kingdom which I'm not mad about I think it was good to show that he was a puppet (I'm an Inan sympathiser okay I'm sorry) but when nobody would believe that he was trying because everytime he tried someone else would step in and ruin it. Then there was Zelie flitting between being too weak to be an elder and wanting to run away and vowing to be the leader that her clan needs. Don't get me started on Amari, she had zero chemistry with Inan like I don't think she thought about him at all when he wasn't around and that thing she did towards the end of the book WHAT THE ACTUAL F was that!!!!! Unnecessary love triangles when clearly the only person that Zelie loves is herself. We spent the whole book gaging up for this big battle and then at the end it just never happened??? Need I go on. I don't want to be too scathing because I loved the first book so by proxy still care about this series but I don't really know what happened here.
(There's proabably spoilers in here)
Okay so I hadn't heard great things about this so I was apprehensive about picking it up and after the first half I didn't really see what all the fuss was about but then it happened. This whole book stressed me out and made me angry. The lack of communication was so frustrating that nobody would believe anybody else and it just led to so many unnecessary conflicts. The whole overarching plot was about the war but then every chapter had the exact same conflicts that happened in every chapter before... "Inan is bad, no wait Inan is good, how could we be so stupid of course iInan is bad, but maybe he's good nope still bad" you catch my drift. Also Inan even did this himself because he may be the king but he's not in control of his kingdom which I'm not mad about I think it was good to show that he was a puppet (I'm an Inan sympathiser okay I'm sorry) but when nobody would believe that he was trying because everytime he tried someone else would step in and ruin it. Then there was Zelie flitting between being too weak to be an elder and wanting to run away and vowing to be the leader that her clan needs. Don't get me started on Amari, she had zero chemistry with Inan like I don't think she thought about him at all when he wasn't around and that thing she did towards the end of the book WHAT THE ACTUAL F was that!!!!! Unnecessary love triangles when clearly the only person that Zelie loves is herself. We spent the whole book gaging up for this big battle and then at the end it just never happened??? Need I go on. I don't want to be too scathing because I loved the first book so by proxy still care about this series but I don't really know what happened here.
Emergency Powers (Imogen Trager #3)
Book
The accidental president is no accident. The investigation that was FBI Agent Imogen Trager’s...
Suspense Thriller Imogen Trager
Phil Leader (619 KP) rated Kings or Pawns (Steps of Power #1) in Books
Nov 18, 2019
This book contains the usual staple fantasy races: elves, humans, dwarves, centaurs. There are epic battles and bold heroes, princesses in peril and magic. There is even a map at the front.
But that is where any similarity between this book and most other epic fantasy novels ends. Sherwood tells the tale of an elven country that has become corrupt with a ruling council who make decisions for reasons of profit, driving the rightful kings away and installing a puppet regime. Meanwhile the country is facing a war led by a brilliant defector.
When his father, the king, dies young Prince Hairem is determined to stand up to the council and stop the rot. But the council has ruled for hundreds of years, how can he possibly change things? Meanwhile Jikun, the general of the army must obey the council's wishes, even if the orders will only lead to destruction.
Sherwood starts with a few scenes and set pieces and gradually introduces the key players; Jikun is bold and brilliant but has a lot of inner demons which threaten to destroy him. Hairem is idealistic but naive.
The machinations of the council are real House of Cards type stuff, every way that Hairem tries to exert his authority blunted and diverted by the wily council members, who simultaneously try to make out they are on his side. As a political thriller this works amazingly well despite being set in a fantasy world; the descriptions and characters are perfectly pitched. It seems that pretty much everybody has dark secrets which everybody else is either trying to discover or use to their advantage.
There are scenes of action too, with Jikun and the army and also Sellemar mounting a daring raid into enemy territory plus duels and assasination attempts. This book really does have everything packed into it and the ending is both shocking and perfectly balanced to allow for further books in the series while satisfyingly closing a number of plot threads.
I was expecting a fairly standard fantasy book when I started this; what I got was an absolute gem that just begged to be read. A total masterpiece.
But that is where any similarity between this book and most other epic fantasy novels ends. Sherwood tells the tale of an elven country that has become corrupt with a ruling council who make decisions for reasons of profit, driving the rightful kings away and installing a puppet regime. Meanwhile the country is facing a war led by a brilliant defector.
When his father, the king, dies young Prince Hairem is determined to stand up to the council and stop the rot. But the council has ruled for hundreds of years, how can he possibly change things? Meanwhile Jikun, the general of the army must obey the council's wishes, even if the orders will only lead to destruction.
Sherwood starts with a few scenes and set pieces and gradually introduces the key players; Jikun is bold and brilliant but has a lot of inner demons which threaten to destroy him. Hairem is idealistic but naive.
The machinations of the council are real House of Cards type stuff, every way that Hairem tries to exert his authority blunted and diverted by the wily council members, who simultaneously try to make out they are on his side. As a political thriller this works amazingly well despite being set in a fantasy world; the descriptions and characters are perfectly pitched. It seems that pretty much everybody has dark secrets which everybody else is either trying to discover or use to their advantage.
There are scenes of action too, with Jikun and the army and also Sellemar mounting a daring raid into enemy territory plus duels and assasination attempts. This book really does have everything packed into it and the ending is both shocking and perfectly balanced to allow for further books in the series while satisfyingly closing a number of plot threads.
I was expecting a fairly standard fantasy book when I started this; what I got was an absolute gem that just begged to be read. A total masterpiece.
The Very Hungry Caterpillar: Little Learning Library
8.0
Rate It
Book
A little learning library using artwork from Eric Carle's classic, The Very Hungry Caterpillar....
African Theatre: China, India & the Eastern World: Volume 15
Martin Banham, James Gibbs and Femi Osofisan
1.0
Rate It
Book
China is the main focus of this volume, and articles consider the way it is using "soft power" in...
PhotoPuppet HD
Entertainment and Education
App
Puppet animation and frame-by-frame animation combined. Tap record and animate everything! Play back...
Lottie disney bookworm (1056 KP) rated The Prince And The Puppet Thief in Books
Aug 30, 2021
I really loved The Prince and the Puppet Thief. This was a true fairy tale retelling that definitely didn't take itself too seriously.
Simon the Squirm is the son of the (second) most feared bandit in the kingdom and when we meet him he is stuffed into a cannon, ready to be fired to the tallest tower of the castle in order to steal some jewelled slippers. See what I mean about not taking itself seriously?
Simon also loves fairytales and the botched robbery sets into motion his own fairytale adventure, complete with dancing rats, sassy handmaids, the funniest bandits ever and some seriously cute queer relationships.
I loved everything about this book - did I mention I loved it? The writing style was very witty and I loved the little references and "skits" that poked fun at the fairytales we know and love. We even get an alternative version of The Snuggly Duckling pub from Tangled!
The villain of the story is captivating: they are both misunderstood and jaded by their past; trying to help but ruining lives when things don't go their way. The fact that the reader ends up sympathising with them really says a lot about both the writing and character development within this story.
But for me the relationships stole the show: I loved the contrast between one relationship which was very new and tension-filled, where the characters didn't know if their feelings were going to be accepted, never mind reciprocated and the second, forbidden but very settled relationship where the characters had been in love for some time.
There were some moments where the LGBTQ characters were not entirely accepted by others and I can't speak as to whether this would be triggering or not. Thankfully the main characters are very strong, they stand up for themselves and are so sure of their love that, by the end of the book, they are accepted for who they are.
If you're looking for a funny, cute but sassy, camp fairytale-turned-on-it's-head then this is the book for you!
I received an advance review copy for free, and I am leaving this review voluntarily.
Simon the Squirm is the son of the (second) most feared bandit in the kingdom and when we meet him he is stuffed into a cannon, ready to be fired to the tallest tower of the castle in order to steal some jewelled slippers. See what I mean about not taking itself seriously?
Simon also loves fairytales and the botched robbery sets into motion his own fairytale adventure, complete with dancing rats, sassy handmaids, the funniest bandits ever and some seriously cute queer relationships.
I loved everything about this book - did I mention I loved it? The writing style was very witty and I loved the little references and "skits" that poked fun at the fairytales we know and love. We even get an alternative version of The Snuggly Duckling pub from Tangled!
The villain of the story is captivating: they are both misunderstood and jaded by their past; trying to help but ruining lives when things don't go their way. The fact that the reader ends up sympathising with them really says a lot about both the writing and character development within this story.
But for me the relationships stole the show: I loved the contrast between one relationship which was very new and tension-filled, where the characters didn't know if their feelings were going to be accepted, never mind reciprocated and the second, forbidden but very settled relationship where the characters had been in love for some time.
There were some moments where the LGBTQ characters were not entirely accepted by others and I can't speak as to whether this would be triggering or not. Thankfully the main characters are very strong, they stand up for themselves and are so sure of their love that, by the end of the book, they are accepted for who they are.
If you're looking for a funny, cute but sassy, camp fairytale-turned-on-it's-head then this is the book for you!
I received an advance review copy for free, and I am leaving this review voluntarily.