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Death On Demand (Death On Demand, #1)
Death On Demand (Death On Demand, #1)
Carolyn G. Hart | 1987 | Mystery
10
9.0 (2 Ratings)
Book Rating
Crime Writer Murdered
Annie Lawrence has inherited the Death on Demand mystery bookstore on Broward’s Rock off the coast of South Carolina. She has allowed the bookstore to continue to be used by a group of mystery writers on Sunday nights. On this particular Sunday night, one of them is murdered, and Annie becomes the chief suspect. Good thing that her not-quite-ex, Max Darling, is on the island to help her clear her name. But can they do it?

While I’ve read other books by the author, I have yet to dive into this series. I’m glad I finally took the plunge. The mystery is complex with a good puzzle and lots of twists before everything is resolved. Annie and Max are strong and fantastic lead characters. The suspect could have been a bit stronger, although they got better as the book went along. The references to other mystery authors and novels was a lot of fun, although occasionally it did feel like it was a bit much. There was more foul language than I am used to in a cozy mystery. The setting, essentially a resort community, was fantastic. This book came out in 1987, so some things were dated, but just keep that in mind when you pick up the book and you’ll be fine. Now that I’ve visited the store, I will definitely be back.
  
Amélie (2001)
Amélie (2001)
2001 | Comedy, Drama, International
Rich cinematic comfort food, not only am I wholly befuddled by this - but shocked at how many people don't hate it. By most means this shouldn't work let alone as remarkably as it does: it exudes any and all of the qualities that defined late 90s/early 00s Miramax-style cinema which sort of began with 𝘈𝘮𝘦𝘳𝘪𝘤𝘢𝘯 𝘉𝘦𝘢𝘶𝘵𝘺 and plateaued with 𝘉𝘦𝘨𝘪𝘯𝘯𝘦𝘳𝘴 where everyone was randomly obsessed with people doing 'adorkable' quirky things for little to no reason (i.e. painting the same Renoir piece once a year for 20 years, looking under photo booths for torn up pictures that you then put together into an extensive photo album collection [??]) and ubiquitous, fast-talking overnarration that just explains a lot of excess details that only exist to be eccentric. I myself will most certainly cop to having a huge warm spot for that sort of film - for the most part - as now we've sort of crescendoed back into the 'monotonous, stock Wikipedia article' type of film. At any rate, this was just so wonderful. An ode to the good in life with pretty much spotless dialogue, scenes that snap together like puzzle pieces, and a deservedly iconic aesthetic - the way better version of 𝘗𝘢𝘺 𝘪𝘵 𝘍𝘰𝘳𝘸𝘢𝘳𝘥. Audrey Tatou deserved *so* much better than slumming it in 𝘛𝘩𝘦 𝘋𝘢 𝘝𝘪𝘯𝘤𝘪 𝘊𝘰𝘥𝘦 after this.
  
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