Search

Search only in certain items:

40x40

Matthew Krueger (10051 KP) rated Cube 2: Hypercube (2002) in Movies

Jan 6, 2020 (Updated Jan 8, 2020)  
Cube 2: Hypercube (2002)
Cube 2: Hypercube (2002)
2002 | Sci-Fi
6
5.1 (7 Ratings)
Movie Rating
Whats Reality
Cube 2- Hypercube- is wired and you probley have to watch it multiplte times to fully understand it. Im going to watch it again, just because i need to understand it more.

The Plot: Without remembering how they got there, several strangers awaken in a prison of cubic cells, some of them booby-trapped. There's onetime cop Quentin (Maurice Dean Wint), scientist Holloway (Nicky Guadagni), young math genius Leaven (Nicole de Boer), master of escapes Rennes (Wayne Robson), autistic savant Kazan (Andrew Miller) and architect Worth (David Hewlett), who might have more information on the maze than he lets on. The prisoners must use their combined skills if they are to escape.

Its good horror movie, but you have to watch it multiplte times to fully understand it.
  
Cube (1997)
Cube (1997)
1997 | Horror, Sci-Fi
8
7.6 (31 Ratings)
Movie Rating
The Traps (0 more)
Inside The Cube
Cube- holy shit this movie was good, i liked it alot. I never seen it before, but heard about it. I heard many things about it, like it was a cult classic, a great twisted psycholgoical horror film and has traps. Than i was confused because i thought their were talking about Saw, the first one. Nope their are two different movies but about the same thing basically. Saw is also a cult classic, a great twisted psychological horror film and has traps. So thats aint cofusing at all.

The Plot: Without remembering how they got there, several strangers awaken in a prison of cubic cells, some of them booby-trapped. There's onetime cop Quentin (Maurice Dean Wint), scientist Holloway (Nicky Guadagni), young math genius Leaven (Nicole de Boer), master of escapes Rennes (Wayne Robson), autistic savant Kazan (Andrew Miller) and architect Worth (David Hewlett), who might have more information on the maze than he lets on. The prisoners must use their combined skills if they are to escape.

Its a cult classic and must watch horror film.
  
Jonah Hex (2010)
Jonah Hex (2010)
2010 | Action, Drama, Horror
5
5.1 (13 Ratings)
Movie Rating
DC is at it again spinning comic book heroes, or better yet anti-heroes, into film adaptations. Moreover, the company is maintaining their one-of-a-kind knack for providing lead characters with bad vocals. In this case the raspy voice belongs to the traumatized lead character, a Bounty Hunter named Jonah Hex (Josh Brolin), who has a story to tell, in brutal and confusing detail.

The film mixes the lore of the Old West, vaguely historical aspects of post-Civil War America, and weapons from a very steampunk-the-Industrial-Revolution. The resulting environment is more explosive than the dynamite that is apparently everywhere.

Filled with ideas that trail off into the dust, it quickly becomes clear that this film was finished in a rush. There are too many characters that lack compelling, if any, back-story. The tale that remains is disjointed and drags. All the buzz about the leading lady, Lilah (Megan Fox), was over minimal participation in the film. Sure she looks nice, and wears a steampunky outfit while performing a few quick stunts, but the resulting character (and poor acting) is not worth the media hype.

The few well-played and interesting characters, aside from the brash but tends-to-grow-on-you Jonah, all have bit parts. Among the best performances are Hex’s best friend, Jeb Turnbull (Jeffery Dean Morgan), one of President Grant’s cohorts, Lieutenant Grass (Will Arnett), and the store owner and gun-runner, Smith (Lance Riddick). Most surprising is that the frequent scenes with screen veteran John Malkovich, as lead bad guy Quentin Turnbull, result in a drab uninterested character that completely fails to engage the audience. It is almost a shockingly poor performance for Malkovich.

But hey, the melding of comic book history with actual film shots in the beginning was some of the best work out there for explaining a complex and multi-media adapted back-story. Additionally, the bold uses of color, costume, sets and scenery made the film visually interesting to watch. But with a budget as big as this film had it is hard to accept there wasn’t a better story to tell.