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Raul Castillo
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Raúl Castillo Jr. is an American actor and playwright. He is known for his acting roles in...
Army of the Dead (2021)
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Seven Seconds - Season 1
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When 15-year-old black cyclist Brenton Butler dies in a hit-and-run accident -- with a white police...
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LeftSideCut (3778 KP) rated Mother/Android (2021) in Movies
Jan 14, 2022
Whilst there are a handful of positives about Mother/Android, they are woefully overshadowed by just how unoriginal the overall movie is.
Starting with said positives - Chloë Grace Moretz is always trying her best and here is no different. It's also nice to see Raúl Castillo popping up more and more at the moment and here is no different. There's a scene fairly late on, set in a house full of androids that is genuinely quite tense and is an obvious highlight.
Other than that, it's pretty dire. The dialogue is shoddy, and the writing is all over the place. None of the characters are particularly likable and there's not really anyone to root for (started rooting for the androids by the end). The opening scene is one of intrigue, promising something vaguely resembling Detroit: Become Human, but the story is rushed along so quickly that we're thrown straight into 9 months later, following a pregnant lady through some woods in America, whilst trying to stay silent. Very A Quiet Place. The android designs do nothing to differentiate from the designs seen in Terminator.
However, the most insulting moment of plagiarism comes during the climax, the events of which are quite bleak, and aim for the heartstrings. This moment is intercut with flashes of a happier time, whilst chaos unfolds in the distance, set to some somber music. All of which would have landed way better if it wasn't ripped straight from the undead hands of Train to Busan!
I'm sure that there will be plenty of people out there who find something to like when it comes to Mother/Android but for me, it just came across as plain lazy, lifting ideas from far superior movies left, right, and centre.
Starting with said positives - Chloë Grace Moretz is always trying her best and here is no different. It's also nice to see Raúl Castillo popping up more and more at the moment and here is no different. There's a scene fairly late on, set in a house full of androids that is genuinely quite tense and is an obvious highlight.
Other than that, it's pretty dire. The dialogue is shoddy, and the writing is all over the place. None of the characters are particularly likable and there's not really anyone to root for (started rooting for the androids by the end). The opening scene is one of intrigue, promising something vaguely resembling Detroit: Become Human, but the story is rushed along so quickly that we're thrown straight into 9 months later, following a pregnant lady through some woods in America, whilst trying to stay silent. Very A Quiet Place. The android designs do nothing to differentiate from the designs seen in Terminator.
However, the most insulting moment of plagiarism comes during the climax, the events of which are quite bleak, and aim for the heartstrings. This moment is intercut with flashes of a happier time, whilst chaos unfolds in the distance, set to some somber music. All of which would have landed way better if it wasn't ripped straight from the undead hands of Train to Busan!
I'm sure that there will be plenty of people out there who find something to like when it comes to Mother/Android but for me, it just came across as plain lazy, lifting ideas from far superior movies left, right, and centre.