Book
Harry Potter and The Cursed Child: parts 1&2
(Harry Potter 8 )
By J.K. Rowling , John Tiffany & Jack Thorne
⭐️⭐️⭐️⭐️⭐️
The official playscript of the original West End production of Harry Potter and the Cursed Child.
It's been nineteen years since Harry Potter, Ron Weasley, and Hermione Granger saved the wizarding world, and now they're back on a most extraordinary adventure, joined by a brave new generation that's only just arrived at Hogwarts School of Witchcraft and Wizardry. While Harry grapples with a past that refuses to stay where it belongs, his youngest son, Albus, struggles with the weight of a family legacy he never wanted. As past and present collide, both father and son are locked in a race through time as they battle mysterious forces, all while the future hangs in the balance.
Ok so it’s as expected I absolutely loved it! For any Harry Potter fan it’s a fab opportunity to have a follow on story and I am now so excited to go see this on stage. I loved the story and being back in the world I’ve known for so many years.
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Kristy H (1252 KP) rated Small Great Things in Books
Feb 1, 2018
This is a touching and powerful novel. Told from the varying points of view of Ruth, Kennedy, and Turk--baby Davis' father-- it is a compelling look at how race and family history shapes the person we become. It is a poignant story at points: it is amazing what people can rationalize when it comes to hatred. I found the novel very fitting right now, with what's going on in the U.S. Honestly, it's very frightening at times and hits a little too close to home.
Picoult's characters are well-formed and dynamic, and you find yourself drawn into parts of each.
Turk, obviously, despite the loss of his child, is not a sympathetic character, but he is a complex one; his progression over the course of the novel is intriguing, and it's amazing how Picoult did not make him a one dimensional white supremacist. The book is extremely well-researched; both from the side of white supremacy, as well as racism and the medical aspects of Davis' case. Kennedy is likeable and her struggle with Ruth's case, as she realizes the depth of both the visible and latent racism her client faces on a daily basis, is real and relatable. I applaud Picoult for tackling such a difficult subject with such honesty. It's almost as if, through Kennedy, she's admitting exactly what she doesn't know. (I highly recommend reading Picoult's afterword, as well.)
For me, the hardest parts of the book was that it gets a little too poetic in the Jodi Picoult way (those who frequently read her novels will identify), with her waxing on about race and parents and being brought together, versus letting the story tell itself. At points the book just goes on and on a bit, versus getting to the story and the point. There are lots of little subplots that go off, detracting at times from the main story and frustrating the reader. And, of course, there are some weird twists and plot points in the typical Picoult style, though they don't seem to pack the punch of her older novels. It all wraps up a little too smoothly, though I have to confess I sort of enjoyed the ending. It may have been a bit trite, but I am often a sucker for such things.
Overall, I was impressed with how Picoult approached this novel, and I enjoyed the storyline for the most part (I was certainly invested), though it dawdled at times and ended a bit too easily. I'd rate this a strong 3.5 - 3.75 stars. Certainly worth reading, especially if you're a Picoult fan.
I received a copy of this novel from the publisher and Netgalley; is available everywhere as of 10/11/2016.
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