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Gareth von Kallenbach (980 KP) rated Thor: Love and Thunder (2022) in Movies
Jul 5, 2022
The God of Thunder returns in Marvel Studios’ “Thor: Love and Thunder” and audiences find that Thor (Chris Hemsworth), has been doing missions with the Guardians of the Galaxy while he works himself back into shape and looks to find a new purpose in life.
Thor has been taking the spotlight in many of the missions and when multiple calls for help arise, Thor opts to go off on his own to address a particular call for help while the Guardians head on their way to help others.
It is learned that a being named Gorr (Christian Bale) has been killing Gods and Thor is eager to put a stop to him before he can do more damage. His mission soon puts him on a collision course with Gorr and The Mighty Thor (Natalie Portman) who being his ex and wielding his former weapon causes more than a few funny and awkward moments.
In a race to save captured children, rally the gods, and defeat Gorr, Thor, and Jane along with Korr (Taika Waititi) and Valkyrie (Tessa Thompson), embark on an epic adventure in a race against time.
While audiences have come to expect Marvel films to be epic cinematic events, this film is less on the over-the-top action sequences in favor of establishing new circumstances and challenges for the characters going forward.
While there are indeed action sequences and plenty of VFX, it does not have the action or intensity of several of the past films. What it does offer is a good mix of action and humor with enjoyable characters old and new and establishes scenarios for the MCU going forward.
Bale is very good as Gorr and you understand his motivations clearly as while evil, he has a degree of sympathy towards his character which makes his creepy performance all the more compelling.
The cast works very well with one another and there are two scenes in the credits which open up all kinds of possibilities for the future as we are told Thor will return before the credits even begin to roll.
The film also has considerable music and I joked to myself that Guns and Roses are going to be getting a big check due to their music being used frequently during the film as well as that of other artists which helps make the film an enjoyable outing from start to finish which should delight fans as we wait to see for the next cinematic offering from Marvel.
4 stars out of 5
Thor has been taking the spotlight in many of the missions and when multiple calls for help arise, Thor opts to go off on his own to address a particular call for help while the Guardians head on their way to help others.
It is learned that a being named Gorr (Christian Bale) has been killing Gods and Thor is eager to put a stop to him before he can do more damage. His mission soon puts him on a collision course with Gorr and The Mighty Thor (Natalie Portman) who being his ex and wielding his former weapon causes more than a few funny and awkward moments.
In a race to save captured children, rally the gods, and defeat Gorr, Thor, and Jane along with Korr (Taika Waititi) and Valkyrie (Tessa Thompson), embark on an epic adventure in a race against time.
While audiences have come to expect Marvel films to be epic cinematic events, this film is less on the over-the-top action sequences in favor of establishing new circumstances and challenges for the characters going forward.
While there are indeed action sequences and plenty of VFX, it does not have the action or intensity of several of the past films. What it does offer is a good mix of action and humor with enjoyable characters old and new and establishes scenarios for the MCU going forward.
Bale is very good as Gorr and you understand his motivations clearly as while evil, he has a degree of sympathy towards his character which makes his creepy performance all the more compelling.
The cast works very well with one another and there are two scenes in the credits which open up all kinds of possibilities for the future as we are told Thor will return before the credits even begin to roll.
The film also has considerable music and I joked to myself that Guns and Roses are going to be getting a big check due to their music being used frequently during the film as well as that of other artists which helps make the film an enjoyable outing from start to finish which should delight fans as we wait to see for the next cinematic offering from Marvel.
4 stars out of 5
Suswatibasu (1703 KP) rated We Were Eight Years in Power: An American Tragedy in Books
Nov 16, 2017
An honest look at the Obama years
The simplest way to describe "We Were Eight Years in Power" is as a selection of Ta-Nehisi Coates' most influential pieces from The Atlantic, organised chronologically. The book is actually far more than that, establishing Coates as the pre-eminent black public intellectual of his generation.
Coates is one of the first to show up to discuss all three contemporary themes: the man, the community, national identity. He critiques respectability politics. He writes about mass incarceration. He writes about Michelle Obama and Chicago's South Side. He writes about how Barack Obama was exceptional, in many senses, and about the paradoxical limits of the first black president's power to address race and racism. He writes about the qualitative difference between white economic prospects and black economic prospects, thanks to discriminatory policies promulgated by the government even during progressive times, and about how, in his view, reparations would be the only way to redress the problem.
An air of resignation begins to bleed into Coates' writing even before his last essay, coming into the final years of the Obama administration. It is an eloquent eulogy to the struggles that African Americans are facing and increasingly fearing today.
Coates is one of the first to show up to discuss all three contemporary themes: the man, the community, national identity. He critiques respectability politics. He writes about mass incarceration. He writes about Michelle Obama and Chicago's South Side. He writes about how Barack Obama was exceptional, in many senses, and about the paradoxical limits of the first black president's power to address race and racism. He writes about the qualitative difference between white economic prospects and black economic prospects, thanks to discriminatory policies promulgated by the government even during progressive times, and about how, in his view, reparations would be the only way to redress the problem.
An air of resignation begins to bleed into Coates' writing even before his last essay, coming into the final years of the Obama administration. It is an eloquent eulogy to the struggles that African Americans are facing and increasingly fearing today.
Phillip McSween (751 KP) rated Logan Lucky (2017) in Movies
Dec 7, 2017
Sleeper
If you are looking for a movie that checks all the boxes, Logan Lucky is the one. I LOVE finding gems like these. Sleepers. Sure you can see movies like Logan and War For the Planet of the Apes coming from a mile away. You expect them to be great It's films like Logan Lucky, however, that keep the movie calendar refreshing.
Just fired from his job and trying to make enough money to take care of his daughter, Jimmy Logan (Channing Tatum) devises a plan to rob the Coca-Cola 600 race at Charlotte Motor Speedway. Tatum is awesome in his role, but has a great deal of help from a star-studded the cast the likes of Daniel Craig, Adam Driver, and Katie Holmes. With too many hilarious moments to count and an overly lovable protagonist who you can't help but root for, Logan Lucky is one of the year's best.
In 2007, I saw a movie called Stardust that surprised the heck out of me by how good it was. I mean, the film just came out of nowhere but I couldn't have been happier that I saw it. Logan Lucky gives me the exact same vibe. I give it a very solid 97.
Just fired from his job and trying to make enough money to take care of his daughter, Jimmy Logan (Channing Tatum) devises a plan to rob the Coca-Cola 600 race at Charlotte Motor Speedway. Tatum is awesome in his role, but has a great deal of help from a star-studded the cast the likes of Daniel Craig, Adam Driver, and Katie Holmes. With too many hilarious moments to count and an overly lovable protagonist who you can't help but root for, Logan Lucky is one of the year's best.
In 2007, I saw a movie called Stardust that surprised the heck out of me by how good it was. I mean, the film just came out of nowhere but I couldn't have been happier that I saw it. Logan Lucky gives me the exact same vibe. I give it a very solid 97.
tapestry100 (306 KP) rated The Great Divide in Books
Jul 26, 2017
A dark and gritty near future dystopia where a mysterious plague has fallen on mankind, where the slightest contact of bare flesh will cause immediate death for one of those being touched, but there doesn't seem to be any rhyme or reason as to who lives or dies. On top of that, the survivor also then carries around in their head the persona of the person they killed. This can sometimes cause madness in the survivor, but some can coexist with their new passenger. Of course, with no physical skin-to-skin contact possible, sex is off-limits but brothels survive, with watching, no touching, rules in place. Isolation becomes the means of survival, but with that isolation also comes the end of the human race. That is, until two unlikely allies possibly discover the cause of the plague, and possibly a means to undo it.
The Great Divide is definitely not for the lighthearted. This is a very grim look at humanity and what happens when all means of physical contact is stripped away. It is a violent, sexualized dystopia that Ben Fisher and Adam Markiewicz give us, but it is still a story about the resilience of the human spirit.
The Great Divide is definitely not for the lighthearted. This is a very grim look at humanity and what happens when all means of physical contact is stripped away. It is a violent, sexualized dystopia that Ben Fisher and Adam Markiewicz give us, but it is still a story about the resilience of the human spirit.
Awix (3310 KP) rated The Hopkins Manuscript in Books
Mar 21, 2019
Powerfully moving, surprisingly obscure British SF novel. Eerily prescient in some ways: written in 1939 but set from 1945 onward, the story is told by Edgar Hopkins, a retired schoolteacher and champion poultry-breeder who is one of the first men in the country to learn of an impending cataclysm - the moon has been knocked from its orbit and will collide with the Earth in a matter of months. Hopkins' ability to tell the story is impaired by his own pompousness, powerful sense of self-regard and unerring ability to miss the significance of anything going on around him.
Initially it reads like a very black, absurdist comedy, but as the book progresses it becomes genuinely poignant and moving - almost a eulogy for an idea of England soon to be wiped away forever. I have no idea how much the author was motivated by fears of the coming Second World War, but its presence hangs inescapably over the book. The actual science in the book is rather risible, and (like much other mid-20th century British SF) the film also contains race-related elements that some modern readers could find problematic, but the core of the book remains as significant and thought-provoking as ever.
Initially it reads like a very black, absurdist comedy, but as the book progresses it becomes genuinely poignant and moving - almost a eulogy for an idea of England soon to be wiped away forever. I have no idea how much the author was motivated by fears of the coming Second World War, but its presence hangs inescapably over the book. The actual science in the book is rather risible, and (like much other mid-20th century British SF) the film also contains race-related elements that some modern readers could find problematic, but the core of the book remains as significant and thought-provoking as ever.