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ClareR (5542 KP) rated Beneath the World, a Sea in Books
Jul 26, 2019 (Updated Jul 28, 2019)
My first, but certainly not my last Chris Beckett book
I really enjoyed this strange, singular work of science fiction. Inspector Ben Ronson arrives in a mysterious forest in South America: the Submundo Delta. It’s a place unlike any other: purple flora and unrecognisable fauna, and a humanoid race called Duendes. They can’t hear or speak, live in the waters of the Delta, and their mere presence causes people to expose their innermost thoughts and fears. Which is why the people who live there, the Mundinos, kill any that they find near their villages, as they don’t see them as equal to humans - and this is why Ben is there. He and the human rights people in Geneva want to stop the killings.
The writing style and the language used in this book really appealed to me - it’s poetic, descriptive and the story meanders along as we learn about the characters and the Submundo Delta. This is no action packed story, and that’s just fine with me. Instead it looks at how these characters deal with knowing their innermost thoughts, desires and fears. It also briefly looks at the morals of bringing science and technology to a shut off part of the world.
What really appealed to me, is how our memories construct our views of ourselves, and how we portray ourselves to others. It also looks at those parts that we keep hidden from others, and what happens when they are laid open to everyone. Rather scary, to be honest! We don’t always like those parts of ourselves.
This was my first Chris Beckett book, and I don’t think it will be my last.
Many thanks to Readers First for my copy of this book.
The writing style and the language used in this book really appealed to me - it’s poetic, descriptive and the story meanders along as we learn about the characters and the Submundo Delta. This is no action packed story, and that’s just fine with me. Instead it looks at how these characters deal with knowing their innermost thoughts, desires and fears. It also briefly looks at the morals of bringing science and technology to a shut off part of the world.
What really appealed to me, is how our memories construct our views of ourselves, and how we portray ourselves to others. It also looks at those parts that we keep hidden from others, and what happens when they are laid open to everyone. Rather scary, to be honest! We don’t always like those parts of ourselves.
This was my first Chris Beckett book, and I don’t think it will be my last.
Many thanks to Readers First for my copy of this book.
Gareth von Kallenbach (965 KP) rated The Happytime Murders (2017) in Movies
Jul 2, 2019
As a huge fan of Melissa McCarthy, I wasn’t about to miss out on one of her films involving puppets. Especially when said puppets and film were made by Jim Henson’s son Brian Henson. That being said, just remember that these puppets are absolutely 100% “No Sesame, All Street”. “From the studio formerly sued by Sesame Street” STX presents The Happytime Murders.
Private detective Phil Philipps (Bill Barretta) is a puppet and lives in a world where puppets coexist with but are otherwise hated by humans. After a series of murders including that of his brother it forces his ex-partner Connie Edwards (Melissa McCarthy) to help solve the crime. The murderer seems to be targeting all former cast members of the beloved eighties TV show The Happytime Gang. Two worlds clash as the race is on to find the culprit.
Honestly I feel as though I could do without seeing this film ever again. Yes there are funny moments but it seems overshadowed by the lack of a good storyline. Granted audiences might go just to see puppets act raunchy and use profanity however, is that enough to hold a film together for 90 mins? No it certainly isn’t. As much as I love the comedic stylings of Elizabeth Banks, Mya Rudolph, Joel McHale and especially Melissa McCarthy, the film audiences anticipate being the funniest of the year is surely not. Even with a big cast of comedians couldn’t save this film. Perhaps films involving puppets and ridiculous plots should be left to that of children audiences. If you were to stitch together all of the comical scenes in every trailer for the film, you would basically see it all. In my opinion you might want to skip this one and wait for it to come to a Redbox near you.
Private detective Phil Philipps (Bill Barretta) is a puppet and lives in a world where puppets coexist with but are otherwise hated by humans. After a series of murders including that of his brother it forces his ex-partner Connie Edwards (Melissa McCarthy) to help solve the crime. The murderer seems to be targeting all former cast members of the beloved eighties TV show The Happytime Gang. Two worlds clash as the race is on to find the culprit.
Honestly I feel as though I could do without seeing this film ever again. Yes there are funny moments but it seems overshadowed by the lack of a good storyline. Granted audiences might go just to see puppets act raunchy and use profanity however, is that enough to hold a film together for 90 mins? No it certainly isn’t. As much as I love the comedic stylings of Elizabeth Banks, Mya Rudolph, Joel McHale and especially Melissa McCarthy, the film audiences anticipate being the funniest of the year is surely not. Even with a big cast of comedians couldn’t save this film. Perhaps films involving puppets and ridiculous plots should be left to that of children audiences. If you were to stitch together all of the comical scenes in every trailer for the film, you would basically see it all. In my opinion you might want to skip this one and wait for it to come to a Redbox near you.
Leigh J (71 KP) rated The Chill Factor (1973) in Movies
Nov 9, 2019
Contains spoilers, click to show
A group of friends are out Snowmobile racing when one has a critical accident. Out in the middle of nowhere in freezing conditions, 2 of the friends go to find help and stumble across a Cabin. The Cabin looks like it was once a Religious Camp but seems abandoned; it has an upside down cross of the mantle and is just very creepy in general. They ignore this and move their friend into the Cabin. Whilst looking around the Cabin they find a picture of some kids in the 1950's who attended when the place was a Camp. Below their picture there is a scroll that says "keep the beast in the field", which one of the friends alludes to the fact that "the beast" often references the Devil. They also discover a "Devil's Eye" board, similar to a Ouija Board and decide to use it. During this, one of the friends that went out for help is killed, one has a seizure and one woman is convinced they've let something evil in; further strengthened by the fact that one of friends finds an article about a Satanic Killer murdering people around that area. Soon enough the friends are getting picked off one by one by supernatural forces, yet the critically injured man is thriving. Could the Killer have returned to the Cabin? Or could this be the work of the Devil's Eye Board?
Chill Factor is one of those typically terrible 80's Horrors (made in 1989). It's slow burning and not in a good way, it feels more like a cheesy TV drama and the murders are substandard and really nothing at all that us Horror fans haven't seen a million times over. Also, it ends in a ridiculous Snowmobile race between Woman and evil... ludicrous.
Chill Factor is one of those typically terrible 80's Horrors (made in 1989). It's slow burning and not in a good way, it feels more like a cheesy TV drama and the murders are substandard and really nothing at all that us Horror fans haven't seen a million times over. Also, it ends in a ridiculous Snowmobile race between Woman and evil... ludicrous.
Versusyours (757 KP) rated Shat the movies in Podcasts
Nov 11, 2019
Funny (2 more)
Detailed reviews
Presenters are engaging
A look back with a venagance
I have been listening to this podcast for several months to catch up with all the episodes the official blurb is:
"Shat the Movies ask, what are the best 80s & 90s movies? Do you find yourself asking if the movies we loved while growing up were really that good? Have you caught yourself thinking, “why don’t make movies like they use to?” Can you still remember spending your Friday Nights searching for the perfect movie rental at Blockbuster Video? Do you know what Blockbuster Video is? If you answered yes, then this is the podcast for you!
Your hosts, Dick Ebert, Kerri Gross, Gene Lyons, & Roger Roeper will take a look back in time & decide if our favorite films still hold up. Each week, the audience selects from four (6) movie choices that we will break out their race-car VHS tape re-winder and watch the movie that tallied the highest number of votes.
Occasionally, a special guest will join to help break down the craziness that was film-making in the 80’s & 90’s.
At the end of each podcast, The hosts will provide the audience with the number of wipes each movie would take to get off your respective bums. Find a comfortable spot on the sofa, and accompany us for a journey through our vast VHS movie collections."
I enjoy the debate between the hosts and they are different as people so this adds to the content. There are personal stories and some adult content that compliment their reviews. This is my go to podcast for reviewing retro film classics and I look forward to each episode.
Highly recommended!!!
"Shat the Movies ask, what are the best 80s & 90s movies? Do you find yourself asking if the movies we loved while growing up were really that good? Have you caught yourself thinking, “why don’t make movies like they use to?” Can you still remember spending your Friday Nights searching for the perfect movie rental at Blockbuster Video? Do you know what Blockbuster Video is? If you answered yes, then this is the podcast for you!
Your hosts, Dick Ebert, Kerri Gross, Gene Lyons, & Roger Roeper will take a look back in time & decide if our favorite films still hold up. Each week, the audience selects from four (6) movie choices that we will break out their race-car VHS tape re-winder and watch the movie that tallied the highest number of votes.
Occasionally, a special guest will join to help break down the craziness that was film-making in the 80’s & 90’s.
At the end of each podcast, The hosts will provide the audience with the number of wipes each movie would take to get off your respective bums. Find a comfortable spot on the sofa, and accompany us for a journey through our vast VHS movie collections."
I enjoy the debate between the hosts and they are different as people so this adds to the content. There are personal stories and some adult content that compliment their reviews. This is my go to podcast for reviewing retro film classics and I look forward to each episode.
Highly recommended!!!
Phil Leader (619 KP) rated The Last City in Books
Nov 18, 2019
In the far future humankind has spread into space but a series of wars together with the harsh realities of living beyond the solar system has taken its toll. Amongst the scattering of colonies the Last City is the final bastion against extinction. Ruled over by the autocratic and ruthless Toros Strand, society exists in a rigid hierarchy defined by which level they occupy. From Strand himself on the 100th floor down to those who live in the lower levels - and below - the city there are many stories to be told.
The simple setup allows a number of current science fiction authors to stretch their imagination as they investigate the workings of the Last City. Each story looks at a different aspect - although most of them concentrate on the lower levels. A very noir private detective who is more than he seems. A secret route through the city for those who wish to disappear. Hunting for lost areas to loot and claim. A dangerous race across the outside where the stakes are high. There are also a couple of tales which show how the city appears to those who are beyond it.
The standard is high and every new story feels as fresh and interesting as the one before. All are packed with great ideas, enabling not only some stories dealing with straight forward science fiction themes but also ones covering social hierarchies and injustice, intolerance of 'outsiders' and the harsh tactics employed by totalitarian regimes to keep their populace in check.
I've tried to think of a science fiction short story collection I've enjoyed more, but there simply isn't one. I'd say there were plenty more stories to be told in this universe, perhaps another short story collection or novella wouldn't go amiss. Authors willing of course...
The simple setup allows a number of current science fiction authors to stretch their imagination as they investigate the workings of the Last City. Each story looks at a different aspect - although most of them concentrate on the lower levels. A very noir private detective who is more than he seems. A secret route through the city for those who wish to disappear. Hunting for lost areas to loot and claim. A dangerous race across the outside where the stakes are high. There are also a couple of tales which show how the city appears to those who are beyond it.
The standard is high and every new story feels as fresh and interesting as the one before. All are packed with great ideas, enabling not only some stories dealing with straight forward science fiction themes but also ones covering social hierarchies and injustice, intolerance of 'outsiders' and the harsh tactics employed by totalitarian regimes to keep their populace in check.
I've tried to think of a science fiction short story collection I've enjoyed more, but there simply isn't one. I'd say there were plenty more stories to be told in this universe, perhaps another short story collection or novella wouldn't go amiss. Authors willing of course...
Phil Leader (619 KP) rated The Life and Times of William Boule in Books
Nov 19, 2019
It took me a long time to get around to reading a Max China book and I had heard a lot of good things about his work. I was not disappointed.
This novel forms a sequel to The Sister but I didn't feel I needed to read that to enjoy this as the characters are introduced and explained well. Carla Black is a journalist who wants to flush out the titular serial killer from his hideaway in Morocco. Meanwhile Miller, a missing persons investigator and former lover of Carla, suspects she may run into trouble and follows on to help her. When Boule runs into Carla unexpectedly, she and Miller end up in a race to safety with the serial killer in determined pursuit.
There are so many things that make this book stand out. China's descriptions of the dusty streets of Morocco, full of colours and smells are extremely immersive. His characters are all very solid and well-drawn. I particularly liked the local police chief who turns out to be a very shrewd and resourceful operator in his own right at working out what is going on. Boule is suitably amoral and nasty, a real sociopath but when the narrative is from his point of view the reader finds out his self-justification for his actions.
China keeps the reader guessing with the direction the plot is going to take next and the pace is frantic, the chase scenes desperate and nerve wracking and the pauses in action claustrophobic with menace. Everything gathers pace and momentum neatly until the final showdown which is perfectly pitched in terms of drama.
I really was impressed by this book and China is an outstanding writer.
(Contains violence and sexual scenes and references)
This novel forms a sequel to The Sister but I didn't feel I needed to read that to enjoy this as the characters are introduced and explained well. Carla Black is a journalist who wants to flush out the titular serial killer from his hideaway in Morocco. Meanwhile Miller, a missing persons investigator and former lover of Carla, suspects she may run into trouble and follows on to help her. When Boule runs into Carla unexpectedly, she and Miller end up in a race to safety with the serial killer in determined pursuit.
There are so many things that make this book stand out. China's descriptions of the dusty streets of Morocco, full of colours and smells are extremely immersive. His characters are all very solid and well-drawn. I particularly liked the local police chief who turns out to be a very shrewd and resourceful operator in his own right at working out what is going on. Boule is suitably amoral and nasty, a real sociopath but when the narrative is from his point of view the reader finds out his self-justification for his actions.
China keeps the reader guessing with the direction the plot is going to take next and the pace is frantic, the chase scenes desperate and nerve wracking and the pauses in action claustrophobic with menace. Everything gathers pace and momentum neatly until the final showdown which is perfectly pitched in terms of drama.
I really was impressed by this book and China is an outstanding writer.
(Contains violence and sexual scenes and references)
Phil Leader (619 KP) rated Life, the Universe and Everything in Books
Nov 20, 2019
Originally there were the two series of the radio show which Adams rewrote and reorganised into two books. And for a long time that was it, that was all there was of the Hitch Hiker's Guide to the Galaxy.
Then one day I was in a bookshop when there it was: A new Hitch Hiker's book by Douglas Adams, black cover with an old-fashioned ring pull on the cover (the ones that detached from the can to cause maximum environmental damage).
Having essentially completed what appeared to be the story arc in the first two books, what was going to be next for our heroes? Arthur and Ford were last seen stranded on prehistoric Earth and Zaphod and Trillian were missing after teleporting from Hotblack Desiato's stunt ship. Would this be a tired and cynical cash in, retreading old ground but failing to capture the magic of the originals?
Needless to say, Adams didn't disappoint, creating a plot around an alien race creating a weapon capable of destroying the universe, and it is up to Arthur, Ford, Zaphod and Trillian to save the day, along with Slartibartfast who had to be co-opted in to make the plot work since the other four would far rather have been at a party getting drunk (or in Arthur's case drinking some proper tea).
Yet more footnotes and extracts from 'The Book' ensue with Adams' imagination creating a number of new comic inventions - Agrajag, how to fly, Wowbagger the Infinitely Prolonged. All of it moves with pace and brio as if the characters are enjoying the freedom of a new book, even if there is a universe to save and only one party.
Then one day I was in a bookshop when there it was: A new Hitch Hiker's book by Douglas Adams, black cover with an old-fashioned ring pull on the cover (the ones that detached from the can to cause maximum environmental damage).
Having essentially completed what appeared to be the story arc in the first two books, what was going to be next for our heroes? Arthur and Ford were last seen stranded on prehistoric Earth and Zaphod and Trillian were missing after teleporting from Hotblack Desiato's stunt ship. Would this be a tired and cynical cash in, retreading old ground but failing to capture the magic of the originals?
Needless to say, Adams didn't disappoint, creating a plot around an alien race creating a weapon capable of destroying the universe, and it is up to Arthur, Ford, Zaphod and Trillian to save the day, along with Slartibartfast who had to be co-opted in to make the plot work since the other four would far rather have been at a party getting drunk (or in Arthur's case drinking some proper tea).
Yet more footnotes and extracts from 'The Book' ensue with Adams' imagination creating a number of new comic inventions - Agrajag, how to fly, Wowbagger the Infinitely Prolonged. All of it moves with pace and brio as if the characters are enjoying the freedom of a new book, even if there is a universe to save and only one party.
JT (287 KP) rated Godzilla: King of the Monsters (2019) in Movies
Mar 5, 2020 (Updated Mar 10, 2020)
Godzilla rises from the deep once again, this time to stand side by side with part of the human race to fend off monsters summoned by the crypto-zoological agency Monarch. Monarch has been able to devise a way to control the giant creatures using a sonar device called the Orca, in the hope that they will be able to live together in perfect harmony.
“Sometimes… the only way to heal our wounds is to make peace with the demons who created them,” says Ken Watanabe‘s Dr Ishiro Serizawa. That theory is short-lived when eco-terrorist Alan Jonah (Charles Dance) threatens to unleash hell, all for the greater good.
It’s one big mess. I don’t know how else to describe it other than that. I lost interest halfway through and only raised an eyebrow when Godzilla arrived on-screen to pummel the shit out of the three-headed Ghidorah and Rodan. In 2014 Godzilla was rarely seen, albeit for the odd glimpse of a whipping tail. Here that is rectified and he’s placed front and centre as he smashes everything to smithereens.
The human element is just as bad. With a cast that boasted the likes of Vera Farmiga, Kyle Chandler, Charles Dance and Strangers Things starlet Millie Bobby Brown I would have expected more from the experienced group. I blame the script which falls by the wayside. Loud, thundering action set pieces do offer a little bit of satisfaction but it’s not enough to carry the film home. Plenty of scenes could have been cut which might have made it bearable.
There are suggestions that we could be getting a Kong Vs Godzilla film at some point which would loosely tie into a Kaiju styled universe but after this load of tripe, they will have their work cut out.
“Sometimes… the only way to heal our wounds is to make peace with the demons who created them,” says Ken Watanabe‘s Dr Ishiro Serizawa. That theory is short-lived when eco-terrorist Alan Jonah (Charles Dance) threatens to unleash hell, all for the greater good.
It’s one big mess. I don’t know how else to describe it other than that. I lost interest halfway through and only raised an eyebrow when Godzilla arrived on-screen to pummel the shit out of the three-headed Ghidorah and Rodan. In 2014 Godzilla was rarely seen, albeit for the odd glimpse of a whipping tail. Here that is rectified and he’s placed front and centre as he smashes everything to smithereens.
The human element is just as bad. With a cast that boasted the likes of Vera Farmiga, Kyle Chandler, Charles Dance and Strangers Things starlet Millie Bobby Brown I would have expected more from the experienced group. I blame the script which falls by the wayside. Loud, thundering action set pieces do offer a little bit of satisfaction but it’s not enough to carry the film home. Plenty of scenes could have been cut which might have made it bearable.
There are suggestions that we could be getting a Kong Vs Godzilla film at some point which would loosely tie into a Kaiju styled universe but after this load of tripe, they will have their work cut out.
Matthew Krueger (10051 KP) rated Day of the Dead (1985) in Movies
Apr 1, 2020
Bub The Zombie (1 more)
Capt. Rhodes
Night, Dawn and Day: The Perfect Trilogy
Day of the Dead- is the final movie in George's trilogy. It started with Night, than Dawn and now Day. The perfect trilogy about surival, surviving, surival of the finest and the livng dead. With great charcters, excellent villians and of course the zombies. In this one you have, Bub the zombie and the evil Capt. Rhodies. So thats a plus.
The plot: Trapped in a missile silo, a small team of scientists, civilians and trigger-happy soldiers battle desperately to ensure the survival of the human race, but tension inside the base is reaching breaking-point, and the zombies are gathering outside.
Romero originally intended the film to be "the Gone with the Wind of zombie films. This forced Romero to scale back his story, rewriting the script and adjusting his original vision to fit the smaller budget.
A total of five scripts were written as Romero wrestled with the film's concepts and the budgetary constraints. The first draft was over 200 pages, which he later condensed to 122 pages. This is the true original script, and to date no copies of it have come to light. This version was likely rejected because UFDC felt it was too expensive for them to produce even with an R rating. Romero subsequently scaled down the scope of this script into a 165-page draft (often erroneously referred to as the original version), then condensed it again to a 104-page draft labeled the 'second version, second draft' in an unsuccessful final attempt to get the story within budget parameters. When this failed, he drastically altered the original story concept and ultimately produced a shooting draft that numbered only 88 pages.
Its a perfect ending for a excellent and phenomenal trilogy.
The plot: Trapped in a missile silo, a small team of scientists, civilians and trigger-happy soldiers battle desperately to ensure the survival of the human race, but tension inside the base is reaching breaking-point, and the zombies are gathering outside.
Romero originally intended the film to be "the Gone with the Wind of zombie films. This forced Romero to scale back his story, rewriting the script and adjusting his original vision to fit the smaller budget.
A total of five scripts were written as Romero wrestled with the film's concepts and the budgetary constraints. The first draft was over 200 pages, which he later condensed to 122 pages. This is the true original script, and to date no copies of it have come to light. This version was likely rejected because UFDC felt it was too expensive for them to produce even with an R rating. Romero subsequently scaled down the scope of this script into a 165-page draft (often erroneously referred to as the original version), then condensed it again to a 104-page draft labeled the 'second version, second draft' in an unsuccessful final attempt to get the story within budget parameters. When this failed, he drastically altered the original story concept and ultimately produced a shooting draft that numbered only 88 pages.
Its a perfect ending for a excellent and phenomenal trilogy.
Gareth von Kallenbach (965 KP) rated The Campaign (2012) in Movies
Aug 7, 2019
When a pug owning, sweater-wearing simpleton, Marty Huggins (Zach Galifianakis), unexpectedly becomes the congressional candidate of choice for two wealthy businessmen, he finds himself in a wild race against the walking political stereotype incumbent, Cam Brady (Will Ferrell).
Galifianakis fans will be excited to see the star playing a new role; the slightly sweet bumpkin, Marty, is a far cry from Galifianakis’ breakout character in “The Hangover”. And his co-star, Will Ferrell once again steps out of the shadow of Frank the Tank to remind the public just how funny he can be. And the film is well rounded with the noteworthy side characters, from the unstoppably serious campaign manager played by Dylan McDermott to the sharply focused politician’s wife played by Katherine LaNasa
Offering viewers an unending stream of chuckles, “The Campaign” is not gut-bustingly-hilarious. Instead the film is a stream of small jokes about the American political system, focusing on the lying and issue-skirting that the politics are famed for. Dotted with the occasional crazed political strategy and creative mud-slinging, “The Campaign” avoids trying too hard through simple comedy.
However, the film is not without fault. The movie is slow at times and there are a number of unnecessarily forced scenes, such as the already rumor-riddled CGI baby punch. Moreover, the disappointing portrayal of Cam’s advisor, Mitch, by the usually hilarious Jason Sudeikis, added no value to the picture.
Even with these small flubs, the film succeeds due to the comedic partnership of Galifianakis and Ferrell. The duo knows no bounds when it comes to delivering ridiculous funny lines.
A pleasant way to kick-off the political season, “The Campaign” manages to avoid all-too-common political comedy errors by focusing on the funny facets of the political process and avoiding the actual issues.
Galifianakis fans will be excited to see the star playing a new role; the slightly sweet bumpkin, Marty, is a far cry from Galifianakis’ breakout character in “The Hangover”. And his co-star, Will Ferrell once again steps out of the shadow of Frank the Tank to remind the public just how funny he can be. And the film is well rounded with the noteworthy side characters, from the unstoppably serious campaign manager played by Dylan McDermott to the sharply focused politician’s wife played by Katherine LaNasa
Offering viewers an unending stream of chuckles, “The Campaign” is not gut-bustingly-hilarious. Instead the film is a stream of small jokes about the American political system, focusing on the lying and issue-skirting that the politics are famed for. Dotted with the occasional crazed political strategy and creative mud-slinging, “The Campaign” avoids trying too hard through simple comedy.
However, the film is not without fault. The movie is slow at times and there are a number of unnecessarily forced scenes, such as the already rumor-riddled CGI baby punch. Moreover, the disappointing portrayal of Cam’s advisor, Mitch, by the usually hilarious Jason Sudeikis, added no value to the picture.
Even with these small flubs, the film succeeds due to the comedic partnership of Galifianakis and Ferrell. The duo knows no bounds when it comes to delivering ridiculous funny lines.
A pleasant way to kick-off the political season, “The Campaign” manages to avoid all-too-common political comedy errors by focusing on the funny facets of the political process and avoiding the actual issues.