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Kevin Phillipson (10021 KP) rated Marvel's Jessica Jones in TV
Feb 13, 2022 (Updated Feb 13, 2022)
Krysten ritter (2 more)
Rachel taylor
David tennant
Binge watching the last season today as it’s leaving Netflix end of the month hopefully eventually Disney plus some day. Anyway loved the show since the first episode Krysten Ritter is perfectly cast as Jessica jones the hero of the show. Hen there’s Rachel Taylor as her sister who’s just as good. And then there’s David tennant as kilgrave the purple man who almost steals th e show as the villain of season one. And if Jessica jones joins the mcu one day then Krysten Ritter should return
Matthew Krueger (10051 KP) rated The Uninvited (2009) in Movies
Oct 8, 2020
Who Are You
The Uninvited- is a erry movie meaning its scary, terrorfying, chilling and spooky.
The Plot: After spending time in a psychiatric facility, young Anna (Emily Browning) finds significant changes in store at home. Her widowed father (David Strathairn) is now engaged to her mother's former nurse, Rachel (Elizabeth Banks). One night, the ghost of Anna's mother appears, screaming for revenge and accusing Rachel of murder. Anna and her sister, Alex (Arielle Kebbel), start to investigate, but they may be unprepared for the lethal battle of wills that ensues.
Both Emily Browning and Elizabeth Banks are excellent in this film.
A good horror film.
The Plot: After spending time in a psychiatric facility, young Anna (Emily Browning) finds significant changes in store at home. Her widowed father (David Strathairn) is now engaged to her mother's former nurse, Rachel (Elizabeth Banks). One night, the ghost of Anna's mother appears, screaming for revenge and accusing Rachel of murder. Anna and her sister, Alex (Arielle Kebbel), start to investigate, but they may be unprepared for the lethal battle of wills that ensues.
Both Emily Browning and Elizabeth Banks are excellent in this film.
A good horror film.
Darren (1599 KP) rated Ringu 2 (Ring 2) (2005) in Movies
Nov 7, 2019
Characters – Rachel has moved her child to a smaller town to start a new life away from the pain of the previous one. she gets a new job, only for the first day on the job, Samara takes her next victim. Wanting to stop the spread of the curse in this new town, Rachel destroys the video tape, only to see herself become the target once again of Samara. Rachel will need to continue the investigation into who Samara was and why she is still haunting the world. Max is one of the co-workers at the newspaper, he isn’t trying to hit on Rachel, but does become the only person that Rachel can turn too. Aidan is the son that has started to take after his father with his love of photography, he does become the target of Samara, we see two different sides to David in this film. Dr Temple is trying to figure out what has been happening to Aidan, first seeing that it could be child abuse, she needs to make sure the child is safe before anything else.
Performances – Naomi Watts is still strong in the leading role, we need her to show extra motherly emotions in the film this time around. Simon Baker doesn’t get a chance to get going in this film, while David Dorfman does make a big improvement because of the extra additions to his character. The supporting cast are not the strongest either with most getting left to limited screen time.
Story – The story here continues to see Rachel haunted by Samara needing to continue to unlock the truth about Samara to save her own son from her curse. Now this is a confusing as for a story because everything felt pretty wrapped up at the end of the film, this did end up just putting a forced sequel out there which tries to build more on the Samara legacy. Where this falls short in the story as by giving us weak supporting characters, having the events literally start the day Rachel arrives in the new town and going against certain things that happen in the first film.
Horror/Mystery – The horror in the film does give us basic moments of scares, though dream sequences a hoping the same jumps can worked in the first film. the mystery continues to look at the mystery about Samara and why she has continued to haunt people.
Settings – The film was moved to a smaller location, while returning to certain other locations with them being an extra clue involved in the film.
Special Effects – The effects in the film have dated already, you can see certain green screens being used, which were meant for uneasy scenes.
Scene of the Movie – The bath surprise.
That Moment That Annoyed Me – The dated effects.
Final Thoughts – This is a weaker sequel that tries to build up on the original legacy, only to dive further into something we didn’t need to get more about what is happening.
Overall: Simple and weak sequel.
Performances – Naomi Watts is still strong in the leading role, we need her to show extra motherly emotions in the film this time around. Simon Baker doesn’t get a chance to get going in this film, while David Dorfman does make a big improvement because of the extra additions to his character. The supporting cast are not the strongest either with most getting left to limited screen time.
Story – The story here continues to see Rachel haunted by Samara needing to continue to unlock the truth about Samara to save her own son from her curse. Now this is a confusing as for a story because everything felt pretty wrapped up at the end of the film, this did end up just putting a forced sequel out there which tries to build more on the Samara legacy. Where this falls short in the story as by giving us weak supporting characters, having the events literally start the day Rachel arrives in the new town and going against certain things that happen in the first film.
Horror/Mystery – The horror in the film does give us basic moments of scares, though dream sequences a hoping the same jumps can worked in the first film. the mystery continues to look at the mystery about Samara and why she has continued to haunt people.
Settings – The film was moved to a smaller location, while returning to certain other locations with them being an extra clue involved in the film.
Special Effects – The effects in the film have dated already, you can see certain green screens being used, which were meant for uneasy scenes.
Scene of the Movie – The bath surprise.
That Moment That Annoyed Me – The dated effects.
Final Thoughts – This is a weaker sequel that tries to build up on the original legacy, only to dive further into something we didn’t need to get more about what is happening.
Overall: Simple and weak sequel.
Lyndsey Gollogly (2893 KP) rated Windfall (Weather Warden, #4) in Books
Jun 6, 2024
112 of 220
Book
windfall ( Weather Wardens 4)
By Rachel Caine
⭐️⭐️⭐️⭐️
Joanne is all-out exhausted. When not donning a rain slicker and camping it up for the camera as a TV weather girl, she has to contend with a vengeful cop on her tail, her newly divorced sister moving in—with a charming but mysterious British beau in tow—and getting caught in the middle of a supernatural civil war. Worst of all, her boyfriend in a bottle can't stop draining her powers and is fast morphing from the Djinn of her dreams to the Ifrit of her nightmares.
As the agreement between the Wardens and the Djinn starts to self-destruct, Joanne finds herself forced to choose between saving her lover, saving her Warden abilities...and saving humanity.
For anyone following this series I think this is so heartbreaking for Jo. She is back to being human and fighting to keep David while the wardens and Djinn are on the verge of war. She’s being pulled in all directions. It took me a while to go back to this series but I’m so glad I did. I miss Rachel Caine.
Book
windfall ( Weather Wardens 4)
By Rachel Caine
⭐️⭐️⭐️⭐️
Joanne is all-out exhausted. When not donning a rain slicker and camping it up for the camera as a TV weather girl, she has to contend with a vengeful cop on her tail, her newly divorced sister moving in—with a charming but mysterious British beau in tow—and getting caught in the middle of a supernatural civil war. Worst of all, her boyfriend in a bottle can't stop draining her powers and is fast morphing from the Djinn of her dreams to the Ifrit of her nightmares.
As the agreement between the Wardens and the Djinn starts to self-destruct, Joanne finds herself forced to choose between saving her lover, saving her Warden abilities...and saving humanity.
For anyone following this series I think this is so heartbreaking for Jo. She is back to being human and fighting to keep David while the wardens and Djinn are on the verge of war. She’s being pulled in all directions. It took me a while to go back to this series but I’m so glad I did. I miss Rachel Caine.
Gareth von Kallenbach (980 KP) rated Ringu 2 (Ring 2) (2005) in Movies
Aug 14, 2019
When the American version of the classic Japanese horror film “Ringu” became a smash hit at the box office it did not take a rocket scientist to realize that “The Ring” would soon generate a sequel.
The film had all of the elements for success, a creepy supernatural tale, a twisting and complex storyline that kept viewers guessing, and plenty of frights that made even the most jaded horror viewers squirm.
Sadly, the newest film in the series The Ring Two plays as an uninspired effort that seems to exist simply to cash in on the first film with little to no effort to add to the series.
The film opens with Rachel Keller (Naomi Watts), having left Seattle with her son Aidan (David Dorfman), in an effort to put the horrors of their experiences in the first film behind them. Settling into a bland but comfortable existence in a coastal town named Astoria.
Rachel spends her days working for the tiny local paper though it is obvious that she is struggling to cope with the step down from working for a major metropolitan paper. When an unexplained homicide occurs, the local media crew is excited as for once, they will have a real story to cover. That is all of the staff aside t for Rachel who finds details of the murder disturbingly familiar to what she has witnessed in the past.
A study of the crime scene discovers a copy of the tape from the first film, that when viewed causes the viewer to die in seven days. Rachel is convinced that destroying the tape will end the terror once and for all, but despite her best efforts bizarre events continue.
The fact that her son has become ill and is acting odd, (even for him), is cause for Rachel to try to determine what is causing the changes. What is missing though is the energy and eeriness that drove the first film. Instead the audience gets paper thin characters, a very slow and plodding story, and very few frights.
The film has a couple of good scares but they are very few and far apart. The film also has gigantic lapses in logic as characters act as if their brains are in a deep freeze. During one moment, Rachel is told by her son to drive, instead she decides to stop and chat. Something goes awry, and Rachel is again told to drive, yet again she decides to stop and chat oblivious to what has happened.
All of this could be forgiven but not the very tired fallbacks that the film uses instead of offering anything fresh. What made the first film so good was the way it kept surprising the audience by coming up with new twists and turns as well as clever misdirection that kept viewers on edge and guessing what was to come next.
This time out, the cleverness and originality of the first film seems to have been sucked out of the film in favor of a few gimmick effects and a paper thin plot that seems to have been culled from other films. Add this all up, and sadly The Ring franchise has become an imitator rather than an innovator and this effort will leave fans in the cold.
The film had all of the elements for success, a creepy supernatural tale, a twisting and complex storyline that kept viewers guessing, and plenty of frights that made even the most jaded horror viewers squirm.
Sadly, the newest film in the series The Ring Two plays as an uninspired effort that seems to exist simply to cash in on the first film with little to no effort to add to the series.
The film opens with Rachel Keller (Naomi Watts), having left Seattle with her son Aidan (David Dorfman), in an effort to put the horrors of their experiences in the first film behind them. Settling into a bland but comfortable existence in a coastal town named Astoria.
Rachel spends her days working for the tiny local paper though it is obvious that she is struggling to cope with the step down from working for a major metropolitan paper. When an unexplained homicide occurs, the local media crew is excited as for once, they will have a real story to cover. That is all of the staff aside t for Rachel who finds details of the murder disturbingly familiar to what she has witnessed in the past.
A study of the crime scene discovers a copy of the tape from the first film, that when viewed causes the viewer to die in seven days. Rachel is convinced that destroying the tape will end the terror once and for all, but despite her best efforts bizarre events continue.
The fact that her son has become ill and is acting odd, (even for him), is cause for Rachel to try to determine what is causing the changes. What is missing though is the energy and eeriness that drove the first film. Instead the audience gets paper thin characters, a very slow and plodding story, and very few frights.
The film has a couple of good scares but they are very few and far apart. The film also has gigantic lapses in logic as characters act as if their brains are in a deep freeze. During one moment, Rachel is told by her son to drive, instead she decides to stop and chat. Something goes awry, and Rachel is again told to drive, yet again she decides to stop and chat oblivious to what has happened.
All of this could be forgiven but not the very tired fallbacks that the film uses instead of offering anything fresh. What made the first film so good was the way it kept surprising the audience by coming up with new twists and turns as well as clever misdirection that kept viewers on edge and guessing what was to come next.
This time out, the cleverness and originality of the first film seems to have been sucked out of the film in favor of a few gimmick effects and a paper thin plot that seems to have been culled from other films. Add this all up, and sadly The Ring franchise has become an imitator rather than an innovator and this effort will leave fans in the cold.
David McK (3425 KP) rated Total Eclipse (Weather Warden, #9) in Books
Jan 30, 2019
Back in the late-to-mid 80s, the band R.E.M. sang
'That's great, it starts with an earthquake, birds and snakes ... It's the end of the world as we know it'
They might as well have been talking about this, the final book in Rachel Caine's <I>Weather Warden</I> series.
Again, picking up directly from the end of the last book, this has Joanne and David still on board the liner sailing home from their showdown with 'bad Bob', and with the 2 lead characters stripped of their powers. Not long before making landfall, however, the Earth starts to wake up and is not best pleased, instigating what basically amounts to Armageddon. The majority of the book deals with the Wardens attempts to placate the Earth and cancel this from happening, with Joanne and David regaining their powers in the process.
I was, I must admit, quite surprised at one point when one of the key characters of the series was called off (just over the 1/2 way mark): I hadn't really seen that coming. However, when they do (finally) make contact with Mother Earth, I found that portion of the plot to be resolved almost too easily, after what had went before.
The series, as a whole, had both it's peaks and troughs: while this entry may not (IMO) live up to some of the previous entries, nor was it the worst of them all.
'That's great, it starts with an earthquake, birds and snakes ... It's the end of the world as we know it'
They might as well have been talking about this, the final book in Rachel Caine's <I>Weather Warden</I> series.
Again, picking up directly from the end of the last book, this has Joanne and David still on board the liner sailing home from their showdown with 'bad Bob', and with the 2 lead characters stripped of their powers. Not long before making landfall, however, the Earth starts to wake up and is not best pleased, instigating what basically amounts to Armageddon. The majority of the book deals with the Wardens attempts to placate the Earth and cancel this from happening, with Joanne and David regaining their powers in the process.
I was, I must admit, quite surprised at one point when one of the key characters of the series was called off (just over the 1/2 way mark): I hadn't really seen that coming. However, when they do (finally) make contact with Mother Earth, I found that portion of the plot to be resolved almost too easily, after what had went before.
The series, as a whole, had both it's peaks and troughs: while this entry may not (IMO) live up to some of the previous entries, nor was it the worst of them all.
Charlie Cobra Reviews (1840 KP) rated Black Widow (2021) in Movies
Sep 6, 2021
Good casting, Scarlett and Florence felt like actual sisters. (1 more)
Good chemistry and acting from David Harbour and Rachel Weisz.
Not much of a thriller or thinker for a spy movie. (1 more)
One actor was greatly wasted in their role.
Scarlett's Swan Song Had Plenty of Action With A Decent StoryNatasha Romanoff (Scarlett Johansson) and her sister Yelena (Florence Pugh) are living what seems like a normal life in 1995 Ohio, with their parents, mother, Melina Vostokoff (Rachel Weisz) and
Natasha Romanoff (Scarlett Johansson) and her sister Yelena (Florence Pugh) are living what seems like a normal life in 1995 Ohio, with their parents, mother, Melina Vostokoff (Rachel Weisz) and father, Alexei Shostakov (David Harbour) when suddenly they must leave the country. They are all Russian undercover agents and Alexei, the super-soldier known as Red Guardian, has stolen intel from S.H.I.E.L.D. They flee to Cuba where the sisters are forcibly taken to the "Red Room" for training after they've met General Dreykov (Ray Winstone), their boss. Now in 2016 after the events of Captain America: Civil War, Natasha finds herself a fugitive on the run from U.S. Secretary of State Thaddeus Ross (William Hurt) after violating the Sokovia Accords. She's attacked by an incredibly skilled assassin called the Taskmaster and finds that she's not his target but rather a package she had with her. After learning the package originated from Budapest she heads there where she finds her sister Yelena and learns of a plot that not only jeopardizes the safety of those trained in the "Red Room" but possibly the whole world.
This movie was really good and it was great to see a Marvel movie again. I didn't see this one in theaters but I still enjoyed watching it in the safety of my home with my family. So this movie came off like a really good spy/action movie but definitely had that Marvel feel to it. It really felt like watching something out of the Bourne or Bond series films but with admittedly less plot and gadgets, but the action was really spot on. There was awesome car chase scenes and expertly crafted fight choreography too. It was even reported that they went through 13 BMW X3's for the car chase scene with Scarlett and Florence so you can tell that they really wanted to get things right and had a vision of what they wanted the audience to see for that particular scene as well. I thought there was really great chemistry from all the actors together and that it was pretty good casting. Scarlett and Florence argue throughout the film just like real sisters, and the looks that David Harbour and Rachel Weisz exchange feel like they were genuinely together. The opening scene of the movie had great acting and was very emotional. I just feel like one role/actor was kind of a bad casting and/or was greatly underutilized. I think the biggest flaw of the move was that for being a spy movie, the plot never had any mystery to it and everything was kind of predictable or at least very easy to follow. Not much of a thriller or thinker where you had to put two and two together. The cinematography was spot on and felt like you were watching any big budget spy or action movie and on par with what you expect from Marvel Studios. The tone fit the film for the most part but kind of "see-saw"-ed from time to time as they mixed serious themes with comedic dialogue throughout. But that's to be expected from a PG-13 action/spy movie from Marvel and it was a little reminiscent of the film Captain America in that regard. The music was good and there were a couple of songs that stuck out in that regard American Pie by Don Mclean and a cover of Smells Like Teen Spirit by Think Up Anger; also Cheap Thrills by Sia. The musical score was also good and the Black Widow theme was pretty epic but also with hints of melancholy to it that seemed to underline both her tragic background as well as the tragedy of the events to come in her future. Altogether the movie was really good and I give it a 7/10. If you are big time into the MCU and Marvel franchise movies then this is a must see film but if not then it might come off as just a barely above average action/spy film so that's why it doesn't get my "Must See Seal of Approval"
This movie was really good and it was great to see a Marvel movie again. I didn't see this one in theaters but I still enjoyed watching it in the safety of my home with my family. So this movie came off like a really good spy/action movie but definitely had that Marvel feel to it. It really felt like watching something out of the Bourne or Bond series films but with admittedly less plot and gadgets, but the action was really spot on. There was awesome car chase scenes and expertly crafted fight choreography too. It was even reported that they went through 13 BMW X3's for the car chase scene with Scarlett and Florence so you can tell that they really wanted to get things right and had a vision of what they wanted the audience to see for that particular scene as well. I thought there was really great chemistry from all the actors together and that it was pretty good casting. Scarlett and Florence argue throughout the film just like real sisters, and the looks that David Harbour and Rachel Weisz exchange feel like they were genuinely together. The opening scene of the movie had great acting and was very emotional. I just feel like one role/actor was kind of a bad casting and/or was greatly underutilized. I think the biggest flaw of the move was that for being a spy movie, the plot never had any mystery to it and everything was kind of predictable or at least very easy to follow. Not much of a thriller or thinker where you had to put two and two together. The cinematography was spot on and felt like you were watching any big budget spy or action movie and on par with what you expect from Marvel Studios. The tone fit the film for the most part but kind of "see-saw"-ed from time to time as they mixed serious themes with comedic dialogue throughout. But that's to be expected from a PG-13 action/spy movie from Marvel and it was a little reminiscent of the film Captain America in that regard. The music was good and there were a couple of songs that stuck out in that regard American Pie by Don Mclean and a cover of Smells Like Teen Spirit by Think Up Anger; also Cheap Thrills by Sia. The musical score was also good and the Black Widow theme was pretty epic but also with hints of melancholy to it that seemed to underline both her tragic background as well as the tragedy of the events to come in her future. Altogether the movie was really good and I give it a 7/10. If you are big time into the MCU and Marvel franchise movies then this is a must see film but if not then it might come off as just a barely above average action/spy film so that's why it doesn't get my "Must See Seal of Approval"
Graham Lewis recommended Shooting At The Moon by Kevin Ayers in Music (curated)
BankofMarquis (1832 KP) rated Black Widow (2021) in Movies
Jul 19, 2021
A Winning Return for the MCU
The Marvel Cinematic Universe is back!
With the much delayed premiere of BLACK WIDOW, the MCU returns with a fun romp that is part family drama, part action adventure - and all MCU.
Starring Scarlett Johansson, of course, as the titular character, BLACK WIDOW takes place after CAPTAIN AMERICA: CIVIL WAR and before AVENGERS: INFINITY WAR. Natasha Romanoff, aka Black Widow, teams up with her “other” family to stop a team of enemy assasins.
But, it’s not the plot that we care about in these types of movies, it’s the characters and the action. And this film brings both in abundance.
Let’s start with the characters - the 4 main “family” members - Johansson (Black Widow), Florence Pugh (Yelena), David Harbour (Alexei) and Rachel Weisz (Melina) are wonderful to spend time with. These are characters that I want to see on the screen and their interactions - though sometimes confrontational - is filled with friendship, respect and love. This is something that other “universes” don’t quite get as well as the MCU and it shows.
Johannson, of course, is terrific as Black Widow. She has this character down and if this is her last go around as this character, she’ll got out with her head held high. David Harbour (STRANGER THINGS) is the comic relief of this film as his (somewhat) overweight superhero RED GUARDIAN, tries to fit into his old costume (reminiscent of MR. INCREDIBLE) while Rachel Weisz (Oscar winner for THE CONSTANT GARDNER) is the grounding/realistic character.
But all 3 of these take a back seat to the terrific Florence Pugh (Oscar nominated for LITTLE WOMEN a few year’s back) as the “little sister” of Black Widow. She and Johannson have terrific chemistry together and the writers/directors give Pugh most of the good lines that will lead the audience to be won over by her character.
The only blemish I have in the performances of this film is Ray Winstone’s rather “average” performance as the main bad guy in this film. I don’t fault Winstone’s performance, I think that it is because the part is underwritten or, worst yet, an afterthought of the writers.
Director Cate Shortland (LORE) does a good job keeping the film moving while interspersing the family drama with the action and the humor at a brisk enough clip to keep your interest for the full 134 minutes of this film. It’s a good return to the MCU and one that will keep you coming back for more.
Which is EXACTLY what the MCU wishes you to do.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
With the much delayed premiere of BLACK WIDOW, the MCU returns with a fun romp that is part family drama, part action adventure - and all MCU.
Starring Scarlett Johansson, of course, as the titular character, BLACK WIDOW takes place after CAPTAIN AMERICA: CIVIL WAR and before AVENGERS: INFINITY WAR. Natasha Romanoff, aka Black Widow, teams up with her “other” family to stop a team of enemy assasins.
But, it’s not the plot that we care about in these types of movies, it’s the characters and the action. And this film brings both in abundance.
Let’s start with the characters - the 4 main “family” members - Johansson (Black Widow), Florence Pugh (Yelena), David Harbour (Alexei) and Rachel Weisz (Melina) are wonderful to spend time with. These are characters that I want to see on the screen and their interactions - though sometimes confrontational - is filled with friendship, respect and love. This is something that other “universes” don’t quite get as well as the MCU and it shows.
Johannson, of course, is terrific as Black Widow. She has this character down and if this is her last go around as this character, she’ll got out with her head held high. David Harbour (STRANGER THINGS) is the comic relief of this film as his (somewhat) overweight superhero RED GUARDIAN, tries to fit into his old costume (reminiscent of MR. INCREDIBLE) while Rachel Weisz (Oscar winner for THE CONSTANT GARDNER) is the grounding/realistic character.
But all 3 of these take a back seat to the terrific Florence Pugh (Oscar nominated for LITTLE WOMEN a few year’s back) as the “little sister” of Black Widow. She and Johannson have terrific chemistry together and the writers/directors give Pugh most of the good lines that will lead the audience to be won over by her character.
The only blemish I have in the performances of this film is Ray Winstone’s rather “average” performance as the main bad guy in this film. I don’t fault Winstone’s performance, I think that it is because the part is underwritten or, worst yet, an afterthought of the writers.
Director Cate Shortland (LORE) does a good job keeping the film moving while interspersing the family drama with the action and the humor at a brisk enough clip to keep your interest for the full 134 minutes of this film. It’s a good return to the MCU and one that will keep you coming back for more.
Which is EXACTLY what the MCU wishes you to do.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
David McK (3425 KP) rated Black Widow (2021) in Movies
Aug 8, 2021
The first Marvel movie out of the stables since the start of the Worldwide Covid-19 pandemic; I believe this was originally to be released before the likes of even WandaVision (shown on Disney+).
This was alos released concurrently on Disney+ (behind a paywall) and in the cinema: indeed, this is the very reason for ScarJo's lawsuit against Disney (she says she was told it would be theatres first, then Disney+ and that she only gets a percentage of box office takings).
Anyway, all that aside: this is actually set pre-snap; the majority of it back just after the events of 'Captain America: Civil War' (and thus before 'Avengers: Infinty War'), with Natasha on the run from the US government having broken the Sokovia Accords. It's not long, however, before she receives a package from a previous safe-house (Budapest. Yes, the Budapest mentioned before with Hawkeye: 'remember Budapest?') that leads her into a further adventure, this time involving her surrogate 'family' from when she was undercover in America as a kid in the mid 1990s.
Her 'dad' (David Harbour) 'Red Guardian' steals the show, while Florence Pugh (as her younger 'sister') and Rachel Weisz (as her 'mum') also provide sterling back-up.
Plenty of action, but the film does, perhaps, fall into the common Marvel trap of having a CGI-heavy ending ...
This was alos released concurrently on Disney+ (behind a paywall) and in the cinema: indeed, this is the very reason for ScarJo's lawsuit against Disney (she says she was told it would be theatres first, then Disney+ and that she only gets a percentage of box office takings).
Anyway, all that aside: this is actually set pre-snap; the majority of it back just after the events of 'Captain America: Civil War' (and thus before 'Avengers: Infinty War'), with Natasha on the run from the US government having broken the Sokovia Accords. It's not long, however, before she receives a package from a previous safe-house (Budapest. Yes, the Budapest mentioned before with Hawkeye: 'remember Budapest?') that leads her into a further adventure, this time involving her surrogate 'family' from when she was undercover in America as a kid in the mid 1990s.
Her 'dad' (David Harbour) 'Red Guardian' steals the show, while Florence Pugh (as her younger 'sister') and Rachel Weisz (as her 'mum') also provide sterling back-up.
Plenty of action, but the film does, perhaps, fall into the common Marvel trap of having a CGI-heavy ending ...