"Studs Terkel was a radio host in Chicago who also wrote fantastic oral histories about 20th century America by interviewing regular people about their lives. He covered the Great Depression in Hard Times; World War II in The Good War; and, in this book, what people’s jobs mean to them. His books are invaluable time capsules of how Americans in previous generations spoke and thought about themselves."

"I went through it from cover to cover like a hurricane, totally focused on every word, and the book sang out to me like the radio. Guthrie writes like the whirlwind and you get tripped out on the sound of the words along. Pick up the book anywhere, turn to any page and he hits the ground running. ‘Bound for Glory’ is a hell of a book."

"It’s just awesome. What is there not to love about this movie? Donna Reed was amazing! My brother wants to marry Donna Reed. I’m like, “Dude, she’s a little old for you now.” I love the way he (George Bailey) was a happy guy but then can get cantankerous sometimes. Jimmy Stewart was just fantastic in that. I love the magic feel of it and I love the whole idea at the end of this person who did so much for everybody else and really stood on his own and sacrificed so much, that when he finally gave up and needed (help), everyone was there for him and I just cry every single time. I cry every single time. My brother actually says that I am that character in real life. I AM George Bailey. He’s like, “That’s you. You are that guy,” and every time I get ticked off when finally the pressure gets to me — because I do take care of a lot of people — he just yells at me, “Why do we have to have so many kids,” which is of course a Jimmy Stewart line. I even did It’s a Wonderful Life on a thing called “Fake Radio” where we did the entire radio version, on radio. It was great! So, I love that movie!"

"I’m choosing Paranoid the single, not the album. Everything they did before that and the rest of the Paranoid album were really doomy. I liked the fact that Paranoid, the song, was singalong-able… if there’s such a word. I can’t explain why I liked it so much, it just stood out for me as a serious attempt at writing a great rock song that could be played on the radio."

"There’s a song in the movie, “I Want to Wash That Man Right Out of My Hair,” that I used to have my radio producer play whenever some woman would call with a question about a man who was mistreating or ignoring her. People have to learn not to get stuck in one place, but to move on when it’s obvious that sticking around will only break your heart."

"I heard a tremendous amount of first-class soul music... my father was in the Royal Air Force and I lived on a base. It just so happened that it coincided with the period of pirate radio stations, so a transistor radio was a virtually unmediated way of hearing absolutely incredibly music. I heard Hendrix, Electric Prunes, all the best soul music. You didn't know what these people looked like, who they were, anything. There was this guy Nicky who I used to play football with, his father was from Jamaica, and when he was moving on he gave the youth club his soul collection. The guy who ran the youth club, he was championing what I thought was starting to be second-rate output from The Beatles, because after 'Strawberry Fields' or 'Magical Mystery Tour' they came out with this Sgt Pepper's thing which I had issues with. Meanwhile, we had every good soul record. You also had Johnnie Walker, I think, on [Radio] Caroline. This also represents that period in the 70s when I was listening to Al Green, Sly, Stevie Wonder; the most interesting and radical music that was going. It's pathetic to go 'black soul music, oh right, Al Green's Greatest Hits', because the productions, the voice and everything is incredible. Let's just say one of the greatest singers, that's for sure, and he has to represent all of that."