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Kingsman: The Secret Service (2015)
Kingsman: The Secret Service (2015)
2015 | Mystery
The filming style, the action scenes, the reality of poverty traps (0 more)
Not showing the mum changing when she moved in with Eggsy (0 more)
Stylish, slick spy caper
Contains spoilers, click to show
I watched this film when it was released in 2015 & thoroughly enjoyed it on tv a night or two ago. Perhaps it was seeing that age wasn’t a barrier for Colin Firth to be a sprightly James Bond style spy or the enjoyable action scenes but o found it every bit as entertaining as the first watch through.
We start with a seemingly perfectly executed interrogation which goes wrong when a young recruit gets blown up to save the rest of his team. A medal & instructions on how to call for help are left with young son, Eggsy, & his unhappy mother.
Fast forward some years and Eggsy is grown, living on a generalised Tough estate with his mum, her all round abusive husband and his new baby sister. A dramatic contrast to the smooth, sophisticated upper class gentlemen of the Kingsmen who are preparing to choose a new recruit after losing a member to a choppy new enemy.

Eggsy gets the opportunity to use the medal & is given the opportunity to take a new path following in his fathers footsteps. Here we discover that there is more to this character than his school reports, rap sheet & current unemployed status might make you think. Despite his upbringing, Eggsy maintains a strong moral code & will not betray a confidence leading to him becoming a Kingsman trainee.

The obvious juxtaposition of ‘posh vs common’ becomes even more intense as Eggsy must proved his worth against young people who have been training for this role, possibly for their whole lives and of course are very rich as per the original heritage of the Kingsmen. It turns out the girls do not care about money & between that and some sage words from people about chips & shoulders Eggsy makes it through to the final two but will he triumph at the last hurdle?

Meanwhile the enemy plan to reduce the world population by using people’s desire for free stuff and a dramatic twist follows which doesn’t follow the rules of a classic spy film.

Will the world be saved? Will Eggsy leap forward or step back? Will there be any more twists? You’ll have to watch & find out.
  
T.I.M.E by Kelvyn Boy
T.I.M.E by Kelvyn Boy
7
7.0 (1 Ratings)
Album Rating
Kelvyn Boy is a fast-rising artist from Accra, Ghana. Not too long ago, he released a music video for his “Mea” single featuring Joey B.

Kelvyn Boy – “Mea” featuring Joey B


“‘Mea’ is a big tune for me and one of the EP’s highlights I’d say. It has a Highlife flair which I love. It came together really quickly in the studio. When I heard my producer playing something he’d been working on, I was like, ‘I love that beat, let’s put some guitar on this and start working on it’. So we put some guitar lines down and I just started to freestyle over the beat. My producer said, ‘Yo we need to record this now!’ So we put down the vocal there and then. I just needed someone who can rap and sing at the same to finish it off, so I had Joey B in mind. We sent him the song and he linked us and the next day we finished it in the studio.” – Kelvyn Boy

‘Mea’ contains a relatable storyline, harmonious vocals, and melodic instrumentation flavored with tropical, afrobeat, and afro-dance elements.


The likable tune tells an interesting tale of a young guy who adores a special woman in his life. Apparently, she’s a boss in the bedroom and she possesses a Coca-Cola shaped body.


‘Mea’ is featured on Kelvyn Boy’s debut EP, entitled, “T.I.M.E”.

Kelvyn – “T.I.M.E” EP


“‘T.I.M.E’, my debut EP, is an abbreviation for The Inspirational Moment Ever. From the production to lyrics, it’s strictly Afro-beats. I wanted to represent this sound and Ghana’s sound to a global market.” – Kelvyn Boy

The 8-track project features Medikal, Joey B, and Stonebwoy. Also, it incorporates other musical genres such as reggae, dancehall, and highlife.
Kelvyn Boy
Kelvyn Boy award photo
In the Summer of 2018, Kelvyn Boy accompanied his mentor Stonebwoy on a 9-city European Tour. They graced stages at Reggae Geel (Belgium), Summer Jam (Germany), Enter The Dancehall (Switzerland) and many more.

Later that year, Kelvyn won the Unsung Artiste of the Year and was later nominated as Best New Artiste of the Year at the Vodafone Ghana Music Awards (2019).

This summer, he will embark on a European tour which includes Bomboclat Festival in Belgium (other dates tbc).
  
I'm Still Here (2010)
I'm Still Here (2010)
2010 | Comedy, Drama, Music
6
6.0 (1 Ratings)
Movie Rating
This film, is it, was it real, or was it in effect a massive hoax concocted by Phoenix and Affleck? Well, it has been revealed that it was the latter, and to be fair after watching it you’d have to be a total fool to actually believe that one of Hollywood’s brightest talents would jack it all in to become a rapper.

As far as performances go this is one of Joaquin’s best, and all he had to do was grow a grizzly beard, smoke a lot and write some of the most ridiculous rap lyrics ever! But if this is genuine satire then he put his heart and sole into it!

When he was interviewed by David Letterman (who had no idea the whole thing was a hoax) Phoenix looked like a shadow of his former self

Chewing gum, and slopped in his chair he was totally unresponsive to the abuse he was getting, and back stage vented his anger. The more outrageous scenes are the ones that create the most hilarious and deliver the shocking impacts, such as sniffing coke from the bosom of a prostitute, to having his face shat on by a so called friend.

What is the most cringe-worthy to watch is Phoenix’s pitiful attempts at rapping, the bloke has about as much musical talent as Jedward and he gets his fair share of heckles, in each venue that he some how manages to get a gig for.

“I’ve got a million dollars in the bank, what have you got!?” comes Pheonix’s response, and then he proceeds to hurl himself into the crowd fists swinging, followed by violent vomiting.

To think that a man of P Diddy’s calibre would even consider letting some disheveled tramp off the street play him tracks from his demo is unbelievable in itself. Diddy’s eyes say it all as he asks Phoenix to skip on to the next one, continually starring down the camera in sheer disbelief!

There is not a lot to suggest that an actor such as this would just suddenly melt down, of course we don’t deny the pressures in Hollywood might cause few to sink to a lowest ebb, but Affleck succeeds in making this a shocking and truly hilarious stunt.
  
Bullet to the Head (2013)
Bullet to the Head (2013)
2013 | Action, Mystery
7
6.2 (6 Ratings)
Movie Rating
Action icon Sylvester Stallone follows up his smash hit “The Expendables 2” with a turn as a New Orleans hitman on a mission of revenge in “Bullet to the Head”. Produced by Walter Hill, who brought us such classics as the “Alien” series and directed films such as “Red Heat” and “48 Hours”, his signature style is evident throughout.

Stallone plays James Bonomo, a.k.a. Jimmy Bobo, a thug with a long rap sheet and few friends. After celebrating a successful contract hit, his partner is brutally killed and an attempt is made on Jimmy’s life as well. Suspecting that they’d been setup, James reluctantly meets with a D.C. detective named Taylor Kwon (Sung Kang), who is in town to investigate the murder of his former partner. Fate forces the duo to work with one another despite Kwon’s by-the-book nature and utter disdain for James and his choice of profession. The two soon uncover a large conspiracy that threatens not only their lives but the cities very powerful and elite, making the duo the prime targets for those who will stop at nothing.

Despite having a fairly formulaic plot, the film works very well, thanks in large part to the cast. The two leads work very well with one another, and the fine supporting work by Jason Momoa and Adewale Akinnuoye-Agbaje really set the tone. The action in the film is intense and at times brutal but does not seem gratuitous, making it clear that the characters live in a violent world where accepting death is second nature to the urge to kill.

Stallone gives a very physical performance as the world weary James and you can tell that he went all out for the films action sequences despite the toll his body had to take. The film is based on the graphic novel “Du Plomb dans la Tête” and captures the elements of a classic film noir, with the action of a buddy cop film without pandering to many of the genre stereotypes.

While I enjoyed Schwarzenegger’s “The Last Stand” a bit more, I was very surprised at how enjoyable the film was after being underwhelmed by the trailer. In the end, if you’re a fan of Stallone, and love a good action film, then this is one you will not want to miss.
  
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Clare Parrott (294 KP) created a post

Jul 24, 2017  
Road To Ruin (New Orleans Nights #1)
by Callie Hart

Malicious Destruction of Property.
Two counts of breaking and entering.
Two counts of possession of a controlled dangerous substance.
Four counts of assault.
Three counts of illegal gambling.
Three years served in Orleans Parish Prison.

Tommy ‘Havoc’ Kendrick’s rap sheet reads like a recipe for disaster: one part mayhem to three parts chaos. There’s no arguing the matter; he’s a bad guy, or at least he used to be. For the past five years, Tommy’s been on the straight and narrow, keeping his head down and staying out of trouble. He left the French Quarter behind, along with the New Orleans crime syndicates and underground fights that used to pay his bills. Trading in the high-octane thrill of earning money with his fists to work in an auto mechanic’s was hard, and yet somehow, despite everything, he’s made it work.

Until now.

Tommy hadn’t planned on seeing his brother again. When David Kendrick turns up on his doorstep with a bag full of money and four broken ribs, Tommy finds himself heading back to the place he swore he’d never return. Back to the fights. Back to the drinking, the drugs, and the women.

Back to a life he thought he’d left behind for good.

Nikita Moreau has lived in New Orleans all her life. She learned to drive there, lost her virginity there, bought her first house there, and she’s damned if she isn’t going to die there, too. As a prison psychologist at one of the country’s most dangerous facilities, she runs the risk of dying in the state of Louisiana on a daily basis, and yet she wouldn’t give it up for the world. There’s nothing more satisfying than helping those everyone else has given up on. Nothing more rewarding than fixing something everyone said was broken.

The day she meets Tommy Kendrick, however, she learns a painful lesson: sometimes a person is too broken to be fixed. Sometimes a person is beyond reach and cannot be saved. The tall, dark and handsome, tattoo-covered devil is danger personified. She knows this. She knows he’s bad news. So then why can’t she stop thinking about him? Why can’t she stay away from him?

And, most importantly, why won’t she save herself?

*** Road To Ruin is part one in a two-part story. Part two will be coming out soon! Be advised: Road To Ruin is a dark romance novel that contains graphic scenes. As such, this book is only suitable for readers 17+ ***
     
My Dinner with André (1981)
My Dinner with André (1981)
1981 | Comedy, Drama
(0 Ratings)
Movie Favorite

"Since my films consist entirely of 16 mm urban landscapes and voice-over, I have always been fascinated by the many ways that other films utilize voice-over. Generally, I think the use of voice-over in film gets an unjustly bad rap. It is one of the most effective and evocative ways to connect the audience directly to a character. Both of these films incorporate innovative first-person monologue. While I admire My Dinner with André for its formal ambitiousness, I confess I don’t really enjoy the bulk of the film itself. But I love the opening and closing, especially the simple shots of New York City and Wallace Shawn’s concluding narration: “I treated myself to a taxi. I rode home through the city streets. There wasn’t a street, there wasn’t a building, that wasn’t connected to some memory in my mind. There, I was buying a suit with my father. There, I was having an ice cream soda after school. When I finally came in, Debbie was home from work. And I told her everything about my dinner with André.” Similarly, the best thing about Days of Heaven is the spectacularly quirky, poignant, complicated, and full-of-life narration by Linda (Linda Manz). Years ago, I had a phone call with the film’s executive producer and second unit director, Jacob Brackman, while I was researching the fabulous 1980 teen runaway adventure Times Square, for which he wrote the screenplay. I don’t recall how we got on the topic of his work on Days of Heaven, but I vividly remember him telling me about how the decision to introduce that voice-over as the primary storytelling vehicle arose out of Brackman and Malick’s realization when watching the dailies that the dramatic dialogue scenes weren’t working. They were in the middle of shooting and had the idea to save the film by sending out a second unit to shoot a ton of natural landscape B-roll and then adding voice-over to the footage. About a year after making Days of Heaven in May 1979, Brackman would go on to complete the screenplay for Times Square, a film that happens to bear an interesting resemblance to Malick’s story of a tough teenage girl with a heavy accent making her way in a hardscrabble environment. Days of Heaven’s Linda claims to be from Chicago, but her at times almost unintelligible accent sounds astoundingly similar to Robin Johnson’s Brooklynese in Times Square."

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Jenni Olson recommended Days of Heaven (1978) in Movies (curated)

 
Days of Heaven (1978)
Days of Heaven (1978)
1978 | Drama

"Since my films consist entirely of 16 mm urban landscapes and voice-over, I have always been fascinated by the many ways that other films utilize voice-over. Generally, I think the use of voice-over in film gets an unjustly bad rap. It is one of the most effective and evocative ways to connect the audience directly to a character. Both of these films incorporate innovative first-person monologue. While I admire My Dinner with André for its formal ambitiousness, I confess I don’t really enjoy the bulk of the film itself. But I love the opening and closing, especially the simple shots of New York City and Wallace Shawn’s concluding narration: “I treated myself to a taxi. I rode home through the city streets. There wasn’t a street, there wasn’t a building, that wasn’t connected to some memory in my mind. There, I was buying a suit with my father. There, I was having an ice cream soda after school. When I finally came in, Debbie was home from work. And I told her everything about my dinner with André.” Similarly, the best thing about Days of Heaven is the spectacularly quirky, poignant, complicated, and full-of-life narration by Linda (Linda Manz). Years ago, I had a phone call with the film’s executive producer and second unit director, Jacob Brackman, while I was researching the fabulous 1980 teen runaway adventure Times Square, for which he wrote the screenplay. I don’t recall how we got on the topic of his work on Days of Heaven, but I vividly remember him telling me about how the decision to introduce that voice-over as the primary storytelling vehicle arose out of Brackman and Malick’s realization when watching the dailies that the dramatic dialogue scenes weren’t working. They were in the middle of shooting and had the idea to save the film by sending out a second unit to shoot a ton of natural landscape B-roll and then adding voice-over to the footage. About a year after making Days of Heaven in May 1979, Brackman would go on to complete the screenplay for Times Square, a film that happens to bear an interesting resemblance to Malick’s story of a tough teenage girl with a heavy accent making her way in a hardscrabble environment. Days of Heaven’s Linda claims to be from Chicago, but her at times almost unintelligible accent sounds astoundingly similar to Robin Johnson’s Brooklynese in Times Square."

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ZF
Z for Zodiac - Single by Mxlcxlm
8
8.0 (1 Ratings)
Album Rating
Mxlcxlm Z is an up-and-coming rapper based in Denver, Colorado. Not too long ago, he released a freestyle lyric video for his “Z for Zodiac” single.

“I hope this video sparks some new found interest in raw hip-hop/bars again by inspiring folks with the creativity and the depth of thought. I hope it makes people want to rewind it and dissect the lyrics, catching things on listen #5 or #10 that they didn’t notice on the initial listens. Also, I hope a few of the bars about the Zodiac (the real ones, not the ‘clever’ ones) inspire people to pursue their own interest into the Houses of the Zodiac and their connection to religious texts/doctrine/allegories. Finally, I hope this song gives people a small but intriguing-enough look into my life and that they realize that I truly do rhyme about what’s going on in my real life, what my heart feels, and about real situations that often don’t get talked about enough.” – Mxlcxlm Z

The audiovisual video features Mxlcxlm Z rapping 116 witty bars based on the 12 houses of the horoscope.

This is the first no cut video the rapper has ever edited which proved to be a challenge. But overall, he was able to bring to fruition the vision he saw in his head.

‘Z for Zodiac’ contains an introspective storyline, lyrical rap vocals, and lush instrumentation flavored with a hip-hop aroma.

“My favorite bars in the song, partly because of the double entendre but mostly because of the reality, is when I say, ‘Jonny died I tried to act like that sh*t didn’t bother me. I do this sh*t for him (hymn) like when the choir sing’. Another of my favorites is the bar referring to mama Sarah, when I say, ‘Tried coping with sobriety, performed lobotomy with an acid tab and a pile of weed’. Which means that, though I attempted to deal with my problems in a sober way, I was able to help treat my mental illnesses with LSD and cannabis.” – Mxlcxlm Z

Mxlcxlm Z’s studies in metaphysics, the occult, and astrology heavily influence the way he views the world. Of course, those beliefs find their way into his music.

When he lost his brother Jonny and grandmother Sarah, he fell into a major depression.

Because of his experience with loss, he is thankful for the nieces and nephew he has from his sister who once thought she might not ever have children.

“I speak briefly [in this song] on my upbringing, my sister dealing with miscarriages, and how she’s since been blessed with 3 kids. Dealing with depression at a young age, I feel like it was the Creator/God that saved me.” – Mxlcxlm Z

https://www.bongminesentertainment.com/mxlcxlm-z-z-for-zodiac/
  
Burying the Honeysuckle Girls
Burying the Honeysuckle Girls
7
7.0 (1 Ratings)
Book Rating
Althea Bell returns home after (another) stint in rehab to find her father further stricken by Alzheimer's and her older brother--who is running for political office--fully entrenched in the seat of power in the family. Wynn doesn't want Althea and her sketchy past to ruin his chances at political fame and fortune. Even worse, Althea is shocked when she learns that the women in her family have a history of mental illness, which seems to come on around age 30--and Althea is just a few weeks away from her own birthday. Althea's mother passed away at that age, and Althea is determined to discover what happened to her. But doing so will dredge up family secrets that it seems Wynn wants hidden--and he'll do anything to keep Althea from shaming the family name

This won't be a very long review, because I listened to this book on audiobook (technically the audio that comes with my Kindle Unlimited subscription), and I couldn't take any notes or do any highlighting as I listened, as I was in the car. But I do want to point out that this is the *first ever* audiobook that I've ever listened to from start to finish! I'm not very good with verbal listening--even in college lectures, I had to take copious notes to retain the information, and I could just never keep up with audiobooks: my brain always wandered off. But I was commuting a lot for work and gave this one a try. It stuck!

This book felt a little slow in places, but now I'll never know if it was because it was an audiobook or what. I felt bad for Althea, who really seems to have received a bum rap: mother dies when she's a kid, a pretty awful brother, drug addiction, and more. She's a rather compelling narrator, and her family's backstory is interesting. The whole "I'm going to go crazy when I'm 30" thing seemed a little overblown and histrionic at times--seriously, you can't truly think the moment you turn 30, everything changes. But, I still found myself caught up in Althea's story, and I really loved hearing about her grandmother and her own struggles in the '30s. There were pieces of this book that were really touching and heartbreaking and the last half, especially, really got to me.

Overall, it was fun to explore an audiobook. It sure made my two-hour (each way) commute more palatable, and I found myself fascinated that one-person could do the voices of so many people. I found this story pretty compelling and liked the fact that it spanned several generations. The points it made about mental illness--especially the way women were treated in the past (and even now, really)--were very illuminating and well-done. 3.5 stars.
  
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Gaz Coombes recommended Africa Basil by Jorge in Music (curated)

 
Africa Basil by Jorge
Africa Basil by Jorge
(0 Ratings)
Album Favorite

"I was reading a David Byrne interview and he was talking about Jorge Ben and this album and he talked about this track, 'Hermes Trismegisto Escreveu', and he loved the groove of it. I think it was about the time he was working with Brian Eno on My Life In The Bush Of Ghosts and there's a track called 'Regiment', for which he admitted he took the groove from that Jorge Ben track. And I loved My Life In The Bush Of Ghosts so I then tracked down África Brasil, explored it and loved it. It's weird - I want to give it more credit than it being just a party album or a dinner party album or a tour bus aftershow album, because it is more than that, but that's how I've always listened to it. It's a real go-to record for any kind of little party that I might have but musically it's not in any kind of box. It makes me feel good and I think that combination of South American and African music makes you realise that there's more to it. It has a real gravitas and weight behind it. There's a real importance about this record. Have I explored these rhythms? It's a tricky one. Supergrass did a few times. Something like 'Kiss Of Life' explored a kind of Talking Heads/Tom Tom Club/Jorge Ben vibe but you have to be careful as well; music shouldn't have any boundaries, but you have to be aware of what school you're from. You know, I don't think I'd make a particularly good rap album but I fucking love listening to it. But it's totally different listening to it. I have this view that, just because it feels great and it's fun to play, it doesn't mean that anybody wants to hear you play that. There has to be a point when you have a look at what you're good at and how the music can speak in the right way. It's a real fine line between being yourself and satisfying your pleasures but being aware that not everybody will want to hear that. But I'll tell you what - while I wasn't necessarily going for those kinds of beats from Jorge Ben and records like that, it was more the sounds and the approach and the rhythmic ideas that I was playing around with in the studio and looping a lot of stuff. I was sampling stuff from around the studio and playing beats on weird objects and then looping it. 'Oscillate' on Matador came from this little loop box that I've got and a lot of that was inspired by the vibe of African percussion and sounds and you can hear the room and the air around it. I can't be proficient in that world but I can take different elements from it that I appreciate sonically."

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