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Sex in the Name of God
Sex in the Name of God
Wilfred Knight | 2018 | Philosophy, Psychology & Social Sciences, Reference, Religion
8
8.0 (1 Ratings)
Book Rating
Covers very difficult and sometimes volatile topic (1 more)
Humorous yet repectful
Explains sex in the Bible in a humorous way
I was provided with a complimentary copy of this book so I could give an honest review. Sex and God are not normally two words uttered in the same discussion and rarely in the same sentence. This book, "Sex in the Name of God" by Wilfred Knight discusses both together throughout the 199 page book. The books covers very difficult and sometimes volatile topics. It starts with "Nudity and Incest: Forbidden Fruit" (chapter 1), continues with "Prositution: Whorer Stories" (chapter 7) and "Rape: What a Dick!" (Chaper 9) and ends with "Sex in Heaven" (chapter 17).

The book is not one that I was able to read in one or two sittings. I read a chapter at a time with long breaks in between as I usually read short stories.

Each topic covered is done with humor. Yet, the author is able to do so while being respectful. It is a very thin line and he walks it carefully. I would not recommend this book to anyone who is extremely religious or anyone who does not think religion should be discussed in a humorous way. For all others, this is worth checking out. My favorite idea discussed is "the only upside is the knowledge that family dysfunction is an intended norm." (page 6). Good to know. We're normal!
  
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Amy (7 KP) rated Goddess of Troy in Books

Jan 17, 2018 (Updated Jan 17, 2018)  
GO
Goddess of Troy
P.C. Cast | 2008 | Erotica, Fiction & Poetry, Young Adult (YA)
1
1.0 (1 Ratings)
Book Rating
Nice premise. Interesting characters profiles. Some lovely vivid description. (0 more)
Everything Else. (0 more)
Terrible. Total destruction.
Contains spoilers, click to show
The premise is one that P.C. Cast recycles throughout her work which is of taking modern women and dropping them into the worlds of myth and magic.
A brilliant idea, occasionally well done in her other novels...not unfortunately for this one.
The problem begins with the plot the goddesses send the women back to end the war...okay, but why not do it themselves? The flimsy excuses just don't hold up. The plot is weakly manipulated and transparently executed to make the neccessity of the modern women going back possible.
Problem 2-is the blatant racism of making the indipendant modern black woman into a white slave girl.
Problem 3- problematic sex scenes which read as thinly disguised rape scenes. A male character is hypnotises and the main female character has sex with him....this is made okay by him giving her consent afterwards. Which is not how consent works. This book being intended for young women just becoming sexual is at best concerning and at most incredibly damaging whilst promoting male rape under the guise of female empowerment.
The dialogue when more old fashioned from the warriors is charming and engaging...from the modern women we are forced to deal with censored cringy curse words, way too much teenage level gossip, and not a smidge of maturity in sight...from grown ass women.
For thirty plus successful women the character profiles should have engaged and fascinated, unfortunately those profiles were ignored during in-story application and replaced with twittering, childish teens who giggle over the word penis and lose their minds over the most vacuous and senseless things.
The plot centres around a boring, romance, and changes the original relationship of Achilles and Patroclus from its canonical implied romance to one of cousins...this at best is a misguided deviation from the canonical Iliad relationship they had.
It could easily be read as a blatant attack and hideous misuse of the original content, that could given the sheer overwhelming heteronormaty we are forced to endure be at its worst an erasure of rare LGBT representation from historical content.
The relationships are forced, and their happy endings so saccharine it hurts to read.
The siege of Troy is horrifically rewritten to make the main female lead the deciding factor that ensured victory and removed nearly all canonical battle events.
Throughout the novel not much happens, and by time something does you just want the novel over with.
It doesn't read as mythology inspired, the myths and characters are used as cheap prop and staging whilst removing the deep themes, and messages that ensured their endurance throughout time.
The vocabulary is below pre-teen level, the grammar is sub-par, and the pacing and plotting absolutely abysmal.
How this book ever made it to print in this state is a large and curious mystery for me.
I cannot urge you to skip this book enough, Margaret George's 'Helen of Troy' is a far more valuable use of your time if you are in want of mythology inspired fantasy...and does so without annihilating the entire original stories.
  
Three Daughters of Eve
Three Daughters of Eve
Elif Shafak | 2017 | Fiction & Poetry
8
8.0 (2 Ratings)
Book Rating
The three main characters (and their differences) (0 more)
Bits didn't quite add up (0 more)
Powerful, thought-provoking story
I was really happy to receive Three Daughters of Eve on Netgalley, as I'd recently read an interview with the author and thought the book sounded fascinating.

It certainly lived up to expectations. The book is set both in the past and the present, focusing on Peri as a student in Oxford, and as a wealthy wife (14 years later) in Istanbul. It starts with something of a red herring, focusing on Peri's attack (and almost rape) by a beggar, then develops into an exploration of her past, as a Turkish Muslim at Oxford University.

She's flanked by Shirin, a non-believer, and Mona, a devout Muslim - making them 'the sinner, the believer and the confused'. They're united by a man called Professor Azur, who has a major influence in their lives, both positive and negative.

The book is an intriguing exploration into religion, belief and culture-clash - and in particular, the scenes detailing Peri's past, with a non-believing father and a devout mother, worked particularly well. A few moments jarred slightly - for example, the sudden revelation about the twin brother towards the end, and the abrupt shift in perspective from Peri to Professor Azur (again, towards the end), but for the most part, this book was masterfully executed and beautifully sustained throughout.

I think Shafak has a strong, resonant style, combined with a philosophical approach - which works really well. I'd definitely like to read more of her books