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Two Women
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FIRST PUBLISHED in English in 1958, Two Women is a compassionate yet forthright narrative of simple...
Where There's Smoke
10.0
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Santiago Mendoza Chicago nearly destroyed me, but moving to Cobalt, I found everything I needed...
M_M Contemporary Romance
Drop Dead Dangerous: The Lethal Attraction of Road Trip Killer, Paul John Knowles
8.0
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In 1974, the US East Coast was whipped up into a frenzy of fear. Locking their windows and doors,...
True Crime
The Ostin Heir (Isle of Ostin #1)
8.0
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Seventy years ago, Theo Ostin witnessed his family murdering a town of humans. He also watched as...
Paranormal MM Romance Vampires
Amy (7 KP) rated Goddess of Troy in Books
Jan 17, 2018 (Updated Jan 17, 2018)
Terrible. Total destruction.
Contains spoilers, click to show
The premise is one that P.C. Cast recycles throughout her work which is of taking modern women and dropping them into the worlds of myth and magic.
A brilliant idea, occasionally well done in her other novels...not unfortunately for this one.
The problem begins with the plot the goddesses send the women back to end the war...okay, but why not do it themselves? The flimsy excuses just don't hold up. The plot is weakly manipulated and transparently executed to make the neccessity of the modern women going back possible.
Problem 2-is the blatant racism of making the indipendant modern black woman into a white slave girl.
Problem 3- problematic sex scenes which read as thinly disguised rape scenes. A male character is hypnotises and the main female character has sex with him....this is made okay by him giving her consent afterwards. Which is not how consent works. This book being intended for young women just becoming sexual is at best concerning and at most incredibly damaging whilst promoting male rape under the guise of female empowerment.
The dialogue when more old fashioned from the warriors is charming and engaging...from the modern women we are forced to deal with censored cringy curse words, way too much teenage level gossip, and not a smidge of maturity in sight...from grown ass women.
For thirty plus successful women the character profiles should have engaged and fascinated, unfortunately those profiles were ignored during in-story application and replaced with twittering, childish teens who giggle over the word penis and lose their minds over the most vacuous and senseless things.
The plot centres around a boring, romance, and changes the original relationship of Achilles and Patroclus from its canonical implied romance to one of cousins...this at best is a misguided deviation from the canonical Iliad relationship they had.
It could easily be read as a blatant attack and hideous misuse of the original content, that could given the sheer overwhelming heteronormaty we are forced to endure be at its worst an erasure of rare LGBT representation from historical content.
The relationships are forced, and their happy endings so saccharine it hurts to read.
The siege of Troy is horrifically rewritten to make the main female lead the deciding factor that ensured victory and removed nearly all canonical battle events.
Throughout the novel not much happens, and by time something does you just want the novel over with.
It doesn't read as mythology inspired, the myths and characters are used as cheap prop and staging whilst removing the deep themes, and messages that ensured their endurance throughout time.
The vocabulary is below pre-teen level, the grammar is sub-par, and the pacing and plotting absolutely abysmal.
How this book ever made it to print in this state is a large and curious mystery for me.
I cannot urge you to skip this book enough, Margaret George's 'Helen of Troy' is a far more valuable use of your time if you are in want of mythology inspired fantasy...and does so without annihilating the entire original stories.
A brilliant idea, occasionally well done in her other novels...not unfortunately for this one.
The problem begins with the plot the goddesses send the women back to end the war...okay, but why not do it themselves? The flimsy excuses just don't hold up. The plot is weakly manipulated and transparently executed to make the neccessity of the modern women going back possible.
Problem 2-is the blatant racism of making the indipendant modern black woman into a white slave girl.
Problem 3- problematic sex scenes which read as thinly disguised rape scenes. A male character is hypnotises and the main female character has sex with him....this is made okay by him giving her consent afterwards. Which is not how consent works. This book being intended for young women just becoming sexual is at best concerning and at most incredibly damaging whilst promoting male rape under the guise of female empowerment.
The dialogue when more old fashioned from the warriors is charming and engaging...from the modern women we are forced to deal with censored cringy curse words, way too much teenage level gossip, and not a smidge of maturity in sight...from grown ass women.
For thirty plus successful women the character profiles should have engaged and fascinated, unfortunately those profiles were ignored during in-story application and replaced with twittering, childish teens who giggle over the word penis and lose their minds over the most vacuous and senseless things.
The plot centres around a boring, romance, and changes the original relationship of Achilles and Patroclus from its canonical implied romance to one of cousins...this at best is a misguided deviation from the canonical Iliad relationship they had.
It could easily be read as a blatant attack and hideous misuse of the original content, that could given the sheer overwhelming heteronormaty we are forced to endure be at its worst an erasure of rare LGBT representation from historical content.
The relationships are forced, and their happy endings so saccharine it hurts to read.
The siege of Troy is horrifically rewritten to make the main female lead the deciding factor that ensured victory and removed nearly all canonical battle events.
Throughout the novel not much happens, and by time something does you just want the novel over with.
It doesn't read as mythology inspired, the myths and characters are used as cheap prop and staging whilst removing the deep themes, and messages that ensured their endurance throughout time.
The vocabulary is below pre-teen level, the grammar is sub-par, and the pacing and plotting absolutely abysmal.
How this book ever made it to print in this state is a large and curious mystery for me.
I cannot urge you to skip this book enough, Margaret George's 'Helen of Troy' is a far more valuable use of your time if you are in want of mythology inspired fantasy...and does so without annihilating the entire original stories.
LucyB (47 KP) rated Three Daughters of Eve in Books
Jul 23, 2017
Powerful, thought-provoking story
I was really happy to receive Three Daughters of Eve on Netgalley, as I'd recently read an interview with the author and thought the book sounded fascinating.
It certainly lived up to expectations. The book is set both in the past and the present, focusing on Peri as a student in Oxford, and as a wealthy wife (14 years later) in Istanbul. It starts with something of a red herring, focusing on Peri's attack (and almost rape) by a beggar, then develops into an exploration of her past, as a Turkish Muslim at Oxford University.
She's flanked by Shirin, a non-believer, and Mona, a devout Muslim - making them 'the sinner, the believer and the confused'. They're united by a man called Professor Azur, who has a major influence in their lives, both positive and negative.
The book is an intriguing exploration into religion, belief and culture-clash - and in particular, the scenes detailing Peri's past, with a non-believing father and a devout mother, worked particularly well. A few moments jarred slightly - for example, the sudden revelation about the twin brother towards the end, and the abrupt shift in perspective from Peri to Professor Azur (again, towards the end), but for the most part, this book was masterfully executed and beautifully sustained throughout.
I think Shafak has a strong, resonant style, combined with a philosophical approach - which works really well. I'd definitely like to read more of her books
It certainly lived up to expectations. The book is set both in the past and the present, focusing on Peri as a student in Oxford, and as a wealthy wife (14 years later) in Istanbul. It starts with something of a red herring, focusing on Peri's attack (and almost rape) by a beggar, then develops into an exploration of her past, as a Turkish Muslim at Oxford University.
She's flanked by Shirin, a non-believer, and Mona, a devout Muslim - making them 'the sinner, the believer and the confused'. They're united by a man called Professor Azur, who has a major influence in their lives, both positive and negative.
The book is an intriguing exploration into religion, belief and culture-clash - and in particular, the scenes detailing Peri's past, with a non-believing father and a devout mother, worked particularly well. A few moments jarred slightly - for example, the sudden revelation about the twin brother towards the end, and the abrupt shift in perspective from Peri to Professor Azur (again, towards the end), but for the most part, this book was masterfully executed and beautifully sustained throughout.
I think Shafak has a strong, resonant style, combined with a philosophical approach - which works really well. I'd definitely like to read more of her books
Rachel King (13 KP) rated Storm Born (Dark Swan #1) in Books
Feb 11, 2019
I'm a huge fan of Richelle Mead's Vampire Academy series, so I had to see what her adult books were like, and she did not disappoint. Eugenie Markham is a shaman, but unlike another shaman series I've read, she knows what she is doing and has been trained at it since she was a child by her step-father. What she never bothered to do in all that time, though, was question who her real dad was or how she could do the things she did - which I found a little unrealistic.
Her latest case forces her into entering the Otherworld for a longer-than-usual stay, which results in a few discoveries about herself, as well as some rather interesting situations with the fey, or gentry. She acquires a sort-of boyfriend in Kiyo, but I prefer her with Dorian, as he challenges her defenses and can match her in strength and abilities.
The prophecy means that just about everything male in the fey world wants to jump her bones, which gets old pretty fast. Rape is a traumatic experience for anyone, but the few close calls that Mead writes with Eugenie seemed to fall short of the mark. Eugenie's fear and defeat were there, but were understated.
On the flip side, I loved how Dorian was able to teach Eugenie about her powers, as well as play a very convenient trick on her at the end - Eugenie may not have liked it, but it was certainly better than the alternative. Now on to Thorn Queen!
Her latest case forces her into entering the Otherworld for a longer-than-usual stay, which results in a few discoveries about herself, as well as some rather interesting situations with the fey, or gentry. She acquires a sort-of boyfriend in Kiyo, but I prefer her with Dorian, as he challenges her defenses and can match her in strength and abilities.
The prophecy means that just about everything male in the fey world wants to jump her bones, which gets old pretty fast. Rape is a traumatic experience for anyone, but the few close calls that Mead writes with Eugenie seemed to fall short of the mark. Eugenie's fear and defeat were there, but were understated.
On the flip side, I loved how Dorian was able to teach Eugenie about her powers, as well as play a very convenient trick on her at the end - Eugenie may not have liked it, but it was certainly better than the alternative. Now on to Thorn Queen!
Bethy (8 KP) rated To Kill a Mockingbird in Books
May 13, 2019
Set in 1930's America, yet timeless and relatable
If I told you this book is written from the viewpoint of a child you might think it to be immature and frivolous.
If you skimmed the surface a suppose you could see it that way - you're guided through the everyday life of Jean Louise and her family, playing with her brother, petty school issues and fights.
It's an easy read because we can all relate to this little tom boy, from getting annoyed at being told what to wear, getting muddy in the yard, being excited about cake baked by the neighbours.
You find yourself rolling along with the kids, enjoying some nostalgia, only to realise an abundance of adult issues have been cleverly addressed throughout, racism, segregation, nazis, rape, death, drug abuse, isolation and loss.
The more you consider this concept, the more you realise how well written this book is! You feel safe, you are with the innocent and constantly told "it's not time to worry yet", all the while you are facing some of the worst human kind has to offer.
When you realise this you are left with a longing for the naivety of the young, an admiration for their ability to have everything made better with curling up on your father's lap and actually believing someone when they say "it's not time to worry yet".
Despite the adult content and melancholy, this book leaves you feeling warm and hopeful for the human condition.
If you skimmed the surface a suppose you could see it that way - you're guided through the everyday life of Jean Louise and her family, playing with her brother, petty school issues and fights.
It's an easy read because we can all relate to this little tom boy, from getting annoyed at being told what to wear, getting muddy in the yard, being excited about cake baked by the neighbours.
You find yourself rolling along with the kids, enjoying some nostalgia, only to realise an abundance of adult issues have been cleverly addressed throughout, racism, segregation, nazis, rape, death, drug abuse, isolation and loss.
The more you consider this concept, the more you realise how well written this book is! You feel safe, you are with the innocent and constantly told "it's not time to worry yet", all the while you are facing some of the worst human kind has to offer.
When you realise this you are left with a longing for the naivety of the young, an admiration for their ability to have everything made better with curling up on your father's lap and actually believing someone when they say "it's not time to worry yet".
Despite the adult content and melancholy, this book leaves you feeling warm and hopeful for the human condition.
Lou Grande (148 KP) rated The Perfect Whore in Books
Jun 12, 2018
Fanfiction is usually free. You can find better stuff there
Once upon a time, I read Star Wars slash fanfiction. That was a lot better than this. I don't quite know what the author was going for here, as the story leans too far into plot and exposition to be a "romance" novel (not a bad thing, if the plot wasn't just a vehicle for the romance), and the erotica was less than erotic. I've read female authors who could write believable gay characters, but this isn't one of them. These characters interact more like men in Japanese yaoi, which is to say, you could sub one of the men with a woman and have the same story. I would be more generous (considering one character is a shapeshifting alien with no true gender) but her author's bio specifically states she writes gay erotica. So let's be clear: this is gay erotica for women. So if you're a lady who fetishizes gay men, this is in your wheelhouse. If you're a gay man, probably avoid this one, unless you really have a thing for sci-fi and lizardmen.
Circling back around, of course the title is attention grabbing. And the story is short enough to be fun. Both characters are obnoxious, but not so much that you can't sit two or three hours with them. The story employs standard tropes, including using rape as a dramatic crutch. If that's your thing, you'll probably enjoy this and also what's wrong with you?
Circling back around, of course the title is attention grabbing. And the story is short enough to be fun. Both characters are obnoxious, but not so much that you can't sit two or three hours with them. The story employs standard tropes, including using rape as a dramatic crutch. If that's your thing, you'll probably enjoy this and also what's wrong with you?
Eleanor (1463 KP) rated Unbelievable in TV
Oct 16, 2019
A hard to watch but a must watch mini series
This is a true-crime story done so right. It focuses on a series of rapes so if that’s a trigger for you; stay well away; there is detail about the rapes.
I came across the story from a podcast episode on This American Life which had based an episode on the Pulitzer Prize-winning article “An Unbelievable Story of Rape” and was rerunning the story because of this series coming out. It’s a hard-hitting story that strongly shines a light on the issues between differences of how victims can be treated. This adaptation does the story justice and is an engrossing watch.
We start off meeting Marie a young woman fresh out of the foster system who is raped by an intruder; her story and in particular how she is treated are hard to watch but important for people to understand the full horror of having to come forward as a victim.
As the series progresses we still see Marie’s journey but more of the action is on investigations into other rapes in different jurisdictions. We meet Det. Karen Duvall and Det. Grace Rasmussen who are both great and the story gets easier to watch as we see them get down to some hard-hitting police work.
What sets this apart in the current influx of true-crime TV is the real focus on the victims rather than the all too common focus on the perpetrator. It works so well; making a strong emotional watching experience.
I came across the story from a podcast episode on This American Life which had based an episode on the Pulitzer Prize-winning article “An Unbelievable Story of Rape” and was rerunning the story because of this series coming out. It’s a hard-hitting story that strongly shines a light on the issues between differences of how victims can be treated. This adaptation does the story justice and is an engrossing watch.
We start off meeting Marie a young woman fresh out of the foster system who is raped by an intruder; her story and in particular how she is treated are hard to watch but important for people to understand the full horror of having to come forward as a victim.
As the series progresses we still see Marie’s journey but more of the action is on investigations into other rapes in different jurisdictions. We meet Det. Karen Duvall and Det. Grace Rasmussen who are both great and the story gets easier to watch as we see them get down to some hard-hitting police work.
What sets this apart in the current influx of true-crime TV is the real focus on the victims rather than the all too common focus on the perpetrator. It works so well; making a strong emotional watching experience.