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Bone Crossed (Mercy Thompson, #4)
Bone Crossed (Mercy Thompson, #4)
Patricia Briggs | 2009 | Fiction & Poetry, Paranormal, Science Fiction/Fantasy
8
8.4 (14 Ratings)
Book Rating
I enjoyed this book just as much as I joined the previous three in the series. Briggs can be depended upon for maintaining an exciting plot and unique characters, and this book was no exception.
This book gave me a more detailed look into the politics of the vampire culture of Mercy's world, as well as more development of the character of Stefan. Stefan does not seem to talk much, but his body language seems to say that he loves Mercy, even if he knows she will never love him back, especially with the scene on the last few pages. The discoveries that Mercy makes regarding her abilities as a Walker are interesting and can hold lots of promise for future books in the series. I also enjoy being introduced to other lesser characters in the books that often help Mercy in some small way, such as the oakman. These characters give a more well-rounded picture of Mercy's world. Mercy's panic attacks, resulting from her rape in the previous book, were very realistic and made her more believeable as a character, since they gave her a weakness and a way to be related to. Superheroes always seem to be better at their "jobs" when they have a weakness that allows them to relate to the "common man." I'm also glad that Mercy was finally inducted into Adam's pack officially, although I found the method somewhat gross and cannibalistic. I still don't understand how Mercy can be "pack" to both Adam and his pack, as well as to Samuel, without any sort of backlash in the "animal kingdom", but hopefully that will be either explained or absolved with future books.
  
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Caffeinated Fae (464 KP) rated Owned in Books

Apr 4, 2019  
Owned
Owned
M. Never | 2014 | Erotica, Romance
7
9.0 (3 Ratings)
Book Rating
I wasn't quite sure what to read so I turned to my extremely large Kindle library to find a book that would hold my attention. I've never read a book by M. Never so I wasn't quite sure what to expect but I was pleasantly surprised.

Owned deals with various dark and twisted themes. Readers should know that it deals with the following: Coercion, Kidnapping, Rape, & Abuse. If those themes are instant turn-offs, this book isn't for you. Personally, I love a good dark romance so this book was right up my alley.

I cannot give up too much of the plot but I will say that the characters were well written and the plot was intriguing. I was going to give it 4 1/2 caffeinated stars but I felt that at points the book lost track of the plot & sometimes things were divulged in too obvious of ways. I would have loved it if it flowed better and didn't feel forced at times.

The shining stars of the book were the main characters. Ellie & Kayne were so much fun to read about. I loved Ellie & her snark. The snarkiness was fun and made her more relatable. Kayne was interesting and kept my attention as well. I would have loved to learn more about him. I also LOVED Jett. He was such a fun character and I really can't wait to read more of this series.

All in all, the book was good and anyone that enjoys a good dark romance is sure to enjoy this one. It would also be a decent beginner book for people who want to dip their toes into dark romances. It wasn't too dark though it dealt with darker themes.
  
Not Thomas
Not Thomas
Sara Gethin | 2017 | Fiction & Poetry
10
10.0 (1 Ratings)
Book Rating
This is such a sad story I often struggled to bring myself to read it. The novel is written as if it were a true story told by the central character, 5-year-old Tomos. Tomos has just moved in with his birth mother, following a long period of foster care which came to an end when the foster parent died.

The language with which it’s written, is very much like that of its protagonist, with common wording, present tense, short sentences, and childlike enthusiasm clearly conveyed. In spite of this, you may argue it’s not necessarily easy to read, as I shall explain.

In the beginning of the book, the neglect endured by Tomos is more commonplace, such as: occasionally having crisps instead of a cooked meal, making do with a removable ladder to on and off his bed, and his mum missing his nativity play. Later a teacher spots there’s an issue and starts bringing food and uniform for him to school.

However, after each let-down, the author must have thought “Right, what’s the worst thing that can happen next?” By the end of the book, there’s a rape, an arrest, and a murder. Eventually the teacher forges a rescue of sorts for Tomos, but things may never be the same again for poor Tomos.

Reading a book where the dialogue is in my own Welsh valley dialect made the story feel all the more real to me. In the first half of the book, the dialogue amongst the adults provides more depth, context and complexity to the story, which would otherwise only be hinted at.

In the end, it’s the realism of the story that makes it such a hard read.

You can check out more of my book reviews on Wordpress or Facebook:
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After-all-this-time? (11 KP) rated 13 Reasons Why - Season 1 in TV

Dec 30, 2018 (Updated Dec 30, 2018)  
13 Reasons Why  - Season 1
13 Reasons Why - Season 1
2017 | Drama
Very gripping (3 more)
Thought provoking
Emotional
Relatable cast
Contains spoilers, click to show
I was gripped from episode 1 of 13 Reasons. The cast of young actors and actresses are brilliant, and they made it a really gripping show.

The show not only touches upon, but runs head long into some very serious, hard hitting subjects, including sexual assault and rape, bullying, sexuality, drink driving, peer pressure and, of course, mental health and suicide. So, definitely not one for the easily upset. It portrays all of them in a very honest, very graphic way. It can definitely be upsetting, but is very thought provoking and helps you see things from several different perspectives. It was great seeing mental health finally being spoken about and highlighted in such a mainstream way, without it being belittled.

The storyline follows Clay, a teenage boy, who has recently suffered a bereavement in the form if the suicide of his friend and love interest, Hannah. Some time after Hannah's death, a package containing several tapes is delivered to Clay's house, with instructions for him to listen to them. Every side of each tape describes how each of the 13 people the tapes are intended for contributed to Hannah feeling as she did. Not only does she explain her feelings and why she committed suicide, but also how their actions have had repercussions for other people. They reveal, deep, dark and dangerous secrets about a large number of peoole at their High School, and the revelation of the tapes to the public has the potential to destroy multiple lives, and sees multiple people getting hurt, physically and emotionally.


How far will Clay listen? Can he change things to make things right for others? Can he get restitution for Hannah? And what dark secrets is he going to reveal along the way? Hit play, and find out! You won't regret it.
  
Within Our Gates (1920)
Within Our Gates (1920)
1920 | Classics, Drama
(0 Ratings)
Movie Favorite

"Because that’s what I’ve got on my mind, at the top of the list is an Oscar Micheaux film. Oscar Micheaux was just a legendary figure, especially among African-Americans. And fortunately, because we’ve been able to recover his silent films, he now has a place in general film history. Within Our Gates, like many of his films, really deliberately and explicitly takes up questions of racial politics in America. The film is about a woman named Sylvia Landry (Evelyn Preer) who is a teacher and she goes up north to try to raise money for this small black school, the Piney Woods School, which was an actual full black school that still exists. We experience what she does in terms of the feeling of isolation that many people who moved from the south to the north felt. She’s escaping a really traumatic family history of violence in the south. The film represents lynching and the attempted rape of black women. Micheaux was just really out there in terms of showing the ugliest aspects of racism in America. He had very clear ideas about the way forward and how education uplifts the right living. These are the things that he felt were keys to black success. He’s a filmmaker whose films still spark really powerful debates today. Amazingly, this film had been lost for decades, and it was found in an archive in Spain. It had been there for decades. It was a title that just wasn’t recognizable to scholars who know Micheaux’s work. In the 1990s, the film was repatriated to the United States and restored. The inner titles had to be translated back from Spanish into English. In addition, it’s just the visual and the narrative power of film itself. It’s a real lesson for us to work hard to try to recover these lost works."

Source
  
Halloween (2007)
Halloween (2007)
2007 | Horror
The original Halloween is such a goddam incredible movie, that anytime the franchise has tried to stray too far from its roots, the wheels just come off. The psychic stuff in Halloween 5 just didn't work. The cult stuff in Halloween 6 just didn't work. The found footage stuff in Resurrection just didn't work. This time around, it's a remake of the original, directed by Rob Zombie. His particular brand of hateful characters and nasty dialogue can be effective in other corners of horror, but when applied to the Halloween template, you guessed it, it just doesn't work.
It has its moments - Malcolm McDowell is great as Dr Loomis, and the towering behemoth of a Michael Myers we get her is genuinely fucking terrifying. There's also a fine selection of genre icons here and there - Dee Wallace, Brad Dourif, Clint Howard, Ken Foree, Sybil Danning, Bill Moseley, Sid Haig, Danny Trejo, Danielle Harris - it's an impressive roster for sure.
All of this isn't enough to lift this remake above all of its problems however.
None of the characters are particularly likable, and it's off pacing make for a bloated experience, an issue that's further exacerbated by the more widely available Directors Cut, which further pans out its runtime with an horrifically unnecessary rape scene.
I can appreciate the decision to explore the origins of Michael, but the end results are very mixed. When the familiar stuff kicks off halfway through, it's actually kind of boring. It manages to ape the original at every turn, whilst simultaneously feeling disrespectful with it's token RZ tropes.

All in all, Halloween is a remake that I wouldn't take issue with, but the decision to put Zombie in the driver's seat results in a movie that doesn't feel like it belongs anywhere. An inferior re-tread in every aspect, that leaves a bitter after taste.