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Hip hop music, also called hip-hop or rap music, is a genre of popular music developed in the United...
Ross (3284 KP) rated Tha Carter III by Lil Wayne in Music
May 6, 2020
Rolling Stone's 437th greatest album of all time
A decent hip hop album. Some cringey lyrics about lollipops and so on, but overall pretty good beats and music as well as the rapping itself. "How the Beat Builds" was a particular highlight.
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LeftSideCut (3778 KP) rated The Visit (2015) in Movies
Nov 2, 2020
This movie, and I can't stress this enough, spends way too much time on the young kids budding rapping career. Not convinced I ever want to watch 13 year old white boys rap, let alone 3 or 4 seperate scenes of it...
Anyway, The Visit is pretty good (if you ignore the whole rapping part - not sure if I've mentioned that yet). It has a minimal yet great cast, some solid creepy moments, and a surprisingly grounded twist from the notoriously inconsistent M. Night Shyamalan.
Olivia DeJonge and Ed Oxenbould are likable as the two leads. The framing device of them filming a documentary about their estranged grandparents is a natural explanation for the 'found footage' camera style.
The stand out though is Deanna Dunagan as the grandma. Christ she is unsettlingly creepy, even when she's being kind. Her contribution to this film really lends the narrative as a whole, a huge help of tension. The slow burn nature of it is fantastically realised, and presents the audience with a decent mystery plot, and a chance to try and unravel what is really going on before the inevitable twist hits.
The twist itself is simple yet effective, and is certainly an "oh shit" moment, but unfortunately it leads to a final act that feels a bit over the top and silly. It shifts from an atmospheric creepy chiller to a sub par horror trying a little too hard to pack in the scares. It's a shame because 80% of the runtime is genuinely engaging!
Despite the lackluster ending, The Visit is a solid POV thriller that is head and shoulders above a huge chunk of Shyamalan's back catalogue, and is decent enough way to spend 90 minutes, except for the 3-4 minutes spent with the kid rapping...
Anyway, The Visit is pretty good (if you ignore the whole rapping part - not sure if I've mentioned that yet). It has a minimal yet great cast, some solid creepy moments, and a surprisingly grounded twist from the notoriously inconsistent M. Night Shyamalan.
Olivia DeJonge and Ed Oxenbould are likable as the two leads. The framing device of them filming a documentary about their estranged grandparents is a natural explanation for the 'found footage' camera style.
The stand out though is Deanna Dunagan as the grandma. Christ she is unsettlingly creepy, even when she's being kind. Her contribution to this film really lends the narrative as a whole, a huge help of tension. The slow burn nature of it is fantastically realised, and presents the audience with a decent mystery plot, and a chance to try and unravel what is really going on before the inevitable twist hits.
The twist itself is simple yet effective, and is certainly an "oh shit" moment, but unfortunately it leads to a final act that feels a bit over the top and silly. It shifts from an atmospheric creepy chiller to a sub par horror trying a little too hard to pack in the scares. It's a shame because 80% of the runtime is genuinely engaging!
Despite the lackluster ending, The Visit is a solid POV thriller that is head and shoulders above a huge chunk of Shyamalan's back catalogue, and is decent enough way to spend 90 minutes, except for the 3-4 minutes spent with the kid rapping...
James Koppert (2698 KP) rated California is Cold by Shahmen in Music
Nov 9, 2019
Shahmen grows
When an artist releases an amazing release and a new one comes along you can't help but have some trepidation. Is it going to be a disappointment?
California is Cold is a different release compared to Enter the Circle, it's more electronic and less folky but it still has the deep bass voice rapping relaxed over superbly crafted beats. Should I say more or shall I just tell you to out "Iron Out The Maiden" on on YouTube and then tell me if I should have written more to persuade you... No didn't think so.
California is Cold is a different release compared to Enter the Circle, it's more electronic and less folky but it still has the deep bass voice rapping relaxed over superbly crafted beats. Should I say more or shall I just tell you to out "Iron Out The Maiden" on on YouTube and then tell me if I should have written more to persuade you... No didn't think so.
colin... (64 KP) rated Hamilton (2020) in Movies
Sep 30, 2020
The fact that I have to talk to people in film school who say that they love rap and the FIRST example they provide is Hamilton is one of the most disgusting things ever. The rapping style here is technically flawed, incredibly one note with little to no variation in rhythmic patterns and multis and as close to being off beat as possible.
Also, hot take, Lin-Manuel Miranda cannot sing. Sorry.
The only, and I MEAN ONLY reason that this is a 3/10 is the amazing performances from Daveed Diggs, Phillipa Soo and Renee Elise Goldsberry.
Also, hot take, Lin-Manuel Miranda cannot sing. Sorry.
The only, and I MEAN ONLY reason that this is a 3/10 is the amazing performances from Daveed Diggs, Phillipa Soo and Renee Elise Goldsberry.
Bong Mines Entertainment (15 KP) rated AlleyGod by Alley Boy in Music
Sep 2, 2019
Alley Boy is a rapper from Atlanta, Georgia. Not too long ago, he released a melodic rap tune, entitled, “Rewind”, featuring trap-Godfather Future.
‘Rewind’ is a reminiscing tune which finds Future taking listeners down memory lane to the long last days of his innocence. Also, the likable tune finds Alley Boy rapping about his successes and failures.
‘Rewind’ contains conversational rap vocals, harmonious melodies, and melodic instrumentation flavored with trap and hip-hop elements.
Alley Boy, a former Atlantic Records’ standout, has been pretty busy this year.
His “Alley God” project is still going strong thanks to assists from 21 Savage and production from Mike WiLL, Fritz, & more.
‘Rewind’ is a reminiscing tune which finds Future taking listeners down memory lane to the long last days of his innocence. Also, the likable tune finds Alley Boy rapping about his successes and failures.
‘Rewind’ contains conversational rap vocals, harmonious melodies, and melodic instrumentation flavored with trap and hip-hop elements.
Alley Boy, a former Atlantic Records’ standout, has been pretty busy this year.
His “Alley God” project is still going strong thanks to assists from 21 Savage and production from Mike WiLL, Fritz, & more.