Search
Search results
Where's my MBTA Bus?
Navigation and Travel
App
“Where’s my MBTA Bus?” is an app for Massachusetts transit riders who want to know exactly...
Cherry
Book
Cleveland, Ohio, 2003. A young man is just a college freshman when he meets Emily. They share a...
Relentless by Pentagram
9.0
Rate It
Album
Relentless is a well-chosen name for Pentagram's belated first album, as it was only through...
Doom Metal American
Merissa (13782 KP) rated Use Somebody in Books
Apr 12, 2023
This book will take you on an emotional story rollercoaster as you learn why Scarlett changed from having blonde hair and being happy to everyone into Scar, a black-haired sullen and sarcastic emo girl. Not only that but you also see how friendships change over the years and how some just aren't meant to last past a certain time.
It was wonderful to read something that was a slow-burner, where they took the time to get to know each other and indeed, the idea of taking that any further shook one of them up so much that it became a detailed part of the story.
There is a twist to this story that I never saw coming and I LOVED IT! I won't say any more than that because I don't want to spoil it for anyone else but it certainly gave the whole story a new spin which is incredibly hard to do at such a late stage in the book.
A raw and poignant story about life, love and friendships. Definitely recommended!
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
September 11, 2016
It was wonderful to read something that was a slow-burner, where they took the time to get to know each other and indeed, the idea of taking that any further shook one of them up so much that it became a detailed part of the story.
There is a twist to this story that I never saw coming and I LOVED IT! I won't say any more than that because I don't want to spoil it for anyone else but it certainly gave the whole story a new spin which is incredibly hard to do at such a late stage in the book.
A raw and poignant story about life, love and friendships. Definitely recommended!
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
September 11, 2016
Heather Cranmer (2721 KP) created a post
Apr 27, 2022
Lyndsey Gollogly (2893 KP) rated My Life As A Rat in Books
Dec 6, 2022
218 of 230
Book
My life as a Rat
By Joyce Carol Oates
⭐️⭐️⭐️
Which should prevail: loyalty to family or loyalty to the truth? Is telling the truth ever a mistake and is lying for one’s family ever justified? Can one do the right thing, but bitterly regret it?
My Life as a Rat follows Violet Rue Kerrigan, a young woman who looks back upon her life in exile from her family following her testimony, at age twelve, concerning what she knew to be the racist murder of an African-American boy by her older brothers. In a succession of vividly recalled episodes Violet contemplates the circumstances of her life as the initially beloved youngest child of seven Kerrigan children who inadvertently “informs” on her brothers, setting into motion their arrests and convictions and her own long estrangement.
This was one of those books that just had you shocked to the core from the start. It’s raw and hard to read in parts. It’s well written and up until the last quarter I was enjoying it but it just got a bit tedious. This does have a few triggers for abuse and racism! Overall it’s a good read.
Book
My life as a Rat
By Joyce Carol Oates
⭐️⭐️⭐️
Which should prevail: loyalty to family or loyalty to the truth? Is telling the truth ever a mistake and is lying for one’s family ever justified? Can one do the right thing, but bitterly regret it?
My Life as a Rat follows Violet Rue Kerrigan, a young woman who looks back upon her life in exile from her family following her testimony, at age twelve, concerning what she knew to be the racist murder of an African-American boy by her older brothers. In a succession of vividly recalled episodes Violet contemplates the circumstances of her life as the initially beloved youngest child of seven Kerrigan children who inadvertently “informs” on her brothers, setting into motion their arrests and convictions and her own long estrangement.
This was one of those books that just had you shocked to the core from the start. It’s raw and hard to read in parts. It’s well written and up until the last quarter I was enjoying it but it just got a bit tedious. This does have a few triggers for abuse and racism! Overall it’s a good read.
Merissa (13782 KP) rated Blood Slave (The Nightlife) in Books
May 30, 2023
If you are expecting all things fluffy and light, then my god, you're in for a shock! This is dark, gritty and extremely raw - in places quite literally! This is the story of a young prostitute, who has had a rough childhood that goes through to adulthood. She is making the best she can in a bad situation. Things take a turn for the worse after she meets a client, and she resists (without even realising) a hypnotic trance. This threatens her life, well, that and the gun in the client's hand. It is only later that Hope realises that she could have been killed even without the gun. Hope's story continues as she tries to find her feet and survive in this strange new world.
Dealing with childhood prostitution, adult prostitution, rape, kidnap, torture, and drugs; this is not for the faint-hearted. It is gripping and enthralling though, also being well-written and with no editing or grammatical errors that I found.
If you want to have a dark read, that is painful and hopeful, then I can definitely recommend this.
* I received this book from the author in return for a fair and honest review. *
Merissa
Archaeolibrarian - I Dig Good Books!
Mar 19, 2016
Dealing with childhood prostitution, adult prostitution, rape, kidnap, torture, and drugs; this is not for the faint-hearted. It is gripping and enthralling though, also being well-written and with no editing or grammatical errors that I found.
If you want to have a dark read, that is painful and hopeful, then I can definitely recommend this.
* I received this book from the author in return for a fair and honest review. *
Merissa
Archaeolibrarian - I Dig Good Books!
Mar 19, 2016
Into the Gray Scale
Book
Dead men can’t catch killers. But maybe with the right help, they can bend the rules from the...
Dark Fantasy Mystery Suspense Paranormal Urban Fantasy
BankofMarquis (1832 KP) rated Drive My Car (2021) in Movies
Mar 19, 2022
Raw, Pure and Honest
If I’m being honest, I purposely pushed my Oscar “homework assignment” of viewing DRIVE MY CAR to the end of the list for I saw that it was a 3 Hour Japanese Film that is a meditation on loss, grief, anger and regret set against the backdrop of a production of Chekov’s Uncle Vanya. I was ready to buckle-in for an arty “Art House” film that is not as good as the “artists” recommending it would have you believe.
And I would be wrong with that assumption as DRIVE MY CAR is the BEST FILM of 2021 with raw, pure and honest performances that draws you in and touches your heart.
Directed by Ryusuke Hamaguchi (who was Oscar Nominated for his work), DRIVE MY CAR follows a renowned Actor/Director who heads to Hiroshima to Direct a production of Uncle Vanya while grappling with the consequences of the unexpected death of his wife - and the unresolved issues of their marriage. While in Hiroshima, he is forced to accept a chauffeur for his duration there and the relationship between the two begins to unlock long dormant emotions.
Sounds like it could end up being a modern version of DRIVING MISS DAISY, right? Wrong. In the hands of Hamaguchi, from an Oscar Nominated screenplay that Hamaguchi wrote with Takamasa Oe (based on the short story by Haruki Murakami), Drive My Car becomes a character-driven drama that peels the layers of the onion back at a deliberate pace (in this case, that’s a compliment) to reveal what is at the core of the main characters.
What drew me into this film (a movie who’s 3 hour run-time seemed short to me), was the performances that Hamaguchi was able to draw out of his talented cast, they are - top to bottom - raw, honest and real. Starting with Hidetoshi Nishijima as Actor/Director Yusuke Kafuku. He plays this character with a stoic pragmatism, but it is played in such a way that you understand that there are emotions broiling underneath this façade and they, eventually, will need to find their way out. But the brilliance of this film is that when this character finally opens up, it is not a showy, “yelly” performance, it is subtle, small - and effective.
Matching Nishijima’s stoicism (at least early on) is Toko Miura as the chauffer. She is enigmatic in the early goings of the film, listening much more than talking but as Kafuku opens up, she does as well, and it is this part of the film that really drew me in.
Also, surprisingly to me, was the rehearsal/performance scenes of Uncle Vanya that are sprinkled throughout this film. I am NOT a scholar (or fan) of Chekov’s works (I find them to be too introspective) but the scenes that are shown are a mirror to what is happening to these characters outside of the theater and were affecting (particularly a scene that the company does in the park between two female characters). I’m sure a Chekov scholar could comment on the parallel themes at work here - but I am not that scholar and that did not diminish my love of this film. It does do one surprising thing - it makes me (almost) want to see a full production of Vanya…almost.
And therein lies another layer to this film - the eclectic group of performers that populate the company of actors that perform Vanya - they perform in Japanese, Mandarin, English and (in one case) sign language. I was reading the subtitles anyway (yes, please view this film in it’s original language with subtitles - you’ll feel the emotions of the actors’ performances) and this disparity between the performers enhanced what was already an intriguing film.
Not for everyone, the pace and themes of this film will turn many off early on, but if you click into the feel of this film, you will be rewarded with a very rich experience.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
And I would be wrong with that assumption as DRIVE MY CAR is the BEST FILM of 2021 with raw, pure and honest performances that draws you in and touches your heart.
Directed by Ryusuke Hamaguchi (who was Oscar Nominated for his work), DRIVE MY CAR follows a renowned Actor/Director who heads to Hiroshima to Direct a production of Uncle Vanya while grappling with the consequences of the unexpected death of his wife - and the unresolved issues of their marriage. While in Hiroshima, he is forced to accept a chauffeur for his duration there and the relationship between the two begins to unlock long dormant emotions.
Sounds like it could end up being a modern version of DRIVING MISS DAISY, right? Wrong. In the hands of Hamaguchi, from an Oscar Nominated screenplay that Hamaguchi wrote with Takamasa Oe (based on the short story by Haruki Murakami), Drive My Car becomes a character-driven drama that peels the layers of the onion back at a deliberate pace (in this case, that’s a compliment) to reveal what is at the core of the main characters.
What drew me into this film (a movie who’s 3 hour run-time seemed short to me), was the performances that Hamaguchi was able to draw out of his talented cast, they are - top to bottom - raw, honest and real. Starting with Hidetoshi Nishijima as Actor/Director Yusuke Kafuku. He plays this character with a stoic pragmatism, but it is played in such a way that you understand that there are emotions broiling underneath this façade and they, eventually, will need to find their way out. But the brilliance of this film is that when this character finally opens up, it is not a showy, “yelly” performance, it is subtle, small - and effective.
Matching Nishijima’s stoicism (at least early on) is Toko Miura as the chauffer. She is enigmatic in the early goings of the film, listening much more than talking but as Kafuku opens up, she does as well, and it is this part of the film that really drew me in.
Also, surprisingly to me, was the rehearsal/performance scenes of Uncle Vanya that are sprinkled throughout this film. I am NOT a scholar (or fan) of Chekov’s works (I find them to be too introspective) but the scenes that are shown are a mirror to what is happening to these characters outside of the theater and were affecting (particularly a scene that the company does in the park between two female characters). I’m sure a Chekov scholar could comment on the parallel themes at work here - but I am not that scholar and that did not diminish my love of this film. It does do one surprising thing - it makes me (almost) want to see a full production of Vanya…almost.
And therein lies another layer to this film - the eclectic group of performers that populate the company of actors that perform Vanya - they perform in Japanese, Mandarin, English and (in one case) sign language. I was reading the subtitles anyway (yes, please view this film in it’s original language with subtitles - you’ll feel the emotions of the actors’ performances) and this disparity between the performers enhanced what was already an intriguing film.
Not for everyone, the pace and themes of this film will turn many off early on, but if you click into the feel of this film, you will be rewarded with a very rich experience.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
The Photoshop Elements 14 Book for Digital Photographers
Book
ARE YOU READY FOR AN ELEMENTS BOOK THAT BREAKS ALL THE RULES? This book breaks new ground by doing...