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Night of the Living Dead (1968)
Night of the Living Dead (1968)
1968 | Horror
All these years later, and Night of the Living Dead still stands up so well. It has wonderful cinematography for a start. Multiple shots really stuck in my head when I was a kid, and still get me now. This is also down to the films horror. NOTLD is raw horror through and through. The half eaten face at the top of the stairs still incites such a visceral reaction in me. It's gives me unpleasant tingles every time it hits the screen. I hate it (and love it). The death-by-trowel scene is still unpleasant and uncomfortable to watch. Tom and Judy in the exploding truck is still gut wrenching. The ending is so depressingly nihilistic. The film itself may be dated, sure, but these moments and more are examples of pure horror, and are a huge part of why Night is such a pillar of the genre. It still makes me feel the same terror that I felt as a kid, and that's really something.
All of this is bolstered by a fantastic lead performance from Duane Jones, taking charge of a small cast of well written characters, backed up by a rousing music score.

Night of the Living Dead is an all timer, that saw George Romero lay the ground rules and set the tone for one of the most popular horror sub genres of all time. Long live the king.
  
Calico
Calico
Lee Goldberg | 2023 | Mystery, Science Fiction/Fantasy
5
5.0 (1 Ratings)
Book Rating
A Shock and Some Flaws
After a scandal forces her from the LAPD, Beth McDade lands a job as a detective in Barstow, California. Nothing much happens in this middle of nowhere location until one night when a motorhome hits a vagrant. It appears to be a tragic accident, only no one knows who the vagrant is. And the autopsy turns up some surprising things. Can Beth figure out what is going on?

Since I normally enjoy Lee Goldberg’s books, I picked this one up without paying much attention to anything about it. As a result, I wasn’t aware it was a blend of Police Procedural, Science Fiction, and Western. It was initially shocking when I realized where the book was going, but then I got caught up in the story, which unfolds in the present and the past. It helped that I grew to enjoy the characters, although the raw nature of the first chapter made it a little hard for me. This book definitely has more content than the cozies I typically read. However, the book tried to do too much. There’s a subplot that really doesn’t go anywhere, and some of the story set in the past gets summarized for us. Meanwhile, the last couple of chapters have a bit too much exposition for me. I appreciate the attempt to do something different, but the execution could have been better.
  
Letters to Laura
Letters to Laura
Wesley Rivers | 2016 | Contemporary, LGBTQ+
10
8.5 (2 Ratings)
Book Rating
Letters to Laura is a set of letters, told from the heart with atypical honesty and bluntness, as recommended by a counsellor. They detail the feelings of a woman on the receiving end of a breakup and everything that entails. They are raw, angry, loving, and kind, basically all of the emotions that you will feel if you allow yourself.

There are so many points to this book that I could agree with, indeed some of the comments made, I've actually made myself. Some of them, I still feel to this day. There is no right or wrong way to work through a breakup, but the worst thing you can do is ignore it. The author of these letters puts it so much more distinctly than I ever could. There is a part where she talks about 'shrapnel' which is totally mind-blowing. I adored that part!

'This book' is not of the norm that is out there.
'This book' is different, in such a good way.
'This book' should make you think.
'This book' should make you look in your own mirror and see yourself honestly.
'This book' is one that you should keep and re-read! Highly recommended.

* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *

Merissa
Archaeolibrarian - I Dig Good Books!
May 22, 2016
  
Marriage Story (2019)
Marriage Story (2019)
2019 | Comedy, Drama
Divorce has been depicted many times onscreen, as it’s one of those difficult realities about adult relationships. There’s still a lot of stigma around the breakdown of a marriage, but Marriage Story deals with the topic in a very raw and unique way.

The film follows Nicole (Scarlett Johansson) and Charlie (Adam Driver) as they’re going through the turbulent divorce period. The couple share a young son Henry, who naturally causes complications for the two when it comes to custodial agreements.

Marriage Story opens with two gorgeous monologues about what the two characters love about each other, both of which are enough to make you cry a mere few minutes into the film. This contrasts very well with the present day, where they’re both struggling to make their marriage work.

It would have been very easy for Noah Baumbach to encourage the audience to pick sides, leaving them to subconsciously ‘root’ for either party to do well in the scenario. But remarkably that’s not the case, as it’s a very unbiased film that lays everything out on the table for us to see. Each messy, complicated detail is shown to us, and we end up sympathising with both.

One thing I really enjoyed about Marriage Story is the way Baumbach criticises some of the ridiculousness associated with divorce, especially when it comes to legal battles. Nicole reluctantly turns to ruthless lawyer Nora Fanshaw (Laura Dern), who is honest about the lies that have to be told in order to get through this.

Dern’s performance is hilarious but also highlights some of the inequalities and utterly baffling scenarios that happen when picking up a legal case. I wasn’t aware of any of them so it was quite a shock.

Watching the film is excruciating in places, but that’s a compliment on how raw and honest it is. It seems wrong for Charlie and Nicole to have to say and do certain things, all dictated by their respective lawyers. A clean break just isn’t possible when a child is involved.

It becomes even more complicated for the couple when Nicole decides to move back to Los Angeles, 2,789 miles away from New York City where she and Charlie used to reside. This creates a very literal distance between them, and causes problems with the battle for custody and Henry’s wellbeing.

Whilst there are many scenes which will reduce you to tears, Marriage Story has some comedic elements to lighten the mood, especially when it comes to Nicole’s family and how they react to the news of the divorce.

The two central performances in Marriage Story really are exceptional, and you become invested in the lives of people you don’t even know. One dramatic scene between Charlie and Nicole in particular had me openly sobbing, as it was full of contempt instead of love. Many of us can react to that exchange in a failing relationship, and it hurts.

If you want a very honest look at what it’s like to go through a divorce, then Marriage Story is just that. This isn’t the kind of film that sugarcoats anything and instead takes its audience on an emotional rollercoaster from start to finish.
  
Michigan Palace, 10/6/73 by Iggy And The Stooges
Michigan Palace, 10/6/73 by Iggy And The Stooges
2000 | Rock
(0 Ratings)
Album Favorite

"I think of all these three artists - Bolan, Bowie and Iggy - together and what I said about ‘The Jean Genie’ is all in there on the cover of Raw Power. Again, it’s illicit, threatening and very alluring to a certain kind of teenager looking for excitement, and in my case that was always through music and music culture. “I got Raw Power when I was fourteen because it was referred to me by Billy Duffy from The Cult, who would have been all of sixteen at the time. It was at a time when I was starting to recognise I had my own thing as a guitar player that my mates didn’t have, I’m not saying it was better, I just knew I was developing my own style. “Billy heard me playing a riff I was writing and said ‘That’s ‘Gimme Danger’ right?’ I said I’d never heard of ‘Gimme Danger and Billy said ‘That sounds like James Williamson.’ So I immediately had my back up, I was ‘Who’s this James Williamson kid? This is my new song, what are you talking about?’ But I knew Billy knew his stuff and that I really had to seek this record out, because Billy was sure that’s what I was playing and it was my new song. “I went into Virgin Records that weekend and I was stunned by the cover. It was Iggy bare-chested, looking like an iguana or a lizard and it was onstage as well, it was something that was really happening, not some photoshoot. I bought the LP for about £2.30, got it home and played ‘Search and Destroy.’ I couldn’t quite believe what I was hearing, the sound of the vocal and this distorted band and when it got to ‘Gimme Danger’ it was really mysterious, dark and moody. “I couldn’t believe it was exactly the same, the intro sounded exactly like what I was trying to do and what I was quite close to. That could have been really dispiriting or disheartening, but it had the opposite effect - it was really galvanising. There was a lot of Prog at the time but with this there weren’t these silly organ solos, it was just ‘done.’ I didn’t need it to go on for eight minutes, it was really hip and it shone a light for me. I’ve always used this album as a yardstick. “‘Gimme Danger’ was uncanny, it was the way I was starting to play the guitar and if you listen to the start I think it sounds like what people think I sound like. I’ve met James Williamson and he knows all about this thing that happened to me and it was great to be able to tell him, he was very surprised, pleased and gracious about it and that made a massive difference. I’ve been very fortunate to have that happen to me a couple of times, where people have talked about a riff I’ve done and how they tried to work it out. So I know what it means and it’s amazing, I don’t mean that to sound immodest, it’s just an amazing thing."

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