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A MAJOR 2021 DEBUT FICTION LAUNCH, THIS REMARKABLE IRISH NOVEL ABOUT THE MESSINESS OF MODERN FAMILY...
Merissa (11800 KP) rated Will (The Books of the Five #2) in Books
Apr 12, 2023
You know when you read the first book in a series, fall in love with it, and presume that the next book won't be anywhere near as good... just because?! That's how I felt when I started Will. I had loved Eleanor and devoured every word. There was no way that Will could be that good, could it? OMG, yes it could be that good and even better. This book completely surpassed my expectations and took me on a poignant, raw and intense journey alongside the main character.
This lady is simply amazing as an author because she will make you dislike a character intensely and yet, within a few phrases, you will feel sorry for or like the same character. There is so much detail in her writing that you are left in no doubt as to the surroundings, expressions or feelings.
Now, it was a while ago that I read Eleanor so a few things were lost to me when I started but I quickly picked up again and proceeded to thoroughly enjoy this story. Because of the time delay though, it was unclear to me just what the problem was with Will. I was almost hoping that it wasn't simply his age because every time he said about being old, I winced as I am older than he is! This story actually hit me hard when all the secrets are revealed and I was sobbing big, ugly tears. I just can't tell you how good this story is, to have it affect me in that way.
One thing I will add though is that if you visit the author's website - http://www.mydren.com/ - you will find information about Eleanor and Will plus loads of other interesting snippets so you quickly come up to speed.
S.F. Burgess has put the Epic back into Fantasy. This book is worth every moment of your time and I can't imagine it being any shorter. Every word is needed and used with great effect.
One warning I will give and it's the same reason I have put Dark down as one of the genres - this book deals with some dark subjects, torture being one of them, and there is violence. None of this is gratuitous though and is definitely needed to make the story a better one.
HIGHLY RECOMMENDED for all Epic Fantasy fans out there who like a darker tale. If you want all glitter and rainbows then maybe you should try something else. For me personally, I will be waiting with bated breath for the release of Amelia, book 3. I really can't wait!!
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
August 30, 2016
This lady is simply amazing as an author because she will make you dislike a character intensely and yet, within a few phrases, you will feel sorry for or like the same character. There is so much detail in her writing that you are left in no doubt as to the surroundings, expressions or feelings.
Now, it was a while ago that I read Eleanor so a few things were lost to me when I started but I quickly picked up again and proceeded to thoroughly enjoy this story. Because of the time delay though, it was unclear to me just what the problem was with Will. I was almost hoping that it wasn't simply his age because every time he said about being old, I winced as I am older than he is! This story actually hit me hard when all the secrets are revealed and I was sobbing big, ugly tears. I just can't tell you how good this story is, to have it affect me in that way.
One thing I will add though is that if you visit the author's website - http://www.mydren.com/ - you will find information about Eleanor and Will plus loads of other interesting snippets so you quickly come up to speed.
S.F. Burgess has put the Epic back into Fantasy. This book is worth every moment of your time and I can't imagine it being any shorter. Every word is needed and used with great effect.
One warning I will give and it's the same reason I have put Dark down as one of the genres - this book deals with some dark subjects, torture being one of them, and there is violence. None of this is gratuitous though and is definitely needed to make the story a better one.
HIGHLY RECOMMENDED for all Epic Fantasy fans out there who like a darker tale. If you want all glitter and rainbows then maybe you should try something else. For me personally, I will be waiting with bated breath for the release of Amelia, book 3. I really can't wait!!
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
August 30, 2016
Kristy H (1252 KP) rated Eight Perfect Hours in Books
Oct 28, 2021
Noelle Butterby has recently broken up with her boyfriend of twelve years, Ed. Ed found Noelle pathetic for staying home to take care of her ill Mum and therefore being unwilling to travel to the States with him for a new job. But for Noelle, it's more than that. Her family obligations are both confining and all she has--leaving her unable to fulfill her own dreams, including opening her own flower shop. On her way to her university reunion--the first time she's been out in ages--Noelle finds herself trapped on a snowy roadway. With traffic stalled for hours, she meets Sam, the man in the car next to hers. They form a small friendship over the eight hours they're stuck, bonding while she charges her phone and they forage for food. In those few hours, Noelle is truly, actually happy. But the roadway is cleared and Sam drives off. Yet, somehow, after their snowy time together, the universe seems to continue to throw Sam and Noelle together. Each is dealing with their own relationship woes, but they feel drawn to one another. Are Sam and Noelle meant to be? And can Noelle find her own way while dealing with the weight of her family responsibility?
"Eight hours. Eight tiny hours is all they were. And already I miss them. Ridiculous. I am ridiculous."
I fell completely for this charming story. It's completely lovely, with such wonderful characters in Noelle and Sam, whom I found myself rooting for from the beginning. There are enough obstacles that I actually found myself wondering if they would wind up together, yet determined that they were meant to be. The book is so sweet yet has its serious moments as well, and it tackles mental health in a honest way, dealing with depression, agoraphobia, and post-partum issues quite well.
"And I feel--something. I don't know what exactly. Alive. Buzzy. Like my blood is rushing with stars, with electricity."
Both Sam and Noelle lost someone early in their lives, and some parts of this book will hit hard if you lost a loved one in your early twenties--their grief feels so real and raw (also a trigger warning for suicide). Their lives have been changed by these deaths, as well as hanging on to relationships that may not be the best for them. Watching them bond is so heartwarming. This is such a romantic read, with excellent pieces of chemistry and sexual tension--it's so well-done and builds quite excellently. This isn't insta-love, but a good slow burn that feels passionate and honest.
Overall, I really loved this one. The romance is excellent, and the message of finding your way together when it was meant to be is beautiful. 4.5 stars.
"Eight hours. Eight tiny hours is all they were. And already I miss them. Ridiculous. I am ridiculous."
I fell completely for this charming story. It's completely lovely, with such wonderful characters in Noelle and Sam, whom I found myself rooting for from the beginning. There are enough obstacles that I actually found myself wondering if they would wind up together, yet determined that they were meant to be. The book is so sweet yet has its serious moments as well, and it tackles mental health in a honest way, dealing with depression, agoraphobia, and post-partum issues quite well.
"And I feel--something. I don't know what exactly. Alive. Buzzy. Like my blood is rushing with stars, with electricity."
Both Sam and Noelle lost someone early in their lives, and some parts of this book will hit hard if you lost a loved one in your early twenties--their grief feels so real and raw (also a trigger warning for suicide). Their lives have been changed by these deaths, as well as hanging on to relationships that may not be the best for them. Watching them bond is so heartwarming. This is such a romantic read, with excellent pieces of chemistry and sexual tension--it's so well-done and builds quite excellently. This isn't insta-love, but a good slow burn that feels passionate and honest.
Overall, I really loved this one. The romance is excellent, and the message of finding your way together when it was meant to be is beautiful. 4.5 stars.
BankofMarquis (1832 KP) rated Causeway (2022) in Movies
Feb 10, 2023
Strong Performances
Welcome back, Jennifer Lawrence, the movies missed you.
Shot to stardom early - a 3x Oscar Nominee by the age of 23 (winning once for SILVER LININGS PLAYBOOK) and the top paid actress in 2015, 2016 - Jennifer Lawrence took a hiatus from filmmaking right before the pandemic.
With the lowkey, PTSD character study CAUSEWAY, let’s hope that Lawrence is back for good.
Directed by Lila Neugebauer (ROOM 104), Causeway tells the tale of Lynsey (played by Lawrence) who returns home after suffering a Traumatic Brain Injury while serving overseas. Once home, she forms an unlikely friendship with James (an Oscar Nominated Brian Tyree Henry) who also has some trauma to work through.
It is a low-key, pensive film about friendship, recovery and dealing with loss/pain. Most of the film is the 2 lead characters talking and in order for it to succeed, the 2 main characters better be performed by 2 charismatic, interesting actors.
And fortunately for CAUSEWAY, it is.
Starting with Lawrence. She is a unique acting talent in that one can see what she is thinking and feeling with a minimum of facial gestures. She draws the audience into her portrayal of Lynsey - making her a person to empathize with (but not pity). Lynsey is strong, fearful, focused and damaged and the audience sees every part of this in Lawrence’s performance. It is a wonderfully understated performance and it’s a shame that she, too, was not nominated for an Oscar.
But, of course, with a talk-y, two character piece, BOTH performances better be Oscar caliber to keep the audience engaged and with the surprising strong and vulnerable performance of here-to-fore known as comedy performer Henry (BULLET TRAIN) Causeway has the 2nd anchor to this film.
When James (Henry’s character) is first introduced, the audience gets the impression that he is the funny, affable, friendly rock that Lynsey needs to get back on her feet, but as the film progresses and we peel back the layers of James’ onion, we find out that he is just as damaged - and as real - as she is. Henry embodies James with the same strength and vulnerability that Lawrence shows as Lynsey - and Henry is a well-deserved Oscar nominee for his work.
Creidt, of course, for this paring - and the performances therein - lies with Director Neugebauer who lets her camera linger on the performances and the emotions that are laid raw in front of the viewer.
Not the fastest paced film, Causeway is a marvelous unlikely pairing of 2 damaged souls portrayed, strongly, by 2 fine actors.
Letter Grade: B+
7 1/2 stars (out of 10)
Shot to stardom early - a 3x Oscar Nominee by the age of 23 (winning once for SILVER LININGS PLAYBOOK) and the top paid actress in 2015, 2016 - Jennifer Lawrence took a hiatus from filmmaking right before the pandemic.
With the lowkey, PTSD character study CAUSEWAY, let’s hope that Lawrence is back for good.
Directed by Lila Neugebauer (ROOM 104), Causeway tells the tale of Lynsey (played by Lawrence) who returns home after suffering a Traumatic Brain Injury while serving overseas. Once home, she forms an unlikely friendship with James (an Oscar Nominated Brian Tyree Henry) who also has some trauma to work through.
It is a low-key, pensive film about friendship, recovery and dealing with loss/pain. Most of the film is the 2 lead characters talking and in order for it to succeed, the 2 main characters better be performed by 2 charismatic, interesting actors.
And fortunately for CAUSEWAY, it is.
Starting with Lawrence. She is a unique acting talent in that one can see what she is thinking and feeling with a minimum of facial gestures. She draws the audience into her portrayal of Lynsey - making her a person to empathize with (but not pity). Lynsey is strong, fearful, focused and damaged and the audience sees every part of this in Lawrence’s performance. It is a wonderfully understated performance and it’s a shame that she, too, was not nominated for an Oscar.
But, of course, with a talk-y, two character piece, BOTH performances better be Oscar caliber to keep the audience engaged and with the surprising strong and vulnerable performance of here-to-fore known as comedy performer Henry (BULLET TRAIN) Causeway has the 2nd anchor to this film.
When James (Henry’s character) is first introduced, the audience gets the impression that he is the funny, affable, friendly rock that Lynsey needs to get back on her feet, but as the film progresses and we peel back the layers of James’ onion, we find out that he is just as damaged - and as real - as she is. Henry embodies James with the same strength and vulnerability that Lawrence shows as Lynsey - and Henry is a well-deserved Oscar nominee for his work.
Creidt, of course, for this paring - and the performances therein - lies with Director Neugebauer who lets her camera linger on the performances and the emotions that are laid raw in front of the viewer.
Not the fastest paced film, Causeway is a marvelous unlikely pairing of 2 damaged souls portrayed, strongly, by 2 fine actors.
Letter Grade: B+
7 1/2 stars (out of 10)
365Flicks (235 KP) rated V.S. (2019) in Movies
Nov 20, 2019
That is the synopsis for VS. on the IMDB. I am here to tell you that this movie is so so much more than this. This is one of the most powerful, thought provoking, superbly acted, respectfully told and emotionally driven movies I personally have had the pleasure of seeing in quite some time. I will get into the plot and subject matter now in a minute, but up front I would like to admit that this movie spoke to my heart and broke through a wall I didn’t think needed broken through. Yes a low budget independent movie from a debut director about the underground battle rap scene in Britain reduced this 34 year old man to being about 10 again (and not in a Jurassic park seeing dinosaurs on screen for the first time nostalgia kind of way).
Director:
Ed Lilly (debut feature film)
Cast:
Connor Swindells (The Vanishing, Netflixs Sex Education) Adam ‘Shotty Horroh’ Rooney
Fola Evans-Akingbola (Game of Thrones, Death in Paradise) Nicholas Pinnock (Fortitude, Marcella)
Ruth Sheen (Another Year, Vera Drake) Emily Taaffe (War & Peace)
First time Director Ed Lilly has put together an amazing group of young and fresh, up and coming stars and crafted a truly beautiful, gritty and raw tale of one mans use of the lyrical poetry that is Battle rap to simultaneously mask his pain and anger while working through his inner demons, only to discover a true family and camaraderie in the last place he expected. That’s just whats on the surface. Here is the trailer…
Adam has spent a life in the foster care system and it hasn’t been great to him, passed from home to home and never truly settling in wherever he is. His next stop is Southend and this could be the last chance saloon for Adam. Enter Makayla a young idealistic woman trying to make the best of it. Adam instantly takes a liking to Makayla as she introduces him to the underground Rap Battle scene. While Makayla sees this outlet as a way of making a better more tolerable life for herself and the colourful competitors, Adam sees a place he can truly let his hurt, pain and rage flow. While Adam proves to be a rising talent on the scene he is also dealing with the re-introduction to the woman who gave him away aged four… Both of Adams worlds are on a collision course and we are about to find out the type of man he wants to be.
Out Now
VOD 4th Feb. 2019
DVD 11th Feb. 2019
It is very easy to say that this is trying to be the Brit equivalent of 8-Mile (and people have been) but while I love that movie it can only wish to have the heart of Vs. I do love the rap battle sequences and having Shotty Horroh (legend on the UK Rap Battle scene, Youtube him for an education) in the movie really adds to the sense of them trying to portray this life properly. However this movie lives and breathes with the Outstandingly raw and real performances from the core cast.
Connor Swindells as Adam is unbelievable. A true revelation, A 10 out of 10 performance. Now I have to put it out there and be honest, I myself grew up in the system and while I didn’t exactly have the worst time of it I can absolutely relate to the portrayal put in by Connor. This is also a testament to the writing team of Director Ed Lilly and Daniel Hayes, they hit the nail on the head completely, The writing is so visceral that one scene in particular was a gut punch to this reviewer because I had legitimately lived the conversation and Connors performance in that scene is on another level (no spoilers but its the first real conversation he has with his mum). Swindells makes this movie an intense but rewarding journey to be part of.
Fola Evans-Akingbola is wonderful as Makayla and really holds the key to this movie. Most of the choices made by Adam revolve around her actions, while we are more focused on what is happening in his life Akingbola pushes her performance forward to show us she also is struggling through. Nicholas Pinnock, Ruth Sheen and Emily Taaffe round out the care system aspect of the movie as Adams care worker, foster carer and biological mum respectively. These sections of the movie are dealt with a great deal of attention and respect which was refreshing because here in the UK we tend to be very harsh on the system (especially in the media) but this movie shows both sides of the story. Then there is the scene I briefly spoke of earlier… Emily Taaffe, take a bow because damn you are incredible in this scene.
On the Rap Battle side of things we have massively talented Adam “Shotty Horroh” Rooney in his acting debut, I will admit when I first saw him I was dubious but he is essentially playing a version of himself and the moments that he gets to do something other than rap well he holds his own. The same can be said about MC Paige “Paigey Cakes” Meade as Miss Quotes to be fair though this isn’t her first time.
Okay then I guess its no surprise to anyone by now that I would hugely recommend this movie. I went in expecting to see 8-Mile or Bodied set in the UK but what followed was a story I just did not expect, performances that blew me away. Then again though I am a bit of sissy when movies hit me where I live. Is it perfect? Not at all what film is but hey its pretty damn close. See this movie soon as you can.
Director:
Ed Lilly (debut feature film)
Cast:
Connor Swindells (The Vanishing, Netflixs Sex Education) Adam ‘Shotty Horroh’ Rooney
Fola Evans-Akingbola (Game of Thrones, Death in Paradise) Nicholas Pinnock (Fortitude, Marcella)
Ruth Sheen (Another Year, Vera Drake) Emily Taaffe (War & Peace)
First time Director Ed Lilly has put together an amazing group of young and fresh, up and coming stars and crafted a truly beautiful, gritty and raw tale of one mans use of the lyrical poetry that is Battle rap to simultaneously mask his pain and anger while working through his inner demons, only to discover a true family and camaraderie in the last place he expected. That’s just whats on the surface. Here is the trailer…
Adam has spent a life in the foster care system and it hasn’t been great to him, passed from home to home and never truly settling in wherever he is. His next stop is Southend and this could be the last chance saloon for Adam. Enter Makayla a young idealistic woman trying to make the best of it. Adam instantly takes a liking to Makayla as she introduces him to the underground Rap Battle scene. While Makayla sees this outlet as a way of making a better more tolerable life for herself and the colourful competitors, Adam sees a place he can truly let his hurt, pain and rage flow. While Adam proves to be a rising talent on the scene he is also dealing with the re-introduction to the woman who gave him away aged four… Both of Adams worlds are on a collision course and we are about to find out the type of man he wants to be.
Out Now
VOD 4th Feb. 2019
DVD 11th Feb. 2019
It is very easy to say that this is trying to be the Brit equivalent of 8-Mile (and people have been) but while I love that movie it can only wish to have the heart of Vs. I do love the rap battle sequences and having Shotty Horroh (legend on the UK Rap Battle scene, Youtube him for an education) in the movie really adds to the sense of them trying to portray this life properly. However this movie lives and breathes with the Outstandingly raw and real performances from the core cast.
Connor Swindells as Adam is unbelievable. A true revelation, A 10 out of 10 performance. Now I have to put it out there and be honest, I myself grew up in the system and while I didn’t exactly have the worst time of it I can absolutely relate to the portrayal put in by Connor. This is also a testament to the writing team of Director Ed Lilly and Daniel Hayes, they hit the nail on the head completely, The writing is so visceral that one scene in particular was a gut punch to this reviewer because I had legitimately lived the conversation and Connors performance in that scene is on another level (no spoilers but its the first real conversation he has with his mum). Swindells makes this movie an intense but rewarding journey to be part of.
Fola Evans-Akingbola is wonderful as Makayla and really holds the key to this movie. Most of the choices made by Adam revolve around her actions, while we are more focused on what is happening in his life Akingbola pushes her performance forward to show us she also is struggling through. Nicholas Pinnock, Ruth Sheen and Emily Taaffe round out the care system aspect of the movie as Adams care worker, foster carer and biological mum respectively. These sections of the movie are dealt with a great deal of attention and respect which was refreshing because here in the UK we tend to be very harsh on the system (especially in the media) but this movie shows both sides of the story. Then there is the scene I briefly spoke of earlier… Emily Taaffe, take a bow because damn you are incredible in this scene.
On the Rap Battle side of things we have massively talented Adam “Shotty Horroh” Rooney in his acting debut, I will admit when I first saw him I was dubious but he is essentially playing a version of himself and the moments that he gets to do something other than rap well he holds his own. The same can be said about MC Paige “Paigey Cakes” Meade as Miss Quotes to be fair though this isn’t her first time.
Okay then I guess its no surprise to anyone by now that I would hugely recommend this movie. I went in expecting to see 8-Mile or Bodied set in the UK but what followed was a story I just did not expect, performances that blew me away. Then again though I am a bit of sissy when movies hit me where I live. Is it perfect? Not at all what film is but hey its pretty damn close. See this movie soon as you can.
Afro-Haitian Experimental Orchestra by Afro-Haitian Experimental Orchestra
Album Watch
Spearheaded by the legendary Afrobeat/Fela Kuti drummer Tony Allen, the Afro-Haitian Experimental...
world
Louise (64 KP) rated Flight of a Starling in Books
Jul 2, 2018
* I received a copy of this book from the publisher and Netgalley in exchange for an honest review*
After reading Paper Butterflies by Lisa Heathfield last year I knew that I needed to read her latest book out. Lisa is UKYA author and I don’t think she gets enough credit for her work. This is another book that delivers a believable story with such rawness and emotion.
<img src="https://media.giphy.com/media/6DfkKrGznukr6/giphy.gif"; width="200"height="200"alt="description"/>
Our story follows Rita and Lo, two sisters that are travelers and the trapeze act in their circus that moves around England on a regular basis. Life is how it has always been for the girls, set up their tent, do a few shows and move on to the next village – they haven’t known any other life and don’t really question it. They travel with another family and it’s presumed the girls will marry the boys of the other family and carry on the legacy of the circus. One evening when they explore the local area they start talking to some of the locals and sparks start to ignite between Lo and ‘a flattie'(a term for non traveler folk). With Lo slowly falling in love she starts to question her life,her role and existence in the circus – with wanting her freedom she finds cracks starting to appear and her life crumbling around her.
‘Flight of a Starling’ didn’t fail to deliver, I knew from past works that this was going to be an emotional, gritty and raw read. Heathfield has a great writing style that manages to evoke emotions – even from me who has a heart of stone. The story is told in dual perspective, swapping from Rita to Lo with just the right sized chapters. The first half of this book is rather slow what with it building a picture of what it was like to be in a travelling community and their traditions and beliefs. I loved learning about the performances that the girls were involved in such as the trapeze and their big costumes.
I must admit that I wasn’t too keen on the romance side of the book, It was lacking emotion and connection between the characters, I wanted the warm fuzziness that you get from reading about a couple that first meet, the excitement of it…which didn’t happen and it’s sad as it has such a big part of the story.
The second half of the book takes a change in pace, it was amazing and what really made the story for me. My heart was in my mouth and I could feel the blood pulsing around my body with anxiety. I was scared for the characters,I was hoping for a silver lining but Heathfield never shies away from her writing and sucker punches you in the gut.
I recommend if you want something gritty yet believable.
I rated this book 4 out of 5 stars
After reading Paper Butterflies by Lisa Heathfield last year I knew that I needed to read her latest book out. Lisa is UKYA author and I don’t think she gets enough credit for her work. This is another book that delivers a believable story with such rawness and emotion.
<img src="https://media.giphy.com/media/6DfkKrGznukr6/giphy.gif"; width="200"height="200"alt="description"/>
Our story follows Rita and Lo, two sisters that are travelers and the trapeze act in their circus that moves around England on a regular basis. Life is how it has always been for the girls, set up their tent, do a few shows and move on to the next village – they haven’t known any other life and don’t really question it. They travel with another family and it’s presumed the girls will marry the boys of the other family and carry on the legacy of the circus. One evening when they explore the local area they start talking to some of the locals and sparks start to ignite between Lo and ‘a flattie'(a term for non traveler folk). With Lo slowly falling in love she starts to question her life,her role and existence in the circus – with wanting her freedom she finds cracks starting to appear and her life crumbling around her.
‘Flight of a Starling’ didn’t fail to deliver, I knew from past works that this was going to be an emotional, gritty and raw read. Heathfield has a great writing style that manages to evoke emotions – even from me who has a heart of stone. The story is told in dual perspective, swapping from Rita to Lo with just the right sized chapters. The first half of this book is rather slow what with it building a picture of what it was like to be in a travelling community and their traditions and beliefs. I loved learning about the performances that the girls were involved in such as the trapeze and their big costumes.
I must admit that I wasn’t too keen on the romance side of the book, It was lacking emotion and connection between the characters, I wanted the warm fuzziness that you get from reading about a couple that first meet, the excitement of it…which didn’t happen and it’s sad as it has such a big part of the story.
The second half of the book takes a change in pace, it was amazing and what really made the story for me. My heart was in my mouth and I could feel the blood pulsing around my body with anxiety. I was scared for the characters,I was hoping for a silver lining but Heathfield never shies away from her writing and sucker punches you in the gut.
I recommend if you want something gritty yet believable.
I rated this book 4 out of 5 stars
Gareth von Kallenbach (971 KP) rated A Star Is Born (2018) in Movies
Jul 2, 2019
Bradley Cooper lays the triple threat by not only starring, but directing and co-writing the script for this 4th time retelling of a tragic story of love, music, and addiction. Jackson Maine (Bradley Cooper), a superstar struggling with addiction on a downward spiral falls in love with a rising star named Ally (Lady Gaga), who is trying to make her musical mark in the world all while saving the man she loves.
One night after a show, Jackson Maine drunkenly wanders into a drag bar and becomes completely enamored with Ally’s sultry voice after she belts out La Vie En Rose. It didn’t take long to realize the vulnerability that connected the two artists. The wounded soul of Jackson’s past and Ally’s heartbreak from constant rejection by the large music companies because she doesn’t look like a Barbie doll. The following day, Jackson flies Ally to one of his shows, and invites her to sing with him on stage together. Realizing the audience loves them and the chemistry they exude on stage, it’s only makes sense for Ally to join Jackson on tour and begin making beautiful music together. The chemistry carries off stage as the two quickly fall in love, get married, all while Ally’s career begins to take off.
Ally, however, is ill-equipped to deal with Jackson’s addiction and the demands that come with being a superstar, trying to juggle home life and her career. Proud of his wife’s success and still suffering from his own demons, Jackson in the end realizes his inability to come up for air is holding her back.
Bradley Cooper has proven that he is just as talented behind the camera as he is in front of one. All the agony, the pain, raw emotions Cooper demonstrated in this character, I would be very surprised if he didn’t receive any recognition come awards season. Even with such a stellar performance by Cooper, Lady Gaga was the absolute show stopper. She commanded the audience’s attention with her voice, her quick wit, her natural realism of codependency. She was born to play Ally.
We already knew that Lady Gaga and her singing chops where going to be a major focal point in this film, but who knew Bradley Cooper could sing? Cooper, who said he flew to Seattle to consult friend Eddie Vedder, frontman for Pearl Jam, on how to “aesthetically become a musician, and all the inner workings.” The breathtaking musical performances made you feel like you were live at the concert. I almost found myself clapping at the end of a couple of numbers.
When you see a movie and find yourself just sitting there in awe as the end credits roll by, unable to move, you realized you’ve just seen magic. From the music, to the supporting characters, the editing……..every element was sheer perfection!
One night after a show, Jackson Maine drunkenly wanders into a drag bar and becomes completely enamored with Ally’s sultry voice after she belts out La Vie En Rose. It didn’t take long to realize the vulnerability that connected the two artists. The wounded soul of Jackson’s past and Ally’s heartbreak from constant rejection by the large music companies because she doesn’t look like a Barbie doll. The following day, Jackson flies Ally to one of his shows, and invites her to sing with him on stage together. Realizing the audience loves them and the chemistry they exude on stage, it’s only makes sense for Ally to join Jackson on tour and begin making beautiful music together. The chemistry carries off stage as the two quickly fall in love, get married, all while Ally’s career begins to take off.
Ally, however, is ill-equipped to deal with Jackson’s addiction and the demands that come with being a superstar, trying to juggle home life and her career. Proud of his wife’s success and still suffering from his own demons, Jackson in the end realizes his inability to come up for air is holding her back.
Bradley Cooper has proven that he is just as talented behind the camera as he is in front of one. All the agony, the pain, raw emotions Cooper demonstrated in this character, I would be very surprised if he didn’t receive any recognition come awards season. Even with such a stellar performance by Cooper, Lady Gaga was the absolute show stopper. She commanded the audience’s attention with her voice, her quick wit, her natural realism of codependency. She was born to play Ally.
We already knew that Lady Gaga and her singing chops where going to be a major focal point in this film, but who knew Bradley Cooper could sing? Cooper, who said he flew to Seattle to consult friend Eddie Vedder, frontman for Pearl Jam, on how to “aesthetically become a musician, and all the inner workings.” The breathtaking musical performances made you feel like you were live at the concert. I almost found myself clapping at the end of a couple of numbers.
When you see a movie and find yourself just sitting there in awe as the end credits roll by, unable to move, you realized you’ve just seen magic. From the music, to the supporting characters, the editing……..every element was sheer perfection!
Measuring the Digital World: Using Digital Analytics to Drive Better Digital Experiences
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THE DEFINITIVE GUIDE TO NEXTGENERATION DIGITAL MEASUREMENT: INDISPENSABLE INSIGHT FOR BUILDING...