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Lucy Buglass (45 KP) rated Broken Ceiling (2018) in Movies
Jun 20, 2019
A critique of toxic workplace culture
We’ve all had to endure conference calls at work, and we all know how boring they can be. When I realised that Broken Ceiling takes place almost entirely within a conference call, I was worried that they wouldn’t be able to keep my attention for a full hour and a half. However, I’m pleased to say I was wrong!
Broken Ceiling is Adam Davis’ first feature film, following office assistant Angela as she deals with workplace discrimination based on both her gender and race. She is surrounded by white men and gets pushed to the side, despite the hard work she puts in every day. The film throws us straight into the middle of the action, right when the company is dealing with their biggest and most important deal to date. It is during this deal when all of the drama unfolds.
Karan Kendrick completely shines in the leading role, bringing Angela and her struggles to life on screen. I was captivated by her raw and honest performance throughout. She has reached breaking point, and does the unthinkable in order to make her colleagues finally listen to her. She has the power throughout most of this film, as she skilfully puts everyone in their place. Kendrick is a joy to watch and I was absolutely on her character’s side, rooting for her the whole time.
The cast is very small, only featuring four key characters. I enjoyed every performance in Broken Ceiling because of the way they reflected very familiar personalities. These kinds of characters exist in real life business, and contribute to the toxic environment. Regen Wilson is the power-hungry, short-tempered CEO Ken Wolfe, who constantly berates and yells at his staff whilst putting on a cheerful facade for his clients. He makes difficult decisions easily, and seems to lack compassion for those around him.
Beside him on the call are Rane Jameson and Torran Kitts as rival salesmen Tyler and Garrett, who are riddled with their own personal flaws. They are entitled and deceitful, both wanting the most praise and recognition whilst simultaneously ignoring Angela. The dynamic between these characters is often fast paced and intense, thanks to Davis’ great script.
The cast and script are a match made in heaven, delivering memorable lines of dialogue and many twists and turns to keep the audience engaged and wondering what happens next. Whilst, admittedly, it may be a little far-fetched in places, it makes for a great piece of drama that draws on real life issues to raise an important critique of corporate life.
Overall I thought Broken Ceiling was a strong debut film with an important message about modern workplace culture. Despite a few sound and camerawork issues, I thought it was a well made and crafted film, especially for a feature length independent film. The pacing is right, the script is captivating, and the performances are strong. It’s a film that I urge you to experience for yourself and let Angela’s voice finally be heard.
https://lucygoestohollywood.com/2018/12/13/a-critique-of-toxic-workplace-culture-my-thoughts-on-broken-ceiling/
Broken Ceiling is Adam Davis’ first feature film, following office assistant Angela as she deals with workplace discrimination based on both her gender and race. She is surrounded by white men and gets pushed to the side, despite the hard work she puts in every day. The film throws us straight into the middle of the action, right when the company is dealing with their biggest and most important deal to date. It is during this deal when all of the drama unfolds.
Karan Kendrick completely shines in the leading role, bringing Angela and her struggles to life on screen. I was captivated by her raw and honest performance throughout. She has reached breaking point, and does the unthinkable in order to make her colleagues finally listen to her. She has the power throughout most of this film, as she skilfully puts everyone in their place. Kendrick is a joy to watch and I was absolutely on her character’s side, rooting for her the whole time.
The cast is very small, only featuring four key characters. I enjoyed every performance in Broken Ceiling because of the way they reflected very familiar personalities. These kinds of characters exist in real life business, and contribute to the toxic environment. Regen Wilson is the power-hungry, short-tempered CEO Ken Wolfe, who constantly berates and yells at his staff whilst putting on a cheerful facade for his clients. He makes difficult decisions easily, and seems to lack compassion for those around him.
Beside him on the call are Rane Jameson and Torran Kitts as rival salesmen Tyler and Garrett, who are riddled with their own personal flaws. They are entitled and deceitful, both wanting the most praise and recognition whilst simultaneously ignoring Angela. The dynamic between these characters is often fast paced and intense, thanks to Davis’ great script.
The cast and script are a match made in heaven, delivering memorable lines of dialogue and many twists and turns to keep the audience engaged and wondering what happens next. Whilst, admittedly, it may be a little far-fetched in places, it makes for a great piece of drama that draws on real life issues to raise an important critique of corporate life.
Overall I thought Broken Ceiling was a strong debut film with an important message about modern workplace culture. Despite a few sound and camerawork issues, I thought it was a well made and crafted film, especially for a feature length independent film. The pacing is right, the script is captivating, and the performances are strong. It’s a film that I urge you to experience for yourself and let Angela’s voice finally be heard.
https://lucygoestohollywood.com/2018/12/13/a-critique-of-toxic-workplace-culture-my-thoughts-on-broken-ceiling/
I am not really sure where to start with this review. There are so many great aspects to this book. I loved the characters, the plot, and even the heartbreak.
The story that crosses the pages of this book is one of heart break, loss, love, and inspiration. These characters are so realistic they fly off the page and into your heart. The story of Bright Side and all her friends is moving, raw, and emotional and literature at its finest. I don���t want to say too much and ruin the book for anyone who hasn���t read it. So with that all I will say is that this book is best served with a hot cup of tea and a box of Kleenex.
Kate, Gus, and Keller were PHENOMENAL main characters! I absolutely adored them all for their own reasons. Let���s start with the fellas shall we?
Keller is a great character with so many different levels. He���s sweet, sensitive, doting, and absolutely genuine. He meets Kate when they are both completely vulnerable. Kate drops a bomb on him and he doesn���t miss a beat. He just rolls with it. He is her rock, and everything she needs at this point in her life. He has his own life, but the way he molds his life around Kate is impressive. He changes completely from the moment you meet him until the end of the book. He grows in leaps and bounds.
Kate, well, she���s just amazing. ���She doesn���t just look on the Bright Side, she lives there.��� This is a perfect description of Kate and the way she lives her life. She changes the lives of every person she meets regardless of the battle she is fighting. She���s led a horrible life, but because of all of that she���s managed to become an absolutely resilient, astoundingly well rounded, and extremely brave individual. I cried a lot with Kate. Not so much for her but with her. She is by far my favorite book heroine ever.
Gus���Swoon! I absolutely loved Gus! If I had to choose between him and Keller, I would be team Gus all the way. I didn���t necessarily want him to be a love interest for Kate, but I just found myself cheering for him throughout the whole book. I felt like he was alone. Though he was surrounded by his band and the new friends he made through Kate, I felt like he was incredibly alone. I���ve been in that position and I think that���s why I gravitated so much toward his character.
These three characters together make for one magical story. This is a story that forced me to look at my life a little differently, and made me want to live on the Bright Side.
Kim is a dear friend, and a masterful storyteller who weaves the lines of this book together to create alluring, evocative, and inspiring characters that will change the way you look at life, and experience the written word. I hope that I can one day be half the writer she is, I could only be so lucky! Phenomenal job my friend!
The story that crosses the pages of this book is one of heart break, loss, love, and inspiration. These characters are so realistic they fly off the page and into your heart. The story of Bright Side and all her friends is moving, raw, and emotional and literature at its finest. I don���t want to say too much and ruin the book for anyone who hasn���t read it. So with that all I will say is that this book is best served with a hot cup of tea and a box of Kleenex.
Kate, Gus, and Keller were PHENOMENAL main characters! I absolutely adored them all for their own reasons. Let���s start with the fellas shall we?
Keller is a great character with so many different levels. He���s sweet, sensitive, doting, and absolutely genuine. He meets Kate when they are both completely vulnerable. Kate drops a bomb on him and he doesn���t miss a beat. He just rolls with it. He is her rock, and everything she needs at this point in her life. He has his own life, but the way he molds his life around Kate is impressive. He changes completely from the moment you meet him until the end of the book. He grows in leaps and bounds.
Kate, well, she���s just amazing. ���She doesn���t just look on the Bright Side, she lives there.��� This is a perfect description of Kate and the way she lives her life. She changes the lives of every person she meets regardless of the battle she is fighting. She���s led a horrible life, but because of all of that she���s managed to become an absolutely resilient, astoundingly well rounded, and extremely brave individual. I cried a lot with Kate. Not so much for her but with her. She is by far my favorite book heroine ever.
Gus���Swoon! I absolutely loved Gus! If I had to choose between him and Keller, I would be team Gus all the way. I didn���t necessarily want him to be a love interest for Kate, but I just found myself cheering for him throughout the whole book. I felt like he was alone. Though he was surrounded by his band and the new friends he made through Kate, I felt like he was incredibly alone. I���ve been in that position and I think that���s why I gravitated so much toward his character.
These three characters together make for one magical story. This is a story that forced me to look at my life a little differently, and made me want to live on the Bright Side.
Kim is a dear friend, and a masterful storyteller who weaves the lines of this book together to create alluring, evocative, and inspiring characters that will change the way you look at life, and experience the written word. I hope that I can one day be half the writer she is, I could only be so lucky! Phenomenal job my friend!
Chris Sawin (602 KP) rated Catfish (2010) in Movies
Jun 22, 2019 (Updated Jun 23, 2019)
Nev Schulman is a photographer of dance that catches the eye of an 8 year old girl named Abby when one of his pictures is published nationally. She sends Nev a painting of his published picture, which begins a rather incredible friendship. Nev eventually gets the chance to talk to Abby's mom, Angela, and her older sister, Megan. Megan and Nev really start to hit it off and a relationship begins to form. That is until many of the things Megan has been telling Nev begin drifting further and further from the truth. Nev decides to fly to Michigan and get the answers he so desperately desires.
If somebody made me choose a favorite film genre, psychological thriller would quite possibly be my answer. Films that include incredible twist endings (Oldboy) or have elaborate storylines that make you think (Inception) are definitely some of the best times to be had when it comes to an entertaining movie experience. Catfish was marketed as a film that was not only a thriller, but also contained "a shattering conclusion" that was compared to Alfred Hitchcock. In the end, it didn't really have either of those things.
Catfish had this vibe the entire film like it was leading towards something dark near its conclusion. As Nev makes his way to Michigan, you get more and more anxious as he nears his destination. Even the music gets really unsettling. Is Megan's family going to be a bunch of chainsaw wielding cannibals or have Angela and Vince been keeping a kidnapped girl named Megan chained in their basement for weeks to lead young, single guys out there for them to torture as some sort of twisted way to get off? No, it's nothing like that. Catfish never really became thrilling or even came near diving into dark territory.
What Catfish winds up being is an interesting character study presented as a documentary. The film's heart resides in who Megan really is and how the entire experience affects Nev. Once the pieces of the puzzle are put together and everything falls into place, Catfish turns out to be a very raw, emotional, and heartfelt film. What's intriguing is the film revolves around Facebook and with The Social Network hitting theaters in about two weeks, it seems like a bit of a bold move.
What is arguably the best scene in the film is when it's actually explained why Catfish was chosen as the title in the final minutes. It is a pretty incredible explanation and fits the film perfectly.
Catfish isn't necessarily a bad film, in fact, it's pretty powerful once it really gets going. It probably isn't what you're expecting though. While Catfish is laugh out loud at certain points in the film, at its core, it's a documented love story that mostly resides on the internet. Maybe it just comes from personal experience, the way the film was presented, or the on-screen presence of the characters in the film, but Catfish felt genuine which isn't something that can be said about many films that have come out in 2010.
If somebody made me choose a favorite film genre, psychological thriller would quite possibly be my answer. Films that include incredible twist endings (Oldboy) or have elaborate storylines that make you think (Inception) are definitely some of the best times to be had when it comes to an entertaining movie experience. Catfish was marketed as a film that was not only a thriller, but also contained "a shattering conclusion" that was compared to Alfred Hitchcock. In the end, it didn't really have either of those things.
Catfish had this vibe the entire film like it was leading towards something dark near its conclusion. As Nev makes his way to Michigan, you get more and more anxious as he nears his destination. Even the music gets really unsettling. Is Megan's family going to be a bunch of chainsaw wielding cannibals or have Angela and Vince been keeping a kidnapped girl named Megan chained in their basement for weeks to lead young, single guys out there for them to torture as some sort of twisted way to get off? No, it's nothing like that. Catfish never really became thrilling or even came near diving into dark territory.
What Catfish winds up being is an interesting character study presented as a documentary. The film's heart resides in who Megan really is and how the entire experience affects Nev. Once the pieces of the puzzle are put together and everything falls into place, Catfish turns out to be a very raw, emotional, and heartfelt film. What's intriguing is the film revolves around Facebook and with The Social Network hitting theaters in about two weeks, it seems like a bit of a bold move.
What is arguably the best scene in the film is when it's actually explained why Catfish was chosen as the title in the final minutes. It is a pretty incredible explanation and fits the film perfectly.
Catfish isn't necessarily a bad film, in fact, it's pretty powerful once it really gets going. It probably isn't what you're expecting though. While Catfish is laugh out loud at certain points in the film, at its core, it's a documented love story that mostly resides on the internet. Maybe it just comes from personal experience, the way the film was presented, or the on-screen presence of the characters in the film, but Catfish felt genuine which isn't something that can be said about many films that have come out in 2010.
Kristy H (1252 KP) rated In the Role of Brie Hutchens... in Books
Jul 2, 2020
Brie Hutchens is an eighth-grader at a Catholic school. She loves soap operas and dreams of being the star of the school play. She wants to go to drama school next year. Brie also has feelings that she's pretty sure are different than the other kids at her school. For instance, she gets a fluttery feeling looking at photos online of her favorite soap opera actress. But when Brie's (very religious) mom walks in on her doing so, Brie freaks out and tells her Mom she's been chosen to crown the Mary statue at her school's ceremony. She hasn't of course, and even worse, she probably stands no chance at earning the gig, since it usually goes to a top student. One like Kennedy, whom Brie usually avoids. But as Brie starts to spend a little more time with Kennedy, she realizes Kennedy gives her the same feeling as that soap actress. And that none of this is going to make her mother happy (or help her crown Mary).
This is a very sweet, heartwarming, and touching story about a young girl finding her way and finding herself. I'm a sucker for coming of age stories, but when they are lesbian coming of age stories? I'm sold. Brie is an interesting character, who even comes across a little ungrateful at times--though perhaps she's just a typical teenager. She's embarrassed her dad works at her school and often seems a bit self-centered and in her own world. Okay, yeah, she's a teenager. But her battle with her sexual identity is certainly one I could identify with and it's presented in a lovely and truthful way. It's exactly the kind of book kids this age need, especially teens being raised in a religious environment.
The book is more religious than I expected, but it's not off-putting. As someone whose first love love came from a religious Catholic family, I saw so much of my past life in this book. I loved the fact that Brie is a soap fan--as kid who grew up loving Dallas, Days of Our Lives, Passions, and Sunset Beach, this part of the book was totally fun. Yet, Melleby worked in the angle in a serious way, too, as Brie uses soaps as a way to realize that maybe she isn't so different after all (thank you, soaps, for having some progressive characters ahead of your time).
"But when Brie and her mom sat in the living room, watching their soaps, Brie forgot they had so little in common."
Brie is fun and sweet and she's decidedly her own person, yet scared of how her religious mom and her Catholic school friends might see her if she reveals she likes girls. Her agonizing over this, her fear of coming out, is raw and realistic. The difficultly of coming out really resonates here, and Melleby does a wonderful job capturing how hard it is, even now.
Overall, this is a lovely and tender book--funny and sweet--and a great children's/YA read. If you love coming of age stories, YA novels, or any LQBTIA youth fiction, I think this novel will tug at your heartstrings.
This is a very sweet, heartwarming, and touching story about a young girl finding her way and finding herself. I'm a sucker for coming of age stories, but when they are lesbian coming of age stories? I'm sold. Brie is an interesting character, who even comes across a little ungrateful at times--though perhaps she's just a typical teenager. She's embarrassed her dad works at her school and often seems a bit self-centered and in her own world. Okay, yeah, she's a teenager. But her battle with her sexual identity is certainly one I could identify with and it's presented in a lovely and truthful way. It's exactly the kind of book kids this age need, especially teens being raised in a religious environment.
The book is more religious than I expected, but it's not off-putting. As someone whose first love love came from a religious Catholic family, I saw so much of my past life in this book. I loved the fact that Brie is a soap fan--as kid who grew up loving Dallas, Days of Our Lives, Passions, and Sunset Beach, this part of the book was totally fun. Yet, Melleby worked in the angle in a serious way, too, as Brie uses soaps as a way to realize that maybe she isn't so different after all (thank you, soaps, for having some progressive characters ahead of your time).
"But when Brie and her mom sat in the living room, watching their soaps, Brie forgot they had so little in common."
Brie is fun and sweet and she's decidedly her own person, yet scared of how her religious mom and her Catholic school friends might see her if she reveals she likes girls. Her agonizing over this, her fear of coming out, is raw and realistic. The difficultly of coming out really resonates here, and Melleby does a wonderful job capturing how hard it is, even now.
Overall, this is a lovely and tender book--funny and sweet--and a great children's/YA read. If you love coming of age stories, YA novels, or any LQBTIA youth fiction, I think this novel will tug at your heartstrings.
Kristy H (1252 KP) rated Detransition, Baby in Books
Jan 28, 2021
A meandering but insightful look into the lives of an interconnected trio
Reese and Amy nearly had it all--a loving relationship, an apartment, and safety in each other: something extremely difficult for trans women to find. But that all changes when Amy decides to detransition and become Ames. Now Reese feels lost and alone, turning to her old patterns of sleeping with men who treat her poorly. And Ames isn't particularly happy either, though he's found a sort of comfort in his relationship with his boss, Katrina. But when Katrina discovers she's pregnant--with Ames' child--Ames is forced to confront a lot of his fears about masculinity and fatherhood. He also wonders if it's a chance for family. Reese has always longed for a baby; could he, Reese, and Katrina raise this child together?
"Somewhere, somehow, Amy did the impossible. She got herself a baby."
I love that this diverse book was my 300th read for Netgalley. I love love love that there is a story about trans women being celebrated and heralded on "must read" lists. I enjoyed so much about this book. Reese and Amy are detailed and realistic characters who--to me at least--did not seem stereotypical or one-dimensional. I felt like I learned so much reading their raw, emotional, and lovely story.
The tale of Ames becoming a parent--and wanting to involve Reese--was an interesting and dynamic one for me. I could completely understand Reese's longing for motherhood and how she felt on the outside looking in. This part of the book was original and fascinating. Pieces of the story were utterly hilarious, despite some of the serious subject matter. There is a chapter where Reese attends an essential oils party with Katrina and other straight/cis women that made me laugh out loud. Peters captures her voice so perfectly. There's a vulnerability and realness to Reese that makes her a captivating character from the start.
"Reese had already diagnosed her own problem. She didn't know how to be alone. She fled from her own company, from her own solitude."
The hardest part for me about this book had nothing to do with its subject matter (if that's a problem for you, you're the problem), but the fact that it veers between the past and the present, going on tangents about Reese and Amy's past. Sometimes it seemed like it just needed a strong edit, with someone willing to strike about half of those passages. Or perhaps I just wanted to get on with the present, the impending baby, and Reese, Katrina, and Ames' story. I'm not sure. But I was nearly compelled to skim some of these long passages. It was just a lot. And then, after all that, the book just sort of ended, to me, without much resolution, and I felt a bit betrayed.
Still, do not get me wrong. This is an excellent and important story, and more such stories like this need to be told. I definitely recommend it, and I bet any forthcoming books from Peters will only get better and better. 3.5
Reese and Amy nearly had it all--a loving relationship, an apartment, and safety in each other: something extremely difficult for trans women to find. But that all changes when Amy decides to detransition and become Ames. Now Reese feels lost and alone, turning to her old patterns of sleeping with men who treat her poorly. And Ames isn't particularly happy either, though he's found a sort of comfort in his relationship with his boss, Katrina. But when Katrina discovers she's pregnant--with Ames' child--Ames is forced to confront a lot of his fears about masculinity and fatherhood. He also wonders if it's a chance for family. Reese has always longed for a baby; could he, Reese, and Katrina raise this child together?
"Somewhere, somehow, Amy did the impossible. She got herself a baby."
I love that this diverse book was my 300th read for Netgalley. I love love love that there is a story about trans women being celebrated and heralded on "must read" lists. I enjoyed so much about this book. Reese and Amy are detailed and realistic characters who--to me at least--did not seem stereotypical or one-dimensional. I felt like I learned so much reading their raw, emotional, and lovely story.
The tale of Ames becoming a parent--and wanting to involve Reese--was an interesting and dynamic one for me. I could completely understand Reese's longing for motherhood and how she felt on the outside looking in. This part of the book was original and fascinating. Pieces of the story were utterly hilarious, despite some of the serious subject matter. There is a chapter where Reese attends an essential oils party with Katrina and other straight/cis women that made me laugh out loud. Peters captures her voice so perfectly. There's a vulnerability and realness to Reese that makes her a captivating character from the start.
"Reese had already diagnosed her own problem. She didn't know how to be alone. She fled from her own company, from her own solitude."
The hardest part for me about this book had nothing to do with its subject matter (if that's a problem for you, you're the problem), but the fact that it veers between the past and the present, going on tangents about Reese and Amy's past. Sometimes it seemed like it just needed a strong edit, with someone willing to strike about half of those passages. Or perhaps I just wanted to get on with the present, the impending baby, and Reese, Katrina, and Ames' story. I'm not sure. But I was nearly compelled to skim some of these long passages. It was just a lot. And then, after all that, the book just sort of ended, to me, without much resolution, and I felt a bit betrayed.
Still, do not get me wrong. This is an excellent and important story, and more such stories like this need to be told. I definitely recommend it, and I bet any forthcoming books from Peters will only get better and better. 3.5
Lucy Buglass (45 KP) rated Rare Beasts (2019) in Movies
Oct 14, 2019
Directorial debuts are tough, and it gives people a chance to establish their personal style. Sadly for me, Billie Piper’s first film had a style that didn’t sit well with me at all. She was heavily involved in the project; directing, writing and starring in it, but her unique first film is perhaps a bit too quirky.
Rare Beasts follows Mandy, a career-driven single mother (Billie Piper) and her turbulent relationship with Pete (Leo Bill). Possibly the most frustrating thing about this film as it’s unclear why the two of them even ended up together at all.
It’s not uncommon for people to choose poorly when they’re dating, and end up in a relationship that doesn’t work, but Rare Beasts offers no reason for the two to even end up together in the first place. Mandy’s a single mother, she’s wild, she wears bold clothing, and Pete is a traditionalist who is, frankly, a misogynist with anger issues.
Interestingly, the film’s synopsis describes Pete as ‘charming’, and I’m unable to see that quality in him, nor is it ever shown from Mandy’s point of view. She never once looks at Pete lovingly, or seems charmed by him.
The lack of context or any indication as to what drove them to be together is a problem for me. Even if we saw one tiny nice moment between them it would make sense, but throughout the film they’re consistently awful to each other with no redeeming features.
Combined with a narrative that is all over the place and dialogue that feels very unnatural, it comes across as jarring most of the time. I have no issue with unconventional film styles, but I found it very hard to follow what was going on at various points.
It seems Rare Beasts is confused about what tone its actually going for, switching between whimsical musical style scenes (minus the music or singing) and gritty realism in a matter of seconds.
I appreciated the efforts to raise awareness of social issues such as domestic abuse, gender inequalities and the struggles of bringing up a child as a single parent, but these messages are squashed by a visual style that is rather overwhelming.
There is also a sub-plot involving Mandy’s parents (Kerry Fox and David Thewlis), who have separated but appear to have a complicated relationship. This is never fully explained either so it’s hard to connect with them, especially when Mandy’s mother falls ill.
This attempt to tug at our heartstrings falls flat, which is disappointing as it had the potential to bring some real, raw emotion to Rare Beasts. Sadly it’s as disjoined and confusing as Mandy and Pete’s relationship.
It’s clear those involved in the film gave it their all, and I can’t fault the quality of the actors even though some of the lines didn’t work and felt too far removed from natural conversation to be taken seriously. At least they tried.
Billie Piper has talent, there’s no doubt about it, but she hasn’t quite made it work in this very daring debut behind the camera. If Rare Beasts was attempting to be relatable and resonate with audiences, it failed to do that with me.
Rare Beasts follows Mandy, a career-driven single mother (Billie Piper) and her turbulent relationship with Pete (Leo Bill). Possibly the most frustrating thing about this film as it’s unclear why the two of them even ended up together at all.
It’s not uncommon for people to choose poorly when they’re dating, and end up in a relationship that doesn’t work, but Rare Beasts offers no reason for the two to even end up together in the first place. Mandy’s a single mother, she’s wild, she wears bold clothing, and Pete is a traditionalist who is, frankly, a misogynist with anger issues.
Interestingly, the film’s synopsis describes Pete as ‘charming’, and I’m unable to see that quality in him, nor is it ever shown from Mandy’s point of view. She never once looks at Pete lovingly, or seems charmed by him.
The lack of context or any indication as to what drove them to be together is a problem for me. Even if we saw one tiny nice moment between them it would make sense, but throughout the film they’re consistently awful to each other with no redeeming features.
Combined with a narrative that is all over the place and dialogue that feels very unnatural, it comes across as jarring most of the time. I have no issue with unconventional film styles, but I found it very hard to follow what was going on at various points.
It seems Rare Beasts is confused about what tone its actually going for, switching between whimsical musical style scenes (minus the music or singing) and gritty realism in a matter of seconds.
I appreciated the efforts to raise awareness of social issues such as domestic abuse, gender inequalities and the struggles of bringing up a child as a single parent, but these messages are squashed by a visual style that is rather overwhelming.
There is also a sub-plot involving Mandy’s parents (Kerry Fox and David Thewlis), who have separated but appear to have a complicated relationship. This is never fully explained either so it’s hard to connect with them, especially when Mandy’s mother falls ill.
This attempt to tug at our heartstrings falls flat, which is disappointing as it had the potential to bring some real, raw emotion to Rare Beasts. Sadly it’s as disjoined and confusing as Mandy and Pete’s relationship.
It’s clear those involved in the film gave it their all, and I can’t fault the quality of the actors even though some of the lines didn’t work and felt too far removed from natural conversation to be taken seriously. At least they tried.
Billie Piper has talent, there’s no doubt about it, but she hasn’t quite made it work in this very daring debut behind the camera. If Rare Beasts was attempting to be relatable and resonate with audiences, it failed to do that with me.
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