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pheebs (3 KP) rated Simon vs. the Homo Sapiens Agenda in Books
Nov 23, 2017
The plot is progressive and thoroughly entertaining. (1 more)
The main character is a big fan of musical theatre, stars in Oliver (a play that I love)
Hands down the best biscuit is an oreo
Synopsis:Simon Spier is sixteen and trying to work out who he is – and what hes looking for. But when one of his emails to the very distracting blue falls into the wrong hands, things get all kinds of complicated. Because for Simon, falling for Blue is a big deal.
‘The love child of John Green and Rainbow Rowell’ – Teen Vogue
“The best kind of love story.”—Alex Sanchez, Lambda Award-winning author of Rainbow Boys and Boyfriends with Girlfriends
This book is a whirlwind of emotions, as soon as I finished scouring its pages I felt as if I had to read the book all over again, I did then abruptly lent it to a friend who found it just as amazing as I did. It’s a heartfelt story which really seems to capture the essence of being a teen in modern-day society, dealing with our problems, our worries, our trials and tribulations.
The main character is Simon, a boy who is finding life hard, with an overly happy family who like to be very involved and love to talk openly about their feelings, something that Simon is finding increasingly hard more specifically with his sexual preferences. The protagonist of the story is an unlikely fellow who creates dilemmas in Simon’s mind as he wishes to save his previous ‘Blue’. Simon is surrounded by bountiful characters that link smoothly into to his life an thoughts in a normal manner. We learn about his family through his fond memories and thoughts as well as the conversations they exchange in the book, the same can be said for his closest friends. He has three friends that stand out as more prominent characters, the book also focuses on how his relations with them change and how it affects them.
The book is written in a subjective narrative, it tells us only the information that Simon knows so that we know no more or less than him, equating to us having a possibly bias view towards certain characters, thus once again making it more realistic. It deals with problems that teens struggling with their sexuality in day-to-day life face both in the real world and the cyber one. It reveals to us just how hard it is to control information that gets leaked out onto the internet, how fast it can spread and change your life in the ‘real’ world. Your life can be drastically altered by a few words and a persons malicious intentions and this book helps prove just how down heartening it can be as well as focusing on the light at the other end of the tunnel.
All of the characters play great roles in Simon’s life, he lives in a very open family so he feels as if he is keeping something terrible from them especially with of hand comments that his fathers sometimes makes. We read about different things in his life that he loves such as drama, as he attends school play rehearsals often.he deals with the struggles of maintaining friendships under pressure.
I would recommend this book to anyone no matter their age, race, gender or sexual preference. It’s a romantic coming of age comedy that warms me to my toes making me wanting to keep reading over and over again (as I have done many a time). If you liked ‘Will Grayson, Will Grayson’ by John Green and David Levithan then you will most definitely enjoy this book.
‘The love child of John Green and Rainbow Rowell’ – Teen Vogue
“The best kind of love story.”—Alex Sanchez, Lambda Award-winning author of Rainbow Boys and Boyfriends with Girlfriends
This book is a whirlwind of emotions, as soon as I finished scouring its pages I felt as if I had to read the book all over again, I did then abruptly lent it to a friend who found it just as amazing as I did. It’s a heartfelt story which really seems to capture the essence of being a teen in modern-day society, dealing with our problems, our worries, our trials and tribulations.
The main character is Simon, a boy who is finding life hard, with an overly happy family who like to be very involved and love to talk openly about their feelings, something that Simon is finding increasingly hard more specifically with his sexual preferences. The protagonist of the story is an unlikely fellow who creates dilemmas in Simon’s mind as he wishes to save his previous ‘Blue’. Simon is surrounded by bountiful characters that link smoothly into to his life an thoughts in a normal manner. We learn about his family through his fond memories and thoughts as well as the conversations they exchange in the book, the same can be said for his closest friends. He has three friends that stand out as more prominent characters, the book also focuses on how his relations with them change and how it affects them.
The book is written in a subjective narrative, it tells us only the information that Simon knows so that we know no more or less than him, equating to us having a possibly bias view towards certain characters, thus once again making it more realistic. It deals with problems that teens struggling with their sexuality in day-to-day life face both in the real world and the cyber one. It reveals to us just how hard it is to control information that gets leaked out onto the internet, how fast it can spread and change your life in the ‘real’ world. Your life can be drastically altered by a few words and a persons malicious intentions and this book helps prove just how down heartening it can be as well as focusing on the light at the other end of the tunnel.
All of the characters play great roles in Simon’s life, he lives in a very open family so he feels as if he is keeping something terrible from them especially with of hand comments that his fathers sometimes makes. We read about different things in his life that he loves such as drama, as he attends school play rehearsals often.he deals with the struggles of maintaining friendships under pressure.
I would recommend this book to anyone no matter their age, race, gender or sexual preference. It’s a romantic coming of age comedy that warms me to my toes making me wanting to keep reading over and over again (as I have done many a time). If you liked ‘Will Grayson, Will Grayson’ by John Green and David Levithan then you will most definitely enjoy this book.
Gareth von Kallenbach (980 KP) rated In Good Company (2004) in Movies
Aug 14, 2019
Carter Duryea (Topher Grace) is a man with goals. At 26, he is heading his mega-companies cell phone sales, and is being groomed for bigger and better things. A golden opportunity is handed to Carter when his company acquires another mega company resulting in his placement in the recently acquired Sports magazine division.
The Sports publication is seen as the jewel of the newly acquired company, and even though he has zero experience with selling magazine advertisement, Carter is sure he can meet the lofty goals he boss has set.
At what should be his greatest moment, carter is troubled as his 7-month marriage to Kimberly (Selma Blair), is falling apart largely due to his workaholic nature and his inability ever to stop thinking or talking about work even when he is on vacation.
On the other side of the spectrum from Carter is Dan Foreman (Dennis Quaid), a father of two daughters and devoted family man, who has been a salesperson at the magazine for twenty years and until the arrival of Carter, head of the department. At 51, Dan is feeling his years as the younger and ambitious Carter seems to be his polar opposite as well as a reminder that his best years may be behind him. Further complicating matters is that Dan’s wife Ann (Marg Helgenberger), is pregnant with their third child at a time when they both thought children were past them.
Despite their differences, Dan and Carter work with one another, despite conflicts over issues ranging the future of the company to planned layoffs of staff personally picked years ago by Dan. One day after inviting himself to dinner at Dan’s home, Carter meets Dan’s college aged daughter Alex (Scarlett Johansson), who although only 21 catches the eye of Carter.
Months later a chance meeting between Alex and the recently divorced Carter gives rise to a friendship/romance between the two that causes Carter to question his life and envy the family life Dan has been able to create and maintain over the years.
Naturally Dan would not approve of the relationship between carter and Alex so they must keep this a secret as there is enough tension in the workplace due to the ever changing business dynamics.
What follows is a touching, funny, and at times bittersweet look at life, love, business, and friendship that does a remarkable job of making the characters not only real, but sympathetic as for the most part, there are no bad people in this story, only those who are confused and unsure about life.
The strength in the film is mixed well between a good script, solid direction by Paul Weitz, and solid performances by all the leads. The pacing of the film is perfect as it never seems rushed and does not drag in parts. Even when two characters are having a simple discussion over how to best approach a client, the film always holds your interest. It was refreshing to see a movie that did not take the easy way out and try to wrap everything in a pretty bow at the films end, but rather like life, left new opportunities and directions as possibilities as after all, that is what life is.
There is also a very good message to the film about what is really important in life and the need to have priorities rather than title and position as the real measure of success is happiness, security and love rather than position and material goods.
Easily the best film of 2005 and one of the better films in recent memory..
The Sports publication is seen as the jewel of the newly acquired company, and even though he has zero experience with selling magazine advertisement, Carter is sure he can meet the lofty goals he boss has set.
At what should be his greatest moment, carter is troubled as his 7-month marriage to Kimberly (Selma Blair), is falling apart largely due to his workaholic nature and his inability ever to stop thinking or talking about work even when he is on vacation.
On the other side of the spectrum from Carter is Dan Foreman (Dennis Quaid), a father of two daughters and devoted family man, who has been a salesperson at the magazine for twenty years and until the arrival of Carter, head of the department. At 51, Dan is feeling his years as the younger and ambitious Carter seems to be his polar opposite as well as a reminder that his best years may be behind him. Further complicating matters is that Dan’s wife Ann (Marg Helgenberger), is pregnant with their third child at a time when they both thought children were past them.
Despite their differences, Dan and Carter work with one another, despite conflicts over issues ranging the future of the company to planned layoffs of staff personally picked years ago by Dan. One day after inviting himself to dinner at Dan’s home, Carter meets Dan’s college aged daughter Alex (Scarlett Johansson), who although only 21 catches the eye of Carter.
Months later a chance meeting between Alex and the recently divorced Carter gives rise to a friendship/romance between the two that causes Carter to question his life and envy the family life Dan has been able to create and maintain over the years.
Naturally Dan would not approve of the relationship between carter and Alex so they must keep this a secret as there is enough tension in the workplace due to the ever changing business dynamics.
What follows is a touching, funny, and at times bittersweet look at life, love, business, and friendship that does a remarkable job of making the characters not only real, but sympathetic as for the most part, there are no bad people in this story, only those who are confused and unsure about life.
The strength in the film is mixed well between a good script, solid direction by Paul Weitz, and solid performances by all the leads. The pacing of the film is perfect as it never seems rushed and does not drag in parts. Even when two characters are having a simple discussion over how to best approach a client, the film always holds your interest. It was refreshing to see a movie that did not take the easy way out and try to wrap everything in a pretty bow at the films end, but rather like life, left new opportunities and directions as possibilities as after all, that is what life is.
There is also a very good message to the film about what is really important in life and the need to have priorities rather than title and position as the real measure of success is happiness, security and love rather than position and material goods.
Easily the best film of 2005 and one of the better films in recent memory..
Kristy H (1252 KP) rated Scrappy Little Nobody in Books
Feb 1, 2018
Anna Kendrick has been acting (and singing) since childhood, and her autobiography chronicles her growth as an actress and person, as told in little snippets and essays. Grouped in assorted themes, we hear from various stages of Anna's life, spanning her childhood to present day, and learn how Anna, a tiny scrappy kid, became a famous, Oscar-nominated actress. The book touches on her fame, as well as her personal thoughts and feelings.
I've always enjoyed Kendrick and have seen several of her films (and heard her sing about a million times, thanks to my young children and the popularity of the film, <i>Trolls</i>) but didn't know a lot about her early career. Her autobiography does a good job of filling in some of the gaps of Anna's childhood career (working on Broadway at twelve - who knew?!), but isn't told in any chronological order, so we don't get a sense of any real span of her career from Point A to B. Most of the book is told in short little bits. Many of them are quite funny stories, and there are some truly laugh out loud moments. In many cases, Kendrick is a very relatable person, who seems like the type of friend you'd like to hang out with. At other points, she seemed a bit whiny, and for me, the book spent too much time with her protesting about some of the travails of being in the celebrity industry. I can only take so much "woe is me" from famous people who write books about their lives.
The book is on more solid ground when we're reading about Anna's early life, where you gain a true admiration for her talent, and with her silly and snarky stories about her misanthropic personality (misanthropes unite!). Still, the jumping back and forth in time makes it hard to get a true trace on the arc of her life at times, and beyond some of the complaining and expounding on the travails of award shows, press junkets, and the like, there wasn't as much about her post-fame life as I was interested in.
If you like Kendrick's films, or her twitter feed, you'll probably enjoy the book and its organization, even if you find yourself wishing for a little more at the end. She's led an interesting life so far, and I'm sure another autobiography down the road would be quite intriguing.
I've always enjoyed Kendrick and have seen several of her films (and heard her sing about a million times, thanks to my young children and the popularity of the film, <i>Trolls</i>) but didn't know a lot about her early career. Her autobiography does a good job of filling in some of the gaps of Anna's childhood career (working on Broadway at twelve - who knew?!), but isn't told in any chronological order, so we don't get a sense of any real span of her career from Point A to B. Most of the book is told in short little bits. Many of them are quite funny stories, and there are some truly laugh out loud moments. In many cases, Kendrick is a very relatable person, who seems like the type of friend you'd like to hang out with. At other points, she seemed a bit whiny, and for me, the book spent too much time with her protesting about some of the travails of being in the celebrity industry. I can only take so much "woe is me" from famous people who write books about their lives.
The book is on more solid ground when we're reading about Anna's early life, where you gain a true admiration for her talent, and with her silly and snarky stories about her misanthropic personality (misanthropes unite!). Still, the jumping back and forth in time makes it hard to get a true trace on the arc of her life at times, and beyond some of the complaining and expounding on the travails of award shows, press junkets, and the like, there wasn't as much about her post-fame life as I was interested in.
If you like Kendrick's films, or her twitter feed, you'll probably enjoy the book and its organization, even if you find yourself wishing for a little more at the end. She's led an interesting life so far, and I'm sure another autobiography down the road would be quite intriguing.
21 Days to Resilience: How to Transcend the Daily Grind, Deal with the Tough Stuff, and Discover Your Strongest Self
Book
Happiness is not about wishful thinking, good luck, or avoiding negative thoughts. In fact, the only...
LeftSideCut (3776 KP) rated American Horror Story - Season 7 in TV
Mar 8, 2020
Season 7 of American Horror Story, subtitled Cult, is a weird one. Instead of focusing on the supernatural, ghosts, witches, haunted houses, Cult is a trip through the delicacy of the human mind. It instead looks at fears, real world issues, and of course, the presence of an all too familiar cult like family.
This makes for some of the best and worst aspects of AHS Cult. The plot leans heavily into politics this time around, originally airing not long Donald Trump was sworn in. I personally like that this season takes this real world event, and explores the horror that some people experienced during this time. Others would argue that it's very on-the-nose, which is somewhat true. Some of the political leanings carry all the subtlety of a stampeding cattle herd, andnat times can feel heavy handed.
Underneath all of the IRL shit that's going on, we also have a plot of intrigue and mystery, as the main character Ally (Sarah Paulson) is being apparently being stalked and pursued by clowns - her worst fear. We are given reason to believe that perhaps Ally is losing her mind, off her meds, upset with the election result, but as the season continues, you find yourself questioning whether she is in fact being gaslighted. Manipulation of what you believe to be true or false is a terrible horror all on its own, and a big reason why I rate this season highly.
The star of Cult for me though was of course Evan Peters. Playing a deranged political candidate called Kai Anderson, it's not long before his extreme right views Garner him a following, and the titular cult is created. To say anymore would be considered spoilers, but rest assured that all of these plot strands weave together by the time the story climaxes.
Evan Peters role in Cult is my favourite performance if his to date. His character is simultaneously charming, terrifying, smart, and unhinged, and he does a fantastic job in bringing him to life.
The plot also touches upon other real world figures, such as Charles Manson. Those parts were pretty interesting, but when the show flashes back and focuses on Valerie Solanis (Lena Dunham), it lost me a bit. I like when AHS includes real life characters, and it's always fun to see how they are interpreted in this kind of media, but it goes a bit overboard with it's hammy stuff (again) at times - the whole Andy Warhol plot was a massive eye roll in my book - and the Solanis stuff is just plain unenjoyable to watch.
This whole side plot really drags down the quality of cult to me, but the strong performances by Sarah Paulson and Evan Peters is enough to keep it in a higher placing for me.
Certainly not my favourite, and certainly not my least, Cult sits somewhere in the middle, and I can only praise the writers for trying something new with the horror element. Good stuff.
This makes for some of the best and worst aspects of AHS Cult. The plot leans heavily into politics this time around, originally airing not long Donald Trump was sworn in. I personally like that this season takes this real world event, and explores the horror that some people experienced during this time. Others would argue that it's very on-the-nose, which is somewhat true. Some of the political leanings carry all the subtlety of a stampeding cattle herd, andnat times can feel heavy handed.
Underneath all of the IRL shit that's going on, we also have a plot of intrigue and mystery, as the main character Ally (Sarah Paulson) is being apparently being stalked and pursued by clowns - her worst fear. We are given reason to believe that perhaps Ally is losing her mind, off her meds, upset with the election result, but as the season continues, you find yourself questioning whether she is in fact being gaslighted. Manipulation of what you believe to be true or false is a terrible horror all on its own, and a big reason why I rate this season highly.
The star of Cult for me though was of course Evan Peters. Playing a deranged political candidate called Kai Anderson, it's not long before his extreme right views Garner him a following, and the titular cult is created. To say anymore would be considered spoilers, but rest assured that all of these plot strands weave together by the time the story climaxes.
Evan Peters role in Cult is my favourite performance if his to date. His character is simultaneously charming, terrifying, smart, and unhinged, and he does a fantastic job in bringing him to life.
The plot also touches upon other real world figures, such as Charles Manson. Those parts were pretty interesting, but when the show flashes back and focuses on Valerie Solanis (Lena Dunham), it lost me a bit. I like when AHS includes real life characters, and it's always fun to see how they are interpreted in this kind of media, but it goes a bit overboard with it's hammy stuff (again) at times - the whole Andy Warhol plot was a massive eye roll in my book - and the Solanis stuff is just plain unenjoyable to watch.
This whole side plot really drags down the quality of cult to me, but the strong performances by Sarah Paulson and Evan Peters is enough to keep it in a higher placing for me.
Certainly not my favourite, and certainly not my least, Cult sits somewhere in the middle, and I can only praise the writers for trying something new with the horror element. Good stuff.
CSR Racing 2
Games and Entertainment
App
CSR Racing 2 – The next chapter to the #1 drag racing franchise of all time has arrived. ...
Transit • Bus & Subway Times
Navigation and Travel
App
“You won't realize how much time you can save planning until you use this app” - LA Times...
Suswatibasu (1703 KP) rated Loving (2016) in Movies
Nov 8, 2017 (Updated Nov 8, 2017)
Rather stunning, poignant film
What makes this beautiful story so wonderful is the fact that it crosses boundaries in an unpretentious way. Based on a true story, there were ample chances to go over the top. However, there is no civil rights action, or major protestations, as portrayed in some other Hollywood films, keeping court scenes to a minimum.
The plot follows the real case Loving Vs. Virginia, in which a white man marries a black woman in the 1950's. At that time, interracial marriages were deemed illegal under segregation laws, and even the constitution. And in 1958, the couple were arrested after they secretly wed in Washington. They pleaded guilty and were forced to leave the state, banished for 25 years. But five years later, they return vowing to fight for their right to stay with each other, and now their three young children in the place which they call home.
The entire movie is quiet, and it is all conveyed through quite fantastic acting, subtle facial expressions, sounds, cinematography and minimal dialogue. The director makes the portrayal as accurate as possible - even posing scenes from real photographs posted in Life magazine at the time. And the tension from constantly keeping an eye out for authorities is palpable in Joel Edgerton's (Richard Loving) demeanour. It is a rare mainstream film that provokes frustration and rage without resorting to monologues or melodrama.
The plot follows the real case Loving Vs. Virginia, in which a white man marries a black woman in the 1950's. At that time, interracial marriages were deemed illegal under segregation laws, and even the constitution. And in 1958, the couple were arrested after they secretly wed in Washington. They pleaded guilty and were forced to leave the state, banished for 25 years. But five years later, they return vowing to fight for their right to stay with each other, and now their three young children in the place which they call home.
The entire movie is quiet, and it is all conveyed through quite fantastic acting, subtle facial expressions, sounds, cinematography and minimal dialogue. The director makes the portrayal as accurate as possible - even posing scenes from real photographs posted in Life magazine at the time. And the tension from constantly keeping an eye out for authorities is palpable in Joel Edgerton's (Richard Loving) demeanour. It is a rare mainstream film that provokes frustration and rage without resorting to monologues or melodrama.
RəX Regent (349 KP) rated Jaws (1975) in Movies
Feb 19, 2019
The movie which heralded the summer blockbuster has never looked so good. At 44, this is a well but gently paced slow-burn thriller, with a mix of easy on eye thrills and gritty human discourse. Robert Shaw may well have made this his film, but he was far from alone. Almost all the lead cast were more than worthy, and it was Spielberg’s young direction along with John William’s iconic score which propelled this from just another thriller into a timeless tale.
Though in many ways it looks dated, it doesn’t feel it. It has a very general sense of a seaside resort, without the gratuitous Baywatch glamour, nor the dinge of the horror genre. The people and locations feel very real and even though the shark itself is a bit of a let down, it is not a total loss and has taken nothing away from the film.
But for my money, the defining moment is the ‘Indianapolis’ anecdote as told be Shaw. The entire scene is played and shot so well and its placement within the film is perfect. This was a real story about an almost fantastical threat, but like he would go onto do later with Jurassic Park, taking you out of every day life without taking you into space is what Spielberg does best.
This is a must see and always will be. This is one of the best films of the 70’s and beyond…
Though in many ways it looks dated, it doesn’t feel it. It has a very general sense of a seaside resort, without the gratuitous Baywatch glamour, nor the dinge of the horror genre. The people and locations feel very real and even though the shark itself is a bit of a let down, it is not a total loss and has taken nothing away from the film.
But for my money, the defining moment is the ‘Indianapolis’ anecdote as told be Shaw. The entire scene is played and shot so well and its placement within the film is perfect. This was a real story about an almost fantastical threat, but like he would go onto do later with Jurassic Park, taking you out of every day life without taking you into space is what Spielberg does best.
This is a must see and always will be. This is one of the best films of the 70’s and beyond…
BookwormMama14 (18 KP) rated Just the Way You Are (Pleasant Gap Romance #1) in Books
Jan 2, 2019
Just the Way You Are is more than just a good book. It is a modern day fairytale filled with redemption and grace that will capture your heart from the first moment. Within the pages of this book you will find real people, with real life issues. This story will sweep you off your feet and drag you into a world that is every nerd girl's fantasy and you will soon find yourself consumed with researching history, "treasure" hunting, chocolate, British accents, Appalachia, AND.........Kisses.
Chocolate kisses, closet kisses, abandoned tower kisses, leave you senseless kisses...This book is PACKED with such romance that you may need to take precautionary actions to prevent injury from fainting! (such as a fainting couch, fan, smelling salts, etc.)
Don't let the passion fool you though. Pepper writes such sweet, unadulterated romance coupled with complete and total redemption. It blows my mind every single time I read one of her books. Just the Way You Are is the first contemporary novel I have read of Pepper's, and this easily makes it to the top of my favorite Rom Com stories EVER. I wish to see this in movie form so badly! "Ghirardelli in human form"...yes please! Haha!
The adventure, the romance, the grace...all woven together creates a beautiful masterpiece.
I received a complimentary copy of Just the Way You Are. I was not required to write a positive review. All opinions expressed are mine alone.
Chocolate kisses, closet kisses, abandoned tower kisses, leave you senseless kisses...This book is PACKED with such romance that you may need to take precautionary actions to prevent injury from fainting! (such as a fainting couch, fan, smelling salts, etc.)
Don't let the passion fool you though. Pepper writes such sweet, unadulterated romance coupled with complete and total redemption. It blows my mind every single time I read one of her books. Just the Way You Are is the first contemporary novel I have read of Pepper's, and this easily makes it to the top of my favorite Rom Com stories EVER. I wish to see this in movie form so badly! "Ghirardelli in human form"...yes please! Haha!
The adventure, the romance, the grace...all woven together creates a beautiful masterpiece.
I received a complimentary copy of Just the Way You Are. I was not required to write a positive review. All opinions expressed are mine alone.